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Now as before, Japanese architecture is very popular in Europe and the western world. This publication provides an overview of its many design concepts and cross-references. Using design examples and interviews, the book presents thirteen current positions.The publication focuses on young architects who take up extremely independent positions within Japanese architecture,(...)
mars 2017
Encounters and positions: architecture in Japan
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Now as before, Japanese architecture is very popular in Europe and the western world. This publication provides an overview of its many design concepts and cross-references. Using design examples and interviews, the book presents thirteen current positions.The publication focuses on young architects who take up extremely independent positions within Japanese architecture, as well as on Pritzker Prize winners Toyo Ito and Fumihiko Maki. Six essays by European specialists on Japan provide supplementary insights into the aesthetics and space concepts of Japanese architecture, making cross-references to Japan’s architectural history, and explaining current lines of development. The book thus combines a self-reflective approach with an outsider’s analytical view.
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Jakarta Megalopolis focuses on two projects in the title city by artist and architect Stani Michiels and artist Arjan van Helmond. Each grapples with Jakarta's housing culture, the experience of private as opposed to public space and the consequences of city migration, as well as the city's infrastructure, increasing density, and its coherence--or lack thereof--as a(...)
Architecture, monographies
mars 2006, Amsterdam
Jakarta megapolis : horizontal and vertical observations
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Jakarta Megalopolis focuses on two projects in the title city by artist and architect Stani Michiels and artist Arjan van Helmond. Each grapples with Jakarta's housing culture, the experience of private as opposed to public space and the consequences of city migration, as well as the city's infrastructure, increasing density, and its coherence--or lack thereof--as a whole. As megalopolises in developing countries undergo explosive growth, their cultural, social, political and economic complexities are developing at unprecedented rates. That phenomenon is drawing more and more attention within the world of architecture and art, and Jakarta Megalopolis offers a case study of its complexities, a cutaway view of this chaotic new world.
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mars 2006, Amsterdam
Architecture, monographies
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''Ulaanbaatar: beyond water and grass'' is the first book in the English language that takes the visitors to an in-depth exploration of the capital of Mongolia. In the first section of the book, M. A. Aldrich paints a detailed portrait of the history, religion, and architecture of Ulaanbaatar with reference to how the city evolved from a monastic settlement to a(...)
Ulaanbaatar: beyond Water and Grass
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''Ulaanbaatar: beyond water and grass'' is the first book in the English language that takes the visitors to an in-depth exploration of the capital of Mongolia. In the first section of the book, M. A. Aldrich paints a detailed portrait of the history, religion, and architecture of Ulaanbaatar with reference to how the city evolved from a monastic settlement to a communist-inspired capital and finally to a major city of free-wheeling capitalism and Tammany Hall politics. The second section of the book offers the reader a tour of different sites within the city and beyond, bringing back to life the human dramas that have played themselves out on the stage of Ulaanbaatar. Where most guide books often lightly discuss the capital, this book reveals much that remains hidden from the temporary visitor and even from the long-term resident. Writing in a quirky, idiosyncratic style, the author shares his appreciation and delight in this unique urban setting- indeed, in all things Mongolian.
Expositions en cours
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Encounters with art engage various conditions of interiority whether through psychic spaces or specific physical environments such as museums and private residences. The exhibition If you lived here, you d be home by now, presented at the Hessel Museum of Art, CCS Bard, was the catalyst for this anthology. The first in a series titled CCS Readers, this volume provides a(...)
Théorie de l’architecture
septembre 2012
Interiors: perspectives on art and culture
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Encounters with art engage various conditions of interiority whether through psychic spaces or specific physical environments such as museums and private residences. The exhibition If you lived here, you d be home by now, presented at the Hessel Museum of Art, CCS Bard, was the catalyst for this anthology. The first in a series titled CCS Readers, this volume provides a paradigmatic case study for probing issues of the personal and subjective experience within realms of the sociological, political and cultural. Features commissioned essays, conversations and talks, historical writings and artistic projects from such intellects as Anni Albers, Moyra Davey and Virginia Woolf to establish the notion of self, society and the contemporary art world.
Théorie de l’architecture
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Elizabeth A. Povinelli has mapped the creation and dismantling of worlds formed by the twinning of historical progress and settler colonialism—as a unity in events and a contradiction in ideology. Even if corporations and nation-states now collude in the same Ponzi schemes, they still continue to transform space and time. At the receiving end of the ideological exhaust(...)
E-Flux journal: Routes and worlds
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Elizabeth A. Povinelli has mapped the creation and dismantling of worlds formed by the twinning of historical progress and settler colonialism—as a unity in events and a contradiction in ideology. Even if corporations and nation-states now collude in the same Ponzi schemes, they still continue to transform space and time. At the receiving end of the ideological exhaust pipe, where transformation is inherited as deformation, the diagram flips to place brutality and existential exhaustion at the beginning. But the beginning of what? How about a new beginning, starting with modes of survival and persistence against, and within, a world built from deferred promises? This is a world that many in the imperial hemisphere are only starting to realize they’ve known for longer than they want to admit.
