2392 Résultats
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xii, 430 pages : illustrations ; 24 cm
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xii, 430 pages : illustrations ; 24 cm
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Cambridge, UK ; New York, NY, USA : Cambridge University Press, 1999.
Cambridge, UK ; New York, NY, USA : Cambridge University Press, 1999.
Titre:
European culture in the Great War : the arts, entertainment, and propaganda, 1914-1918 / edited by Aviel Roshwald and Richard Stites.
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xii, 430 pages : illustrations ; 24 cm
European culture in the Great War : the arts, entertainment, and propaganda, 1914-1918 / edited by Aviel Roshwald and Richard Stites.
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xii, 430 pages : illustrations ; 24 cm
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livres
livres
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Cambridge, UK ; New York, NY, USA : Cambridge University Press, 1999.
Cambridge, UK ; New York, NY, USA : Cambridge University Press, 1999.
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livres
livres
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1 online resource (239 pages) : illustrations
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Amsterdam : Amsterdam University Press, 2011.
Amsterdam : Amsterdam University Press, 2011.
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Between stillness and motion : film, photography, algorithms / edited by Eivind Røssaak.
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1 online resource (239 pages) : illustrations
Between stillness and motion : film, photography, algorithms / edited by Eivind Røssaak.
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1 online resource (239 pages) : illustrations
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livres
livres
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Amsterdam : Amsterdam University Press, 2011.
Amsterdam : Amsterdam University Press, 2011.
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livres
livres
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Zifzafa.
Zifzafa.
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1 online resource
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[Place of publication not identified] : Earshot, 2025.
[Place of publication not identified] : Earshot, 2025.
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livres
livres
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[Place of publication not identified] : Earshot, 2025.
[Place of publication not identified] : Earshot, 2025.
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Ken Lum
Ken Lum
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$95.00
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Résumé:
Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the(...)
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the(...)
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Ken Lum
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the complexities of the modern world, resonates globally—be it through painting, sculpture, photography or public art projects that engage with individual and collective identity in the context of historical trauma and the complications of memory. This publication presents a sweep of Lum’s photographic series, at once descriptive and disruptive, personal and political, including ''Portrait/Logos'' (1984–86), ''Portrait/Repeated Text Works'' (1993 to present) and ''Image Mirrors'' (2021); as well as his work with ''Monument Lab'', a public art project he cofounded with urban geographer Paul Farber.
Ken Lum
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the complexities of the modern world, resonates globally—be it through painting, sculpture, photography or public art projects that engage with individual and collective identity in the context of historical trauma and the complications of memory. This publication presents a sweep of Lum’s photographic series, at once descriptive and disruptive, personal and political, including ''Portrait/Logos'' (1984–86), ''Portrait/Repeated Text Works'' (1993 to present) and ''Image Mirrors'' (2021); as well as his work with ''Monument Lab'', a public art project he cofounded with urban geographer Paul Farber.
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livres
livres
Publication:
juillet 2024
juillet 2024
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Monographies photo
Monographies photo
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périodiques
périodiques
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$45.00
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost)(...)
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost)(...)
Titre:
2G 27 : Mansilla+Tunon, recent work
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost) complete works of these Madrid architects, works grouped around the basic ideas which define their projects, namely memory and the city, system and restrictions, sameness and difference, and lastly trace and landscape. These concepts are not watertight entities, however, but are present in each and every one of their designs as intersecting references, and they enable us to dissect the architects' way of thinking and influencing reality. Similarly, the articles accompanying the presentation of their buildings scrutinise in kaleidoscopic form the modus operandi of their work.
2G 27 : Mansilla+Tunon, recent work
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$45.00
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost) complete works of these Madrid architects, works grouped around the basic ideas which define their projects, namely memory and the city, system and restrictions, sameness and difference, and lastly trace and landscape. These concepts are not watertight entities, however, but are present in each and every one of their designs as intersecting references, and they enable us to dissect the architects' way of thinking and influencing reality. Similarly, the articles accompanying the presentation of their buildings scrutinise in kaleidoscopic form the modus operandi of their work.
Classification:
périodiques
périodiques
Publication:
octobre 2003, Barcelona
octobre 2003, Barcelona
Sujet:
Revues
Revues
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livres
livres
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$124.00
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Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism,(...)
