4163 Résultats
Classification:
périodiques
périodiques
Titre:
Log 38
Log 38
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After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America.(...)
$19.50
(disponible en magasin)
Résumé:
After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America.(...)
Titre:
Log 38
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$19.50
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Résumé:
After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America. Eve Blau explores the contexts that drove the 1968 Learning from Las Vegas studio at Yale, and Pier Vittorio Aureli and Maria Shéhérazade Giudici reevaluate the roots of modern domestic space. "Log 38" also features critical perspectives on the current moment in architecture, with reviews of OMA’s Fondaco dei Tedeschi, reflections on this year’s Venice Architecture Biennale, and reactions to Brexit from architects and educators affected by the vote, and even an imaginative look at the work of Sam Jacob Studio from 20 years in the future.
Log 38
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Résumé:
After two successive thematic issues, "Log 38" (Fall 2016) returns to its classic open form, bringing together myriad perspectives from architecture’s center and periphery. Cynthia Davidson’s expansive interview with New York architect Harry Cobb, of Pei Cobb Freed & Partners, illuminates Cobb’s 60-plus years in practice, as well as the history of modernism in America. Eve Blau explores the contexts that drove the 1968 Learning from Las Vegas studio at Yale, and Pier Vittorio Aureli and Maria Shéhérazade Giudici reevaluate the roots of modern domestic space. "Log 38" also features critical perspectives on the current moment in architecture, with reviews of OMA’s Fondaco dei Tedeschi, reflections on this year’s Venice Architecture Biennale, and reactions to Brexit from architects and educators affected by the vote, and even an imaginative look at the work of Sam Jacob Studio from 20 years in the future.
Classification:
périodiques
périodiques
Publication:
octobre 2016
octobre 2016
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Prix:
$26.50
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Résumé:
"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New(...)
$26.50
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"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New(...)
Titre:
Flat Out : claims on architecture from an unlikely cast
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"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New Brutalism for the afterlife, while The Graphic Essayist fills columns with new orders. In “Easier Done than Said” an editorial board member appears as The Cameo to make much ado about the reception of the inaugural Chicago Architectural Biennial. The cast for this issue features (in order of appearance) Pier Paolo Tamburelli, Jayne Kelley, Alexander Eisenschmidt, Sam Jacob, Robert Bruegmann, Paul Andersen, Jon Langford, Ellen Grimes, John McMorrough, Ania Jaworska, Zehra Ahmed, R. E. Somol, Penelope Dean, and Julia Di Castri. Character portraits are by Cody Hudson.
Flat Out : claims on architecture from an unlikely cast
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Résumé:
"Flat Out 1" yields unlikely connections between subjects as diverse as lists, numbers, chairs, and death. In “Dear Renato,” The Challenger writes a letter to Italian architect Renato Rizzi on the darkness of his Shakespeare Theater. The Genealogist, in “Get the Door, It’s Domino’s,” dives into the pizza company’s trophy awards for architects. The Mortician prepares New Brutalism for the afterlife, while The Graphic Essayist fills columns with new orders. In “Easier Done than Said” an editorial board member appears as The Cameo to make much ado about the reception of the inaugural Chicago Architectural Biennial. The cast for this issue features (in order of appearance) Pier Paolo Tamburelli, Jayne Kelley, Alexander Eisenschmidt, Sam Jacob, Robert Bruegmann, Paul Andersen, Jon Langford, Ellen Grimes, John McMorrough, Ania Jaworska, Zehra Ahmed, R. E. Somol, Penelope Dean, and Julia Di Castri. Character portraits are by Cody Hudson.
Classification:
périodiques
périodiques
Publication:
novembre 2016
novembre 2016
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
ARCH+ : Release architecture
ARCH+ : Release architecture
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$39.95
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Résumé:
An architecture biennale can be more than a place to simply represent and celebrate the status quo in architectural production. Exhibitions are increasingly becoming a place for researching and producing an experimental and critical architectural practice: a place not for the presentation of finished products, but for the production of content. This calls into question(...)
