Sous-série
Personnelles = Personal
AP156.S4.SS1
Description:
La sous-série documente en photograhies la vie familiale, les activités et la vie professionnelle de Pierre Jeanneret, principalement en Suisse, mais aussi ailleurs en Europe, de la fin des années 1800 jusqu'à la fin des années 1960. Le material de cette sous-série a été produit entre la fin du 19e siècle et la fin des années 1960. La sous-série contient des photographies, incluant des cartes de visites et des épreuves tardives, ainsi que quelques négatifs. Il y a aussi quelques photographies de Le Corbusier, incluant des portraits ou des photographies prises lors de voyages. Sub-series documents in photographs Pierre Jeanneret's family life, his activities and his profesionnal life, predominantly in Switzerland, but also elsewhere in Europe, from the end of the 1800 to the end of the 1960s. The material in this sub-series was produced between the end ot the 19th century and the end of the 1960s. The sub-series contains photographs, including carte-de-visites et later prints, and also negatives. There is also some photographs of Le Corbusier, including portraits or photographs from his travels.
late 19th century-1967
Personnelles = Personal
Actions:
AP156.S4.SS1
Description:
La sous-série documente en photograhies la vie familiale, les activités et la vie professionnelle de Pierre Jeanneret, principalement en Suisse, mais aussi ailleurs en Europe, de la fin des années 1800 jusqu'à la fin des années 1960. Le material de cette sous-série a été produit entre la fin du 19e siècle et la fin des années 1960. La sous-série contient des photographies, incluant des cartes de visites et des épreuves tardives, ainsi que quelques négatifs. Il y a aussi quelques photographies de Le Corbusier, incluant des portraits ou des photographies prises lors de voyages. Sub-series documents in photographs Pierre Jeanneret's family life, his activities and his profesionnal life, predominantly in Switzerland, but also elsewhere in Europe, from the end of the 1800 to the end of the 1960s. The material in this sub-series was produced between the end ot the 19th century and the end of the 1960s. The sub-series contains photographs, including carte-de-visites et later prints, and also negatives. There is also some photographs of Le Corbusier, including portraits or photographs from his travels.
Sous-série 1
late 19th century-1967
Série(s)
Photographic commission
CD042.S2
Description:
The series documents the photographic commissions for the exhibition "Money Matters: A Critical Look at Bank Architecture." The photographs were taken by the following photographers: Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg. The series contains contact sheets and prints sent from the photographers, correspondence from the photographers, and instructions for photographing the bank buildings.
1985-1988
Photographic commission
Actions:
CD042.S2
Description:
The series documents the photographic commissions for the exhibition "Money Matters: A Critical Look at Bank Architecture." The photographs were taken by the following photographers: Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg. The series contains contact sheets and prints sent from the photographers, correspondence from the photographers, and instructions for photographing the bank buildings.
Series
1985-1988
Sous-série
AP156.S6.SS4.D5
Description:
Le dossier porte sur Chandigarh ainsi que sur une exposition sur Chandigarh en Suisse ou ailleurs en Europe. Le matériel dans ce dossier a été produit entre les années 1960 et 1987. Le dossier contient des photographies, principalement des photographies de l'exposition, ainsi qu'un document manuscrit sur Chandigarh. File documents Chandigarh and also an exhibition on Chandigarh in Switzerland or elswhere in Europe. The material in this file was produced between the 1960s and 1987. The file contains photographs, predominantly photographs of the exhibition, and also an handwritten document about Chandigarh.
1960s-1987
Documents relatifs à Chandigarh, Inde = Documents concerning Chandigarh, India
Actions:
AP156.S6.SS4.D5
Description:
Le dossier porte sur Chandigarh ainsi que sur une exposition sur Chandigarh en Suisse ou ailleurs en Europe. Le matériel dans ce dossier a été produit entre les années 1960 et 1987. Le dossier contient des photographies, principalement des photographies de l'exposition, ainsi qu'un document manuscrit sur Chandigarh. File documents Chandigarh and also an exhibition on Chandigarh in Switzerland or elswhere in Europe. The material in this file was produced between the 1960s and 1987. The file contains photographs, predominantly photographs of the exhibition, and also an handwritten document about Chandigarh.
Dossier 5
1960s-1987
Sous-série
Pierre Jeanneret
AP156.S4.SS6.D1
Description:
Le dossier documente les photographies de l'Inde, autre que Chandigarh, prises par Pierre Jeanneret dans les années 1950 et les années 1960. Le materiel dans ce dossier a été produits entre 1950 et 1967. Le dossier contient des épreuves contact et des photographies principalement de bâtiments anciens. File documents the photographs of India, other than Chandigarh, taken by Pierre Jeanneret in the 1950s and the 1960s. The material in this file was produced between 1950 and 1967. The file contains contact sheets and photographs predominantly of ancient buildings.
1950-1967
Pierre Jeanneret
Actions:
AP156.S4.SS6.D1
Description:
Le dossier documente les photographies de l'Inde, autre que Chandigarh, prises par Pierre Jeanneret dans les années 1950 et les années 1960. Le materiel dans ce dossier a été produits entre 1950 et 1967. Le dossier contient des épreuves contact et des photographies principalement de bâtiments anciens. File documents the photographs of India, other than Chandigarh, taken by Pierre Jeanneret in the 1950s and the 1960s. The material in this file was produced between 1950 and 1967. The file contains contact sheets and photographs predominantly of ancient buildings.
Dossier 1
1950-1967
Sous-série
Suresh Kumar
AP156.S4.SS6.D2
Description:
Le dossier documente les photographies de l'Inde, autre que Chandigarh, prises par Suresh Kumar dans les années 1950 aux années 1970. Le matériel dans ce dossier a été produit entre 1951 et les années 1970. Le dossier contient des photographies de la vie quotidienne et de maisons rurales. File documents the photographs of India, other than Chandigarh, taken by Suresh Kumar in the 1950s and the 1970s. The material in this file was produced between 1951 and the 1970s. The file contains photographs of everyday life and rural houses.
1951-1970s
Suresh Kumar
Actions:
AP156.S4.SS6.D2
Description:
Le dossier documente les photographies de l'Inde, autre que Chandigarh, prises par Suresh Kumar dans les années 1950 aux années 1970. Le matériel dans ce dossier a été produit entre 1951 et les années 1970. Le dossier contient des photographies de la vie quotidienne et de maisons rurales. File documents the photographs of India, other than Chandigarh, taken by Suresh Kumar in the 1950s and the 1970s. The material in this file was produced between 1951 and the 1970s. The file contains photographs of everyday life and rural houses.
Dossier 2
1951-1970s
Sous-série
AP156.S4.SS6.D3
Description:
Le dossier documente les photographies de l'Inde, autre que Chandigarh, prises par Jeet Malhotra dans les années 1950 aux années 1970. Le matériel dans ce dossier a été produit entre 1950 et les années 1970. Le dossier contient des photographies des logements à Talwara, près de Chandigarh. File documents the photographs of India, other than Chandigarh, taken by Jeet Malhotra in the 1950s and the 1970s. The material in this file was produced between 1950 and the 1970s. The file contains photographs of housings in Talwara, near Chandigarh.
1950-1970s
Jeet Malhotra
Actions:
AP156.S4.SS6.D3
Description:
Le dossier documente les photographies de l'Inde, autre que Chandigarh, prises par Jeet Malhotra dans les années 1950 aux années 1970. Le matériel dans ce dossier a été produit entre 1950 et les années 1970. Le dossier contient des photographies des logements à Talwara, près de Chandigarh. File documents the photographs of India, other than Chandigarh, taken by Jeet Malhotra in the 1950s and the 1970s. The material in this file was produced between 1950 and the 1970s. The file contains photographs of housings in Talwara, near Chandigarh.
Dossier 3
1950-1970s
photographies
Quantité:
866 negative(s)
ARCH274447
Description:
Group consists of negatives (840 negatives), contact sheets (21 contact sheets) and photographs (5 photographs) of Pierre Jeanneret, including portraits of him after his return from Chandigarh, photographs of the Jeanneret's family, including Le Corbusier and Albert Jeanneret, and other relations. The group also includes a postcard of the Cité Radieuse in Marseilles by Le Corbusier and a postcard of a chair designed by Jean Prouvé.
1880s-1967
Photographs of Pierre Jeanneret and his family and friends
Actions:
ARCH274447
Description:
Group consists of negatives (840 negatives), contact sheets (21 contact sheets) and photographs (5 photographs) of Pierre Jeanneret, including portraits of him after his return from Chandigarh, photographs of the Jeanneret's family, including Le Corbusier and Albert Jeanneret, and other relations. The group also includes a postcard of the Cité Radieuse in Marseilles by Le Corbusier and a postcard of a chair designed by Jean Prouvé.
photographies
Quantité:
866 negative(s)
1880s-1967
documents textuels
ARCH255114
Description:
13 documentation files concerning interior/exterior design: marble, security glass, entrance canopy including photographs of model, metal fence including photographs of models, sixth floor interior including drawings and carpet samples, pedestrian level wind study, washroom fixtures, zinc casting, technical data sheets for paint, Arriscraft stone including contract, Addair marble, interior samples of approved fabric, paint, sun screen, numbers, and photographs and drawings of chairs.
1984-1986
Photographic documentation files concerning interior and exterior design
Actions:
ARCH255114
Description:
13 documentation files concerning interior/exterior design: marble, security glass, entrance canopy including photographs of model, metal fence including photographs of models, sixth floor interior including drawings and carpet samples, pedestrian level wind study, washroom fixtures, zinc casting, technical data sheets for paint, Arriscraft stone including contract, Addair marble, interior samples of approved fabric, paint, sun screen, numbers, and photographs and drawings of chairs.
documents textuels
1984-1986
PH1986:0174
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the south lawn (also known as the court football [kemari] field), showing the New Palace (also known as the New Goten), the Music Room, the Middle Shoin and the Old Shoin, from left to right (Tange, p. 12; Isozaki, et al, pp. 68-69, repr.).
architecture, architecture de paysage
1953
View of the New Palace (also known as the New Goten), the Music Room, the Middle Shoin and the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0174
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the south lawn (also known as the court football [kemari] field), showing the New Palace (also known as the New Goten), the Music Room, the Middle Shoin and the Old Shoin, from left to right (Tange, p. 12; Isozaki, et al, pp. 68-69, repr.).
architecture, architecture de paysage
PH1986:0193
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph shows the south lawn (also known as the court football [kemari] field) in the foreground, at left, and the moss garden in the foreground, at right (Isozaki, et al, pp. 52-53, repr.; pp. 68-69, repr.; pp. 78, repr.; p. 244; Ito, site plan; Tange, n.p., plan).
architecture, architecture de paysage
1982
View of the New Palace (also known as the New Goten), the Music Room and the Middle Shoin showing stepping-stones in the foreground, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0193
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - After first photographing Katsura Rikyu (also known as Katsura Imperial Villa) in 1953, Yasuhiro Ishimoto returned there in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs (Ishimoto, pp. 265-266). - This photograph shows the south lawn (also known as the court football [kemari] field) in the foreground, at left, and the moss garden in the foreground, at right (Isozaki, et al, pp. 52-53, repr.; pp. 68-69, repr.; pp. 78, repr.; p. 244; Ito, site plan; Tange, n.p., plan).
architecture, architecture de paysage