278 Résultats
Classification:
livres
livres
Titre:
All possible futures
All possible futures
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$30.00
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Résumé:
All Possible Futures accompanies an exhibition that explores speculative work created by contemporary graphic designers. The scope of work encompasses everything from self-generated provocations, to experimental work created in parallel with client-based projects, to unique practices where commissions have been tackled with a high level of autonomy and critical(...)
$30.00
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Résumé:
All Possible Futures accompanies an exhibition that explores speculative work created by contemporary graphic designers. The scope of work encompasses everything from self-generated provocations, to experimental work created in parallel with client-based projects, to unique practices where commissions have been tackled with a high level of autonomy and critical(...)
Titre:
All possible futures
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Prix:
$30.00
(disponible sur commande)
Résumé:
All Possible Futures accompanies an exhibition that explores speculative work created by contemporary graphic designers. The scope of work encompasses everything from self-generated provocations, to experimental work created in parallel with client-based projects, to unique practices where commissions have been tackled with a high level of autonomy and critical investigation. The work highlights different levels of visibility and public-ness within the graphic design process. Some projects were made for clients and exist in a ‘real world’ context, while others might otherwise have gone unnoticed: failed proposals, experiments, sketches, incomplete thoughts.
All possible futures
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Prix:
$30.00
(disponible sur commande)
Résumé:
All Possible Futures accompanies an exhibition that explores speculative work created by contemporary graphic designers. The scope of work encompasses everything from self-generated provocations, to experimental work created in parallel with client-based projects, to unique practices where commissions have been tackled with a high level of autonomy and critical investigation. The work highlights different levels of visibility and public-ness within the graphic design process. Some projects were made for clients and exist in a ‘real world’ context, while others might otherwise have gone unnoticed: failed proposals, experiments, sketches, incomplete thoughts.
Classification:
livres
livres
Publication:
septembre 2014
septembre 2014
Classification:
livres
livres
Titre:
The feeling of space
The feeling of space
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Prix:
$79.00
(disponible en magasin)
Résumé:
Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for(...)
$79.00
(disponible en magasin)
Résumé:
Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for(...)
Titre:
The feeling of space
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$79.00
(disponible en magasin)
Résumé:
Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for belonging. Using rich illustrations and examinations of art, technology, and philosophy, Bardt argues that if we can get back to first feeling space, then we can treat space as the substance that gives agency to our intersubjectivity—our exchange of conscious and unconscious thoughts.
The feeling of space
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Prix:
$79.00
(disponible en magasin)
Résumé:
Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for belonging. Using rich illustrations and examinations of art, technology, and philosophy, Bardt argues that if we can get back to first feeling space, then we can treat space as the substance that gives agency to our intersubjectivity—our exchange of conscious and unconscious thoughts.
Classification:
livres
livres
Publication:
décembre 2024
décembre 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
périodiques
périodiques
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Prix:
$35.00
(disponible en magasin)
Résumé:
In order to actively grapple with the challenges of our age, architects have to transform themselves from extremely competent executors of assignments into entrepreneurs and producers. This issue of Volume discusses essential tools to reclaim professional autonomy. In the first part, Volume sits ‘Around the table’ with forward-thinking practitioners who see a different(...)
$35.00
(disponible en magasin)
Résumé:
In order to actively grapple with the challenges of our age, architects have to transform themselves from extremely competent executors of assignments into entrepreneurs and producers. This issue of Volume discusses essential tools to reclaim professional autonomy. In the first part, Volume sits ‘Around the table’ with forward-thinking practitioners who see a different(...)
Titre:
Volume 14: Unsolicited architecture
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Prix:
$35.00
(disponible en magasin)
Résumé:
In order to actively grapple with the challenges of our age, architects have to transform themselves from extremely competent executors of assignments into entrepreneurs and producers. This issue of Volume discusses essential tools to reclaim professional autonomy. In the first part, Volume sits ‘Around the table’ with forward-thinking practitioners who see a different role and responsibility for architects. The central part presents the portfolio of the Office for Unsolicited Architecture founded by Ole Bouman and students of MIT. The third part marks the unsolicited world according to young architects and artists from around the globe.
Volume 14: Unsolicited architecture
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Prix:
$35.00
(disponible en magasin)
Résumé:
In order to actively grapple with the challenges of our age, architects have to transform themselves from extremely competent executors of assignments into entrepreneurs and producers. This issue of Volume discusses essential tools to reclaim professional autonomy. In the first part, Volume sits ‘Around the table’ with forward-thinking practitioners who see a different role and responsibility for architects. The central part presents the portfolio of the Office for Unsolicited Architecture founded by Ole Bouman and students of MIT. The third part marks the unsolicited world according to young architects and artists from around the globe.
