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Architect and artist Marshall Brown is making space for the future by remixing the legacy of modern architecture in this exploration of his visionary urban ideas, brought to life through extraordinary collages, drawings, models, and photographs. Groundbreaking architect Marshall Brown presents a vision of the future through cross-disciplinary explorations that(...)
Recurrent visions: The architecture of Marshall Brown projects
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Architect and artist Marshall Brown is making space for the future by remixing the legacy of modern architecture in this exploration of his visionary urban ideas, brought to life through extraordinary collages, drawings, models, and photographs. Groundbreaking architect Marshall Brown presents a vision of the future through cross-disciplinary explorations that leverage the possibilities of scale, media, and time in this survey of three unique projects. With an introduction by curator Karen Kice, discover Brown's work through a deep dive into his seminal projects for New York, Chicago, and Detroit. ''Recurrent visions'' journeys into the cities, places, and spaces of the future crafted by the hands of today, with contributions from today's leading architectural thinkers, Monica Ponce de Leon, Joseph Becker, Allison Glenn, and Adrienne Brown, featuring three projects: UNITY Plan for the MTA Vanderbilt Rail Yards, Brooklyn; Dequindre Civic Academy, Detroit; Smooth Growth Urbanism, Chicago.
Architecture, monographies
livres
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Builders, Housewives and the Construction of Modern Athens reassesses the explosive growth of postwar Athens through its most distinctive building type, the polykatoikía, and its different connotations through the decades: from a monotonous and ugly element of the city to the role it might play in the urban sustainability. Sprawling beneath the Acropolis, modern Athens(...)
Builders, housewives, and the construction of modern Athens
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Builders, Housewives and the Construction of Modern Athens reassesses the explosive growth of postwar Athens through its most distinctive building type, the polykatoikía, and its different connotations through the decades: from a monotonous and ugly element of the city to the role it might play in the urban sustainability. Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. Builders, Housewives and the Construction of Modern Athens questions this stereotype, reassessing the explosive growth of postwar Athens through its most distinctive building type: the polykatoikía (a small-scale multistory apartment block). Theocharopoulou re-evaluates the polykatoikía as a low-tech, easily constructible innovation that stimulated the postwar urban economy, triggering the city's social mid-twentieth-century transformation. The interiors of the polykatoikía apartments reflect a desire for modernity as marketed to housewives through film and magazines. Regular builders became unlikely allies in designing these polykatoikía interiors, enabling inhabitants to exert agency over their daily lives and the shape of the postwar city. This revised edition of Theocharopoulou's study draws on popular media as well as urban and regional planning theory, cultural studies and anthropology to examine the evolution of this phenomenon. Written in the light of Greece's recent financial crisis, the book's updated Postscript considers the role polykatoikía might play in building an equitable and sustainable twenty-first-century city.
livres
septembre 2022
Théorie de l’urbanisme
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed(...)
FRS Yorke and the evolution of English modernism
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed knowledge of European architecture as an introduction to modern architecture for generations of architects, and provided inspiration for his own designs. But it was only after World War II, and the social and political change which came in its wake, that Yorke was able to turn his reputation as a modernist into commercial success. As his pre-War contemporaries gave up architecture or moved abroad, his practice – Yorke, Rosenberg and Mardall – drew on his experience of working on large, state-funded construction projects during the War, and participated in the transformation of Britain’s social and physical fabric with its new housing, hospitals, schools, universities and airports. This book concludes with a memoir by David Allford, who worked with Yorke and Yorke, Rosenberg and Mardall from 1952 until 1989.
Architecture, monographies
$100.00
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Parks are essential to our well-being; this has never been clearer than it is today, and a recent surge of park development offers us much to celebrate. "Parks of the 21st century" presents 52 parks in the U.S., Mexico, Canada, Europe, and China that have turned despoiled and polluted land (including former factories, railroads, and industrial waterfronts) into beneficial(...)
Parks of the 21st Century: reinvented landscapes, reclaimed territories
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Parks are essential to our well-being; this has never been clearer than it is today, and a recent surge of park development offers us much to celebrate. "Parks of the 21st century" presents 52 parks in the U.S., Mexico, Canada, Europe, and China that have turned despoiled and polluted land (including former factories, railroads, and industrial waterfronts) into beneficial landscapes. Landscape architects have been referred to as "the first environmentalists," and "Parks of the 21st century" shows how parks are being designed as proactive, dynamic green spaces. The High Line in New York is an early example of how an obsolete railroad could be transformed. Opened in 2009, it now attracts nearly 8 million visitors a year. In addition to providing public open space, these renewed landscapes offer economic revitalization and large-scale environmental improvement. Among the parks featured in this book are designs by well-known professionals such as James Corner Field Operations, Michael Van Valkenburgh Associates, Kongjian Yu/Turenscape, and Catherine Mosbach.
