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livres
livres
Titre:
The Bauhaus: #itsalldesign
The Bauhaus: #itsalldesign
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$95.00
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This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their(...)
$95.00
(disponible sur commande)
Résumé:
This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their(...)
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The Bauhaus: #itsalldesign
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$95.00
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This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their relevance for today's creative practice, these ideas are contrasted to current themes in design such as the digital revolution, and the works of numerous present-day artists and designers. The lavishly illustrated publication features essays by renowned authors such as Arthur Rüegg and Jan Boelen, a glossary of the basic ideas behind design at the Bauhaus, as well as a detailed catalogue section. Among others, Olaf Nicolai, Adrian Sauer, Wilfried Kühn and Joseph Grima have created artistic works on the topic especially for the exhibition. Numerous short articles by distinguished designers, artists and architects from all over the world, who, with their ideas, projects and theories reflect on the topicality of the Bauhaus and its influence on 21st-century design, form part of this new and contemporary look at the movement. With works by Josef Albers, Marcel Breuer, Walter Gropius, Marianne Brandt, Wassily Kandinsky, Ludwig Mies van der Rohe, Herbert Bayer and many others.
The Bauhaus: #itsalldesign
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$95.00
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This volume offers a comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their relevance for today's creative practice, these ideas are contrasted to current themes in design such as the digital revolution, and the works of numerous present-day artists and designers. The lavishly illustrated publication features essays by renowned authors such as Arthur Rüegg and Jan Boelen, a glossary of the basic ideas behind design at the Bauhaus, as well as a detailed catalogue section. Among others, Olaf Nicolai, Adrian Sauer, Wilfried Kühn and Joseph Grima have created artistic works on the topic especially for the exhibition. Numerous short articles by distinguished designers, artists and architects from all over the world, who, with their ideas, projects and theories reflect on the topicality of the Bauhaus and its influence on 21st-century design, form part of this new and contemporary look at the movement. With works by Josef Albers, Marcel Breuer, Walter Gropius, Marianne Brandt, Wassily Kandinsky, Ludwig Mies van der Rohe, Herbert Bayer and many others.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Modernisme
Modernisme
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livres
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Description:
301 pages ; 23 cm
Description:
301 pages ; 23 cm
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Paris : L'Archipel, ©2010.
Paris : L'Archipel, ©2010.
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La longue, lente, périlleuse (et poilue) fabrique du rêve : mémoires / Roland Castro.
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Description:
301 pages ; 23 cm
La longue, lente, périlleuse (et poilue) fabrique du rêve : mémoires / Roland Castro.
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301 pages ; 23 cm
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livres
livres
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Paris : L'Archipel, ©2010.
Paris : L'Archipel, ©2010.
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1 volume, (112 pages) : illustrations en noir et en couleurs, couverture illustrée en couleurs. ; 30 cm.
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1 volume, (112 pages) : illustrations en noir et en couleurs, couverture illustrée en couleurs. ; 30 cm.
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Lyon : Éditions Lieux dits, DL 2022.
Lyon : Éditions Lieux dits, DL 2022.
Titre:
Le vitrail en Touraine au XIXe siècle : un foyer de création : Centre-Val de Loire / Service patrimoine et inventaire, Région Centre-Val de Loire ; Textes Oliver Geneste ; Photographies Thierry Cantalupo, Vanessa Lamorelette-Pingard, François Lauginie ; cartes Myriam Guérid, Frédéric Morin ; ouvrage sous la responsabilité et la coordination éditoriale de Claude Quillivic,... et de Florence Vassal, ....
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1 volume, (112 pages) : illustrations en noir et en couleurs, couverture illustrée en couleurs. ; 30 cm.
Le vitrail en Touraine au XIXe siècle : un foyer de création : Centre-Val de Loire / Service patrimoine et inventaire, Région Centre-Val de Loire ; Textes Oliver Geneste ; Photographies Thierry Cantalupo, Vanessa Lamorelette-Pingard, François Lauginie ; cartes Myriam Guérid, Frédéric Morin ; ouvrage sous la responsabilité et la coordination éditoriale de Claude Quillivic,... et de Florence Vassal, ....
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1 volume, (112 pages) : illustrations en noir et en couleurs, couverture illustrée en couleurs. ; 30 cm.
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livres
livres
Publication:
Lyon : Éditions Lieux dits, DL 2022.
Lyon : Éditions Lieux dits, DL 2022.
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livres
livres
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Pourquoi pas le vélo ?
Pourquoi pas le vélo ?
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$22.00
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« Le vélo, c’est pour s’amuser et ça grille les feux rouges. C’est culturel. Ça ne marchera jamais en France. » « Le vélo, c’est dangereux ! » Qui de mieux pour démonter ces idées reçues qu’un Néerlandais installé en France ? Peu savent que les Pays-Bas, reconnus comme le paradis du vélo, étaient eux-mêmes un « pays de la bagnole » dans les années 1970, avant que la(...)
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« Le vélo, c’est pour s’amuser et ça grille les feux rouges. C’est culturel. Ça ne marchera jamais en France. » « Le vélo, c’est dangereux ! » Qui de mieux pour démonter ces idées reçues qu’un Néerlandais installé en France ? Peu savent que les Pays-Bas, reconnus comme le paradis du vélo, étaient eux-mêmes un « pays de la bagnole » dans les années 1970, avant que la(...)
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Pourquoi pas le vélo ?
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$22.00
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« Le vélo, c’est pour s’amuser et ça grille les feux rouges. C’est culturel. Ça ne marchera jamais en France. » « Le vélo, c’est dangereux ! » Qui de mieux pour démonter ces idées reçues qu’un Néerlandais installé en France ? Peu savent que les Pays-Bas, reconnus comme le paradis du vélo, étaient eux-mêmes un « pays de la bagnole » dans les années 1970, avant que la population ne déclenche une révolution du vélo spectaculaire. Comme quoi la révolution de la pédale relève avant tout d’une volonté citoyenne et politique.
Pourquoi pas le vélo ?
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$22.00
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« Le vélo, c’est pour s’amuser et ça grille les feux rouges. C’est culturel. Ça ne marchera jamais en France. » « Le vélo, c’est dangereux ! » Qui de mieux pour démonter ces idées reçues qu’un Néerlandais installé en France ? Peu savent que les Pays-Bas, reconnus comme le paradis du vélo, étaient eux-mêmes un « pays de la bagnole » dans les années 1970, avant que la population ne déclenche une révolution du vélo spectaculaire. Comme quoi la révolution de la pédale relève avant tout d’une volonté citoyenne et politique.
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livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
Hannah Höch album
Hannah Höch album
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$91.00
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As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called(...)
$91.00
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As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called(...)
Titre:
Hannah Höch album
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$91.00
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Résumé:
As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called "Sammelalbum," which she produced and pasted together from found imagery for her own pleasure and use, circa 1933. In it, she arranged a choice selection of newspaper and magazine photographs cut from popular German magazines of the time, such as the Berliner Illustrirte and Der Dame. A diverse, allusive group of images they are, representing everything from her favorite film stars to oddly captured animals and toy dolls, nudes, landscapes, scenic travel vistas, and synchronized dancers. By combining the collected pictures in continuous and sometimes contradictory sequences and double-page spreads, Höch created startling and often jarring photo collages. Never before published, Album can be considered to represent a heretofore unknown aspect of Höch's work, since its style of collage differs strongly from her well-known photomontages. This publication presents the entire Album in an exquisite facsimile reproduction, maintaining the filmic quality of its order and layout. In an accompanying essay, Gunda Luyken considers the content and history of the Album, locating it in the wider context of Höch’s oeuvre.
Hannah Höch album
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$91.00
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Résumé:
As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called "Sammelalbum," which she produced and pasted together from found imagery for her own pleasure and use, circa 1933. In it, she arranged a choice selection of newspaper and magazine photographs cut from popular German magazines of the time, such as the Berliner Illustrirte and Der Dame. A diverse, allusive group of images they are, representing everything from her favorite film stars to oddly captured animals and toy dolls, nudes, landscapes, scenic travel vistas, and synchronized dancers. By combining the collected pictures in continuous and sometimes contradictory sequences and double-page spreads, Höch created startling and often jarring photo collages. Never before published, Album can be considered to represent a heretofore unknown aspect of Höch's work, since its style of collage differs strongly from her well-known photomontages. This publication presents the entire Album in an exquisite facsimile reproduction, maintaining the filmic quality of its order and layout. In an accompanying essay, Gunda Luyken considers the content and history of the Album, locating it in the wider context of Höch’s oeuvre.
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livres
livres
Publication:
février 2004, Ostfildern
février 2004, Ostfildern
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
In a human voice
In a human voice
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$17.95
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Carol Gilligan’s landmark book ''In a different voice'' – the ''little book that started a revolution'' – brought women’s voices to the fore in work on the self and moral development, enabling women to be heard in their own right, and with their own integrity, for the first time. Forty years later, Gilligan returns to the subject matter of her classic book,(...)
$17.95
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Carol Gilligan’s landmark book ''In a different voice'' – the ''little book that started a revolution'' – brought women’s voices to the fore in work on the self and moral development, enabling women to be heard in their own right, and with their own integrity, for the first time. Forty years later, Gilligan returns to the subject matter of her classic book,(...)
Titre:
In a human voice
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$17.95
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Carol Gilligan’s landmark book ''In a different voice'' – the ''little book that started a revolution'' – brought women’s voices to the fore in work on the self and moral development, enabling women to be heard in their own right, and with their own integrity, for the first time. Forty years later, Gilligan returns to the subject matter of her classic book, re-examining its central arguments and concerns from the vantage point of the present. Thanks to the work that she and others have done in recent decades, it is now possible to clarify and articulate what couldn’t quite be seen or said at the time of the original publication: that the ''different voice'' (of care ethics), although initially heard as a ''feminine'' voice, is in fact a human voice; that the voice it differs from is a patriarchal voice (bound to gender binaries and hierarchies); and that where patriarchy is in force or enforced, the human voice is a voice of resistance, and care ethics is an ethics of liberation. While gender is central to the story Gilligan tells, this is not a story about gender: it is a human story. With this clarification, it becomes evident why ''In a different voice'' continues to resonate strongly with people’s experience and, perhaps more crucially, why the different voice is a voice for the 21st century.
In a human voice
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$17.95
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Résumé:
Carol Gilligan’s landmark book ''In a different voice'' – the ''little book that started a revolution'' – brought women’s voices to the fore in work on the self and moral development, enabling women to be heard in their own right, and with their own integrity, for the first time. Forty years later, Gilligan returns to the subject matter of her classic book, re-examining its central arguments and concerns from the vantage point of the present. Thanks to the work that she and others have done in recent decades, it is now possible to clarify and articulate what couldn’t quite be seen or said at the time of the original publication: that the ''different voice'' (of care ethics), although initially heard as a ''feminine'' voice, is in fact a human voice; that the voice it differs from is a patriarchal voice (bound to gender binaries and hierarchies); and that where patriarchy is in force or enforced, the human voice is a voice of resistance, and care ethics is an ethics of liberation. While gender is central to the story Gilligan tells, this is not a story about gender: it is a human story. With this clarification, it becomes evident why ''In a different voice'' continues to resonate strongly with people’s experience and, perhaps more crucially, why the different voice is a voice for the 21st century.
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livres
livres
Publication:
septembre 2023
septembre 2023
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livres
livres
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$49.95
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Over the past decade, a seismic shift in economic and political forces has transformed life in the second-largest city on the West Coast, situated at the most heavily trafficked international border crossing in the world. Tijuana’s newfound wealth and haphazard expansion have changed patterns of migration for the city’s many artists, who once routinely moved north to Los(...)
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Over the past decade, a seismic shift in economic and political forces has transformed life in the second-largest city on the West Coast, situated at the most heavily trafficked international border crossing in the world. Tijuana’s newfound wealth and haphazard expansion have changed patterns of migration for the city’s many artists, who once routinely moved north to Los(...)
Titre:
Strange new world : art and design from Tijuana
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$49.95
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Over the past decade, a seismic shift in economic and political forces has transformed life in the second-largest city on the West Coast, situated at the most heavily trafficked international border crossing in the world. Tijuana’s newfound wealth and haphazard expansion have changed patterns of migration for the city’s many artists, who once routinely moved north to Los Angeles but are now staying or returning, and being joined by friends from Mexico City and beyond. This flourishing, strengthening artistic community has responded to the city’s accelerated evolution with a broad range of work, from painting to conceptually driven installations; from street-level digital video to ambitious photo-documentation, filmmaking and political work; from architectural proposals to product design associated with the "Nortec" musical movement. The work gathered in "Strange new world" embraces Tijuana as a paradigm of a new postmodern form of urbanization shaped by the pressures of economic globalization and cultural transnationalism since 1994. It struggles to make sense of new realities changing the ways in which people live in cities around the globe. Like Aldous Huxley's Brave New World, it is part science fiction, part political commentary and part artistic revolution and cultural critique. Arranged around the concepts of the urban theorist Michael Smith, it features work by ERRE, Einar and Jamex de la Torre and Yvonne Venegas, among others.
Strange new world : art and design from Tijuana
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$49.95
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Over the past decade, a seismic shift in economic and political forces has transformed life in the second-largest city on the West Coast, situated at the most heavily trafficked international border crossing in the world. Tijuana’s newfound wealth and haphazard expansion have changed patterns of migration for the city’s many artists, who once routinely moved north to Los Angeles but are now staying or returning, and being joined by friends from Mexico City and beyond. This flourishing, strengthening artistic community has responded to the city’s accelerated evolution with a broad range of work, from painting to conceptually driven installations; from street-level digital video to ambitious photo-documentation, filmmaking and political work; from architectural proposals to product design associated with the "Nortec" musical movement. The work gathered in "Strange new world" embraces Tijuana as a paradigm of a new postmodern form of urbanization shaped by the pressures of economic globalization and cultural transnationalism since 1994. It struggles to make sense of new realities changing the ways in which people live in cities around the globe. Like Aldous Huxley's Brave New World, it is part science fiction, part political commentary and part artistic revolution and cultural critique. Arranged around the concepts of the urban theorist Michael Smith, it features work by ERRE, Einar and Jamex de la Torre and Yvonne Venegas, among others.
