56716 Résultats
Classification:
recherche
recherche
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Date:
juin 2016 au août 2016
juin 2016 au août 2016
Titre:
Programme pour les doctorants 2016
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Programme pour les doctorants 2016
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Classification:
recherche
recherche
Date:
juin 2016 au
août 2016
juin 2016 au
août 2016
Classification:
recherche
recherche
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook(...)
Subventions de recherche Groupe Banque TD dans la collection du CCA : Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook(...)
Date:
juin 2015 au septembre 2015
juin 2015 au septembre 2015
Titre:
Programme pour les doctorants 2015
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook(...)
Programme pour les doctorants 2015
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook(...)
Classification:
recherche
recherche
Date:
juin 2015 au
septembre 2015
juin 2015 au
septembre 2015
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Personnes et institutions:
Date:
1976
1976
Titre:
Les maisons de la rue Sherbrooke, Montréal, Québec
Actions:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Les maisons de la rue Sherbrooke, Montréal, Québec
Actions:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Niveau de description archivistique:
Project
Project
Date:
1976
1976
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH158261
Description:
Cette chemise contient de la correspondance relative au matériel de l'exposition tenue à Montréal en décembre 1958, telle une lettre du Montreal Construction Centre relative à la participation de Roger D'Astous à Exhibit of 1958 Planned Homes, des documents relatifs à d'autres expositions sur Frank Lloyd Wright qui se tinrent au Musée des Arts décoratifs de Montréal ainsi qu'un exemplaire du catalogue du Tribute to the United Nations - International Festival of Art, October 24 to November 23, 1958.
ARCH158261
Description:
Cette chemise contient de la correspondance relative au matériel de l'exposition tenue à Montréal en décembre 1958, telle une lettre du Montreal Construction Centre relative à la participation de Roger D'Astous à Exhibit of 1958 Planned Homes, des documents relatifs à d'autres expositions sur Frank Lloyd Wright qui se tinrent au Musée des Arts décoratifs de Montréal ainsi qu'un exemplaire du catalogue du Tribute to the United Nations - International Festival of Art, October 24 to November 23, 1958.
Personnes et institutions:
Date:
1958-1995
1958-1995
Titre:
Correspondance relative au matériel de l'exposition
Actions:
ARCH158261
Description:
Cette chemise contient de la correspondance relative au matériel de l'exposition tenue à Montréal en décembre 1958, telle une lettre du Montreal Construction Centre relative à la participation de Roger D'Astous à Exhibit of 1958 Planned Homes, des documents relatifs à d'autres expositions sur Frank Lloyd Wright qui se tinrent au Musée des Arts décoratifs de Montréal ainsi qu'un exemplaire du catalogue du Tribute to the United Nations - International Festival of Art, October 24 to November 23, 1958.
Correspondance relative au matériel de l'exposition
Actions:
ARCH158261
Description:
Cette chemise contient de la correspondance relative au matériel de l'exposition tenue à Montréal en décembre 1958, telle une lettre du Montreal Construction Centre relative à la participation de Roger D'Astous à Exhibit of 1958 Planned Homes, des documents relatifs à d'autres expositions sur Frank Lloyd Wright qui se tinrent au Musée des Arts décoratifs de Montréal ainsi qu'un exemplaire du catalogue du Tribute to the United Nations - International Festival of Art, October 24 to November 23, 1958.
Classification:
documents textuels
documents textuels
Date:
1958-1995
1958-1995
Personnes et institutions:
Classification:
né numérique
Quantité:
4122 digital file(s)
né numérique
Quantité:
4122 digital file(s)
Numéro de référence:
AP174.S1.2006.D2.005
Description:
Contains digital photographs of Strand Tower physical models in the process of being produced at 3D Systems Germany; on display at the Museum of Contemporary Art, Los Angeles; and professionally photographed from a number of angles. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Extensible Markup Language, Rich Text Format
AP174.S1.2006.D2.005
Description:
Contains digital photographs of Strand Tower physical models in the process of being produced at 3D Systems Germany; on display at the Museum of Contemporary Art, Los Angeles; and professionally photographed from a number of angles. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Extensible Markup Language, Rich Text Format
Personnes et institutions:
Date:
2006-2013
2006-2013
Titre:
Photographs of 3D printed models
Actions:
AP174.S1.2006.D2.005
Description:
Contains digital photographs of Strand Tower physical models in the process of being produced at 3D Systems Germany; on display at the Museum of Contemporary Art, Los Angeles; and professionally photographed from a number of angles. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Extensible Markup Language, Rich Text Format
Photographs of 3D printed models
Actions:
AP174.S1.2006.D2.005
Description:
Contains digital photographs of Strand Tower physical models in the process of being produced at 3D Systems Germany; on display at the Museum of Contemporary Art, Los Angeles; and professionally photographed from a number of angles. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Extensible Markup Language, Rich Text Format
Classification:
né numérique
Quantité:
4122 digital file(s)
né numérique
Quantité:
4122 digital file(s)
Date:
2006-2013
2006-2013
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
PH1979:0162.06:014
Description:
Gérard Fontaine writes about the inscriptions in this print: "L'inscription en caractères grecs du VIIIe siècle (byzantins) signifie: 'La Mosaïque décorative a été appliquée pour la première fois en France pour l'ornementation de cette voûte et la vulgarisation de cet art. Les figures peintes par de Curzon ont été exécutées par Salviati, les ornements par Facchina. L'architecture est de Charles Garnier'." (op.cit. p. 127).
PH1979:0162.06:014
Description:
Gérard Fontaine writes about the inscriptions in this print: "L'inscription en caractères grecs du VIIIe siècle (byzantins) signifie: 'La Mosaïque décorative a été appliquée pour la première fois en France pour l'ornementation de cette voûte et la vulgarisation de cet art. Les figures peintes par de Curzon ont été exécutées par Salviati, les ornements par Facchina. L'architecture est de Charles Garnier'." (op.cit. p. 127).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1880
1880
Titre:
Le Nouvel Opéra de Paris. Avant-foyer : détails de la voûte
Actions:
PH1979:0162.06:014
Description:
Gérard Fontaine writes about the inscriptions in this print: "L'inscription en caractères grecs du VIIIe siècle (byzantins) signifie: 'La Mosaïque décorative a été appliquée pour la première fois en France pour l'ornementation de cette voûte et la vulgarisation de cet art. Les figures peintes par de Curzon ont été exécutées par Salviati, les ornements par Facchina. L'architecture est de Charles Garnier'." (op.cit. p. 127).
Le Nouvel Opéra de Paris. Avant-foyer : détails de la voûte
Actions:
PH1979:0162.06:014
Description:
Gérard Fontaine writes about the inscriptions in this print: "L'inscription en caractères grecs du VIIIe siècle (byzantins) signifie: 'La Mosaïque décorative a été appliquée pour la première fois en France pour l'ornementation de cette voûte et la vulgarisation de cet art. Les figures peintes par de Curzon ont été exécutées par Salviati, les ornements par Facchina. L'architecture est de Charles Garnier'." (op.cit. p. 127).
Classification:
oeuvres d'art
oeuvres d'art
Date:
1880
1880
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2006-2017
2006-2017
Titre:
Architecture Forgiven by Nature (2017)
Actions:
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
Architecture Forgiven by Nature (2017)
Actions:
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2006-2017
2006-2017
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257051
Description:
22 files of "Promo Material" consisting of written data and photos - California Plaza, King's Landing Condominiums, Medinah University, Napp Laboratories, University of Arizona School of Business, Roy Thompson Hall, Vancouver Art Gallery, Bank of Canada, Canadian Chancery, Rideau Hall Renovations (Ottawa), Teck Corporation offices, Robson Square, Simon Fraser Universty, Provincial Court Building (Thunder Bay), Banff School of Fine Arts, Markham Civic Centre, Robert McLaughlin Gallery, Promotional Material, AEA brochure covers, title pages, resumes
ARCH257051
Description:
22 files of "Promo Material" consisting of written data and photos - California Plaza, King's Landing Condominiums, Medinah University, Napp Laboratories, University of Arizona School of Business, Roy Thompson Hall, Vancouver Art Gallery, Bank of Canada, Canadian Chancery, Rideau Hall Renovations (Ottawa), Teck Corporation offices, Robson Square, Simon Fraser Universty, Provincial Court Building (Thunder Bay), Banff School of Fine Arts, Markham Civic Centre, Robert McLaughlin Gallery, Promotional Material, AEA brochure covers, title pages, resumes
Personnes et institutions:
Titre:
Project photographs and projects descriptions for promotion
Actions:
ARCH257051
Description:
22 files of "Promo Material" consisting of written data and photos - California Plaza, King's Landing Condominiums, Medinah University, Napp Laboratories, University of Arizona School of Business, Roy Thompson Hall, Vancouver Art Gallery, Bank of Canada, Canadian Chancery, Rideau Hall Renovations (Ottawa), Teck Corporation offices, Robson Square, Simon Fraser Universty, Provincial Court Building (Thunder Bay), Banff School of Fine Arts, Markham Civic Centre, Robert McLaughlin Gallery, Promotional Material, AEA brochure covers, title pages, resumes
Project photographs and projects descriptions for promotion
Actions:
ARCH257051
Description:
22 files of "Promo Material" consisting of written data and photos - California Plaza, King's Landing Condominiums, Medinah University, Napp Laboratories, University of Arizona School of Business, Roy Thompson Hall, Vancouver Art Gallery, Bank of Canada, Canadian Chancery, Rideau Hall Renovations (Ottawa), Teck Corporation offices, Robson Square, Simon Fraser Universty, Provincial Court Building (Thunder Bay), Banff School of Fine Arts, Markham Civic Centre, Robert McLaughlin Gallery, Promotional Material, AEA brochure covers, title pages, resumes
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
Localisation:
Salles principales
Salles principales
Date:
19 octobre 1994 au 8 janvier 1995
19 octobre 1994 au 8 janvier 1995
Titre:
Stratégies urbaines : projets récents
Actions:
Description:
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
Stratégies urbaines : projets récents
Actions:
Description:
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
Classification:
expositions
expositions
Date:
19 octobre 1994 au
8 janvier 1995
19 octobre 1994 au
8 janvier 1995
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Actions:
Description:
En 1982, le CCA organise sa première exposition, Photographie et architecture : 1839–1939, avant même que soit construit l’actuel bâtiment abritant le musée. L’exposition est présentée à la Galerie Lempertz Contempora à Cologne (1982), à l’Art Institute of Chicago (1983), au Cooper-Hewitt National Design Museum à New York (1983), au Centre Georges-Pompidou à Paris (1984)(...)
En 1982, le CCA organise sa première exposition, Photographie et architecture : 1839–1939, avant même que soit construit l’actuel bâtiment abritant le musée. L’exposition est présentée à la Galerie Lempertz Contempora à Cologne (1982), à l’Art Institute of Chicago (1983), au Cooper-Hewitt National Design Museum à New York (1983), au Centre Georges-Pompidou à Paris (1984)(...)
Date:
15 septembre 1982 au 16 octobre 1982
15 septembre 1982 au 16 octobre 1982
Titre:
Photographie et architecture : 1839–1939
Actions:
Description:
En 1982, le CCA organise sa première exposition, Photographie et architecture : 1839–1939, avant même que soit construit l’actuel bâtiment abritant le musée. L’exposition est présentée à la Galerie Lempertz Contempora à Cologne (1982), à l’Art Institute of Chicago (1983), au Cooper-Hewitt National Design Museum à New York (1983), au Centre Georges-Pompidou à Paris (1984)(...)
Photographie et architecture : 1839–1939
Actions:
Description:
En 1982, le CCA organise sa première exposition, Photographie et architecture : 1839–1939, avant même que soit construit l’actuel bâtiment abritant le musée. L’exposition est présentée à la Galerie Lempertz Contempora à Cologne (1982), à l’Art Institute of Chicago (1983), au Cooper-Hewitt National Design Museum à New York (1983), au Centre Georges-Pompidou à Paris (1984)(...)
Classification:
expositions
expositions
Date:
15 septembre 1982 au
16 octobre 1982
15 septembre 1982 au
16 octobre 1982
