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Classification:
livres
livres
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$88.00
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Architectones, a monumental undertaking of seven exhibitions installed across three continents over a two year period, unites Veilhan's diverse interests in modernity, its histories of technology, and its cult of genius figures. Collectively titled after Kazimir Malevich's volumetric-spatial models, the art and architectural works partake in the revolutionary idealism of(...)
$88.00
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Architectones, a monumental undertaking of seven exhibitions installed across three continents over a two year period, unites Veilhan's diverse interests in modernity, its histories of technology, and its cult of genius figures. Collectively titled after Kazimir Malevich's volumetric-spatial models, the art and architectural works partake in the revolutionary idealism of(...)
Titre:
Xavier Veilhan: Architectones, art in the living environment
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Architectones, a monumental undertaking of seven exhibitions installed across three continents over a two year period, unites Veilhan's diverse interests in modernity, its histories of technology, and its cult of genius figures. Collectively titled after Kazimir Malevich's volumetric-spatial models, the art and architectural works partake in the revolutionary idealism of a period in which it was possible to imagine transforming society from the ground up by way of a new form of building. Between 2012 and 2014, Veilhan used music, light, and sculpture to activate Richard Neutra's VDL Research House in Silver Lake, Pierre Koenig's Case Study House No. 21 in the Hollywood Hills, and buildings designed by Le Corbusier and Mies Van Der Rohe, among others. The histories and legacies of the architects themselves played a prominent role in these installations, with figural sculptures and die-cut silhouettes of the looming personalities of the architects populating his installations. Architectones: Art in the Living Environment tells both a story of present and past, archiving exhibition photography as well as anecdotal and historical documents of many of the greatest domestic and private spaces of modern architecture.
Xavier Veilhan: Architectones, art in the living environment
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Architectones, a monumental undertaking of seven exhibitions installed across three continents over a two year period, unites Veilhan's diverse interests in modernity, its histories of technology, and its cult of genius figures. Collectively titled after Kazimir Malevich's volumetric-spatial models, the art and architectural works partake in the revolutionary idealism of a period in which it was possible to imagine transforming society from the ground up by way of a new form of building. Between 2012 and 2014, Veilhan used music, light, and sculpture to activate Richard Neutra's VDL Research House in Silver Lake, Pierre Koenig's Case Study House No. 21 in the Hollywood Hills, and buildings designed by Le Corbusier and Mies Van Der Rohe, among others. The histories and legacies of the architects themselves played a prominent role in these installations, with figural sculptures and die-cut silhouettes of the looming personalities of the architects populating his installations. Architectones: Art in the Living Environment tells both a story of present and past, archiving exhibition photography as well as anecdotal and historical documents of many of the greatest domestic and private spaces of modern architecture.
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livres
livres
Publication:
juillet 2015
juillet 2015
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livres
livres
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
Titre:
The details of modern architecture volume 1
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
The details of modern architecture volume 1
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
Classification:
livres
livres
Publication:
octobre 2003, Cambridge, Mass.
octobre 2003, Cambridge, Mass.
Sujet:
Modernisme
Modernisme
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livres
livres
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$84.00
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone,(...)
$84.00
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone,(...)
Titre:
Long Island Modernism, 1930-1980
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture - the relatively unknown aspects of their production, their associations with clients, artists, and politicians - is complemented by more than three hundred archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures : residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Long Island Modernism, 1930-1980
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture - the relatively unknown aspects of their production, their associations with clients, artists, and politicians - is complemented by more than three hundred archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures : residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in(...)
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juillet 2014
juillet 2014
Titre:
Loose ends : Maria Guiseppina Grasso Cannizzo
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo’s special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific “story” behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect’s general design methods.
Loose ends : Maria Guiseppina Grasso Cannizzo
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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life’s work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she’s still considered an insider’s tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo’s special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific “story” behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect’s general design methods.
Classification:
livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
The Bauhaus: #itsalldesign
The Bauhaus: #itsalldesign
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$95.00
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This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their(...)
