Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
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C magazine 137
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This issue of C magazine features: Maandeeq Mohamed; Sepake Angiama, Clare Butcher, Brian McBay, and Jesse McKee; Natasha Chaykowski; Greta Hamilton. Includes also artist's projects by Rajni Perera and Negarra A. Kudumu.
C magazine 137
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This issue of C magazine features: Maandeeq Mohamed; Sepake Angiama, Clare Butcher, Brian McBay, and Jesse McKee; Natasha Chaykowski; Greta Hamilton. Includes also artist's projects by Rajni Perera and Negarra A. Kudumu.
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Nouveau Projet 13 printemps-été 2018, se consacre à la question de la qualité de vie. De quoi parle-t-on, au juste? En existe-t-il une conception neutre, apolitique et universelle? Peut-on la mesurer, elle qui, par essence, devrait échapper à la quantification?
Nouveau projet 13, printemps-été 2018
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Nouveau Projet 13 printemps-été 2018, se consacre à la question de la qualité de vie. De quoi parle-t-on, au juste? En existe-t-il une conception neutre, apolitique et universelle? Peut-on la mesurer, elle qui, par essence, devrait échapper à la quantification?
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Mousse 62
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Mousse magazine, issue 62. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden, Kathy Noble,(...)
Mousse 62
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Mousse magazine, issue 62. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden, Kathy Noble, Simphiwe Ndzube, Precious Okoyomon, Lydia Ourahmane, Alexandra Pirici, Julia Phillips, Asad Raza, Julia Scher, Jenny Schlenzka, Ross Simonini, Mitch Speed, Michael Stevenson, Diamond Stingily, Hans Ulrich Obrist, Erika Verzutti, Lu Yang.
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C3 393 : evolving pavilions
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From follies in parks to hosting events in prestigious locations and buildings, pavilions offer a great opportunity for architects to reflect upon the notion of space, visitor experience, and the role of the architectural components in the project as a whole. A selection of projects explores the relationships between pavilions and their contexts, and illustrates how the(...)
C3 393 : evolving pavilions
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From follies in parks to hosting events in prestigious locations and buildings, pavilions offer a great opportunity for architects to reflect upon the notion of space, visitor experience, and the role of the architectural components in the project as a whole. A selection of projects explores the relationships between pavilions and their contexts, and illustrates how the typology is evolving, becoming more dynamic, flexible, and lighter. Included are the Naoshima Port Terminal by SANAA, Kéré Architecture’s 2017 Serpentine Pavilion, and the Mpavilion 2017 by OMA. Additionally, this edition looks at special projects that reflect the blurring of boundaries between working and living in the digital era.
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Architecture responds to human needs, but also provides a framework for living that facilitates and encourages specific behaviours and lifestyles. Architects and urbanists have the opportunity and responsibility to create environments for sustainable living, to go beyond technical solutions and consider what drives human behaviour. This volume presents fourteen recent(...)
C3 Fundamentals for sustainability
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Architecture responds to human needs, but also provides a framework for living that facilitates and encourages specific behaviours and lifestyles. Architects and urbanists have the opportunity and responsibility to create environments for sustainable living, to go beyond technical solutions and consider what drives human behaviour. This volume presents fourteen recent projects and a range of typologies aptly reflecting this evolving combination of expertise and technology. Included are Green Heart Marina One Singapore by Ingenhoven Architects, Bloomberg’s New European Headquarters by Foster + Partners, YB House in Chile by MASA Architects, and more.
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This special issue focuses on 30 years of work by the acclaimed American landscape architect Kathryn Gustafson, featuring fifteen works from her earlier period and including projects done by both her London and Seattle offices, all of which were led by Gustafson. Among these are the Place des Droits de l’Homme in Evry, Shell Petroleum Headquarters in Rueil-Malmaison,(...)
a+u 543: expressions of landscape Kathryn Gustafson
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This special issue focuses on 30 years of work by the acclaimed American landscape architect Kathryn Gustafson, featuring fifteen works from her earlier period and including projects done by both her London and Seattle offices, all of which were led by Gustafson. Among these are the Place des Droits de l’Homme in Evry, Shell Petroleum Headquarters in Rueil-Malmaison, Westergasfabriek Culture Park in Amsterdam, the National Botanic Garden of Wales, and the Diana, Princess of Wales Memorial Fountain. An essay by Toshiko Mori explores the philosophy and technique that form the foundation of Gustafson’s works from the perspective of an architect.
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As every year, the Spain Yearbook 2016 gathers the best buildings completed in Spain during the past twelve months. The volume includes works like the Royal Collections Museum by Tuñón & Mansilla and the Giner de los Ríos Foundation by Amid_cero9. In this year’s selection, prominent figures like Rafael Moneo, Francisco Mangado, Nieto & Sobejano, and Carlos Ferrater appear(...)
AV 183-184: Spain year book 2016
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As every year, the Spain Yearbook 2016 gathers the best buildings completed in Spain during the past twelve months. The volume includes works like the Royal Collections Museum by Tuñón & Mansilla and the Giner de los Ríos Foundation by Amid_cero9. In this year’s selection, prominent figures like Rafael Moneo, Francisco Mangado, Nieto & Sobejano, and Carlos Ferrater appear alongside new young teams, like the Sevillians that form BaKpak, the Cáceres office Losada García, and the Barcelona team Calderón-Folch-Sarsanedas.
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San Rocco 12: clients
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The issue with the client is that the reasons why clients should pay for architecture (i.e., the reasons why rich or powerful individuals could become clients) seem to be disappearing. In fact, architecture corresponds to a singular mixture of exhibitionism and shame that leads people to try to acquire public renown (and at the same time erase the memory of how they used(...)
San Rocco 12: clients
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The issue with the client is that the reasons why clients should pay for architecture (i.e., the reasons why rich or powerful individuals could become clients) seem to be disappearing. In fact, architecture corresponds to a singular mixture of exhibitionism and shame that leads people to try to acquire public renown (and at the same time erase the memory of how they used to make money) by contributing to the construction of the spaces of public life. And while there is no shortage of exhibitionism nowadays...
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Volume 47: the system
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Issue #47 of Volume
Volume 47: the system
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Issue #47 of Volume
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