2417 Résultats
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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most(...)
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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most(...)
Publication:
janvier 2016
janvier 2016
Titre:
Belyayevo forever: a Soviet microrayon on its way to the UNESCO list
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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most expansive programme of industrialised construction the world has ever seen. Belyayevo’s buildings, and the desolate spaces between them, are identical to thousands of others, but is it different? Kuba Snopek argues that it is. Home to many of the artists of the Moscow Conceptualism school, the place was written into the character of their art. Snopek argues that this intangible heritage is the key to saving a neighbourhood many feel has had its day. But as Russia comes to terms with ist Soviet legacy, will such arguments fall on deaf ears?
Belyayevo forever: a Soviet microrayon on its way to the UNESCO list
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Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon – the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most expansive programme of industrialised construction the world has ever seen. Belyayevo’s buildings, and the desolate spaces between them, are identical to thousands of others, but is it different? Kuba Snopek argues that it is. Home to many of the artists of the Moscow Conceptualism school, the place was written into the character of their art. Snopek argues that this intangible heritage is the key to saving a neighbourhood many feel has had its day. But as Russia comes to terms with ist Soviet legacy, will such arguments fall on deaf ears?
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livres
livres
Publication:
janvier 2016
janvier 2016
Classification:
livres
livres
Titre:
Eastern blocks
Eastern blocks
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''Eastern blocks'' by Zupagrafika is a photographic journey through the suburbs of the former Eastern Bloc featuring over 100 photographs showcasing modernist and brutalist architecture scattered around the cities of Moscow, Berlin, Warsaw, Budapest, Kyiv and Saint Petersburg. Divided into 6 chapters, the book also includes maps and informative texts on the featured(...)
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''Eastern blocks'' by Zupagrafika is a photographic journey through the suburbs of the former Eastern Bloc featuring over 100 photographs showcasing modernist and brutalist architecture scattered around the cities of Moscow, Berlin, Warsaw, Budapest, Kyiv and Saint Petersburg. Divided into 6 chapters, the book also includes maps and informative texts on the featured(...)
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Eastern blocks
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$37.00
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''Eastern blocks'' by Zupagrafika is a photographic journey through the suburbs of the former Eastern Bloc featuring over 100 photographs showcasing modernist and brutalist architecture scattered around the cities of Moscow, Berlin, Warsaw, Budapest, Kyiv and Saint Petersburg. Divided into 6 chapters, the book also includes maps and informative texts on the featured cities and constructions.
Eastern blocks
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Résumé:
''Eastern blocks'' by Zupagrafika is a photographic journey through the suburbs of the former Eastern Bloc featuring over 100 photographs showcasing modernist and brutalist architecture scattered around the cities of Moscow, Berlin, Warsaw, Budapest, Kyiv and Saint Petersburg. Divided into 6 chapters, the book also includes maps and informative texts on the featured cities and constructions.
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livres
livres
Publication:
mai 2019
mai 2019
Sujet:
Littérature jeunesse
Littérature jeunesse
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livres
livres
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$29.95
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A cross-section of a year chosen at random, the poster collection casts its net in its own archive and presents posters from Paris, London, Moscow, Vienna, Zurich or Milan. They all have only one thing in common: the year in which they were produced. History is not seen as a continuous development, but as a broad showplace for simultaneity.
$29.95
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A cross-section of a year chosen at random, the poster collection casts its net in its own archive and presents posters from Paris, London, Moscow, Vienna, Zurich or Milan. They all have only one thing in common: the year in which they were produced. History is not seen as a continuous development, but as a broad showplace for simultaneity.
Publication:
février 2002, Zurich
février 2002, Zurich
Titre:
Poster collection 01 : revue 1926
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A cross-section of a year chosen at random, the poster collection casts its net in its own archive and presents posters from Paris, London, Moscow, Vienna, Zurich or Milan. They all have only one thing in common: the year in which they were produced. History is not seen as a continuous development, but as a broad showplace for simultaneity.