Jardins
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In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian(...)
Architecture unbound: A century of the disruptive avant-garde
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In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. '''Architecture unbound'' traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.
Architecture contemporaine
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"The Empty Room", in the absence of any visual materials, was a written manifesto composed of RZLBD’s poems and collection of quotes intended to portray the room and the emptiness as the essence of architecture. Now, "100 Rooms" complements our own blurry images of the empty room with a visual guide. Each spread consists of a plan and a physical model of a room, which is(...)
100 rooms: Many untold parables of the empty room
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"The Empty Room", in the absence of any visual materials, was a written manifesto composed of RZLBD’s poems and collection of quotes intended to portray the room and the emptiness as the essence of architecture. Now, "100 Rooms" complements our own blurry images of the empty room with a visual guide. Each spread consists of a plan and a physical model of a room, which is an excavation of the geometry and order inherent within the square. It holds no design intention — no scale or function — but simply one of infinite possibilities that emerge from a square. This framework suggests that the formal expression of a room comes from within. With these visual references, one can begin to imagine many approximations to the empty room. A line on paper is always less, as Kahn says, but through these measurable means, the immeasurable idea of the empty room will be formed in one’s mind.
Architectes canadiens
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In this volume of ''The Photography Workshop Series'', Vik Muniz—known for his playful pictures that complicate what is understood as a photograph, sculpture, or painting—offers his insight into thinking creatively and seeing the familiar in new and surprising ways. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and(...)
Vik Muniz: the photography workshop series
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In this volume of ''The Photography Workshop Series'', Vik Muniz—known for his playful pictures that complicate what is understood as a photograph, sculpture, or painting—offers his insight into thinking creatively and seeing the familiar in new and surprising ways. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Vik Muniz—whose signature style appropriates and reinterprets iconic images—shares his creative practice and discusses a wide range of topics, from generating ideas and creating artworks that challenge viewers’ perceptions, to thinking through collaboration, imperfection, and the interplay of subject, scale, and material.
Théorie de la photographie
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The "Precisions", as the book is commonly known, emerged from a spontaneous and exuberant series of 10 lectures Le Corbusier gave in Buenos Aires in 1929, reflecting a new maturity in his thinking. They contain some of his most compelling aphorisms, covering technique as the basis of architecture, the human scale in design, furniture, the private house, apartments and(...)
Le Corbusier: precisions on the present state of architecture and city planning
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The "Precisions", as the book is commonly known, emerged from a spontaneous and exuberant series of 10 lectures Le Corbusier gave in Buenos Aires in 1929, reflecting a new maturity in his thinking. They contain some of his most compelling aphorisms, covering technique as the basis of architecture, the human scale in design, furniture, the private house, apartments and office buildings, the city, the League of Nations competition, teaching architecture. As he spoke, Le Corbusier improvised colour drawings on large sheets of paper. The drawings and lectures are unique in their eloquent and concise summary of his philosophy of architecture and urban design, stating the principles that informed his work from the 1920s on.
Théorie de l’architecture
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This publication accompanies feature 36 current architectural projects throughout Spain. The projects are seen in relation to 16 other major architectural accomplishments recently completed in Spain. They reflect diversity in the geography of their sites; in scale, from private houses to a new international airport; and in the architects who have conceived them, from(...)
On-site : new architecture in Spain
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This publication accompanies feature 36 current architectural projects throughout Spain. The projects are seen in relation to 16 other major architectural accomplishments recently completed in Spain. They reflect diversity in the geography of their sites; in scale, from private houses to a new international airport; and in the architects who have conceived them, from relative newcomers to established practitioners, both Spanish and from other countries in Europe, Asia, and the United States.
Robert Smithson in Texas
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Robert Smithson (1938-73), the internationally renowned pioneer of the earthworks movement who is best known for his earthwork Spiral Jetty (1970), is considered one of the most iconoclastic artists of the 20th century. Published on the occasion of the exhibition Robert Smithson in Texas at the Dallas Museum of Art, this book contains essays and illustrations that examine(...)
Robert Smithson in Texas
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Robert Smithson (1938-73), the internationally renowned pioneer of the earthworks movement who is best known for his earthwork Spiral Jetty (1970), is considered one of the most iconoclastic artists of the 20th century. Published on the occasion of the exhibition Robert Smithson in Texas at the Dallas Museum of Art, this book contains essays and illustrations that examine Smithson's engagement with the Texas landscape. Smithson's involvement with Texas began in July 1966, when he was hired as an artist consultant to the New York-based architecture and engineering firm Tippetts, Abbett, McCarthy, Stratton (TAMS) to develop plans for the Dallas-Fort Worth Regional Airport. Though his plans never came to fruition, Smithson credited the project as a major catalyst in his development toward the concept of large-scale earthworks.
Land Art