2616 Résultats
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livres
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143 pages : illustrations ; 16 cm
Description:
143 pages : illustrations ; 16 cm
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Moskva : "Iskusstvo", 1974.
Moskva : "Iskusstvo", 1974.
Titre:
Каргополье--Онега. / Г.П. Гунн. Kargopolʹe--Onega. / G.P. Gunn.
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Description:
143 pages : illustrations ; 16 cm
Каргополье--Онега. / Г.П. Гунн. Kargopolʹe--Onega. / G.P. Gunn.
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Description:
143 pages : illustrations ; 16 cm
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livres
livres
Publication:
Moskva : "Iskusstvo", 1974.
Moskva : "Iskusstvo", 1974.
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89 pages 25 plates 27 cm.
Description:
89 pages 25 plates 27 cm.
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Roma, 1971.
Roma, 1971.
Titre:
La chiesa di S. [i.e. Sant'] Ejmiacin a Soradir ...
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89 pages 25 plates 27 cm.
La chiesa di S. [i.e. Sant'] Ejmiacin a Soradir ...
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89 pages 25 plates 27 cm.
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livres
livres
Publication:
Roma, 1971.
Roma, 1971.
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livres
livres
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Description:
297 pages : 212 color illustrations ; 27 cm
Description:
297 pages : 212 color illustrations ; 27 cm
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Leningrad : Aurora Art Publishers, [1976], ©1976
Leningrad : Aurora Art Publishers, [1976], ©1976
Titre:
Architecture of the Russian North, 12th-19th centuries / compiled and introduced by B. Fiodorov ; foreword by S. Vikulov ; photographs by V. Savik ; translated by N. Johnstone.
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297 pages : 212 color illustrations ; 27 cm
Architecture of the Russian North, 12th-19th centuries / compiled and introduced by B. Fiodorov ; foreword by S. Vikulov ; photographs by V. Savik ; translated by N. Johnstone.
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Description:
297 pages : 212 color illustrations ; 27 cm
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livres
livres
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Leningrad : Aurora Art Publishers, [1976], ©1976
Leningrad : Aurora Art Publishers, [1976], ©1976
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livres
livres
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$48.95
(disponible sur commande)
Résumé:
In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take(...)
$48.95
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Résumé:
In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take(...)
Sujet:
Monographies photo
Monographies photo
Publication:
octobre 2020
octobre 2020
Titre:
Arseniy Kotov: Soviet cities: labour, life and leisure
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$48.95
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In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the 'blue hour,' which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colors inside apartment-block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space. From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner-city Volgograd, Kotov captures the essence of the post-Soviet world.
Arseniy Kotov: Soviet cities: labour, life and leisure
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$48.95
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In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the 'blue hour,' which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colors inside apartment-block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space. From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner-city Volgograd, Kotov captures the essence of the post-Soviet world.
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livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Monographies photo
Monographies photo
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livres
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28, [1] pages including plates, portraits ; 15 x 11 cm
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28, [1] pages including plates, portraits ; 15 x 11 cm
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Publication:
Moscow : Foreign languages Publishing House, 1939.
Moscow : Foreign languages Publishing House, 1939.
Titre:
Scientific work of our polar expedition / by E. Fydorov.
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28, [1] pages including plates, portraits ; 15 x 11 cm
Scientific work of our polar expedition / by E. Fydorov.
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28, [1] pages including plates, portraits ; 15 x 11 cm
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livres
livres
Publication:
Moscow : Foreign languages Publishing House, 1939.
Moscow : Foreign languages Publishing House, 1939.
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livres
livres
Prix:
$48.99
(disponible sur commande)
Résumé:
During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and(...)
$48.99
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Résumé:
During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and(...)
Titre:
Architecture of life: Soviet modernism and the human sciences
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$48.99
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, ''Architecture of life'' explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured.
Architecture of life: Soviet modernism and the human sciences
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$48.99
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, ''Architecture of life'' explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured.
Classification:
livres
livres
Publication:
août 2022
août 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$63.95
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Résumé:
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer”(...)
$63.95
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Résumé:
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer”(...)
Publication:
septembre 2018
septembre 2018
Titre:
Soviet salvage: Imperial debris, revolutionary reuse, and Russian Constructivism
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$63.95
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
Soviet salvage: Imperial debris, revolutionary reuse, and Russian Constructivism
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$63.95
(disponible sur commande)
Résumé:
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
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livres
livres
Publication:
septembre 2018
septembre 2018
Classification:
livres
livres
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Description:
287 pages : illustrations (some color) ; 30 cm
Description:
287 pages : illustrations (some color) ; 30 cm
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Publication:
Moskva : "Iskusstvo", 1983.
Moskva : "Iskusstvo", 1983.
Titre:
Русское деревянное зодчество : гражданское зодчество / А.В. Ополовников. Russkoe derevi︠a︡nnoe zodchestvo : grazhdanskoe zodchestvo / A.V. Opolovnikov.
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287 pages : illustrations (some color) ; 30 cm
Русское деревянное зодчество : гражданское зодчество / А.В. Ополовников. Russkoe derevi︠a︡nnoe zodchestvo : grazhdanskoe zodchestvo / A.V. Opolovnikov.
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Description:
287 pages : illustrations (some color) ; 30 cm
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livres
livres
Publication:
Moskva : "Iskusstvo", 1983.
Moskva : "Iskusstvo", 1983.
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livres
livres
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$32.95
(disponible sur commande)
Résumé:
The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. "Modernism and the Making of the Soviet New Man" explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that(...)
$32.95
(disponible sur commande)
Résumé:
The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. "Modernism and the Making of the Soviet New Man" explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that(...)
Titre:
Modernism and the making of the Soviet new man
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$32.95
(disponible sur commande)
Résumé:
The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. "Modernism and the Making of the Soviet New Man" explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that most clearly articulated the dynamic of the socialist project as a negotiation between utopia and reality, the will for progress and the will for tyranny. It was a comprehensive effort that brought together professional architects and statisticians, theatre directors, managers, housewives, pilots, construction workers. What they had in common was the enthusiasm for defining the "new man", the ideal citizen of the radiant future, and the settings in which he or she lives.
Modernism and the making of the Soviet new man
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$32.95
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Résumé:
The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. "Modernism and the Making of the Soviet New Man" explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that most clearly articulated the dynamic of the socialist project as a negotiation between utopia and reality, the will for progress and the will for tyranny. It was a comprehensive effort that brought together professional architects and statisticians, theatre directors, managers, housewives, pilots, construction workers. What they had in common was the enthusiasm for defining the "new man", the ideal citizen of the radiant future, and the settings in which he or she lives.
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livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Modernisme
Modernisme
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audio
audio
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1 online resource.
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[Place of publication not identified] : New Models, 2022.
[Place of publication not identified] : New Models, 2022.
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audio
audio
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[Place of publication not identified] : New Models, 2022.
[Place of publication not identified] : New Models, 2022.
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