Théorie/ philosophie
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Virtuous situations from the industrial past and some ideas for the ‘climatic metropolis’ to come (cases of Brussels and Paris) compiles examples and projections that question the shape given to the city and territory at a moment of paradigm shift. The rapid evolution of climate change is leading to a clear state of emergency that is going to redefine the values and(...)
CENTRAL office for architecture and urbanism & Maxime Delvaux
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Virtuous situations from the industrial past and some ideas for the ‘climatic metropolis’ to come (cases of Brussels and Paris) compiles examples and projections that question the shape given to the city and territory at a moment of paradigm shift. The rapid evolution of climate change is leading to a clear state of emergency that is going to redefine the values and forms of our society and its territories. Several signs of a gradual paradigm shift have appeared and citizen voices are being raised against a social model that is at odds with the environment. Looking towards the past, a fascinated reading of a city’s ability to transform itself radically when necessary, is proposed. The change, generated by the race towards industrialization and social emancipation, forced metropolises such as Brussels and Paris to develop new urban functions and logics. This evolution took shape in territories that were not yet highly urbanized, but also within the city itself, in negotiation with the existing context. A series of 23 situations from the industrial age draws a panorama of virtuous examples, illustrating an assumed cohabitation between the urban fabric and the infrastructural, productive and energy needs at a precise moment of radical change in Paris and Brussels. The development of the ‘climatic metropolis’ must imperatively be based on design values and principles capable of generating a common vision. In this perspective, we propose some ideas for reflection formalized by projects tied to the built stories from the past, outlining potential situations of a new state to come for the European city.
Architecture, monographies
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Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a consideration of the performative dynamics inherent to sound culture and acts of listening, and discusses how auditory studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture and auditory issues, it opens(...)
Acoustic territories: sound culture and everyday life
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Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a consideration of the performative dynamics inherent to sound culture and acts of listening, and discusses how auditory studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture and auditory issues, it opens up multiple perspectives. Brandon LaBelle traces auditory life through a topographic structure: beginning with underground territories, through to the home as a site, and then further, to streets and neighborhoods, and finally to the sky itself. This structure follows sound as it appears in specific auditory designs, as it is mobilized within various cultural projects, and queries how it comes to circulate through everyday life as a medium for social transformation.
Acoustique
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There is hardly another topic that fascinates architects more than new materials, with their previously unimagined properties and enchanting haptic surfaces. Yet if you look at built reality, these hardly play a role. On the contrary, the international trend continues to move towards natural surfaces made of wood, brick and natural stone. As aesthetically and ecologically(...)
Detail 11 2017: materials and finishes
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There is hardly another topic that fascinates architects more than new materials, with their previously unimagined properties and enchanting haptic surfaces. Yet if you look at built reality, these hardly play a role. On the contrary, the international trend continues to move towards natural surfaces made of wood, brick and natural stone. As aesthetically and ecologically meaningful as they may be, this development becomes alarming when buildings and interiors in southern China, Paris or Copenhagen become indistinguishable. The examples in this issue show, however, that individual solutions are still possible even within a narrow range of materials and colours. Just a few years ago, natural stone and solid wood – building materials used today by the luxury sector – were cheaper than concrete and veneer in countries like Portugal, as the Pritzker Prize winner Eduardo Souto de Moura explains to us in an interview. In his eyes, the design elements of architecture remain the same throughout history, only the materials change.
Revues
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The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. These are not simply questions about what appears, also what does not, i.e. what withdraws when works are experienced and(...)
Paradoxes of appearing: essays on art, architecture and philosophy
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The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. These are not simply questions about what appears, also what does not, i.e. what withdraws when works are experienced and created. How do we cope with this withdrawal, with latencies that escape concretization? What are the productive paradoxes associated hereto and how do they influence the processes of making? Based on multiple discourses on these subjects, contemporary positions in art, architecture and philosophy draw up new challenges, especially with regard to the creative practices. Within and between these positions emerge potentials for modes of thinking and doing with a new sensitivity. With contributions by Michael Asgaard Andersen and Henrik Oxvig, Renaud Barbaras, Andrew Benjamin, Olafur Eliasson, Sanford Kwinter, David Leatherbarrow, Martin Seel, David Summers, and Sven-Olov Wallenstein.
Théorie de l’architecture
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"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to(...)
Suspensions of perception : attention, spectacle, and modern culture
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"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cézanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.
livres
octobre 1999, Cambridge
Théorie de l’architecture