$95.00
(disponible sur commande)
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This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their(...)
Titre:
The Bauhaus: #itsalldesign
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$95.00
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This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their relevance for today's creative practice, these ideas are contrasted to current themes in design such as the digital revolution, and the works of numerous present-day artists and designers. The lavishly illustrated publication features essays by renowned authors such as Arthur Rüegg and Jan Boelen, a glossary of the basic ideas behind design at the Bauhaus, as well as a detailed catalogue section. Among others, Olaf Nicolai, Adrian Sauer, Wilfried Kühn and Joseph Grima have created artistic works on the topic especially for the exhibition. Numerous short articles by distinguished designers, artists and architects from all over the world, who, with their ideas, projects and theories reflect on the topicality of the Bauhaus and its influence on 21st-century design, form part of this new and contemporary look at the movement. With works by Josef Albers, Marcel Breuer, Walter Gropius, Marianne Brandt, Wassily Kandinsky, Ludwig Mies van der Rohe, Herbert Bayer and many others.
The Bauhaus: #itsalldesign
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$95.00
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This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their relevance for today's creative practice, these ideas are contrasted to current themes in design such as the digital revolution, and the works of numerous present-day artists and designers. The lavishly illustrated publication features essays by renowned authors such as Arthur Rüegg and Jan Boelen, a glossary of the basic ideas behind design at the Bauhaus, as well as a detailed catalogue section. Among others, Olaf Nicolai, Adrian Sauer, Wilfried Kühn and Joseph Grima have created artistic works on the topic especially for the exhibition. Numerous short articles by distinguished designers, artists and architects from all over the world, who, with their ideas, projects and theories reflect on the topicality of the Bauhaus and its influence on 21st-century design, form part of this new and contemporary look at the movement. With works by Josef Albers, Marcel Breuer, Walter Gropius, Marianne Brandt, Wassily Kandinsky, Ludwig Mies van der Rohe, Herbert Bayer and many others.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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$39.00
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these(...)
$39.00
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 1975, Cambridge, Massachusetts
janvier 1975, Cambridge, Massachusetts
Titre:
Programs and manifestos of 20th-century architecture
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.
Programs and manifestos of 20th-century architecture
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$39.00
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.
Classification:
livres
livres
Publication:
janvier 1975, Cambridge, Massachusetts
janvier 1975, Cambridge, Massachusetts
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$38.00
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Garden design in the twentieth century ranges from Victorian-era examples to the age of Land Art. This span results in an extraordinarily varied survey - from Europe to South America, from Japan to the United States - including work by garden and landscape designers whose names are familiar to both lovers and scholars of the modern garden: Robinson, Jekyll, Jensen,(...)
$38.00
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Garden design in the twentieth century ranges from Victorian-era examples to the age of Land Art. This span results in an extraordinarily varied survey - from Europe to South America, from Japan to the United States - including work by garden and landscape designers whose names are familiar to both lovers and scholars of the modern garden: Robinson, Jekyll, Jensen,(...)
Titre:
Modern garden design : innovation since 1900
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$38.00
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Garden design in the twentieth century ranges from Victorian-era examples to the age of Land Art. This span results in an extraordinarily varied survey - from Europe to South America, from Japan to the United States - including work by garden and landscape designers whose names are familiar to both lovers and scholars of the modern garden: Robinson, Jekyll, Jensen, Farrand, Sessions, Mawson, Church, Sørensen, and Jellicoe. Janet Waymark traces the revolutionary changes brought about in the postwar period by the Harvard Rebels - Eckbo, Rose, and Kiley - and examines the impact of Noguchi, Burle Marx, Barragán, and others, as well as the powerful international influence of Scandinavian landscape architects and designers. The garden city is also given close attention, from its beginnings in late Victorian Britain, through the Greenbelt Towns in the American Midwest, to the latest regeneration of urban centres worldwide. A long line of artists and architects of international renown have earned a place in the history of the modern garden: Monet, Le Corbusier, Mondrian, Wright, Mies van der Rohe, and Gaudí, among others. Land artists, such as Michael Heizer, Robert Smithson, Patricia Johanson, and Kathryn Gustafson in America and Richard Long, Andy Goldsworthy, and Ian Hamilton Finlay in the UK, have brought new ways of thinking about landscape and the garden into the twenty-first century.
