56727 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.056
Description:
File was originally housed in a binder along with content arranged in AP206.S2.057, AP206.S2.058 and AP206.S2.059. This file includes the following papers: "The Courtyard," 1982 "The Cantilever," 1982 "Some Home Truths," 1982 "Czech Graphics," newspaper article, 1982 "City Garbageful," newspaper article, 1982 "Space? Sea? and Surrealism," 1982 "A Report on the Visits by the Visiting Boards of the Commonwealth Association of Architects" "54th Annual All India Art Exhibition 1982 of the All India Fine Arts and Crafts Society, New Delhi comes to Chandigarh in the Govt. Museum," 1982
AP206.S2.056
Description:
File was originally housed in a binder along with content arranged in AP206.S2.057, AP206.S2.058 and AP206.S2.059. This file includes the following papers: "The Courtyard," 1982 "The Cantilever," 1982 "Some Home Truths," 1982 "Czech Graphics," newspaper article, 1982 "City Garbageful," newspaper article, 1982 "Space? Sea? and Surrealism," 1982 "A Report on the Visits by the Visiting Boards of the Commonwealth Association of Architects" "54th Annual All India Art Exhibition 1982 of the All India Fine Arts and Crafts Society, New Delhi comes to Chandigarh in the Govt. Museum," 1982
Personnes et institutions:
Date:
1982-1985
1982-1985
Titre:
Published and unpublished papers (folder 1 of 4)
Actions:
AP206.S2.056
Description:
File was originally housed in a binder along with content arranged in AP206.S2.057, AP206.S2.058 and AP206.S2.059. This file includes the following papers: "The Courtyard," 1982 "The Cantilever," 1982 "Some Home Truths," 1982 "Czech Graphics," newspaper article, 1982 "City Garbageful," newspaper article, 1982 "Space? Sea? and Surrealism," 1982 "A Report on the Visits by the Visiting Boards of the Commonwealth Association of Architects" "54th Annual All India Art Exhibition 1982 of the All India Fine Arts and Crafts Society, New Delhi comes to Chandigarh in the Govt. Museum," 1982
Published and unpublished papers (folder 1 of 4)
Actions:
AP206.S2.056
Description:
File was originally housed in a binder along with content arranged in AP206.S2.057, AP206.S2.058 and AP206.S2.059. This file includes the following papers: "The Courtyard," 1982 "The Cantilever," 1982 "Some Home Truths," 1982 "Czech Graphics," newspaper article, 1982 "City Garbageful," newspaper article, 1982 "Space? Sea? and Surrealism," 1982 "A Report on the Visits by the Visiting Boards of the Commonwealth Association of Architects" "54th Annual All India Art Exhibition 1982 of the All India Fine Arts and Crafts Society, New Delhi comes to Chandigarh in the Govt. Museum," 1982
Classification:
documents textuels
documents textuels
Date:
1982-1985
1982-1985
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:085:012
Description:
File containing documents in French, including contracts, correspondence, notes, photographs, press clippings, programs, and waybills related to the group exhibition, La traversée des mirages: photographie du Québec, at the Centre d'art contemporain, in Troyes, France. The exhibition included the following artworks: - Parabole, No. 5 ... Trois-Rivières; - Parabole, No. 6 ... Trois-Rivières; - Trois-Rivières, No. 2 ... Dancing de Stijl study; - Trois-Rivières, No. 1 ... Dancing de Stijl study; - Parabole, No. 10 ... ainsi soit-il; - Parabole, No. 11 ... ainsi soit-il. Original folder inscribed in graphite: PASSAGES: ART CONT. /TROYES/JUIN-SEPT '92
DR2012:0012:085:012
Description:
File containing documents in French, including contracts, correspondence, notes, photographs, press clippings, programs, and waybills related to the group exhibition, La traversée des mirages: photographie du Québec, at the Centre d'art contemporain, in Troyes, France. The exhibition included the following artworks: - Parabole, No. 5 ... Trois-Rivières; - Parabole, No. 6 ... Trois-Rivières; - Trois-Rivières, No. 2 ... Dancing de Stijl study; - Trois-Rivières, No. 1 ... Dancing de Stijl study; - Parabole, No. 10 ... ainsi soit-il; - Parabole, No. 11 ... ainsi soit-il. Original folder inscribed in graphite: PASSAGES: ART CONT. /TROYES/JUIN-SEPT '92
Personnes et institutions:
Date:
1992
1992
Titre:
Contracts, correspondence, notes, photographs, press clippings, programs, and waybills related to the group exhibition "La traversée des mirages: photographie du Québec"
Actions:
DR2012:0012:085:012
Description:
File containing documents in French, including contracts, correspondence, notes, photographs, press clippings, programs, and waybills related to the group exhibition, La traversée des mirages: photographie du Québec, at the Centre d'art contemporain, in Troyes, France. The exhibition included the following artworks: - Parabole, No. 5 ... Trois-Rivières; - Parabole, No. 6 ... Trois-Rivières; - Trois-Rivières, No. 2 ... Dancing de Stijl study; - Trois-Rivières, No. 1 ... Dancing de Stijl study; - Parabole, No. 10 ... ainsi soit-il; - Parabole, No. 11 ... ainsi soit-il. Original folder inscribed in graphite: PASSAGES: ART CONT. /TROYES/JUIN-SEPT '92
Contracts, correspondence, notes, photographs, press clippings, programs, and waybills related to the group exhibition "La traversée des mirages: photographie du Québec"
Actions:
DR2012:0012:085:012
Description:
File containing documents in French, including contracts, correspondence, notes, photographs, press clippings, programs, and waybills related to the group exhibition, La traversée des mirages: photographie du Québec, at the Centre d'art contemporain, in Troyes, France. The exhibition included the following artworks: - Parabole, No. 5 ... Trois-Rivières; - Parabole, No. 6 ... Trois-Rivières; - Trois-Rivières, No. 2 ... Dancing de Stijl study; - Trois-Rivières, No. 1 ... Dancing de Stijl study; - Parabole, No. 10 ... ainsi soit-il; - Parabole, No. 11 ... ainsi soit-il. Original folder inscribed in graphite: PASSAGES: ART CONT. /TROYES/JUIN-SEPT '92
Classification:
documents textuels
documents textuels
Date:
1992
1992
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:106:007
Description:
File containing documents in English, including correspondence, invoices, notes, and art consignment lists related to the transport of five pieces of work to the William Turner Gallery, including: - In flight series ... French paratroopers, Zaire, 1994; - Trees ... via dell'Arancera, Borghese gardens, November 2000, no. 6; - Trees ... Parc de Sceaux, France, May 2001/1; - Trees ... Parc de Sceaux, France, May 2001/2; - Tree ... North Rustico, P.E.I. Original folder inscribed in graphite: TURNER GALLERY, LOS ANGELES
DR2012:0012:106:007
Description:
File containing documents in English, including correspondence, invoices, notes, and art consignment lists related to the transport of five pieces of work to the William Turner Gallery, including: - In flight series ... French paratroopers, Zaire, 1994; - Trees ... via dell'Arancera, Borghese gardens, November 2000, no. 6; - Trees ... Parc de Sceaux, France, May 2001/1; - Trees ... Parc de Sceaux, France, May 2001/2; - Tree ... North Rustico, P.E.I. Original folder inscribed in graphite: TURNER GALLERY, LOS ANGELES
Personnes et institutions:
Date:
2009
2009
Titre:
Correspondence, invoices, notes and consignement lists related to artworks transportation
Actions:
DR2012:0012:106:007
Description:
File containing documents in English, including correspondence, invoices, notes, and art consignment lists related to the transport of five pieces of work to the William Turner Gallery, including: - In flight series ... French paratroopers, Zaire, 1994; - Trees ... via dell'Arancera, Borghese gardens, November 2000, no. 6; - Trees ... Parc de Sceaux, France, May 2001/1; - Trees ... Parc de Sceaux, France, May 2001/2; - Tree ... North Rustico, P.E.I. Original folder inscribed in graphite: TURNER GALLERY, LOS ANGELES
Correspondence, invoices, notes and consignement lists related to artworks transportation
Actions:
DR2012:0012:106:007
Description:
File containing documents in English, including correspondence, invoices, notes, and art consignment lists related to the transport of five pieces of work to the William Turner Gallery, including: - In flight series ... French paratroopers, Zaire, 1994; - Trees ... via dell'Arancera, Borghese gardens, November 2000, no. 6; - Trees ... Parc de Sceaux, France, May 2001/1; - Trees ... Parc de Sceaux, France, May 2001/2; - Tree ... North Rustico, P.E.I. Original folder inscribed in graphite: TURNER GALLERY, LOS ANGELES
Classification:
documents textuels
documents textuels
Date:
2009
2009
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:006:084
Description:
The accompanying text is titled "Circus or the Caribbean Orange", written by Judith Russi Kirshner with additions by Gordon Matta-Clark.
PHCON2002:0016:006:084
Description:
The accompanying text is titled "Circus or the Caribbean Orange", written by Judith Russi Kirshner with additions by Gordon Matta-Clark.
Personnes et institutions:
Date:
11 July 1978
11 July 1978
Titre:
Letter from Judith Russi Kirshner to Gordon Matta-Clark, with an accompanying text
Actions:
PHCON2002:0016:006:084
Description:
The accompanying text is titled "Circus or the Caribbean Orange", written by Judith Russi Kirshner with additions by Gordon Matta-Clark.
