Flowers & mushrooms
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Flowers and Mushrooms takes readers inside the rich and diverse symbolism of its eponymous subjects. Flowers have at times stood for freshness and fertility, transience and death. In addition to its ubiquitous and much-maligned image as a hallucinogen, the mushroom has throughout history signified health and life and served as an important symbol within religious ritual.(...)
Flowers & mushrooms
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Flowers and Mushrooms takes readers inside the rich and diverse symbolism of its eponymous subjects. Flowers have at times stood for freshness and fertility, transience and death. In addition to its ubiquitous and much-maligned image as a hallucinogen, the mushroom has throughout history signified health and life and served as an important symbol within religious ritual. In recent years though, flowers and mushrooms have become a focus in contemporary art, with artists manipulating the many clichés that surround them and adapting their representation to produce new and unexpected layers of meaning, from social criticism to feminism and the conceptual framework of the erotic.
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xiii, 91 pages : illustrations, maps (some color) ; 28 cm
Vancouver : Environmental Management Service, Environment Canada, 1976.
An Environmental impact assessment of the Vancouver International Airport expansion proposals : a summary report / by the Ecological Sub-Committee for the Vancouver International Airport Planning Committee.
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xiii, 91 pages : illustrations, maps (some color) ; 28 cm
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Vancouver : Environmental Management Service, Environment Canada, 1976.
$78.00
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Looking at the outside of things such as architecture, anatomy, or vehicles does not usually reveal much about their internal structures and functions. To learn more, we need to see inside them. "Look inside" features infographics that cut up or take apart their subjects and make them transparent. The resulting cross sections and interior views present precise detail in(...)
Look inside: cutaway illustrations and visual storytelling
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Looking at the outside of things such as architecture, anatomy, or vehicles does not usually reveal much about their internal structures and functions. To learn more, we need to see inside them. "Look inside" features infographics that cut up or take apart their subjects and make them transparent. The resulting cross sections and interior views present precise detail in multiple layers. "Look inside" starts with a discussion of Arnhem Land, the earliest known cutaway illustrations, showing that even 28,000 years ago, humans had a fascination with how things internally work: the processes that are hidden from the human eye. Including work from both centuries past and the cutting-edge present, "Look inside" is an unparalleled compendium of cutaway techniques and their wide-ranging applications. Works from Jewish-German physician Fritz Kahn’s imagine the human body as a mechanized factory; Kahn’s visual metaphors show conveyor belts and offices instead of veins and valves. Exploded images of classic sports cars allows Fabian Oefner to show every piece of the automotive puzzle from the body shell to individual tiny screws. Richard Orr’s scientific pieces represent the natural world and continue in the genre’s traditional thread of handmade illustrations; whether a beaver lodge or an arctic circle landscape, Orr presents a vivid natural world or layers and scientific hierarchies. The luxurious collection within Look Inside was curated by renowned information designers and creative directors, Samuel and Juan Velasco. The Velasco brothers have provided invaluable and inspirational insight in the history and theory of cutaway illustrations and visual storytelling.
Dynamics and de-realisation
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The collection of architectural design projects included provides an overview of philosophical theories that focus on what appears to be real, presenting a range of methodologies and a set of tools for addressing this discourse. The contents have been divided into 5 sections, each chapter developing a design criteria process involving one of the following areas in(...)
Dynamics and de-realisation
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The collection of architectural design projects included provides an overview of philosophical theories that focus on what appears to be real, presenting a range of methodologies and a set of tools for addressing this discourse. The contents have been divided into 5 sections, each chapter developing a design criteria process involving one of the following areas in philosophy: hyperreality and simulacra within postmodern philosophy, drawing on Jean Baudrillard; semiology and the authority of form; complexity and noumenon/non-Euclidean geometry; the exhausted confines of structuralist theory according to Roland Barthes; and lastly authenticity, with the aim to describe how we perceive reality and the urban fabric. Incorporating the ontological potential of space into a design process and part of a set of design criteria will help develop an understanding of the conditions under which forms and design criteria are generated.
Architecture numérique
Sprawl and suburbia
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Sprawl is the single most significant and urgent issue in American land use at the turn of the twenty-first century. Efforts to limit and reform sprawl through legislative “Smart Growth” initiatives have been enacted around the country while the neotraditionalist New Urbanism has been embraced by many architects and urban planners. Yet most Americans persist in their(...)
Sprawl and suburbia
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Sprawl is the single most significant and urgent issue in American land use at the turn of the twenty-first century. Efforts to limit and reform sprawl through legislative “Smart Growth” initiatives have been enacted around the country while the neotraditionalist New Urbanism has been embraced by many architects and urban planners. Yet most Americans persist in their desire to live farther and farther away from urban centers, moving to exurbs made up almost entirely of single-family residential houses and stand-alone shopping areas. "Sprawl and suburbia" brings together some of the foremost thinkers in the field to present in-depth diagnosis and critical analysis of the physical and social realities of exurban sprawl. Along with an introduction by Robert Fishman, these essays call for architects, urban planners, and landscape designers to work at mitigating the impact of sprawl on land and resources and improving the residential and commercial built environment as a whole. In place of vast residential exurbs, these writers offer visions of a fresh urbanism—appealing and persuasive models of life at greater density, with greater diversity, and within genuine communities. With sprawl losing the support of suburban citizens themselves as economic, environmental, and social costs are being paid, "Sprawl and suburbia" appears at a moment when design might achieve some critical influence over development—if architects and planners accept the challenge.
Banlieues
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual(...)
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy.
Théorie de l’art
livres
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
Visual culture and bioscience
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
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novembre 2008
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Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him,(...)
Caspar David Friedrich and the subject of landscape
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Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.
Théorie du paysage
livres
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This collection of essays addresses and defines the state of contemporary theories and practices of space: it is concerned with the growing importance of technology and communications, the effects of globalization and the change of social demands. Within the current urban and geopolitical contexts, it addresses the emergence of new social and political theories that raise(...)
Théorie de l’architecture
janvier 1900, Abington / New York
Altering practices : feminist politics and poetics of space
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This collection of essays addresses and defines the state of contemporary theories and practices of space: it is concerned with the growing importance of technology and communications, the effects of globalization and the change of social demands. Within the current urban and geopolitical contexts, it addresses the emergence of new social and political theories that raise questions of identity and difference in modern society. The book reiterates feminist concerns with space from the critical stance of the new millennium. With contributions from the leading theorists and thinkers from around the world representing the fields of architecture, art, philosophy and gender studies, this book has a truly international and interdisciplinary reach.
livres
janvier 1900, Abington / New York
Théorie de l’architecture
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
septembre 2024
Architecture, film, and the in-between: Spatio-cinematic between
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.