Modern garden design : innovation since 1900
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$38.00
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Garden design in the twentieth century ranges from Victorian-era examples to the age of Land Art. This span results in an extraordinarily varied survey - from Europe to South America, from Japan to the United States - including work by garden and landscape designers whose names are familiar to both lovers and scholars of the modern garden: Robinson, Jekyll, Jensen, Farrand, Sessions, Mawson, Church, Sørensen, and Jellicoe. Janet Waymark traces the revolutionary changes brought about in the postwar period by the Harvard Rebels - Eckbo, Rose, and Kiley - and examines the impact of Noguchi, Burle Marx, Barragán, and others, as well as the powerful international influence of Scandinavian landscape architects and designers. The garden city is also given close attention, from its beginnings in late Victorian Britain, through the Greenbelt Towns in the American Midwest, to the latest regeneration of urban centres worldwide. A long line of artists and architects of international renown have earned a place in the history of the modern garden: Monet, Le Corbusier, Mondrian, Wright, Mies van der Rohe, and Gaudí, among others. Land artists, such as Michael Heizer, Robert Smithson, Patricia Johanson, and Kathryn Gustafson in America and Richard Long, Andy Goldsworthy, and Ian Hamilton Finlay in the UK, have brought new ways of thinking about landscape and the garden into the twenty-first century.
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Jardins
Jardins
Classification:
livres
livres
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They are places we fear to tread, monuments to the principles of our forebears, awe-inspiring towers of achievement : public institutions that sustain and support our lives are all around us. Scott Fortino investigates these enduring pillars of public life in "Institutional", a striking visual essay that documents the diverse architectural structures that house the(...)
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They are places we fear to tread, monuments to the principles of our forebears, awe-inspiring towers of achievement : public institutions that sustain and support our lives are all around us. Scott Fortino investigates these enduring pillars of public life in "Institutional", a striking visual essay that documents the diverse architectural structures that house the(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2005, Santa Fe
septembre 2005, Santa Fe
Titre:
Institutional : photographs of jails, schools, and other Chicago buildings
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They are places we fear to tread, monuments to the principles of our forebears, awe-inspiring towers of achievement : public institutions that sustain and support our lives are all around us. Scott Fortino investigates these enduring pillars of public life in "Institutional", a striking visual essay that documents the diverse architectural structures that house the foundations of civic life in the city of Chicago. From schools to churches to prisons, Fortino transforms these worn, familiar edifices into compelling symbols of long-lost ideals and communitarian spirit. Fortino coaxes out the subtle warmth and depths of these often overwhelming and pitiless public spaces in his photographs, as his camera reveals the hidden characters of both high-profile works by renowned designers such as Rem Koolhaas, Helmut Jahn, and Mies van der Rohe as well as the stolid structures designed by long-forgotten architects. Light, colour, and composition work together in Fortino's images to produce provocative new perspectives on the interiors of public buildings, revealing how their cultural and social roles as places of worship, education, punishment, or entertainment cast long and complex shadows over our lives. Fortino challenges us in "Institutional" to rethink our view of the public spaces we pass through every day by offering an original and fascinating photographic study of the settings in which the important events of human life unfold.
Institutional : photographs of jails, schools, and other Chicago buildings
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$50.00
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Résumé:
They are places we fear to tread, monuments to the principles of our forebears, awe-inspiring towers of achievement : public institutions that sustain and support our lives are all around us. Scott Fortino investigates these enduring pillars of public life in "Institutional", a striking visual essay that documents the diverse architectural structures that house the foundations of civic life in the city of Chicago. From schools to churches to prisons, Fortino transforms these worn, familiar edifices into compelling symbols of long-lost ideals and communitarian spirit. Fortino coaxes out the subtle warmth and depths of these often overwhelming and pitiless public spaces in his photographs, as his camera reveals the hidden characters of both high-profile works by renowned designers such as Rem Koolhaas, Helmut Jahn, and Mies van der Rohe as well as the stolid structures designed by long-forgotten architects. Light, colour, and composition work together in Fortino's images to produce provocative new perspectives on the interiors of public buildings, revealing how their cultural and social roles as places of worship, education, punishment, or entertainment cast long and complex shadows over our lives. Fortino challenges us in "Institutional" to rethink our view of the public spaces we pass through every day by offering an original and fascinating photographic study of the settings in which the important events of human life unfold.
Classification:
livres
livres
Publication:
septembre 2005, Santa Fe
septembre 2005, Santa Fe
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$150.00
(disponible sur commande)
Résumé:
En plus de trente années d'une carrière hors normes, depuis les rivages d'un continent isolé où une culture encore neuve côtoie les paysages les plus anciens et les mieux préservés de la planète, Glenn Murcutt a développé une architecture domestique originale. Simples, raffinées, expressives, les quelque cinq cents maisons qu'il a conçues pour son Australie natale sont(...)
$150.00
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En plus de trente années d'une carrière hors normes, depuis les rivages d'un continent isolé où une culture encore neuve côtoie les paysages les plus anciens et les mieux préservés de la planète, Glenn Murcutt a développé une architecture domestique originale. Simples, raffinées, expressives, les quelque cinq cents maisons qu'il a conçues pour son Australie natale sont(...)
Titre:
Glenn Murcutt : projets et réalisations 1962-2002
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$150.00
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Résumé:
En plus de trente années d'une carrière hors normes, depuis les rivages d'un continent isolé où une culture encore neuve côtoie les paysages les plus anciens et les mieux préservés de la planète, Glenn Murcutt a développé une architecture domestique originale. Simples, raffinées, expressives, les quelque cinq cents maisons qu'il a conçues pour son Australie natale sont considérées aujourd'hui comme les exemples les plus probants de ce que pourrait être une " architecture écologique ". Influencée par la philosophie de Henry David Thoreau comme par le minimalisme de Mies van der Rohe, par les constructions vernaculaires australiennes comme par les leçons d'Alvar Aalto, son architecture se veut une forme de " traduction du paysage " dans lequel elle s'inscrit, modelée par le concept d'économie qui la fonde - économie d'espace, d'énergie, de matériaux... L'attribution, en 2002, du prix Pritzker (le Nobel de l'architecture) à ce praticien inclassable témoigne de l'écho que rencontrent aujourd'hui ces questions dans les cénacles internationaux Ce livre cherche à donner à voir et à comprendre cet œuvre singulier en élucidant ses origines, ses ressorts et sa portée. Un essai critique approfondi analyse le parcours, le mode de travail et les idées de Glenn Murcutt, et dégage les raisons de son importance dans le panorama de l'architecture d'aujourd'hui. Une section largement illustrée présente ensuite en détail trente-trois de ses projets et bâtiments réalisés entre 1968 et 2001.
Glenn Murcutt : projets et réalisations 1962-2002
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Prix:
$150.00
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Résumé:
En plus de trente années d'une carrière hors normes, depuis les rivages d'un continent isolé où une culture encore neuve côtoie les paysages les plus anciens et les mieux préservés de la planète, Glenn Murcutt a développé une architecture domestique originale. Simples, raffinées, expressives, les quelque cinq cents maisons qu'il a conçues pour son Australie natale sont considérées aujourd'hui comme les exemples les plus probants de ce que pourrait être une " architecture écologique ". Influencée par la philosophie de Henry David Thoreau comme par le minimalisme de Mies van der Rohe, par les constructions vernaculaires australiennes comme par les leçons d'Alvar Aalto, son architecture se veut une forme de " traduction du paysage " dans lequel elle s'inscrit, modelée par le concept d'économie qui la fonde - économie d'espace, d'énergie, de matériaux... L'attribution, en 2002, du prix Pritzker (le Nobel de l'architecture) à ce praticien inclassable témoigne de l'écho que rencontrent aujourd'hui ces questions dans les cénacles internationaux Ce livre cherche à donner à voir et à comprendre cet œuvre singulier en élucidant ses origines, ses ressorts et sa portée. Un essai critique approfondi analyse le parcours, le mode de travail et les idées de Glenn Murcutt, et dégage les raisons de son importance dans le panorama de l'architecture d'aujourd'hui. Une section largement illustrée présente ensuite en détail trente-trois de ses projets et bâtiments réalisés entre 1968 et 2001.