Poster collection 01 : revue 1926
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A cross-section of a year chosen at random, the poster collection casts its net in its own archive and presents posters from Paris, London, Moscow, Vienna, Zurich or Milan. They all have only one thing in common: the year in which they were produced. History is not seen as a continuous development, but as a broad showplace for simultaneity.
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livres
livres
Publication:
février 2002, Zurich
février 2002, Zurich
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livres
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Description:
xx, 571 pages : illustrations, portraits ; 24 cm
Description:
xx, 571 pages : illustrations, portraits ; 24 cm
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Cambridge, Massachusetts : Harvard University Press, 1968., ©1968
Cambridge, Massachusetts : Harvard University Press, 1968., ©1968
Titre:
The journals of Claire Clairmont / edited by Marion Kingston Stocking, with the assistance of David Mackenzie Stocking.
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Description:
xx, 571 pages : illustrations, portraits ; 24 cm
The journals of Claire Clairmont / edited by Marion Kingston Stocking, with the assistance of David Mackenzie Stocking.
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Description:
xx, 571 pages : illustrations, portraits ; 24 cm
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livres
livres
Publication:
Cambridge, Massachusetts : Harvard University Press, 1968., ©1968
Cambridge, Massachusetts : Harvard University Press, 1968., ©1968
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livres
livres
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Publication:
Full Unemployment Cinema 2012
Full Unemployment Cinema 2012
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livres
livres
Publication:
Full Unemployment Cinema 2012
Full Unemployment Cinema 2012
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Classification:
livres
livres
Prix:
$59.95
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Résumé:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
$59.95
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"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
Titre:
The artist as producer : Russian Constructivism in revolution
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"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
The artist as producer : Russian Constructivism in revolution
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"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
Classification:
livres
livres
Publication:
janvier 1900, Berkeley
janvier 1900, Berkeley
Classification:
livres
livres
Titre:
Anti-shows: Aptart 1982-84
Anti-shows: Aptart 1982-84
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A collective of artists, a gallery and a movement, APTART was a series of self-organized “anti-shows” that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984. These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represented a collective attempt to rethink the politics of exhibition-making and the(...)
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A collective of artists, a gallery and a movement, APTART was a series of self-organized “anti-shows” that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984. These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represented a collective attempt to rethink the politics of exhibition-making and the(...)
Titre:
Anti-shows: Aptart 1982-84
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A collective of artists, a gallery and a movement, APTART was a series of self-organized “anti-shows” that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984. These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represented a collective attempt to rethink the politics of exhibition-making and the making of a public in the absence of a public sphere.
Anti-shows: Aptart 1982-84
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A collective of artists, a gallery and a movement, APTART was a series of self-organized “anti-shows” that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984. These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represented a collective attempt to rethink the politics of exhibition-making and the making of a public in the absence of a public sphere.
Classification:
livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$46.00
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'People Cities' discusses the work, theory, life, and influence of Jan Gehl from the perspective of those who have worked with him across the globe. Jan Ghel’s research, theories, and strategies have been helping cities to reclaim their public space and recover from the great post-WWII car invasion. His work has influenced public space improvements in over 50 global(...)
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'People Cities' discusses the work, theory, life, and influence of Jan Gehl from the perspective of those who have worked with him across the globe. Jan Ghel’s research, theories, and strategies have been helping cities to reclaim their public space and recover from the great post-WWII car invasion. His work has influenced public space improvements in over 50 global(...)
Titre:
People cities: The life and legacy of Jan Gehl
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'People Cities' discusses the work, theory, life, and influence of Jan Gehl from the perspective of those who have worked with him across the globe. Jan Ghel’s research, theories, and strategies have been helping cities to reclaim their public space and recover from the great post-WWII car invasion. His work has influenced public space improvements in over 50 global cities, including New York, London, Moscow, Copenhagen, Melbourne, Sydney, and the authors’ hometown of Perth.
