Eye Magazine #95
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The feature articles in this issue of Eye Magazine all focus on the enduring value and power of the designed graphic form. Inside we: meet the Swiss design collective Atlas Studio; sit down for an interview with cartoonist, illustrator and animator R.O. Blechman; look at a French Aladdin’s cave of printed history and treasure; catch up with the small, but prolific design(...)
Eye Magazine #95
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The feature articles in this issue of Eye Magazine all focus on the enduring value and power of the designed graphic form. Inside we: meet the Swiss design collective Atlas Studio; sit down for an interview with cartoonist, illustrator and animator R.O. Blechman; look at a French Aladdin’s cave of printed history and treasure; catch up with the small, but prolific design team Triboro; and take a look and re-assess the powerful poster work of David King, whose anti-Nazi, anti-Fascist messages are more pertinent now than ever.
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Accattone 5: Armin Linke
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Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels. Monuments are carefully crafted to convey(...)
Accattone 5: Armin Linke
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Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels. Monuments are carefully crafted to convey determined sets of aesthetic codes and political values, incorporated in a purportedly eternal and total character. Photography can challenge the power of such representations by bringing out their inherent glitches, small cracks and everyday ambiguities. It can reprogramme architecture.
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The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of(...)
AD Loose-fit architecture: designing buildings for change
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The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of building materials, can we still afford to construct new housing or indeed any buildings that ignore the need for flexibility or the ability to evolve over time? Our design culture needs to move beyond the idealisation of a creative individual designer generating highly specific forms with fixed uses. The possibilities of adaptation and flexibility have often been overlooked, but they create hugely exciting 'loose-fit' architectures that emancipate users to create their own versatile and vibrant environments.
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an(...)
The Funambulist 14, Toxic atmospheres. November-December 2017
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an environmentalist perspective. The toxicity described throughout its pages are the atmospheric conditions of colonialism, imperialism, and/or capitalism.
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''Clothing Politics #2'' is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn.
The Funambulist 15, Clothing politics #2. January-February 2018
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''Clothing Politics #2'' is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn.
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Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
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C magazine 137
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This issue of C magazine features: Maandeeq Mohamed; Sepake Angiama, Clare Butcher, Brian McBay, and Jesse McKee; Natasha Chaykowski; Greta Hamilton. Includes also artist's projects by Rajni Perera and Negarra A. Kudumu.
C magazine 137
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This issue of C magazine features: Maandeeq Mohamed; Sepake Angiama, Clare Butcher, Brian McBay, and Jesse McKee; Natasha Chaykowski; Greta Hamilton. Includes also artist's projects by Rajni Perera and Negarra A. Kudumu.
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Nouveau Projet 13 printemps-été 2018, se consacre à la question de la qualité de vie. De quoi parle-t-on, au juste? En existe-t-il une conception neutre, apolitique et universelle? Peut-on la mesurer, elle qui, par essence, devrait échapper à la quantification?
Nouveau projet 13, printemps-été 2018
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Nouveau Projet 13 printemps-été 2018, se consacre à la question de la qualité de vie. De quoi parle-t-on, au juste? En existe-t-il une conception neutre, apolitique et universelle? Peut-on la mesurer, elle qui, par essence, devrait échapper à la quantification?
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Mousse 62
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Mousse magazine, issue 62. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden, Kathy Noble,(...)
Mousse 62
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Mousse magazine, issue 62. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden, Kathy Noble, Simphiwe Ndzube, Precious Okoyomon, Lydia Ourahmane, Alexandra Pirici, Julia Phillips, Asad Raza, Julia Scher, Jenny Schlenzka, Ross Simonini, Mitch Speed, Michael Stevenson, Diamond Stingily, Hans Ulrich Obrist, Erika Verzutti, Lu Yang.
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C3 393 : evolving pavilions
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From follies in parks to hosting events in prestigious locations and buildings, pavilions offer a great opportunity for architects to reflect upon the notion of space, visitor experience, and the role of the architectural components in the project as a whole. A selection of projects explores the relationships between pavilions and their contexts, and illustrates how the(...)
C3 393 : evolving pavilions
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From follies in parks to hosting events in prestigious locations and buildings, pavilions offer a great opportunity for architects to reflect upon the notion of space, visitor experience, and the role of the architectural components in the project as a whole. A selection of projects explores the relationships between pavilions and their contexts, and illustrates how the typology is evolving, becoming more dynamic, flexible, and lighter. Included are the Naoshima Port Terminal by SANAA, Kéré Architecture’s 2017 Serpentine Pavilion, and the Mpavilion 2017 by OMA. Additionally, this edition looks at special projects that reflect the blurring of boundaries between working and living in the digital era.
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