$39.95
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Résumé:
An architecture biennale can be more than a place to simply represent and celebrate the status quo in architectural production. Exhibitions are increasingly becoming a place for researching and producing an experimental and critical architectural practice: a place not for the presentation of finished products, but for the production of content. This calls into question(...)
Titre:
ARCH+ : Release architecture
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$39.95
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Résumé:
An architecture biennale can be more than a place to simply represent and celebrate the status quo in architectural production. Exhibitions are increasingly becoming a place for researching and producing an experimental and critical architectural practice: a place not for the presentation of finished products, but for the production of content. This calls into question the supposed boundary between architecture and exhibition. Inquiry becomes a form of display. Christian Kerez’s Incidental Space, exhibited in the Swiss Pavilion at the 2016 Architecture Biennale in Venice, attempts to inquire into the outer limits of what can be achieved in architecture today—in terms of both technical feasibility and the limits of our own imagination. How can you use the medium of architecture to contemplate an architectural space that is entirely abstract and as complex as possible? How could this kind of imaginary space even be visualized, and how could it be produced? Conceived in close collaboration with Sandra Oehy, the curator of the Swiss Pavilion, and Christian Kerez, the Swiss Pavilion architect, this issue of ARCH+ delves into the questions posed by Kerez’s “speculative space.” Contributors like Philip Ursprung, Mario Carpo, Armen Avanessian, and Timothy Morton consider how the object stands in relation to the subject in a world where the capacity for technological and digital reproduction increasingly renders the distinction between depiction and reality moot. Where is the space for architectural autonomy in this? How can we “Release Architecture”? A report from architecture’s speculative front.
ARCH+ : Release architecture
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$39.95
(disponible en magasin)
Résumé:
An architecture biennale can be more than a place to simply represent and celebrate the status quo in architectural production. Exhibitions are increasingly becoming a place for researching and producing an experimental and critical architectural practice: a place not for the presentation of finished products, but for the production of content. This calls into question the supposed boundary between architecture and exhibition. Inquiry becomes a form of display. Christian Kerez’s Incidental Space, exhibited in the Swiss Pavilion at the 2016 Architecture Biennale in Venice, attempts to inquire into the outer limits of what can be achieved in architecture today—in terms of both technical feasibility and the limits of our own imagination. How can you use the medium of architecture to contemplate an architectural space that is entirely abstract and as complex as possible? How could this kind of imaginary space even be visualized, and how could it be produced? Conceived in close collaboration with Sandra Oehy, the curator of the Swiss Pavilion, and Christian Kerez, the Swiss Pavilion architect, this issue of ARCH+ delves into the questions posed by Kerez’s “speculative space.” Contributors like Philip Ursprung, Mario Carpo, Armen Avanessian, and Timothy Morton consider how the object stands in relation to the subject in a world where the capacity for technological and digital reproduction increasingly renders the distinction between depiction and reality moot. Where is the space for architectural autonomy in this? How can we “Release Architecture”? A report from architecture’s speculative front.
Classification:
périodiques
périodiques
Publication:
mai 2016
mai 2016
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Prix:
$20.00
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Résumé:
"States of War" is the inaugural issue of a new quarterly journal _Lapham's Quarterly_ edited by Lewis Lapham, former _Harper's Magazine_ editor. Although packaged as a journal/magazine about current issues, it's really a collection of "primary sources" - roughly defined as material contemporary to the time, such as memoirs, speeches, transcripts and poems.
$20.00
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Résumé:
"States of War" is the inaugural issue of a new quarterly journal _Lapham's Quarterly_ edited by Lewis Lapham, former _Harper's Magazine_ editor. Although packaged as a journal/magazine about current issues, it's really a collection of "primary sources" - roughly defined as material contemporary to the time, such as memoirs, speeches, transcripts and poems.