Classification:
périodiques
périodiques
Publication:
janvier 2008, Amsterdam
janvier 2008, Amsterdam
Sujet:
Revues
Revues
Classification:
livres
livres
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$54.95
(disponible sur commande)
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The second volume in the ‘Chapters’ series from Brussels-based architecture firm 51N4E focuses on how design processes can be shaped through dialogue. First, it investigates their work together with two design-focused consulting firms, endeavour (Antwerp) and Denkstatt (Basel), wherein all three explore the boundaries of architecture, advocating openness and dialogue with(...)
$54.95
(disponible sur commande)
Résumé:
The second volume in the ‘Chapters’ series from Brussels-based architecture firm 51N4E focuses on how design processes can be shaped through dialogue. First, it investigates their work together with two design-focused consulting firms, endeavour (Antwerp) and Denkstatt (Basel), wherein all three explore the boundaries of architecture, advocating openness and dialogue with(...)
Titre:
51N4E Design in dialogue/Denkstatt endeavour
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$54.95
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Résumé:
The second volume in the ‘Chapters’ series from Brussels-based architecture firm 51N4E focuses on how design processes can be shaped through dialogue. First, it investigates their work together with two design-focused consulting firms, endeavour (Antwerp) and Denkstatt (Basel), wherein all three explore the boundaries of architecture, advocating openness and dialogue with clients and users as opposed to autonomy and monologue. The book’s second part examines the hidden presence of this 'design in dialogue' approach in a wide range of European architecture firms and their projects, illustrating how this can create productive momentum and foster engagement.
51N4E Design in dialogue/Denkstatt endeavour
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Prix:
$54.95
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Résumé:
The second volume in the ‘Chapters’ series from Brussels-based architecture firm 51N4E focuses on how design processes can be shaped through dialogue. First, it investigates their work together with two design-focused consulting firms, endeavour (Antwerp) and Denkstatt (Basel), wherein all three explore the boundaries of architecture, advocating openness and dialogue with clients and users as opposed to autonomy and monologue. The book’s second part examines the hidden presence of this 'design in dialogue' approach in a wide range of European architecture firms and their projects, illustrating how this can create productive momentum and foster engagement.
Classification:
livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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Exemplaires:
Description:
xix, 953 pages ; 25 cm
Description:
xix, 953 pages ; 25 cm
Auteur:
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Publication:
New York : Oxford University Press, 1965.
New York : Oxford University Press, 1965.
Titre:
The modern tradition : backgrounds of modern literature / edited by Richard Ellmann and Charles Feidelson, Jr.
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Description:
xix, 953 pages ; 25 cm
The modern tradition : backgrounds of modern literature / edited by Richard Ellmann and Charles Feidelson, Jr.
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Exemplaires:
Description:
xix, 953 pages ; 25 cm
Classification:
livres
livres
Publication:
New York : Oxford University Press, 1965.
New York : Oxford University Press, 1965.
Auteur:
Sujet:
Classification:
livres
livres
Prix:
$43.50
(disponible sur commande)
Résumé:
When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class(...)
$43.50
(disponible sur commande)
Résumé:
When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class(...)
Titre:
The cultural front: power and culture in Revolutionary Russia
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$43.50
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Résumé:
When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays- two previously unpublished and all revised for inclusion here- which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor.
The cultural front: power and culture in Revolutionary Russia
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Prix:
$43.50
(disponible sur commande)
Résumé:
When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays- two previously unpublished and all revised for inclusion here- which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor.
Classification:
livres
livres
Publication:
octobre 1992
octobre 1992
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Titre:
Architecture depends
Architecture depends
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Prix:
$29.95
(disponible sur commande)
Résumé:
Architecture depends — on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. (...)
$29.95
(disponible sur commande)
Résumé:
Architecture depends — on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. (...)
Titre:
Architecture depends
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Prix:
$29.95
(disponible sur commande)
Résumé:
Architecture depends — on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. Jeremy Till offers a proposal for rescuing architects from themselves : a way to bridge the gap between what architecture actually is and what architects want it to be. Mixing anecdote, design, social theory, and personal experience, Till's writing is always accessible, moving freely between high and low registers, much like his suggestions for architecture itself.
Architecture depends
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Prix:
$29.95
(disponible sur commande)
Résumé:
Architecture depends — on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. Jeremy Till offers a proposal for rescuing architects from themselves : a way to bridge the gap between what architecture actually is and what architects want it to be. Mixing anecdote, design, social theory, and personal experience, Till's writing is always accessible, moving freely between high and low registers, much like his suggestions for architecture itself.
Classification:
livres
livres
Publication:
mars 2009, Cambridge
mars 2009, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$53.95
(disponible sur commande)
Résumé:
The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely(...)
$53.95
(disponible sur commande)
Résumé:
The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely(...)
Titre:
Franziska Klose: Detroit, field notes from a wild city
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$53.95
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Résumé:
The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely consumed by industry, its structure a manifestation of social inequality, despite all the conjurations of an imminent economic boom. The story of the “comeback” is set against land speculation and water shut-offs and contrasts with the emergence of a potential post-growth society based on urban agriculture and individual autonomy.