People cities: The life and legacy of Jan Gehl
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'People Cities' discusses the work, theory, life, and influence of Jan Gehl from the perspective of those who have worked with him across the globe. Jan Ghel’s research, theories, and strategies have been helping cities to reclaim their public space and recover from the great post-WWII car invasion. His work has influenced public space improvements in over 50 global cities, including New York, London, Moscow, Copenhagen, Melbourne, Sydney, and the authors’ hometown of Perth.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$37.95
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Résumé:
"Summerfolk" explores the ways in which Russia’s turbulent past has shaped the function of the dacha and attitudes toward it. The book also demonstrates the crucial role that the dacha has played in the development of Russia’s two most important cities, Moscow and St. Petersburg, by providing residents with a refuge from the squalid and crowded metropolis. Like the(...)
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"Summerfolk" explores the ways in which Russia’s turbulent past has shaped the function of the dacha and attitudes toward it. The book also demonstrates the crucial role that the dacha has played in the development of Russia’s two most important cities, Moscow and St. Petersburg, by providing residents with a refuge from the squalid and crowded metropolis. Like the(...)
Publication:
mars 2003, Ithaca, London
mars 2003, Ithaca, London
Titre:
Summerfolk : a history of the Dacha, 1710-2000
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"Summerfolk" explores the ways in which Russia’s turbulent past has shaped the function of the dacha and attitudes toward it. The book also demonstrates the crucial role that the dacha has played in the development of Russia’s two most important cities, Moscow and St. Petersburg, by providing residents with a refuge from the squalid and crowded metropolis. Like the suburbs in other nations, the dacha form of settlement served to alleviate social anxieties about urban growth.
Summerfolk : a history of the Dacha, 1710-2000
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$37.95
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Résumé:
"Summerfolk" explores the ways in which Russia’s turbulent past has shaped the function of the dacha and attitudes toward it. The book also demonstrates the crucial role that the dacha has played in the development of Russia’s two most important cities, Moscow and St. Petersburg, by providing residents with a refuge from the squalid and crowded metropolis. Like the suburbs in other nations, the dacha form of settlement served to alleviate social anxieties about urban growth.
Classification:
livres
livres
Publication:
mars 2003, Ithaca, London
mars 2003, Ithaca, London
Classification:
livres
livres
Prix:
$42.00
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Résumé:
This book surveys two centuries of Russian history through a succession of ambitious architectural projects designed for a single construction site in central Moscow. Czars, Bolshevik rulers, and contemporary Russian leaders alike have dreamed of glorious monuments to themselves and their ideologies on this site. The history of their efforts reflects the story of the(...)
$42.00
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Résumé:
This book surveys two centuries of Russian history through a succession of ambitious architectural projects designed for a single construction site in central Moscow. Czars, Bolshevik rulers, and contemporary Russian leaders alike have dreamed of glorious monuments to themselves and their ideologies on this site. The history of their efforts reflects the story of the(...)
Publication:
septembre 2007, New Haven London
septembre 2007, New Haven London
Titre:
The holy place : Architecture, ideology, and history in Russia
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$42.00
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This book surveys two centuries of Russian history through a succession of ambitious architectural projects designed for a single construction site in central Moscow. Czars, Bolshevik rulers, and contemporary Russian leaders alike have dreamed of glorious monuments to themselves and their ideologies on this site. The history of their efforts reflects the story of the nation itself and its repeated attempts to construct or reconstruct its identity and to repudiate or resuscitate emblems of the past.
The holy place : Architecture, ideology, and history in Russia
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$42.00
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Résumé:
This book surveys two centuries of Russian history through a succession of ambitious architectural projects designed for a single construction site in central Moscow. Czars, Bolshevik rulers, and contemporary Russian leaders alike have dreamed of glorious monuments to themselves and their ideologies on this site. The history of their efforts reflects the story of the nation itself and its repeated attempts to construct or reconstruct its identity and to repudiate or resuscitate emblems of the past.
Classification:
livres
livres
Publication:
septembre 2007, New Haven London
septembre 2007, New Haven London
