30978 Résultats
Classification:
né numérique
né numérique
Numéro de référence:
AP167.S1.SS3.008
Description:
This directory contains the application for the NSA Muscle interface used at the Pompidou exhibition. The application can be launched by clicking the muscle.bat file. Notably, this directory also contains the Virtools player, the application which plays back composition and player files. It can be launched by clicking the Player.exe file. Original directory name: "4.0 application". Most common file formats: Windows Portable Executable, Unidentified, Plain Text File, Text Configuration file, Batch file (executable).
AP167.S1.SS3.008
Description:
This directory contains the application for the NSA Muscle interface used at the Pompidou exhibition. The application can be launched by clicking the muscle.bat file. Notably, this directory also contains the Virtools player, the application which plays back composition and player files. It can be launched by clicking the Player.exe file. Original directory name: "4.0 application". Most common file formats: Windows Portable Executable, Unidentified, Plain Text File, Text Configuration file, Batch file (executable).
Personnes et institutions:
Date:
3 December 2002 - 25 February 2013
3 December 2002 - 25 February 2013
Titre:
Computer interface for the NSA Muscle
Actions:
AP167.S1.SS3.008
Description:
This directory contains the application for the NSA Muscle interface used at the Pompidou exhibition. The application can be launched by clicking the muscle.bat file. Notably, this directory also contains the Virtools player, the application which plays back composition and player files. It can be launched by clicking the Player.exe file. Original directory name: "4.0 application". Most common file formats: Windows Portable Executable, Unidentified, Plain Text File, Text Configuration file, Batch file (executable).
Computer interface for the NSA Muscle
Actions:
AP167.S1.SS3.008
Description:
This directory contains the application for the NSA Muscle interface used at the Pompidou exhibition. The application can be launched by clicking the muscle.bat file. Notably, this directory also contains the Virtools player, the application which plays back composition and player files. It can be launched by clicking the Player.exe file. Original directory name: "4.0 application". Most common file formats: Windows Portable Executable, Unidentified, Plain Text File, Text Configuration file, Batch file (executable).
Classification:
né numérique
né numérique
Date:
3 December 2002 - 25 February 2013
3 December 2002 - 25 February 2013
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH270328
Description:
"Walter Wick Shoot for Discovery Magazine". Images by Walter Wick and Mark Seliger. Depictions of Chuck Hoberman, the Hoberman Sphere, the Iris Dome, as well as a folding briefcase. Also includes images of the Expanding Geodesic Dome at Liberty State Park, Jersey City, New Jersey by Alec Harrison, images of the Projects 45 exhibition at the Museum of Modern Art (MoMA) by Steve Barker, and 1 image of the Hoberman Sphere at Liberty Science Center, New Jersey.
ARCH270328
Description:
"Walter Wick Shoot for Discovery Magazine". Images by Walter Wick and Mark Seliger. Depictions of Chuck Hoberman, the Hoberman Sphere, the Iris Dome, as well as a folding briefcase. Also includes images of the Expanding Geodesic Dome at Liberty State Park, Jersey City, New Jersey by Alec Harrison, images of the Projects 45 exhibition at the Museum of Modern Art (MoMA) by Steve Barker, and 1 image of the Hoberman Sphere at Liberty Science Center, New Jersey.
Personnes et institutions:
Date:
1992-1994
1992-1994
Titre:
"Walter Wick Shoot for Discovery Magazine"
Actions:
ARCH270328
Description:
"Walter Wick Shoot for Discovery Magazine". Images by Walter Wick and Mark Seliger. Depictions of Chuck Hoberman, the Hoberman Sphere, the Iris Dome, as well as a folding briefcase. Also includes images of the Expanding Geodesic Dome at Liberty State Park, Jersey City, New Jersey by Alec Harrison, images of the Projects 45 exhibition at the Museum of Modern Art (MoMA) by Steve Barker, and 1 image of the Hoberman Sphere at Liberty Science Center, New Jersey.
"Walter Wick Shoot for Discovery Magazine"
Actions:
ARCH270328
Description:
"Walter Wick Shoot for Discovery Magazine". Images by Walter Wick and Mark Seliger. Depictions of Chuck Hoberman, the Hoberman Sphere, the Iris Dome, as well as a folding briefcase. Also includes images of the Expanding Geodesic Dome at Liberty State Park, Jersey City, New Jersey by Alec Harrison, images of the Projects 45 exhibition at the Museum of Modern Art (MoMA) by Steve Barker, and 1 image of the Hoberman Sphere at Liberty Science Center, New Jersey.