Franziska Klose: Detroit, field notes from a wild city
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$53.95
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Résumé:
The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely consumed by industry, its structure a manifestation of social inequality, despite all the conjurations of an imminent economic boom. The story of the “comeback” is set against land speculation and water shut-offs and contrasts with the emergence of a potential post-growth society based on urban agriculture and individual autonomy.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Monographies photo
Monographies photo
Classification:
périodiques
périodiques
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$36.95
(disponible sur commande)
Résumé:
Six projects by Barozzi Veiga, founded in Barcelona in 2004, are featured in this edition, among them a music school in Brunico, a dance school in Zürich, the Cantonal Museum of Fine Arts in Lausanne, and the House in Cretas, Teruel. The magazine, which names the architects as a Spanish studio with the greatest international potential, also reflects on how they aim to(...)
$36.95
(disponible sur commande)
Résumé:
Six projects by Barozzi Veiga, founded in Barcelona in 2004, are featured in this edition, among them a music school in Brunico, a dance school in Zürich, the Cantonal Museum of Fine Arts in Lausanne, and the House in Cretas, Teruel. The magazine, which names the architects as a Spanish studio with the greatest international potential, also reflects on how they aim to(...)
Titre:
AV Proyectos 073: Dossier Barozzi Vega
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Prix:
$36.95
(disponible sur commande)
Résumé:
Six projects by Barozzi Veiga, founded in Barcelona in 2004, are featured in this edition, among them a music school in Brunico, a dance school in Zürich, the Cantonal Museum of Fine Arts in Lausanne, and the House in Cretas, Teruel. The magazine, which names the architects as a Spanish studio with the greatest international potential, also reflects on how they aim to combine a building’s autonomy with the context’s specific conditions. Also in this issue, an overview of the Spanish winners of Europan 13. One third of the awards went to Spanish teams, whether set up abroad or through international partnerships, who tackled “The Adaptable City II” with marked enthusiasm.
AV Proyectos 073: Dossier Barozzi Vega
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Prix:
$36.95
(disponible sur commande)
Résumé:
Six projects by Barozzi Veiga, founded in Barcelona in 2004, are featured in this edition, among them a music school in Brunico, a dance school in Zürich, the Cantonal Museum of Fine Arts in Lausanne, and the House in Cretas, Teruel. The magazine, which names the architects as a Spanish studio with the greatest international potential, also reflects on how they aim to combine a building’s autonomy with the context’s specific conditions. Also in this issue, an overview of the Spanish winners of Europan 13. One third of the awards went to Spanish teams, whether set up abroad or through international partnerships, who tackled “The Adaptable City II” with marked enthusiasm.
Classification:
périodiques
périodiques
Publication:
juin 2016
juin 2016
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
A+U 570 : make new history
A+U 570 : make new history
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$55.95
(disponible en magasin)
Résumé:
Participants of the Chicago Architecture Biennial's second edition included 140 artists and architects from 20 countries, under the theme 'Make New History', and this issue is guest edited by its artistic directors, Sharon Johnson and Mark Lee. The first part offers a retrospective look at the biennial together with architectural historian Michael Hays, in which what it(...)
$55.95
(disponible en magasin)
Résumé:
Participants of the Chicago Architecture Biennial's second edition included 140 artists and architects from 20 countries, under the theme 'Make New History', and this issue is guest edited by its artistic directors, Sharon Johnson and Mark Lee. The first part offers a retrospective look at the biennial together with architectural historian Michael Hays, in which what it(...)
Titre:
A+U 570 : make new history
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Prix:
$55.95
(disponible en magasin)
Résumé:
Participants of the Chicago Architecture Biennial's second edition included 140 artists and architects from 20 countries, under the theme 'Make New History', and this issue is guest edited by its artistic directors, Sharon Johnson and Mark Lee. The first part offers a retrospective look at the biennial together with architectural historian Michael Hays, in which what it shows about the qualified autonomy, framing, and partnerships seen in current practice is discussed. The second part introduces built work and projects selected with reference to the exhibition's theme, as well as responses from the architects to questions about what this theme means to their thought and practice.
A+U 570 : make new history
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Prix:
$55.95
(disponible en magasin)
Résumé:
Participants of the Chicago Architecture Biennial's second edition included 140 artists and architects from 20 countries, under the theme 'Make New History', and this issue is guest edited by its artistic directors, Sharon Johnson and Mark Lee. The first part offers a retrospective look at the biennial together with architectural historian Michael Hays, in which what it shows about the qualified autonomy, framing, and partnerships seen in current practice is discussed. The second part introduces built work and projects selected with reference to the exhibition's theme, as well as responses from the architects to questions about what this theme means to their thought and practice.
Classification:
périodiques
périodiques
Publication:
juin 2018
juin 2018
Sujet:
Revues
Revues
