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Written from a neo-marxist point of view by a proeminent Italian architectural historian, "Architecture and utopia" leads the reader beyond architectural form into a broader understanding of a relation of architecture to society and architects to the workforce and the marketplace. It discuses the garden cities movement and the sub-urban development it generated, the(...)
Théorie de l’architecture
octobre 1979, Cambridge / London
Architecture and utopia : design and capitalist development
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Written from a neo-marxist point of view by a proeminent Italian architectural historian, "Architecture and utopia" leads the reader beyond architectural form into a broader understanding of a relation of architecture to society and architects to the workforce and the marketplace. It discuses the garden cities movement and the sub-urban development it generated, the German-Russian architectural experiments of the 1920s, the place of the avant-garde in the plastic arts, the uses and pitfalls of semiological approaches to architecture, and assesses, the prospects of socialist alternatives.
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octobre 1979, Cambridge / London
Théorie de l’architecture
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In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large:(...)
The possibility of an absolute architecture
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In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Etienne-Louis Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms.
Théorie de l’architecture
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The city of Mumbai in India is undergoing dramatic transformations and the forces driving these changes in the city are forcing new modes of urbanism and urbanization to be realised. In particular, social, economic and political forces are aggressively pushing the evolution of an urban form in which local architects and planners are struggling to qualitatively intervene.(...)
Reclaiming (the urbanism) of Mumbai
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The city of Mumbai in India is undergoing dramatic transformations and the forces driving these changes in the city are forcing new modes of urbanism and urbanization to be realised. In particular, social, economic and political forces are aggressively pushing the evolution of an urban form in which local architects and planners are struggling to qualitatively intervene. This collection of essays and writings examine both the status quo in current developments while exploring stimulating projects that are emerging on the margins that provide hope for future directions of urbanisation in the city.
Arch Moyen-Orient
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By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first(...)
octobre 2015
Studios Before the System: Architecture, Technology, and the Emergence of Cinematic Space
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By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, 'Studios Before the System' expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism.
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform(...)
Everything XI-XV. Everything without content 232
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform in urban fringes (in Milan), and what to do with the existing obsolete office space in the urban centre (in Brussels). Our unlikely guide to the contemporary idea of sustainable living and working in the city was the work of Aldo and Hannie van Eyck, which would grow into a separate book itself (Excess of Architecture). Brussels also served as a testbed for establishing a relation between the production of culture and the instrumental role of architecture within that process.
Architecture contemporaine
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Catalogue of the exhibition ''Sixteen Chinese Museums. Fifteen Chinese Architects''.The exhibition reflects on the role museums play as motors of progress within the socio-political and cultural landscape in China today. It simultaneously presents and enquires into this role, and the associated tasks and aims of museums and cultural spaces, against the backdrop of the(...)
Sixteen chinese museums: fifteen chinese architects
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Catalogue of the exhibition ''Sixteen Chinese Museums. Fifteen Chinese Architects''.The exhibition reflects on the role museums play as motors of progress within the socio-political and cultural landscape in China today. It simultaneously presents and enquires into this role, and the associated tasks and aims of museums and cultural spaces, against the backdrop of the global, digital, urban and demographic challenges of the 21st Century, as well as the more locally-specific concerns of heritage and identity. Taking each of sixteen museums as case studies, the exhibition focuses on a set of crucial questions. How is local and national identity defined by the museum design and curation? How does the museum function within the context of its local social and urban environment? Which form or shape was identified as being most suitable for the museum’s function and its context?
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One common feature of the wave of recent revolutions and revolts around the world is not political but rather architectural: many erupted on inner-city roundabouts. In thinking about the relation between protest and urban form, Eyal Weizman starts with the May 1980 uprising in Gwangju, South Korea, the first of the “roundabout revolutions,” and traces its lineage to the(...)
Critical spatial practice 6 : Eyal Weizman, the roundabout revolutions
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One common feature of the wave of recent revolutions and revolts around the world is not political but rather architectural: many erupted on inner-city roundabouts. In thinking about the relation between protest and urban form, Eyal Weizman starts with the May 1980 uprising in Gwangju, South Korea, the first of the “roundabout revolutions,” and traces its lineage to the Arab Spring and its hellish aftermath. Rereading the history of the roundabout through the vortices of history that traverse it, the book follows the development of the roundabout in Europe and North America in the early twentieth century, to its subsequent export to the colonial world in the context of attempts to discipline and police the “chaotic” non-Western city. How did an urban apparatus put in the service of authoritarian power became the locus of its undoing?
Théorie/ philosophie
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6,000 years of housing
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Part architecture, part history, and part anthropology, this encyclopedic book limns the story of housing around the world from the pre-urban dwellings of nomadic, semi-nomadic, and sedentary agricultural societies to the present. Ancient urban dwellings were inward-looking, ranged around a courtyard. Until fairly recently, these dwelling types survived in indigenous(...)
6,000 years of housing
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Part architecture, part history, and part anthropology, this encyclopedic book limns the story of housing around the world from the pre-urban dwellings of nomadic, semi-nomadic, and sedentary agricultural societies to the present. Ancient urban dwellings were inward-looking, ranged around a courtyard. Until fairly recently, these dwelling types survived in indigenous urban house forms in the Islamic world, India, China, and the Iberian peninsula and Latin America. After the collapse of the Roman Empire, however, outward-looking house forms replaced the ancient form in most of Europe and the New World. In the Middle Ages houses served both as homes and as places of work, but gradually the domestic and business lives of the inhabitants became separate. In the wake of the Industrial Revolution, profound changes in the residential development of the western world occurred: housing became segregated along socioeconomic lines and dwelling types polarized, with low-density, single-family houses at one extreme, and tall, high-density, multifamily tenements and apartments at the other. Side effects of America’s automobile-intensive suburban dream housing include inefficient land use, pollution, and urban decay. "6,000 Years of Housing" chronicles how this came about, and suggests solutions based on a rich variety of historical precedents.
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juillet 2003, New York
Logements collectifs
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Description:
187 pages : illustrations (some color) ; 25 cm.
Orléans : HYX, ©2006.
No-stop city : Archizoom associati / Andrea Branzi.
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187 pages : illustrations (some color) ; 25 cm.
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Orléans : HYX, ©2006.
$57.50
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A city’s infrastructure—its tangle of streets, tunnels, routes and lines—can be much more than a mere functional necessity or an ad hoc constellation. Designed and constructed carefully and purposefully, "infratecture" can add significant sociological, cultural, ecological and economic value to a city. In this volume, Rotterdam-based traffic engineer, academic and(...)
février 2016
Infratecture: Infrastructure by Design
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A city’s infrastructure—its tangle of streets, tunnels, routes and lines—can be much more than a mere functional necessity or an ad hoc constellation. Designed and constructed carefully and purposefully, "infratecture" can add significant sociological, cultural, ecological and economic value to a city. In this volume, Rotterdam-based traffic engineer, academic and architect Marc Verheijen discusses the infrastructure of cities from 15 different perspectives and features 30 examples of international best practices in infrastructure design. A practically oriented book about designing and building everything from roads and viaducts to environmental habitats and noise barriers, Infratecture is also an argument for these integrated design solutions, all the more urgent at a moment of accelerated global urbanization. Infratecture argues that, with the right mind set, genuine cooperation and sophisticated design, infrastructure can form a significant, and positive, part of the everyday environment.