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Controversial artist Wim Delvoye achieved international fame with his tattooed pigs, his cloaca machines, his love letter made from potato peelings, gas bottles with Delft blue motives and a number of artworks that are often determined as being provocative and ironic. He has exhibited all over hte world, including New York, Paris, Beijing, Milan, Tel Aviv and Montreal.
Wim Delvoye: knockin on heaven's door
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Controversial artist Wim Delvoye achieved international fame with his tattooed pigs, his cloaca machines, his love letter made from potato peelings, gas bottles with Delft blue motives and a number of artworks that are often determined as being provocative and ironic. He has exhibited all over hte world, including New York, Paris, Beijing, Milan, Tel Aviv and Montreal.
John Stezaker : One on one
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One on One, the exhibition catalog accompanying the Tel Aviv Museum exhibition presents a new set of previously unseen collages produced by Stezaker over the past two years. Featured are over 40 full color illustrations including a selection of ten images from The 3rd Person Archive. With essays from curator Irith Hadar and Dalit Matatyahu and a conversation with the(...)
John Stezaker : One on one
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One on One, the exhibition catalog accompanying the Tel Aviv Museum exhibition presents a new set of previously unseen collages produced by Stezaker over the past two years. Featured are over 40 full color illustrations including a selection of ten images from The 3rd Person Archive. With essays from curator Irith Hadar and Dalit Matatyahu and a conversation with the artist, Christophe Gallois and Daniel F. Herrmann.
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This is the first substantial new book in English on this exceptional artist since the 1930s, published to coincide with a major exhibition at the Tel Aviv Museum of Art in fall 2021. The large-format volume features some one hundred of Aenne Biermann’s photographs in immaculately produced color and quadrotone reproductions, including several from the archive of the(...)
Aenne Biermann: Up close and personal
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This is the first substantial new book in English on this exceptional artist since the 1930s, published to coincide with a major exhibition at the Tel Aviv Museum of Art in fall 2021. The large-format volume features some one hundred of Aenne Biermann’s photographs in immaculately produced color and quadrotone reproductions, including several from the archive of the artist’s family that are published here for the first time ever. This selection is complemented by essays on Biermann’s photography in an art-historical context and on selected aspects of her oeuvre.
Monographies photo
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This issue includes: Jeffrey Kipnis on Reiser + Umemoto's 0-14 tower; Anthony Vidler on Colin Rowe's review of La Tourette; Todd Gannon on Jason Payne's "Rawhide: The New Shingle Style" at SCI-Arc; Charles Jencks on contextual counterpoint in recent work of Herzog & de Meuron and Edouard François; Craig Buckley on Lacaton & Vassal's transformation of Bois-le-Pretre tower(...)
Log 24, winter/spring 2012: architecture criticism
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This issue includes: Jeffrey Kipnis on Reiser + Umemoto's 0-14 tower; Anthony Vidler on Colin Rowe's review of La Tourette; Todd Gannon on Jason Payne's "Rawhide: The New Shingle Style" at SCI-Arc; Charles Jencks on contextual counterpoint in recent work of Herzog & de Meuron and Edouard François; Craig Buckley on Lacaton & Vassal's transformation of Bois-le-Pretre tower in Paris; Sylvia Lavin on Piplotti Rist's installation at the Wexner Center; Daniel Sherer on Preston Scott Cohen's Tel Aviv Museum; and many other contributions from Rome, Athens, Ningbo, London, New York, and Los Angeles.
Revues
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This book presents the typographic experiments and experimental typography of visionary artist and designer Oded Ezer for the first time. A pioneer in the field, Ezer is one of the most influential designers today, who is reinventing the art of typography.Based in Tel Aviv, Ezer has an almost scientific approach to type design in which he explores the anatomy of(...)
The typographer's guide to the galaxy
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This book presents the typographic experiments and experimental typography of visionary artist and designer Oded Ezer for the first time. A pioneer in the field, Ezer is one of the most influential designers today, who is reinventing the art of typography.Based in Tel Aviv, Ezer has an almost scientific approach to type design in which he explores the anatomy of letters and alphabets. His Hebrew and Latin characters and alphabets are influenced by calligraphy and integrate elements that are not typical for font design, such as ornamental and organic shapes that resemble creatures. The book introduces his type art and hybrid typo creatures, including projects from his Biotypography series.
