18195 Résultats
Classification:
articles
articles
Titre:
Eaux troubles
Eaux troubles
Actions:
Le fleuve Hudson, symbole du passé et présage de l’avenir de l’Amérique
Dossier:
La nature recomposée
La nature recomposée
Publié:
20 janvier 2017
20 janvier 2017
Titre:
Eaux troubles
Le fleuve Hudson, symbole du passé et présage de l’avenir de l’Amérique
Actions:
Eaux troubles
Le fleuve Hudson, symbole du passé et présage de l’avenir de l’Amérique
Actions:
Dossier:
La nature recomposée
La nature recomposée
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
The Curious Mr. Pettena (2012)
Actions:
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
The Curious Mr. Pettena (2012)
Actions:
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1987:0567
Description:
- This graphite drawing of the contour lines and topographical features of the property held by the Filiorum Corporation on the Palos Verdes estates shows the future site for Wayfarers' Chapel. The graphite drawing is partitioned with a square grid, which was possibly drawn by a member of Lloyd Wright's office, because it is in the same media as the inscription "JESTER CHAPEL", one of the early names used by the architect for the project.
DR1987:0567
Description:
- This graphite drawing of the contour lines and topographical features of the property held by the Filiorum Corporation on the Palos Verdes estates shows the future site for Wayfarers' Chapel. The graphite drawing is partitioned with a square grid, which was possibly drawn by a member of Lloyd Wright's office, because it is in the same media as the inscription "JESTER CHAPEL", one of the early names used by the architect for the project.
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Date:
May 1937
May 1937
Titre:
Wayfarers' Chapel, Palos Verdes, California: Contour map of Filiorum Corporation property, including chapel site
Actions:
DR1987:0567
Description:
- This graphite drawing of the contour lines and topographical features of the property held by the Filiorum Corporation on the Palos Verdes estates shows the future site for Wayfarers' Chapel. The graphite drawing is partitioned with a square grid, which was possibly drawn by a member of Lloyd Wright's office, because it is in the same media as the inscription "JESTER CHAPEL", one of the early names used by the architect for the project.
Wayfarers' Chapel, Palos Verdes, California: Contour map of Filiorum Corporation property, including chapel site
Actions:
DR1987:0567
Description:
- This graphite drawing of the contour lines and topographical features of the property held by the Filiorum Corporation on the Palos Verdes estates shows the future site for Wayfarers' Chapel. The graphite drawing is partitioned with a square grid, which was possibly drawn by a member of Lloyd Wright's office, because it is in the same media as the inscription "JESTER CHAPEL", one of the early names used by the architect for the project.
Classification:
dessins
dessins
Date:
May 1937
May 1937
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Classification:
articles
articles
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2009
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Date:
23 mars 2009 au 30 octobre 2009
23 mars 2009 au 30 octobre 2009
Titre:
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Classification:
recherche
recherche
Date:
23 mars 2009 au
30 octobre 2009
23 mars 2009 au
30 octobre 2009
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2010
Chercheurs en résidence 2010
Actions:
Description:
Nicholas Adams, Collège Vassar, Poughkeepsie, États-Unis Sujet : Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, États-Unis Sujet : Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Sujet : Le paysage(...)
Nicholas Adams, Collège Vassar, Poughkeepsie, États-Unis Sujet : Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, États-Unis Sujet : Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Sujet : Le paysage(...)
Date:
9 mars 2010 au 15 août 2010
9 mars 2010 au 15 août 2010
Titre:
Chercheurs en résidence 2010
Actions:
Description:
Nicholas Adams, Collège Vassar, Poughkeepsie, États-Unis Sujet : Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, États-Unis Sujet : Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Sujet : Le paysage(...)
Chercheurs en résidence 2010
Actions:
Description:
Nicholas Adams, Collège Vassar, Poughkeepsie, États-Unis Sujet : Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, États-Unis Sujet : Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Sujet : Le paysage(...)
Classification:
recherche
recherche
Date:
9 mars 2010 au
15 août 2010
9 mars 2010 au
15 août 2010
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Research
Research
Numéro de référence:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Personnes et institutions:
Date:
1929-1993
1929-1993
Titre:
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Niveau de description archivistique:
Series
Series
Date:
1929-1993
1929-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
circa 1972-2015
circa 1972-2015
Titre:
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2006
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Date:
10 janvier 2006 au 15 septembre 2006
10 janvier 2006 au 15 septembre 2006
Titre:
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Classification:
recherche
recherche
Date:
10 janvier 2006 au
15 septembre 2006
10 janvier 2006 au
15 septembre 2006
Numéro de référence:
ARCH269206
ARCH269206
Personnes et institutions:
Date:
juillet 1982
juillet 1982
Date:
juillet 1982
juillet 1982
Personnes et institutions:
