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At a time when the relationship between ‘the country’ and ‘the city’ is in flux worldwide, the value and meanings of food associated with both places continue to be debated. Building upon the foundation of Raymond Williams’ classic work, The Country and the City, this volume examines how conceptions of the country and the city invoked in relation to food not only reflect(...)
Food between the country and the city: ethnographies of a changing global foodscape
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At a time when the relationship between ‘the country’ and ‘the city’ is in flux worldwide, the value and meanings of food associated with both places continue to be debated. Building upon the foundation of Raymond Williams’ classic work, The Country and the City, this volume examines how conceptions of the country and the city invoked in relation to food not only reflect their changing relationship but have also been used to alter the very dynamics through which countryside and cities, and the food grown and eaten within them, are produced and sustained.
Bouffe
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"Living systems" surveys a wide array of innovative approaches to material technologies within the field of landscape architecture. The selected projects and materials exhibit a contemporary demand for technological landscapes and the collaboration between designers, engineers, scientists and ecologists. The book redefines the conventional boundaries of landscape(...)
Théorie du paysage
mai 2007, Basel, Boston, Berlin
Living systems : innovative materials and technologies for landscape architecture
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"Living systems" surveys a wide array of innovative approaches to material technologies within the field of landscape architecture. The selected projects and materials exhibit a contemporary demand for technological landscapes and the collaboration between designers, engineers, scientists and ecologists. The book redefines the conventional boundaries of landscape materiality by focusing on growth, flow, metabolism, climate, and atmospheric phenomena. Projects and materials are cross-referenced according to performance criteria, processes, and properties. Each of the 36 international projects and 23 material technologies is presented with drawing details, construction photographs and an analysis of the various complex systems featured, such as vertical growth structures, flood prevention, stormwater infiltration, erosion control, and the integration of digital media. Projects featured include works by West8, GROSS.MAX, Weiss-Manfredi Architects, Field Operations, Kathryn Gustafson, and Vogt Landschaftarchitekten.
Théorie du paysage
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and(...)
Five minutes city : architecture and [im]mobility
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FiveMinutesCity was an international forum and workshop for young architects organized by the Berlage Institute in collaboration with the Mies van der Rohe Foundation (Barcelona) and the Institut Français d'Architecture (Paris). The organizers invited Winy Maas, architect and partner in MVRDV from Rotterdam, as the workshop master. Winy Maas proposed a provocative and inspiring brief; he asked participants to redesign the cities of Rotterdam and New York in a way that everything is reachable within five minutes. A series of serious questions arise from the challenging brief: 'What will such a city look like? What happens to such an hypothesis if cars are the only mode of transport? What will such a city look like when it is only accessed by public transport? Or by walking?' How one can extend the knowledge of compact or dense cities? How fast cities can be? Is increased speed an ideal concept for future cities? Is development of new infrastructure sustainable for cities in future? Can Rotterdam become such a city? Is it possible to upscale Manhattan? How does mobility affects the working and living qualities of the cities and how is mobility shaping cities?
Architecture, monographies
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''Standpoint Autotheory'' encompasses a multitude of manifestations of radically self-reflexive research attitudes. It traces research based artistic practices through twelve contributions that propose a performative integration of the personal within the production of theory and explore the entanglements of subjectivity with criticality aimed at social transformation by(...)
Théorie de l’art
septembre 2025
Standpoint autotheory: Writing embodied experiences and relational artistic practice
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''Standpoint Autotheory'' encompasses a multitude of manifestations of radically self-reflexive research attitudes. It traces research based artistic practices through twelve contributions that propose a performative integration of the personal within the production of theory and explore the entanglements of subjectivity with criticality aimed at social transformation by questioning dominant epistemologies. The positions assembled in the book are permeated by different modes of thinking and practice such as autoethnography, practices of the self, auto-historia teoría, standpoint theories, strong objectivity and situated knowledge, self-authority, narrativity and storytelling, radical positioning, performative philosophy, autofiction, thinking-feeling, and other methods that, through the interrogation of embodied experiences, illuminate the connections between the personal and the political, as well as the individual and the communal.
Théorie de l’art
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As early as the end of the 19th century, anarchists such as Peter Kropotkin and Élisée Reclus became interested in indigenous peoples, many of whom they saw as societies without a state or private property, living a form of communism. Thinkers such as David Graeber and John Holloway have continued this tradition of engagement with the practices of indigenous societies and(...)
Anarcho-Indigenism: Conversations on land and freedom
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As early as the end of the 19th century, anarchists such as Peter Kropotkin and Élisée Reclus became interested in indigenous peoples, many of whom they saw as societies without a state or private property, living a form of communism. Thinkers such as David Graeber and John Holloway have continued this tradition of engagement with the practices of indigenous societies and their politics. There has also been a long history of (often imperfect) collaboration between anarchists and indigenous activists, over land rights and environmental issues, including recent high-profile anti-pipeline campaigns. ''Anarcho-Indigenism'' is a dialogue between anarchism and indigenous politics, featuring interviews from indigenous contributors Véronique Hébert, Gord Hill, Freda Huson, J. Kehaulani Kauanui, Clifton Ariwakehte Nicholas and Toghestiy, as well as the Marxist scholar specialist in indigenous people’s history and politics, Roxanne Dunbar-Ortiz. The contributors reveal what indigenous thought and traditions and anarchism have in common, without denying the scars left by colonialism even within this anti-authoritarian movement. They ultimately offer a vision of the world that combines anti-colonialism, feminism, ecology, anti-capitalism and anti-statism.
Autochtone
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"Visual delight in architecture" examines the many ways that our lives are enriched by the presence of natural daylight and window views within our buildings. It makes a compelling case that daily exposure to the rhythms of daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It describes all(...)
Visual delight in architecture: daylight, vision, and view
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"Visual delight in architecture" examines the many ways that our lives are enriched by the presence of natural daylight and window views within our buildings. It makes a compelling case that daily exposure to the rhythms of daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. It describes all the subtlety, beauty, and pleasures of well-daylit spaces and attractive window views, and explains how these are woven into the fabric of both our everyday sensory experience and enduring cultural perspectives. All types of environmental designers, along with anyone interested in human health and well- being, will find new insights offered by "Visual delight in architecture". The book is both accessible and provocative, full of personal stories and persuasive research, helping designers to gain a deeper understanding of the scientific basis of their designs, scientists to better grasp the real-world implications of their work, and everyone to more fully appreciate the role of windows in their lives.
Théorie de l’architecture
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Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde(...)
Avant-garde as method: Vkhutemas and the pedagogy of space 1920-1930
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Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde as method,'' architect and historian Anna Bokov explores the nature of art and technology education in the Soviet Union. The pedagogical program at Vkhutemas, she shows, combined longstanding academic ideas and practices with more nascent industrial era ones to initiate a new type of pedagogy that took an explorative approach and drew its strength from continuous feedback and exchange between students and educators. Elaborating on the ways the Vkhutemas curriculum challenged established canons of academic tradition by replacing it with open-ended inquiry, Bokov then shows how this came to be articulated in architectural and urban projects within the school’s advanced studios.
Modernisme
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Imminent Commons: Commoning Cities presents questions and answers concerning the current state and near future of cities of the world through the lens of public initiatives, projects, and urban narratives. Cities are searching for new possibilities that will help them survive and thrive within new systems of municipal governance. The strategies of cities with regard to(...)
Imminent Commons: commoning cities. Seoul Biennale of Architecture and Urbanism 2017
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Imminent Commons: Commoning Cities presents questions and answers concerning the current state and near future of cities of the world through the lens of public initiatives, projects, and urban narratives. Cities are searching for new possibilities that will help them survive and thrive within new systems of municipal governance. The strategies of cities with regard to rapid urbanization, scarcity of public resources, and privatization of commons will be examined through the diverse spectrum of focused projects. It also discusses the present and future of cities as commons in the 21st century through examining various ways the cities use to deliberate, operate, imagine and execute their policies for the city.
Théorie de l’urbanisme
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Houston-based Interloop—Architecture, founded in 2001 by Rice University School of Architecture professors Dawn Finley and Mark Wamble, focuses on innovative building technologies, inventive forms, and precise material finishes. Its wide-ranging projects include the design of custom furniture and fixtures, private residences, research complexes, and cultural(...)
System of novelties: Interloop-Architecture, Dawn Finley and Mark Wamble
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Houston-based Interloop—Architecture, founded in 2001 by Rice University School of Architecture professors Dawn Finley and Mark Wamble, focuses on innovative building technologies, inventive forms, and precise material finishes. Its wide-ranging projects include the design of custom furniture and fixtures, private residences, research complexes, and cultural institutions. ''System of novelties'' is the first book on Interloop—Architecture’s work. It combines elements of both monograph and field guide, placing the firm’s novel architectural designs within their broader context, with special attention to how influences, procedures, and techniques have been threaded from project to project over a period of two decades. A diverse collection of built and speculative designs are framed by three pairs of research topics: Information–Shape, Procedure–Assembly, and Material–Detail. Graphic notes trace and synthetically connect the systems—some unique, some recurring—used in and between projects. ''System of novelties'' demonstrates the firm’s technical expertise with materials, manufacturing, and delivery processes and offers insights into innovative forms of contemporary architectural practice
Architecture, monographies
Public space? Lost and found
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public(...)
Théorie de l’architecture
juillet 2017
Public space? Lost and found
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings. "Public Space? Lost and found" combines significant recent projects in art and architecture with writings by historians and theorists. Contributors investigate strategies for responding to underrepresented communities and areas of conflict through the work of Marjetica Potrc in Johannesburg and Teddy Cruz on the Mexico-U.S. border, among others. They explore our collective stakes in ecological catastrophe through artistic research such as atelier d’architecture autogérée’s hubs for community action and recycling in Colombes, France, and Brian Holmes’s theoretical investigation of new forms of aesthetic perception in the age of the Anthropocene. Inspired by artist and MIT professor Antoni Muntadas’ early coining of the term “media landscape,” contributors also look ahead, casting a critical eye on the fraught impact of digital media and the internet on public space. This book is the first in a new series of volumes produced by the MIT School of Architecture and Planning’s Program in Art, Culture and Technology.
Théorie de l’architecture