OFFICE veut vous parler
L’agence d’architectes OFFICE a été fondée en Belgique en 2002 par Kersten Geers et David Van Severen. L’agence a contribué à certaines expositions passées du CCA, dont La médicalisation de l’architecture (2011). Dans le cadre de la série Ils veulent vous parler, des professionnels du design et de l’architecture sont invités à parler de leurs plus récents projets.
13 novembre 2014 , 18h
OFFICE veut vous parler
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L’agence d’architectes OFFICE a été fondée en Belgique en 2002 par Kersten Geers et David Van Severen. L’agence a contribué à certaines expositions passées du CCA, dont La médicalisation de l’architecture (2011). Dans le cadre de la série Ils veulent vous parler, des professionnels du design et de l’architecture sont invités à parler de leurs plus récents projets.
La ville en jeux
L’exposition La ville en jeux explore la manière dont on a représenté les villes et villages dans les jouets d’Europe et d’Amérique du Nord. Les 29 villes en jouet de l’exposition, tirées de la collection de jeux et jouets d’architecture du CCA, reflètent l’évolution des valeurs sociales en même temps que différentes façons de concevoir, d’organiser et de planifier le(...)
Salle octogonale
22 octobre 1997 au 31 mai 1998
La ville en jeux
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L’exposition La ville en jeux explore la manière dont on a représenté les villes et villages dans les jouets d’Europe et d’Amérique du Nord. Les 29 villes en jouet de l’exposition, tirées de la collection de jeux et jouets d’architecture du CCA, reflètent l’évolution des valeurs sociales en même temps que différentes façons de concevoir, d’organiser et de planifier le(...)
Salle octogonale
documents textuels
ARCH257618
Description:
Comprends des coupures de presse et correspondance sur les expositions d'aquarelles de Cormier, la liste « Arts Club Exhibition of Water-colour Paintings » par Cormier montée sur carton, incluant une chemise « Étiquettes Aquarelles » avec renseignements sur étiquettes sur la collection d'aquarelles de Cormier. Comprends aussi « L'œuvre scientifique et technique d'Albert Caquot ».
1914, 1918, 1932, 1966
Documentation des expositions d'aquarelles d'Ernest Cormier
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ARCH257618
Description:
Comprends des coupures de presse et correspondance sur les expositions d'aquarelles de Cormier, la liste « Arts Club Exhibition of Water-colour Paintings » par Cormier montée sur carton, incluant une chemise « Étiquettes Aquarelles » avec renseignements sur étiquettes sur la collection d'aquarelles de Cormier. Comprends aussi « L'œuvre scientifique et technique d'Albert Caquot ».
documents textuels
1914, 1918, 1932, 1966
Ce jeudi, Anna Neimark et Andrew Atwood témoignent du travail récent de First Office portant sur des expositions et des présentations, dont une salle de projection temporaire installée au MAK Center for Art and Architecture à Los Angeles. Présentée dans le cadre de Larchitecture présentée, une série du CCA qui porte sur la relation entre architecture et espaces de présentation.
22 octobre 2015 , 18h
L'architecture présentée : First Office
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Ce jeudi, Anna Neimark et Andrew Atwood témoignent du travail récent de First Office portant sur des expositions et des présentations, dont une salle de projection temporaire installée au MAK Center for Art and Architecture à Los Angeles. Présentée dans le cadre de Larchitecture présentée, une série du CCA qui porte sur la relation entre architecture et espaces de présentation.
documents textuels
ARCH268023
Description:
This group consists of notes, preparatory documents and texts of lectures by Victor Prus at different Schools of Architecture (including the École d'architecture de Québec and the Architecture School at McGill University). There are also correspondence and related documents and copies of a talk about the South Bank Exhibition (Festival of Britain).
1951-1964
Schools of Architecture / Lectures
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ARCH268023
Description:
This group consists of notes, preparatory documents and texts of lectures by Victor Prus at different Schools of Architecture (including the École d'architecture de Québec and the Architecture School at McGill University). There are also correspondence and related documents and copies of a talk about the South Bank Exhibition (Festival of Britain).
documents textuels
1951-1964
documents textuels
DR2012:0012:103:014
Description:
Assorted documents in English and French, including photocopies from a publication covering Melvin Charney's proposal for the Canadian pavillion for Expo 1970 in Osaka, Japan, and the exhibition Montréal en projet: dix années d'architecture urbaine. Also includes one complete copy of the July-August edition of Architecture Concept.
1971, 1992
Publication related to Melvin Charney's projects
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DR2012:0012:103:014
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Assorted documents in English and French, including photocopies from a publication covering Melvin Charney's proposal for the Canadian pavillion for Expo 1970 in Osaka, Japan, and the exhibition Montréal en projet: dix années d'architecture urbaine. Also includes one complete copy of the July-August edition of Architecture Concept.
documents textuels
1971, 1992
documents textuels
AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
1949-1974
Published and unpublished papers (folder 3 of 4)
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AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
documents textuels
1949-1974
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Salles principales
4 juillet 2007 au 30 septembre 2007
Les enseignements de Bernard Rudofsky
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Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Salles principales
documents textuels
6407 / 2.4 / Specifications
ARCH267525
Description:
This group consists of specifications, tender forms and instructions concerning bids for the Expo '67 Stadium in Montréal, Québec. There are also blank agreements between the Canadian Corporation for the 1967 World Exhibition and the contractors, between the Corporation and the Labour Council; and between the Corporation and the local unions/or syndicates.
1964-1967
6407 / 2.4 / Specifications
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ARCH267525
Description:
This group consists of specifications, tender forms and instructions concerning bids for the Expo '67 Stadium in Montréal, Québec. There are also blank agreements between the Canadian Corporation for the 1967 World Exhibition and the contractors, between the Corporation and the Labour Council; and between the Corporation and the local unions/or syndicates.
documents textuels
1964-1967
Projet
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
1971-2017
Vestirsi Di Siede [Wearable Chairs] (1971)
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AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
Project
1971-2017