Titre:
Laphams Quarterly, vol 1, n1, state of war, winter 2008
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"States of War" is the inaugural issue of a new quarterly journal _Lapham's Quarterly_ edited by Lewis Lapham, former _Harper's Magazine_ editor. Although packaged as a journal/magazine about current issues, it's really a collection of "primary sources" - roughly defined as material contemporary to the time, such as memoirs, speeches, transcripts and poems.
Laphams Quarterly, vol 1, n1, state of war, winter 2008
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Résumé:
"States of War" is the inaugural issue of a new quarterly journal _Lapham's Quarterly_ edited by Lewis Lapham, former _Harper's Magazine_ editor. Although packaged as a journal/magazine about current issues, it's really a collection of "primary sources" - roughly defined as material contemporary to the time, such as memoirs, speeches, transcripts and poems.
Classification:
périodiques
périodiques
Publication:
décembre 2008, New York
décembre 2008, New York
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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$14.00
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Résumé:
“I remember it being the best music ever. The Beats were so funky then”, says N.Y.’s MC Missy Dee following that vibe and talking about her experiences being one of the first girl MCs at about 1981 - how she was invited by famous Grandmaster Flash to rock on the mic at the age of 15. The most famous MC battle in Hip Hop histoy ever was fought out between two ladies -(...)
$14.00
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Résumé:
“I remember it being the best music ever. The Beats were so funky then”, says N.Y.’s MC Missy Dee following that vibe and talking about her experiences being one of the first girl MCs at about 1981 - how she was invited by famous Grandmaster Flash to rock on the mic at the age of 15. The most famous MC battle in Hip Hop histoy ever was fought out between two ladies -(...)
Titre:
Anattitude magazine #3 - old school issue
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$14.00
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“I remember it being the best music ever. The Beats were so funky then”, says N.Y.’s MC Missy Dee following that vibe and talking about her experiences being one of the first girl MCs at about 1981 - how she was invited by famous Grandmaster Flash to rock on the mic at the age of 15. The most famous MC battle in Hip Hop histoy ever was fought out between two ladies - Roxanne Shanté and Sparky D, who struggled for the crown like Muhammed Ali and Joe Frazier. That and more is telling us Brooklyn’s Battle Queen Sparky D with an energetic power like it was yesterday. London’s designer Karen Jane is talking to Cookie, one part of the famous UK rap crew The Cookie Crew about how pure and authenic Hip Hop was back then while dropping their break-through hit “Rok Da House” with the Beatmasters.
Anattitude magazine #3 - old school issue
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“I remember it being the best music ever. The Beats were so funky then”, says N.Y.’s MC Missy Dee following that vibe and talking about her experiences being one of the first girl MCs at about 1981 - how she was invited by famous Grandmaster Flash to rock on the mic at the age of 15. The most famous MC battle in Hip Hop histoy ever was fought out between two ladies - Roxanne Shanté and Sparky D, who struggled for the crown like Muhammed Ali and Joe Frazier. That and more is telling us Brooklyn’s Battle Queen Sparky D with an energetic power like it was yesterday. London’s designer Karen Jane is talking to Cookie, one part of the famous UK rap crew The Cookie Crew about how pure and authenic Hip Hop was back then while dropping their break-through hit “Rok Da House” with the Beatmasters.
Classification:
périodiques
périodiques
Publication:
janvier 1900, Brussels
janvier 1900, Brussels
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Azure september 2008
Azure september 2008
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$12.00
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In this issue: Torino Puts Its Backbone into a Post-industrial Future. Italy’s motor city is remaking itself by redeveloping the railway lands that bisect the city.
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Résumé:
In this issue: Torino Puts Its Backbone into a Post-industrial Future. Italy’s motor city is remaking itself by redeveloping the railway lands that bisect the city.
Titre:
Azure september 2008
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$12.00
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In this issue: Torino Puts Its Backbone into a Post-industrial Future. Italy’s motor city is remaking itself by redeveloping the railway lands that bisect the city.