Letter from Judith Russi Kirshner to Gordon Matta-Clark, with an accompanying text
Actions:
PHCON2002:0016:006:084
Description:
The accompanying text is titled "Circus or the Caribbean Orange", written by Judith Russi Kirshner with additions by Gordon Matta-Clark.
Classification:
documents textuels
documents textuels
Date:
11 July 1978
11 July 1978
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition présente la quête de l’architecte américain Ben Nicholson pour l’ordre, le sens et la logique dans un monde où se mêlent art, science et mystère. La bibliothèque Laurentienne de Florence, un chef-d’œuvre conçu par Michel-Ange en 1524-1525, possède quinze paires de panneaux de terre cuite ornés de motifs géométriques complexes, panneaux qui furent longtemps(...)
L’exposition présente la quête de l’architecte américain Ben Nicholson pour l’ordre, le sens et la logique dans un monde où se mêlent art, science et mystère. La bibliothèque Laurentienne de Florence, un chef-d’œuvre conçu par Michel-Ange en 1524-1525, possède quinze paires de panneaux de terre cuite ornés de motifs géométriques complexes, panneaux qui furent longtemps(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
11 décembre 1996 au 9 mars 1997
11 décembre 1996 au 9 mars 1997
Titre:
Découvrir la géométrie : Ben Nicholson et la bibliothèque Laurentienne
Actions:
Description:
L’exposition présente la quête de l’architecte américain Ben Nicholson pour l’ordre, le sens et la logique dans un monde où se mêlent art, science et mystère. La bibliothèque Laurentienne de Florence, un chef-d’œuvre conçu par Michel-Ange en 1524-1525, possède quinze paires de panneaux de terre cuite ornés de motifs géométriques complexes, panneaux qui furent longtemps(...)
Découvrir la géométrie : Ben Nicholson et la bibliothèque Laurentienne
Actions:
Description:
L’exposition présente la quête de l’architecte américain Ben Nicholson pour l’ordre, le sens et la logique dans un monde où se mêlent art, science et mystère. La bibliothèque Laurentienne de Florence, un chef-d’œuvre conçu par Michel-Ange en 1524-1525, possède quinze paires de panneaux de terre cuite ornés de motifs géométriques complexes, panneaux qui furent longtemps(...)
Classification:
expositions
expositions
Date:
11 décembre 1996 au
9 mars 1997
11 décembre 1996 au
9 mars 1997
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Personnes et institutions:
Date:
circa 1963
circa 1963
Titre:
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Niveau de description archivistique:
Project
Project
Date:
circa 1963
circa 1963
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:102:016
Description:
File containing documents in English and French, including correspondence, drafts, and photocopies, related to Melvin Charney's article, The world of pop, and its French translation, Le monde du pop. Includes the photographs of the following artworks: - Woman no. 1, James Rosenquist, 1962 (1 gelatin silver print); - In, Roy Lichtenstein, 1962 (1 gelatin silver print); - Unidentified artwork (1 gelatin silver print). Original folder inscribed in graphite: 1964 THE WORLD OF POP - VILLE[sic] DES ART[sic]
DR2012:0012:102:016
Description:
File containing documents in English and French, including correspondence, drafts, and photocopies, related to Melvin Charney's article, The world of pop, and its French translation, Le monde du pop. Includes the photographs of the following artworks: - Woman no. 1, James Rosenquist, 1962 (1 gelatin silver print); - In, Roy Lichtenstein, 1962 (1 gelatin silver print); - Unidentified artwork (1 gelatin silver print). Original folder inscribed in graphite: 1964 THE WORLD OF POP - VILLE[sic] DES ART[sic]
Personnes et institutions:
Date:
1964-1966
1964-1966
Titre:
Correspondence, drafts, and photocopies related to article "The world of pop"
Actions:
DR2012:0012:102:016
Description:
File containing documents in English and French, including correspondence, drafts, and photocopies, related to Melvin Charney's article, The world of pop, and its French translation, Le monde du pop. Includes the photographs of the following artworks: - Woman no. 1, James Rosenquist, 1962 (1 gelatin silver print); - In, Roy Lichtenstein, 1962 (1 gelatin silver print); - Unidentified artwork (1 gelatin silver print). Original folder inscribed in graphite: 1964 THE WORLD OF POP - VILLE[sic] DES ART[sic]
Correspondence, drafts, and photocopies related to article "The world of pop"
Actions:
DR2012:0012:102:016
Description:
File containing documents in English and French, including correspondence, drafts, and photocopies, related to Melvin Charney's article, The world of pop, and its French translation, Le monde du pop. Includes the photographs of the following artworks: - Woman no. 1, James Rosenquist, 1962 (1 gelatin silver print); - In, Roy Lichtenstein, 1962 (1 gelatin silver print); - Unidentified artwork (1 gelatin silver print). Original folder inscribed in graphite: 1964 THE WORLD OF POP - VILLE[sic] DES ART[sic]
Classification:
documents textuels
documents textuels
Date:
1964-1966
1964-1966
Personnes et institutions:
Classification:
événements
événements
Titre:
Adieu, Mel
Adieu, Mel
Actions:
Description:
Dans une conversation sur la vie et la carrière de l’artiste-architecte feu Melvin Charney, le CCA rend hommage à son l’oeuvre. Décédé le 17 septembre 2012, Charney était un ami proche du CCA dans la mesure où il a conçu et élaboré son jardin de sculpture. Pour lui rendre hommage, George Baird, Serge Carreau, Odile Decq, Alan J. Knight et Gwendolyn Owens analysent son(...)
Dans une conversation sur la vie et la carrière de l’artiste-architecte feu Melvin Charney, le CCA rend hommage à son l’oeuvre. Décédé le 17 septembre 2012, Charney était un ami proche du CCA dans la mesure où il a conçu et élaboré son jardin de sculpture. Pour lui rendre hommage, George Baird, Serge Carreau, Odile Decq, Alan J. Knight et Gwendolyn Owens analysent son(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
23 janvier 2013 , 18h
23 janvier 2013 , 18h
Titre:
Adieu, Mel
Actions:
Description:
Dans une conversation sur la vie et la carrière de l’artiste-architecte feu Melvin Charney, le CCA rend hommage à son l’oeuvre. Décédé le 17 septembre 2012, Charney était un ami proche du CCA dans la mesure où il a conçu et élaboré son jardin de sculpture. Pour lui rendre hommage, George Baird, Serge Carreau, Odile Decq, Alan J. Knight et Gwendolyn Owens analysent son(...)
Adieu, Mel
Actions:
Description:
Dans une conversation sur la vie et la carrière de l’artiste-architecte feu Melvin Charney, le CCA rend hommage à son l’oeuvre. Décédé le 17 septembre 2012, Charney était un ami proche du CCA dans la mesure où il a conçu et élaboré son jardin de sculpture. Pour lui rendre hommage, George Baird, Serge Carreau, Odile Decq, Alan J. Knight et Gwendolyn Owens analysent son(...)
Classification:
événements
événements
Date:
23 janvier 2013
18h
23 janvier 2013
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
expositions
expositions
Actions:
Description:
L’exposition révèle trois aspects des villas décrites par l’écrivain romain Pline le Jeune au Ier siècle après J.-C. : l’influence historique directe de ces villas sur l’architecture; l’influence indirecte qu’elles ont exercé sur les architectes en leur offrant un modèle d’étude; et leurs effets sur la tradition classique véhiculée à Montréal. Les villas de Pline et les(...)
L’exposition révèle trois aspects des villas décrites par l’écrivain romain Pline le Jeune au Ier siècle après J.-C. : l’influence historique directe de ces villas sur l’architecture; l’influence indirecte qu’elles ont exercé sur les architectes en leur offrant un modèle d’étude; et leurs effets sur la tradition classique véhiculée à Montréal. Les villas de Pline et les(...)
Localisation:
Musée des beaux-arts de Montréal
Musée des beaux-arts de Montréal
Date:
14 octobre 1983 au 11 décembre 1983
14 octobre 1983 au 11 décembre 1983
Titre:
Les villas de Pline et les éléments classiques dans l'architecture à Montréal
Actions:
Description:
L’exposition révèle trois aspects des villas décrites par l’écrivain romain Pline le Jeune au Ier siècle après J.-C. : l’influence historique directe de ces villas sur l’architecture; l’influence indirecte qu’elles ont exercé sur les architectes en leur offrant un modèle d’étude; et leurs effets sur la tradition classique véhiculée à Montréal. Les villas de Pline et les(...)
Les villas de Pline et les éléments classiques dans l'architecture à Montréal
Actions:
Description:
L’exposition révèle trois aspects des villas décrites par l’écrivain romain Pline le Jeune au Ier siècle après J.-C. : l’influence historique directe de ces villas sur l’architecture; l’influence indirecte qu’elles ont exercé sur les architectes en leur offrant un modèle d’étude; et leurs effets sur la tradition classique véhiculée à Montréal. Les villas de Pline et les(...)
Classification:
expositions
expositions
Date:
14 octobre 1983 au
11 décembre 1983
14 octobre 1983 au
11 décembre 1983
Localisation:
Musée des beaux-arts de Montréal
Musée des beaux-arts de Montréal
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