Classification:
livres
livres
Publication:
octobre 2003, Paris
octobre 2003, Paris
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$60.00
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Résumé:
Garden design in the twentieth century ranges from Victorian-era examples to the age of Land Art. This span results in an extraordinarily varied survey—from Europe to South America, from Japan to the United States—including work by garden and landscape designers whose names are familiar to both lovers and scholars of the modern garden: Robinson, Jekyll, Jensen, Farrand,(...)
$60.00
(disponible sur commande)
Résumé:
Garden design in the twentieth century ranges from Victorian-era examples to the age of Land Art. This span results in an extraordinarily varied survey—from Europe to South America, from Japan to the United States—including work by garden and landscape designers whose names are familiar to both lovers and scholars of the modern garden: Robinson, Jekyll, Jensen, Farrand,(...)
Titre:
Modern garden design : innovation since 1900
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$60.00
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Résumé:
Garden design in the twentieth century ranges from Victorian-era examples to the age of Land Art. This span results in an extraordinarily varied survey—from Europe to South America, from Japan to the United States—including work by garden and landscape designers whose names are familiar to both lovers and scholars of the modern garden: Robinson, Jekyll, Jensen, Farrand, Sessions, Mawson, Church, Sørensen, and Jellicoe. Janet Waymark traces the revolutionary changes brought about in the postwar period by the Harvard Rebels—Eckbo, Rose, and Kiley—and examines the impact of Noguchi, Burle Marx, Barragán, and others, as well as the powerful international influence of Scandinavian landscape architects and designers. The garden city is also given close attention, from its beginnings in late Victorian Britain, through the Greenbelt Towns in the American Midwest, to the latest regeneration of urban centers worldwide. A long line of artists and architects of international renown have earned a place in the history of the modern garden: Monet, Le Corbusier, Mondrian, Wright, Mies van der Rohe, and Gaudí, among others. Land artists, such as Michael Heizer, Robert Smithson, Patricia Johanson, and Kathryn Gustafson in America and Richard Long, Andy Goldsworthy, and Ian Hamilton Finlay in the UK, have brought new ways of thinking about landscape and the garden into the twenty-first century.
Modern garden design : innovation since 1900
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Garden design in the twentieth century ranges from Victorian-era examples to the age of Land Art. This span results in an extraordinarily varied survey—from Europe to South America, from Japan to the United States—including work by garden and landscape designers whose names are familiar to both lovers and scholars of the modern garden: Robinson, Jekyll, Jensen, Farrand, Sessions, Mawson, Church, Sørensen, and Jellicoe. Janet Waymark traces the revolutionary changes brought about in the postwar period by the Harvard Rebels—Eckbo, Rose, and Kiley—and examines the impact of Noguchi, Burle Marx, Barragán, and others, as well as the powerful international influence of Scandinavian landscape architects and designers. The garden city is also given close attention, from its beginnings in late Victorian Britain, through the Greenbelt Towns in the American Midwest, to the latest regeneration of urban centers worldwide. A long line of artists and architects of international renown have earned a place in the history of the modern garden: Monet, Le Corbusier, Mondrian, Wright, Mies van der Rohe, and Gaudí, among others. Land artists, such as Michael Heizer, Robert Smithson, Patricia Johanson, and Kathryn Gustafson in America and Richard Long, Andy Goldsworthy, and Ian Hamilton Finlay in the UK, have brought new ways of thinking about landscape and the garden into the twenty-first century.
Classification:
livres
livres
Publication:
mai 2003, New York
mai 2003, New York
Sujet:
Jardins
Jardins