Classification:
photographies
photographies
Date:
1992-1994
1992-1994
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
Personnes et institutions:
Date:
1953-1966
1953-1966
Titre:
Jeet Malhotra
Actions:
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
Jeet Malhotra
Actions:
AP156.S5.SS1.D3
Description:
Le dossier documente les photographies prises par Jeet Malhotra et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab, du Capitol, de divers bâtiments et installations, de maquettes et du mobilier crée par Pierre Jeanneret. Le matériel dans ce dossier a été produit entre 1953 et 1966. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jeet Malhotra and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University, the Capitol, various buildings and installations, models and furniture designed par Pierre Jeanneret. The material in this file was produced between 1953 and 1966. The file contains photographs mounted on board.
Niveau de description archivistique:
Dossier 3
Dossier 3
Date:
1953-1966
1953-1966
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Dans le cadre de notre exposition Sans Nostalgie, nous vous proposons d’assister à une lecture-performance des extraits de correspondances de l’architecte argentin Amancio Williams qu’il a entretenu autour de son projet de La ville dont l’humanité a besoin (Ciudad que Necesita la Humanidad) dans l’espace de l’exposition et autour, de 18h à 19h, le jeudi 23 novembre.
Dans le cadre de notre exposition Sans Nostalgie, nous vous proposons d’assister à une lecture-performance des extraits de correspondances de l’architecte argentin Amancio Williams qu’il a entretenu autour de son projet de La ville dont l’humanité a besoin (Ciudad que Necesita la Humanidad) dans l’espace de l’exposition et autour, de 18h à 19h, le jeudi 23 novembre.
Date:
23 novembre 2023, 18h à 19h
23 novembre 2023, 18h à 19h
Titre:
Une lecture des lettres d’Amancio Williams
Actions:
Description:
Dans le cadre de notre exposition Sans Nostalgie, nous vous proposons d’assister à une lecture-performance des extraits de correspondances de l’architecte argentin Amancio Williams qu’il a entretenu autour de son projet de La ville dont l’humanité a besoin (Ciudad que Necesita la Humanidad) dans l’espace de l’exposition et autour, de 18h à 19h, le jeudi 23 novembre.
Une lecture des lettres d’Amancio Williams
Actions:
Description:
Dans le cadre de notre exposition Sans Nostalgie, nous vous proposons d’assister à une lecture-performance des extraits de correspondances de l’architecte argentin Amancio Williams qu’il a entretenu autour de son projet de La ville dont l’humanité a besoin (Ciudad que Necesita la Humanidad) dans l’espace de l’exposition et autour, de 18h à 19h, le jeudi 23 novembre.
Classification:
événements
événements
Date:
23 novembre 2023
18h à 19h
23 novembre 2023
18h à 19h
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Personnes et institutions:
Date:
1960-2007
1960-2007
Titre:
Architectural projects
Actions:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Architectural projects
Actions:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Niveau de description archivistique:
Series
Series
Date:
1960-2007
1960-2007
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
Personnes et institutions:
Date:
16 July 2003 - 2 June 2004
16 July 2003 - 2 June 2004
Titre:
A2 Cockpit and Soundbarrier 3D printer files of the NSA Muscle
Actions:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
A2 Cockpit and Soundbarrier 3D printer files of the NSA Muscle
Actions:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
Classification:
né numérique
né numérique
Date:
16 July 2003 - 2 June 2004
16 July 2003 - 2 June 2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Personnes et institutions:
Date:
2005-2015
2005-2015
Titre:
Document d’archives des projets de R&Sie(n)
Actions:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Document d’archives des projets de R&Sie(n)
Actions:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2005-2015
2005-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Personnes et institutions:
Date:
1960-2018
1960-2018
Titre:
Selected professional papers, photographs and videos
Actions:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Selected professional papers, photographs and videos
Actions:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Niveau de description archivistique:
Series
Series
Date:
1960-2018
1960-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
Personnes et institutions:
Date:
circa 2002-2003
circa 2002-2003
Titre:
Fisur-Getafe (Concurso), Getafe, Spain (2002)
Actions:
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
Fisur-Getafe (Concurso), Getafe, Spain (2002)
Actions:
AP164.S1.2002.D16
Description:
The project series documents the competition entry for the development of the International fair of the South, in the municipality of Getafe, Spain. The firm identified this project as number 159a. “The project puts the emphasis on two esencial [sic] questions: on the one hand a system which allows to resolve the fair’s pavillons simple and elegantly joining criteria of light, structure and water in a system of constructive rationality and average economy. On the other han[d a]n organization of the public and constructed space in phases which allow to understand the technology area of the south as something complete and shaped since the first of them has been developed. The proposed exhibition pavillions [sic] come from a technical reasoning based in the balance of structural width, central light and drainage of the roof, a result of several projects of similar scale which the office has developed in the last years.” (ARCH270975) Abalos & Herreros initially grouped this project with the competition Fira 2000 - Barcelona (AP164.S1.2002.D14). Documenting the project are presentation drawings, project descriptions, correspondence, studies, competition documents and specifications.
Niveau de description archivistique:
Project
Project
Date:
circa 2002-2003
circa 2002-2003
Personnes et institutions:
