2989 Résultats
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In "The hidden factor," Steven Skaggs provides a beautifully illustrated and explained introduction to the mark—from those as physical as a scratch made by an animal, to those as accidental as a splatter of paint, to those as intentional as hand-drawn characters. Skaggs makes the case that, in the visual arts, gestures and mark-making operate on an equal level with image(...)
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In "The hidden factor," Steven Skaggs provides a beautifully illustrated and explained introduction to the mark—from those as physical as a scratch made by an animal, to those as accidental as a splatter of paint, to those as intentional as hand-drawn characters. Skaggs makes the case that, in the visual arts, gestures and mark-making operate on an equal level with image(...)
Titre:
The hidden factor: Mark and gesture in visual design
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In "The hidden factor," Steven Skaggs provides a beautifully illustrated and explained introduction to the mark—from those as physical as a scratch made by an animal, to those as accidental as a splatter of paint, to those as intentional as hand-drawn characters. Skaggs makes the case that, in the visual arts, gestures and mark-making operate on an equal level with image and word. While we might think of content as that which is communicated through text and images, Skaggs shows, through visual examples, that the gestural mark is often hidden within both images and the typographic forms that convey words. By mapping different kinds of marks and showing how marks combine with image and word, "The hidden factor" explains that our desire for conceptual information suppresses our awareness of marking. This is especially the case with the tension between word and mark, where we desire legibility. As a result, one of the most conservative of arts—calligraphy—has the potential of being the most radical, since gesturally expressive handwriting is a natural threat to the legibility of a text.
The hidden factor: Mark and gesture in visual design
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In "The hidden factor," Steven Skaggs provides a beautifully illustrated and explained introduction to the mark—from those as physical as a scratch made by an animal, to those as accidental as a splatter of paint, to those as intentional as hand-drawn characters. Skaggs makes the case that, in the visual arts, gestures and mark-making operate on an equal level with image and word. While we might think of content as that which is communicated through text and images, Skaggs shows, through visual examples, that the gestural mark is often hidden within both images and the typographic forms that convey words. By mapping different kinds of marks and showing how marks combine with image and word, "The hidden factor" explains that our desire for conceptual information suppresses our awareness of marking. This is especially the case with the tension between word and mark, where we desire legibility. As a result, one of the most conservative of arts—calligraphy—has the potential of being the most radical, since gesturally expressive handwriting is a natural threat to the legibility of a text.
Classification:
livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$39.95
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The 30th anniversary cloth edition brings back into print Dragon's four essays on beauty and commingles them with newly discovered essays by the MacArthur Foundation "genius." Art by Caravaggio, Bellini, Vel zquez, Raphael, Warhol and Mapplethorpe is complemented by Hickey's tributes to Dolly Parton and Richard Pryor, outing of John Rechy's gay novel ''Numbers'', essays(...)
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The 30th anniversary cloth edition brings back into print Dragon's four essays on beauty and commingles them with newly discovered essays by the MacArthur Foundation "genius." Art by Caravaggio, Bellini, Vel zquez, Raphael, Warhol and Mapplethorpe is complemented by Hickey's tributes to Dolly Parton and Richard Pryor, outing of John Rechy's gay novel ''Numbers'', essays(...)
Titre:
The invisible dragon: essays on beauty and other matters
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The 30th anniversary cloth edition brings back into print Dragon's four essays on beauty and commingles them with newly discovered essays by the MacArthur Foundation "genius." Art by Caravaggio, Bellini, Vel zquez, Raphael, Warhol and Mapplethorpe is complemented by Hickey's tributes to Dolly Parton and Richard Pryor, outing of John Rechy's gay novel ''Numbers'', essays on the art of writing and witty analysis of paintings by Ed Ruscha. An afterword by Hickey's friend and Dragon's editor queers the brash, heterosexual gambler as it situates the creation of Dragon squarely within the AIDS plague. At the time, the book made beauty visible under the looming presence of death and bodily decay. Today, Hickey's prescient diagnosis of the "therapeutic institution" resonates even louder and artists respond by harnessing beauty as a source of meaning and of joy.