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Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism,(...)
Titre:
Nicola Brandt: The distance within
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$124.00
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Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism, National Socialism and apartheid. Markers of these histories range from the ephemeral and private, such as a dilapidated mound of stones as a roadside memorial, to official sites of remembrance and resistance, particularly for colonial atrocities. Alongside her images, Brandt assembles texts by thought leaders in photography, postcolonial cultures, memory and genocide studies, as well as material from private and public archives, to understand enduring blind spots. The result is an intersectional argument in favor of reclaiming suppressed indigenous stories and identities, undoing romantic notions of whiteness, and, ultimately, illuminating what has not been visible.
Nicola Brandt: The distance within
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$124.00
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Résumé:
Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism, National Socialism and apartheid. Markers of these histories range from the ephemeral and private, such as a dilapidated mound of stones as a roadside memorial, to official sites of remembrance and resistance, particularly for colonial atrocities. Alongside her images, Brandt assembles texts by thought leaders in photography, postcolonial cultures, memory and genocide studies, as well as material from private and public archives, to understand enduring blind spots. The result is an intersectional argument in favor of reclaiming suppressed indigenous stories and identities, undoing romantic notions of whiteness, and, ultimately, illuminating what has not been visible.
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livres
livres
Publication:
mai 2024
mai 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$16.95
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Joan Jonas approaches video as a drawing tool, a mirror, and a framing device. Since 1968, she has used video and performance to explore ways of seeing, the rhythms of ritual, and the archetypal authority of objects and gestures. With her influential 1976 work, I Want to Live in the Country (And Other Romances) Jonas nimbly structures an elliptical narrative that(...)
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Résumé:
Joan Jonas approaches video as a drawing tool, a mirror, and a framing device. Since 1968, she has used video and performance to explore ways of seeing, the rhythms of ritual, and the archetypal authority of objects and gestures. With her influential 1976 work, I Want to Live in the Country (And Other Romances) Jonas nimbly structures an elliptical narrative that(...)
Titre:
Joan Jonas: I want to live in the country (and other romances)
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Joan Jonas approaches video as a drawing tool, a mirror, and a framing device. Since 1968, she has used video and performance to explore ways of seeing, the rhythms of ritual, and the archetypal authority of objects and gestures. With her influential 1976 work, I Want to Live in the Country (And Other Romances) Jonas nimbly structures an elliptical narrative that unmistakably establishes her voice and visual lexicon. I Want to Live in the Country features two locations—the untamed landscape of Nova Scotia and a television studio in New York City—as it examines themes of loss, displacement, time, and memory through still life compositions and Super-8 footage. Jonas creates a meditation of frames within frames, monitors within monitors, overlaid with poetic musings—a murmured story of the unconscious. Joan Jonas, Professor of Visual Arts at MIT, is known for her pioneering video and performance art.
Joan Jonas: I want to live in the country (and other romances)
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Joan Jonas approaches video as a drawing tool, a mirror, and a framing device. Since 1968, she has used video and performance to explore ways of seeing, the rhythms of ritual, and the archetypal authority of objects and gestures. With her influential 1976 work, I Want to Live in the Country (And Other Romances) Jonas nimbly structures an elliptical narrative that unmistakably establishes her voice and visual lexicon. I Want to Live in the Country features two locations—the untamed landscape of Nova Scotia and a television studio in New York City—as it examines themes of loss, displacement, time, and memory through still life compositions and Super-8 footage. Jonas creates a meditation of frames within frames, monitors within monitors, overlaid with poetic musings—a murmured story of the unconscious. Joan Jonas, Professor of Visual Arts at MIT, is known for her pioneering video and performance art.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$35.00
(disponible en magasin)
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Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth.(...)
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(disponible en magasin)
Résumé:
Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth.(...)
Titre:
Incinarration: What do we carry?
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$35.00
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Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth. With her piercing, lyrical voice, Cixous confronts the human cost of destruction and upheaval, and asks a universal question: What do we carry with us when everything we know is falling to ashes? In ''Incinarration'' Cixous finds hope in the power of words, memory, and imagination to illuminate our darkest moments and redeem the future. As forests burn and regimes collapse, Cixous shows us how stories become a form of resistance—a way to remember, to bear testimony, and to find renewal in the face of oblivion.