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Filling Up is the first of two themes presented here. The leftover spaces created by the continual development of the city are examined as vital, attractive voids to be integrated into the urban dynamic, though perhaps not always in terms of recreational functions. A text by Aldo Vanini introduces several projects, such as the Tel Aviv Port Public Space Regeneration and(...)
dlle 04: filling up, delimiting
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Filling Up is the first of two themes presented here. The leftover spaces created by the continual development of the city are examined as vital, attractive voids to be integrated into the urban dynamic, though perhaps not always in terms of recreational functions. A text by Aldo Vanini introduces several projects, such as the Tel Aviv Port Public Space Regeneration and the Schinkel Islands Park in Amsterdam. The second theme, “Delimiting”, investigates a redefinition of the concept of the urban square in newly built towns and urban areas. With an essay by Diego Terna, the projects include Music Park in Seville and the Dover Esplanade, among several others.
Revues
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Avec ses élèves Zvi Hecker et Eldar Sharon, Alfred Neumann (1900-1968) déploya une architecture polyédrique, notamment mise en œuvre à Tel Aviv pendant les années 60. À l'âge des structures « spatiales » et « tridimensionnelles », Neumann et ses amis se tournent vers la géométrie cristalline trouvée en nature. Partant de processus évoquant la biologie et la(...)
L'architecture de la morphologie
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Avec ses élèves Zvi Hecker et Eldar Sharon, Alfred Neumann (1900-1968) déploya une architecture polyédrique, notamment mise en œuvre à Tel Aviv pendant les années 60. À l'âge des structures « spatiales » et « tridimensionnelles », Neumann et ses amis se tournent vers la géométrie cristalline trouvée en nature. Partant de processus évoquant la biologie et la cristallographie, Neumann conçoit l'espace à travers des assemblages solides, une « grammaire de l'espace » donnant lieu à une « discipline topologique » qu'il enseignera jusqu'à sa mort à l'école d'architecture de l'Université de Laval, à Québec. Augmenté des présentations de Georges Teyssot et Samuel Bernier-Lavigne, le présent essai, dévoilé à Toronto en 1963, précède de peu la mise en chantier de l'Expo 67 à Montréal.
Théorie de l’architecture
In the life of cities
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the(...)
novembre 2012
In the life of cities
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What is it that gives places their individual qualities and defines the life of a city? Architects and urbanists are accustomed to describing and creating the organizational structures, the layouts and physical attributes of our cities. But what are the relations between the design of a city—its form—and the life engendered by that form? Responding to this question is the inspiration for In the Life of Cities. Contributors from a wide range of fields address the role and life of cities as diverse as Baku, Buenos Aires, Cairo, Detroit, Jakarta, Johannesburg, Mumbai, Paris, Quito, St. Petersburg, Tel Aviv, Tirana, and Toronto. Portfolios of contemporary photography present the layered realities of urban life today.
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Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their(...)
Théorie de l’architecture
juin 2005, Wien / New York
Art becomes architecture becomes art : a conversation between
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Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their latest project in King’s Cross, London. Over the past years, Vito Acconci has moved towards architecture. Today’s Acconci Studio covers planning for such diverse projects as the Skateboard Park in San Juan, the Inside-Out Bookstore for Documenta X, or an urban planning for Tel Aviv. Vito Acconci and Kenny Schachter met for two discussions in London and Basel in 2004 and 2005.
Théorie de l’architecture
livres
Jardins de la Méditerranée
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C'est en Italie, à la Renaissance, que se fixent les premières images du jardin européen : compositions géométriques, arbres taillés, parterres de fleurs, intégration au paysage. Cet héritage de Rome, sublimé par des dizaines de réalisations dans toutes les principautés d'Italie, donnera naissance aux jardins classiques de Provence, d'Espagne, de Grèce ou de Turquie. La(...)
Jardins de la Méditerranée
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C'est en Italie, à la Renaissance, que se fixent les premières images du jardin européen : compositions géométriques, arbres taillés, parterres de fleurs, intégration au paysage. Cet héritage de Rome, sublimé par des dizaines de réalisations dans toutes les principautés d'Italie, donnera naissance aux jardins classiques de Provence, d'Espagne, de Grèce ou de Turquie. La colonisation entraîne la naissance de jardins de plantes acclimatées qui envahissnet rapidement la Côte d'Azur puis les rivieras italienne et espagnole. Le paysage en est radicalement bouleversé. L'époque contemporaine ne fait que prolonger ce mouvement de mélange, d'échanges d'idées et de formes, de métissage. Grenade, Florence, Rome, Nice, Tel-Aviv, Aix-en-Provence, Marrakech, Palerme, Tunis, Cordoue, Lisbonne, Monte-Carlo sont quelques-unes des étapes de cette aventure des jardins de la Méditerranée.
livres
avril 2002, Ivry-sur-Seine
Jardins