Azure september 2008
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$12.00
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Résumé:
In this issue: Torino Puts Its Backbone into a Post-industrial Future. Italy’s motor city is remaking itself by redeveloping the railway lands that bisect the city.
Classification:
périodiques
périodiques
Publication:
janvier 1900, Buffalo
janvier 1900, Buffalo
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Prix:
$42.00
(disponible en magasin)
Résumé:
Gentlemen & Arseholes is a reprint of the first issue of the cultural journal Encounter from 1953, along with a series of supplementary materials that are inserted between the original pages.
$42.00
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Résumé:
Gentlemen & Arseholes is a reprint of the first issue of the cultural journal Encounter from 1953, along with a series of supplementary materials that are inserted between the original pages.
Titre:
Encounter, vol 1, october 1967: gentlemen and arseholes
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$42.00
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Résumé:
Gentlemen & Arseholes is a reprint of the first issue of the cultural journal Encounter from 1953, along with a series of supplementary materials that are inserted between the original pages.
Encounter, vol 1, october 1967: gentlemen and arseholes
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$42.00
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Résumé:
Gentlemen & Arseholes is a reprint of the first issue of the cultural journal Encounter from 1953, along with a series of supplementary materials that are inserted between the original pages.
Classification:
périodiques
périodiques
Publication:
octobre 2006, Berlin
octobre 2006, Berlin
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Classification:
périodiques
périodiques
Titre:
Grey room 32, summer 2008
Grey room 32, summer 2008
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$20.00
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Résumé:
"Grey room" brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. "Grey room" features original articles, translations, interviews, dossiers, and academic exchanges Contributors to this issue : Mark Godfrey, Sven Lütticken, Pepper(...)
$20.00
(disponible en magasin)
Résumé:
"Grey room" brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. "Grey room" features original articles, translations, interviews, dossiers, and academic exchanges Contributors to this issue : Mark Godfrey, Sven Lütticken, Pepper(...)
Sujet:
Revues
Revues
Publication:
août 2008, Cambridge (MA)
août 2008, Cambridge (MA)
Titre:
Grey room 32, summer 2008
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$20.00
(disponible en magasin)
Résumé:
"Grey room" brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. "Grey room" features original articles, translations, interviews, dossiers, and academic exchanges Contributors to this issue : Mark Godfrey, Sven Lütticken, Pepper Stetler, Juan Suárez.
Grey room 32, summer 2008
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$20.00
(disponible en magasin)
Résumé:
"Grey room" brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. "Grey room" features original articles, translations, interviews, dossiers, and academic exchanges Contributors to this issue : Mark Godfrey, Sven Lütticken, Pepper Stetler, Juan Suárez.
Classification:
périodiques
périodiques
Publication:
août 2008, Cambridge (MA)
août 2008, Cambridge (MA)
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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$25.00
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Résumé:
The journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area. It addresses all forms of making that self-consciously set themselves apart from mass production - whether in the making of designed objects, artworks, buildings, or other artefacts.
$25.00
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Résumé:
The journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area. It addresses all forms of making that self-consciously set themselves apart from mass production - whether in the making of designed objects, artworks, buildings, or other artefacts.
Sujet:
Revues
Revues
Publication:
juillet 2008, Oxford
juillet 2008, Oxford
Titre:
The journal of modern craft vol 1 issue 2 july 2008
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$25.00
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Résumé:
The journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area. It addresses all forms of making that self-consciously set themselves apart from mass production - whether in the making of designed objects, artworks, buildings, or other artefacts.
The journal of modern craft vol 1 issue 2 july 2008
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$25.00
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Résumé:
The journal of Modern Craft is the first peer-reviewed academic journal to provide an interdisciplinary and international forum in its subject area. It addresses all forms of making that self-consciously set themselves apart from mass production - whether in the making of designed objects, artworks, buildings, or other artefacts.
Classification:
périodiques
périodiques
Publication:
juillet 2008, Oxford
juillet 2008, Oxford
Sujet:
Revues
Revues