Incinarration: What do we carry?
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$35.00
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Résumé:
Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth. With her piercing, lyrical voice, Cixous confronts the human cost of destruction and upheaval, and asks a universal question: What do we carry with us when everything we know is falling to ashes? In ''Incinarration'' Cixous finds hope in the power of words, memory, and imagination to illuminate our darkest moments and redeem the future. As forests burn and regimes collapse, Cixous shows us how stories become a form of resistance—a way to remember, to bear testimony, and to find renewal in the face of oblivion.
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livres
livres
Publication:
juin 2026
juin 2026
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
Titre:
The cosmic oval
The cosmic oval
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$15.95
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Résumé:
"The cosmic oval" is a nocturnal entrance into an exploration of feminist cosmologies, storytelling and the many ways of knowing and imagining the hot blue beginnings of time. By turn dreaming and waking, Ella Finer enters history and imagination from the sleep side, taking her cue from Anne Carson. Finer attends to cultural memory as composition, gathering cosmic guides(...)
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"The cosmic oval" is a nocturnal entrance into an exploration of feminist cosmologies, storytelling and the many ways of knowing and imagining the hot blue beginnings of time. By turn dreaming and waking, Ella Finer enters history and imagination from the sleep side, taking her cue from Anne Carson. Finer attends to cultural memory as composition, gathering cosmic guides(...)
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The cosmic oval
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$15.95
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"The cosmic oval" is a nocturnal entrance into an exploration of feminist cosmologies, storytelling and the many ways of knowing and imagining the hot blue beginnings of time. By turn dreaming and waking, Ella Finer enters history and imagination from the sleep side, taking her cue from Anne Carson. Finer attends to cultural memory as composition, gathering cosmic guides with whom to listen beyond what is given to hear. In west London, the entrance to architect and theorist Charles Jencks’ "Cosmic house" is overlooked by "The cosmic oval," a representation of the origin of the universe referencing both contemporary scientific discoveries about its elliptical shape and ancient cosmogonic myths. Finer’s imagined conversation between the figures who inhabit the frieze surrounding the Oval, such as Hannah Arendt, Imhotep and John Donne, re-orchestrates cultural history to explore social scenes of study and the way knowledge moves through bodies and time.
The cosmic oval
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$15.95
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"The cosmic oval" is a nocturnal entrance into an exploration of feminist cosmologies, storytelling and the many ways of knowing and imagining the hot blue beginnings of time. By turn dreaming and waking, Ella Finer enters history and imagination from the sleep side, taking her cue from Anne Carson. Finer attends to cultural memory as composition, gathering cosmic guides with whom to listen beyond what is given to hear. In west London, the entrance to architect and theorist Charles Jencks’ "Cosmic house" is overlooked by "The cosmic oval," a representation of the origin of the universe referencing both contemporary scientific discoveries about its elliptical shape and ancient cosmogonic myths. Finer’s imagined conversation between the figures who inhabit the frieze surrounding the Oval, such as Hannah Arendt, Imhotep and John Donne, re-orchestrates cultural history to explore social scenes of study and the way knowledge moves through bodies and time.
Classification:
livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
Littérature et poésie
Littérature et poésie
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livres
livres
Prix:
$34.50
(disponible sur commande)
Résumé:
Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In(...)
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Résumé:
Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In(...)
Titre:
Lost and living (in) archives collectively shaping new memories
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$34.50
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Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In which ways has this change affected our relationship to the past? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will the fictional versus factual mode of archiving offer the democracy that the public domain implies, or is it another way for public instruments of power to operate? Lost and Living (in) Archives shows that archives are not simply a recording, a reflection, or an image of an event, but that THEY shape the event itself and thus influence the past, present and future.
Lost and living (in) archives collectively shaping new memories
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$34.50
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Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In which ways has this change affected our relationship to the past? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will the fictional versus factual mode of archiving offer the democracy that the public domain implies, or is it another way for public instruments of power to operate? Lost and Living (in) Archives shows that archives are not simply a recording, a reflection, or an image of an event, but that THEY shape the event itself and thus influence the past, present and future.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
