livres
Description:
43 pages : chiefly illustrations, plans ; 29 cm
[Moskva] : [Gosgrazhdanstroĭ], [1985]
Иллюстрированный каталог проектов и работ : архитектурно-бионические конструктивные формы для сельских жилих и общественных здании / [sostaviteli I︠U︡.S. Lebedev [and others]]. Illi︠u︡strirovannyĭ katalog proektov i rabot : arkhitekturno-bionicheskie konstruktivnye formy dli︠a︡ selʹskikh zhilikh i obshchestvennykh zdanii / [sostaviteli I︠U︡.S. Lebedev [and others]].
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Description:
43 pages : chiefly illustrations, plans ; 29 cm
livres
[Moskva] : [Gosgrazhdanstroĭ], [1985]
périodiques
Slavic review.
Description:
1 online resource (volumes) : illustrations
Seattle, Wash. : Published at the University of Washington for the American Association for the Advancement of Slavic Studies, 1961-, New York, NY : Cambridge University Press
périodiques
Seattle, Wash. : Published at the University of Washington for the American Association for the Advancement of Slavic Studies, 1961-, New York, NY : Cambridge University Press
$52.95
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Résumé:
Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most(...)
janvier 2016
Belyayevo forever: a Soviet microrayon on its way to the UNESCO list
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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most expansive programme of industrialised construction the world has ever seen. Belyayevo’s buildings, and the desolate spaces between them, are identical to thousands of others, but is it different? Kuba Snopek argues that it is. Home to many of the artists of the Moscow Conceptualism school, the place was written into the character of their art. Snopek argues that this intangible heritage is the key to saving a neighbourhood many feel has had its day. But as Russia comes to terms with ist Soviet legacy, will such arguments fall on deaf ears?
$32.50
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Résumé:
In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
décembre 2005, New York
Architecture in print : Design and Debate in the Soviet Union 1919-1935
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In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
$42.95
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally(...)
Moscow monumental: Soviet skyscrapers and urban life in stalin's capital
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital. It tells a story that is both local and broadly transnational, taking readers from the streets of interwar Moscow and New York to the marble-clad halls of the bombastic postwar structures that continue to define the Russian capital today.
Modernisme
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
$37.50
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Résumé:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to(...)
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to analyze Soviet attitudes towards the West. While many visitors were profoundly affected by their Soviet tours, so too was the Soviet system. The early experiences of building showcases and teaching outsiders to perceive the future-in-the-making constitute a neglected international part of the emergence of Stalinism at home. Michael David-Fox contends that each side critically examined the other, negotiating feelings of inferiority and superiority, admiration and enmity, emulation and rejection. By the time of the Great Purges, these tensions gave way to the dramatic triumph of xenophobia and isolationism; whereas in the twenties the new regime assumed it had much to learn from Western modernity, by the Stalinist thirties the Soviet order was declared superior in all respects.
Expositions en cours
cartes
Description:
1 atlas (xiii, 218 pages) : color maps ; 31 cm
Toronto : University of Toronto Press, 1993.
Historical atlas of East Central Europe / Paul Robert Magosci ; cartographic design by Geoffrey J. Matthews.
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1 atlas (xiii, 218 pages) : color maps ; 31 cm
cartes
Toronto : University of Toronto Press, 1993.
$76.95
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Soviet mass housing is a contradictory but unique phenomenon. It is usually blamed for creating the most monotonous built environment in the history of mankind, thus constituting a symbol of individual suppression and dejection. The construction programme launched in the post-Stalinist era was the largest undertaken in modern architectural history worldwide. At the same(...)
Towards a Typology of Soviet Mass Housing: Prefabrication in the USSR 1955 a 1991
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Soviet mass housing is a contradictory but unique phenomenon. It is usually blamed for creating the most monotonous built environment in the history of mankind, thus constituting a symbol of individual suppression and dejection. The construction programme launched in the post-Stalinist era was the largest undertaken in modern architectural history worldwide. At the same time, Soviet mass housing fulfilled a colossal social role, providing tens of millions of families with their own apartments. It shaped the culture and everyday life of nearly all Soviet citizens. Yet, due to the very scale of construction, it managed to evolve into a complex world denoting an abundance of myths and secrets, achievements and failures. Soviet mass housing is indisputably intriguing, but nevertheless it is still neglected as a theme of research. Therefore, the time is ripe for a critical appraisal of this ambitious project. The authors aim to identify the most significant mass housing series designed and engineered from Kaliningrad to Vladivostok.
Logements collectifs
livres
Description:
117 pages : illustrations, plans ; 22 cm
Kiev : Budivelʹnyk, 1989.
Formirovanie arkhitekturno-khudozhestvennogo oblika t︠s︡entrov gorodov / T.V. Ustenko, E.S. Kondratenko, E.E. Vodzinskii̐ ; pod redakt︠s︡ieĭ T.V. Ustenko.
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117 pages : illustrations, plans ; 22 cm
livres
Kiev : Budivelʹnyk, 1989.
livres
Description:
533 pages : illustrations (some color), portraits ; 28 cm
London : Thames and Hudson, 1988.
Tatlin / edited by Larissa Alekseevna Zhadova.
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533 pages : illustrations (some color), portraits ; 28 cm
livres
London : Thames and Hudson, 1988.