The invisible dragon: essays on beauty and other matters
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$39.95
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The 30th anniversary cloth edition brings back into print Dragon's four essays on beauty and commingles them with newly discovered essays by the MacArthur Foundation "genius." Art by Caravaggio, Bellini, Vel zquez, Raphael, Warhol and Mapplethorpe is complemented by Hickey's tributes to Dolly Parton and Richard Pryor, outing of John Rechy's gay novel ''Numbers'', essays on the art of writing and witty analysis of paintings by Ed Ruscha. An afterword by Hickey's friend and Dragon's editor queers the brash, heterosexual gambler as it situates the creation of Dragon squarely within the AIDS plague. At the time, the book made beauty visible under the looming presence of death and bodily decay. Today, Hickey's prescient diagnosis of the "therapeutic institution" resonates even louder and artists respond by harnessing beauty as a source of meaning and of joy.
Classification:
livres
livres
Publication:
octobre 2023
octobre 2023
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$35.00
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Winnipeg-based architecture firm Green Blankstein Russell and Associates (GBR) opened in the slow years of the Great Depression. From this inauspicious starting point the firm would grow to become, by the 1950s and 60s, a major player on the Canadian architectural scene: the largest architectural office between Ontario and British Columbia, with seven offices in four(...)
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Winnipeg-based architecture firm Green Blankstein Russell and Associates (GBR) opened in the slow years of the Great Depression. From this inauspicious starting point the firm would grow to become, by the 1950s and 60s, a major player on the Canadian architectural scene: the largest architectural office between Ontario and British Columbia, with seven offices in four(...)
Titre:
Green Blankstein Russell and Associates: an architectural legacy
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Winnipeg-based architecture firm Green Blankstein Russell and Associates (GBR) opened in the slow years of the Great Depression. From this inauspicious starting point the firm would grow to become, by the 1950s and 60s, a major player on the Canadian architectural scene: the largest architectural office between Ontario and British Columbia, with seven offices in four provinces. GBR was a hub for partnership and training, and was a pioneering force in its inclusion of women and members of Canada's diverse cultural communities within the field of design. Covering a wide range of individual buildings and practitioners, this book explores the significant mark GBR made on its hometown and across the country, as well as the firm’s role as a leader in the growth of Modernist architecture in Canada.
Green Blankstein Russell and Associates: an architectural legacy
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Winnipeg-based architecture firm Green Blankstein Russell and Associates (GBR) opened in the slow years of the Great Depression. From this inauspicious starting point the firm would grow to become, by the 1950s and 60s, a major player on the Canadian architectural scene: the largest architectural office between Ontario and British Columbia, with seven offices in four provinces. GBR was a hub for partnership and training, and was a pioneering force in its inclusion of women and members of Canada's diverse cultural communities within the field of design. Covering a wide range of individual buildings and practitioners, this book explores the significant mark GBR made on its hometown and across the country, as well as the firm’s role as a leader in the growth of Modernist architecture in Canada.
Classification:
livres
livres
Publication:
décembre 2017
décembre 2017
Sujet:
Architecture du Canada
Architecture du Canada
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livres
livres
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$56.95
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This book presents a refreshed, design-led approach to waste-to-energy (WTE) plants, reflecting work done at Harvard’s Graduate School of Design over a period of three years. Architecture and design currently play a minor role in the design and construction of industrial building types, especially waste-to-energy facilities. As densities increase and consumption patterns(...)
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This book presents a refreshed, design-led approach to waste-to-energy (WTE) plants, reflecting work done at Harvard’s Graduate School of Design over a period of three years. Architecture and design currently play a minor role in the design and construction of industrial building types, especially waste-to-energy facilities. As densities increase and consumption patterns(...)
Sujet:
Architecture écologique
Architecture écologique
Publication:
juin 2017
juin 2017
Titre:
Architecture and waste: a (re)planned obsolescence
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This book presents a refreshed, design-led approach to waste-to-energy (WTE) plants, reflecting work done at Harvard’s Graduate School of Design over a period of three years. Architecture and design currently play a minor role in the design and construction of industrial building types, especially waste-to-energy facilities. As densities increase and consumption patterns change, the need for more waste-to-energy facilities is only going to increase. Through comparing the well-established waste-to-energy industries in Sweden with less established engagements in the northeast of the United States, opportunities and lessons are revealed. Architects have a role to play in integrating waste-to-energy plants physically and programmatically within their urban or suburban contexts, as well as potentially lessening the generally negative perception of energy recovery plants. These hybrid WTE building typologies have the potential not only re-connect and communicate to the public, but also weave new public or institutional programs with energy production in a mutually beneficial way.
Architecture and waste: a (re)planned obsolescence
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$56.95
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This book presents a refreshed, design-led approach to waste-to-energy (WTE) plants, reflecting work done at Harvard’s Graduate School of Design over a period of three years. Architecture and design currently play a minor role in the design and construction of industrial building types, especially waste-to-energy facilities. As densities increase and consumption patterns change, the need for more waste-to-energy facilities is only going to increase. Through comparing the well-established waste-to-energy industries in Sweden with less established engagements in the northeast of the United States, opportunities and lessons are revealed. Architects have a role to play in integrating waste-to-energy plants physically and programmatically within their urban or suburban contexts, as well as potentially lessening the generally negative perception of energy recovery plants. These hybrid WTE building typologies have the potential not only re-connect and communicate to the public, but also weave new public or institutional programs with energy production in a mutually beneficial way.
Classification:
livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Architecture écologique
Architecture écologique
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livres
livres
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$35.95
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Some of the largest architecture firms have effectively become war corporations. At the same time as designing Olympic parks and world-famous buildings, they have constructed military bases, maintained weaponry, and trained personnel for wars in which hundreds of thousands of people have been killed. In some conflicts, the same firms have been contracted from invasion to(...)
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Some of the largest architecture firms have effectively become war corporations. At the same time as designing Olympic parks and world-famous buildings, they have constructed military bases, maintained weaponry, and trained personnel for wars in which hundreds of thousands of people have been killed. In some conflicts, the same firms have been contracted from invasion to(...)
Titre:
Architecture for warfare: How corporations profit from destruction and rerconstruction
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Some of the largest architecture firms have effectively become war corporations. At the same time as designing Olympic parks and world-famous buildings, they have constructed military bases, maintained weaponry, and trained personnel for wars in which hundreds of thousands of people have been killed. In some conflicts, the same firms have been contracted from invasion to reconstruction, including facilitating military attacks, rebuilding war-damaged infrastructure, and establishing new governments. Architecture for Warfare tells the story of a form of multidisciplinary corporation that employs architects skilled in designing structures alongside former military personnel with experience handling live-fire weapons. It highlights the tensions and contradictions within these architecture-led firms that claim to make the world a better place. The book combines personal narrative with detailed research to reveal unsettling relations between design, planning, and armed conflict.
Architecture for warfare: How corporations profit from destruction and rerconstruction
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$35.95
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Résumé:
Some of the largest architecture firms have effectively become war corporations. At the same time as designing Olympic parks and world-famous buildings, they have constructed military bases, maintained weaponry, and trained personnel for wars in which hundreds of thousands of people have been killed. In some conflicts, the same firms have been contracted from invasion to reconstruction, including facilitating military attacks, rebuilding war-damaged infrastructure, and establishing new governments. Architecture for Warfare tells the story of a form of multidisciplinary corporation that employs architects skilled in designing structures alongside former military personnel with experience handling live-fire weapons. It highlights the tensions and contradictions within these architecture-led firms that claim to make the world a better place. The book combines personal narrative with detailed research to reveal unsettling relations between design, planning, and armed conflict.
Classification:
livres
livres
Publication:
avril 2026
avril 2026
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$89.00
(disponible sur commande)
Résumé:
By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges(...)
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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges(...)
Titre:
Gothic wonder: art, artifice, and the decorated style, 1290–1350
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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges understandings about agency, modernity, hierarchy, and marginality. His book makes a powerful case for the restoration of the category of the aesthetic to the understanding of medieval art. Gothic Wonder traces the impact of English art in Continental Europe, ending with the Black Death and the literary uses of the architectural in works by Geoffrey Chaucer and other writers.
Gothic wonder: art, artifice, and the decorated style, 1290–1350
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$89.00
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Résumé:
By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges understandings about agency, modernity, hierarchy, and marginality. His book makes a powerful case for the restoration of the category of the aesthetic to the understanding of medieval art. Gothic Wonder traces the impact of English art in Continental Europe, ending with the Black Death and the literary uses of the architectural in works by Geoffrey Chaucer and other writers.
Classification:
livres
livres
Publication:
décembre 2014
décembre 2014
Classification:
périodiques
périodiques
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$60.00
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples(...)
$60.00
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples(...)
Titre:
AD 01:95 Staged: Architecture for performance, exhibition, and fiction
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$60.00
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples of how architectural thinking can bring vitality to situations not usually perceived to be within the realms of traditional practice. The issue engages with popular culture, fictions, art, performance, technology, and architectural history and theory. Exploring the full spectrum of spatial propositions that architects can bring to staging events, the work featured is theatrical and exuberant, and the product of many collaborative architectural voices including curators, artists, performers, digital intelligences, fabricators, and writers.
AD 01:95 Staged: Architecture for performance, exhibition, and fiction
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$60.00
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples of how architectural thinking can bring vitality to situations not usually perceived to be within the realms of traditional practice. The issue engages with popular culture, fictions, art, performance, technology, and architectural history and theory. Exploring the full spectrum of spatial propositions that architects can bring to staging events, the work featured is theatrical and exuberant, and the product of many collaborative architectural voices including curators, artists, performers, digital intelligences, fabricators, and writers.
Classification:
périodiques
périodiques
Publication:
octobre 2025
octobre 2025
Sujet:
Revues
Revues
Classification:
livres
livres
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$45.00
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The difficulty of reconciling our basic needs with the long history of cultural landscapes, in all their inherent beauty and sufficiency, has become clear. With our deep trust in modern technology, in progress and in a demanding global lifestyle we have become a real threat to our world. Yet, today the existential and elementary nature of landscapes remains the bearer of(...)
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The difficulty of reconciling our basic needs with the long history of cultural landscapes, in all their inherent beauty and sufficiency, has become clear. With our deep trust in modern technology, in progress and in a demanding global lifestyle we have become a real threat to our world. Yet, today the existential and elementary nature of landscapes remains the bearer of(...)
Titre:
Landscape analogue: About material culture and idealism. landscript #6
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The difficulty of reconciling our basic needs with the long history of cultural landscapes, in all their inherent beauty and sufficiency, has become clear. With our deep trust in modern technology, in progress and in a demanding global lifestyle we have become a real threat to our world. Yet, today the existential and elementary nature of landscapes remains the bearer of a successful metaphor for “balance”. Why not draw—amidst a truly global crisis—conclusions out of our long history of designed nature, of places shaped by skilled labor and a quest for pleasure? This publication seeks to stimulate the “Analogue” dimension as a substantial concept for everyday landscape thinking. In an anthology of interdisciplinary essays, this volume stresses the necessity for a fundamental shift, within the likely framework of a future of restricted resources, a radically different mobility or “hot” cities.
Landscape analogue: About material culture and idealism. landscript #6
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$45.00
(disponible sur commande)
Résumé:
The difficulty of reconciling our basic needs with the long history of cultural landscapes, in all their inherent beauty and sufficiency, has become clear. With our deep trust in modern technology, in progress and in a demanding global lifestyle we have become a real threat to our world. Yet, today the existential and elementary nature of landscapes remains the bearer of a successful metaphor for “balance”. Why not draw—amidst a truly global crisis—conclusions out of our long history of designed nature, of places shaped by skilled labor and a quest for pleasure? This publication seeks to stimulate the “Analogue” dimension as a substantial concept for everyday landscape thinking. In an anthology of interdisciplinary essays, this volume stresses the necessity for a fundamental shift, within the likely framework of a future of restricted resources, a radically different mobility or “hot” cities.
Classification:
livres
livres
Publication:
mai 2022
mai 2022
Sujet:
Théorie du paysage
Théorie du paysage
Classification:
livres
livres
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$32.95
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Résumé:
This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The(...)
$32.95
(disponible sur commande)
Résumé:
This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The(...)
Publication:
avril 2009, Cambridge, Massachusetts
avril 2009, Cambridge, Massachusetts
Titre:
Guy Debord and the situationist international
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$32.95
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Résumé:
This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI’s profound engagement with the art and cultural politics of their time (1957–1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith. Guy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI’s writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI’s reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932–1994), the impresario of the SI, especially known for his book "The Society of the Spectacle".
Guy Debord and the situationist international
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Prix:
$32.95
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Résumé:
This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI’s profound engagement with the art and cultural politics of their time (1957–1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith. Guy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI’s writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI’s reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932–1994), the impresario of the SI, especially known for his book "The Society of the Spectacle".
Classification:
livres
livres
Publication:
avril 2009, Cambridge, Massachusetts
avril 2009, Cambridge, Massachusetts
Classification:
livres
livres
Prix:
$79.95
(disponible sur commande)
Résumé:
James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews(...)
$79.95
(disponible sur commande)
Résumé:
James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews(...)
Titre:
Stirling and Gowan: architecture from austerity to affluence
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$79.95
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Résumé:
James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence.
Stirling and Gowan: architecture from austerity to affluence
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$79.95
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Résumé:
James Stirling`s partnership with James Gowan between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence.
Classification:
livres
livres
Publication:
mai 2012
mai 2012
Sujet:
Architecture, monographies
Architecture, monographies