Classification:
livres
livres
Publication:
août 2006, La Jolla
août 2006, La Jolla
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livres
livres
Titre:
Mute magazine graphic design
Mute magazine graphic design
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$37.00
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In the early 1990s, long before the internet became an integral part of life, a handful of pioneering magazines took it upon themselves to imagine the web into existence. Using fiction, interviews, speculative theory and experimental graphic design, these titles helped create a lexicon and iconography every bit as powerful as the architecture of the World Wide Web.(...)
$37.00
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In the early 1990s, long before the internet became an integral part of life, a handful of pioneering magazines took it upon themselves to imagine the web into existence. Using fiction, interviews, speculative theory and experimental graphic design, these titles helped create a lexicon and iconography every bit as powerful as the architecture of the World Wide Web.(...)
Publication:
août 2008, London
août 2008, London
Titre:
Mute magazine graphic design
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$37.00
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In the early 1990s, long before the internet became an integral part of life, a handful of pioneering magazines took it upon themselves to imagine the web into existence. Using fiction, interviews, speculative theory and experimental graphic design, these titles helped create a lexicon and iconography every bit as powerful as the architecture of the World Wide Web. London-based Mute occupied a central position here, wielding an influence vastly disproportionate to its size. The product of a period of intense creative ferment, Mute engaged boldly with allcomers. The magazine offered a platform to authors Bruce Sterling, Arthur Kroker, Mark Dery, Geert Lovink, Hari Kunzru, James Flint and Lev Manovich, just as it did to artists Keith Tyson, VNS Matrix and the Bureau of Inverse Technology. As new technologies forced a collapse of disciplinary boundaries and the intermingling of communities, Mute became part of a dynamic London scene, featuring many of the artists, writers and photographers who came to epitomise London’s status as a creative hotbed. The resulting collection of magazines defines an era, telling the fascinating tale of one publisher's relationship with the ‘digital revolution’ – the nineties’ very own Big Bang. This book presents a full overview of the magazine over a decade, showing its entire output – logos, covers and spreads. Using generous illustrations and in-depth captions, it details recurrent graphic themes and places Mute's evolution in perspective
Mute magazine graphic design
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$37.00
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In the early 1990s, long before the internet became an integral part of life, a handful of pioneering magazines took it upon themselves to imagine the web into existence. Using fiction, interviews, speculative theory and experimental graphic design, these titles helped create a lexicon and iconography every bit as powerful as the architecture of the World Wide Web. London-based Mute occupied a central position here, wielding an influence vastly disproportionate to its size. The product of a period of intense creative ferment, Mute engaged boldly with allcomers. The magazine offered a platform to authors Bruce Sterling, Arthur Kroker, Mark Dery, Geert Lovink, Hari Kunzru, James Flint and Lev Manovich, just as it did to artists Keith Tyson, VNS Matrix and the Bureau of Inverse Technology. As new technologies forced a collapse of disciplinary boundaries and the intermingling of communities, Mute became part of a dynamic London scene, featuring many of the artists, writers and photographers who came to epitomise London’s status as a creative hotbed. The resulting collection of magazines defines an era, telling the fascinating tale of one publisher's relationship with the ‘digital revolution’ – the nineties’ very own Big Bang. This book presents a full overview of the magazine over a decade, showing its entire output – logos, covers and spreads. Using generous illustrations and in-depth captions, it details recurrent graphic themes and places Mute's evolution in perspective
Classification:
livres
livres
Publication:
août 2008, London
août 2008, London
Classification:
livres
livres
Titre:
Books: a living history
Books: a living history
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From the first scribbling on papyrus to the emergence of the e-book, this wide-ranging overview of the history of the book provides a fascinating look at one of the most efficient, versatile, and enduring technologies ever developed. The author traces the evolution of the book from the rarefied world of the hand-copied and illuminated volume in ancient and medieval times,(...)
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From the first scribbling on papyrus to the emergence of the e-book, this wide-ranging overview of the history of the book provides a fascinating look at one of the most efficient, versatile, and enduring technologies ever developed. The author traces the evolution of the book from the rarefied world of the hand-copied and illuminated volume in ancient and medieval times,(...)
Titre:
Books: a living history
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From the first scribbling on papyrus to the emergence of the e-book, this wide-ranging overview of the history of the book provides a fascinating look at one of the most efficient, versatile, and enduring technologies ever developed. The author traces the evolution of the book from the rarefied world of the hand-copied and illuminated volume in ancient and medieval times, through the revolutionary impact of Gutenberg’s invention of the printing press, to the rise of a publishing culture in the nineteenth and twentieth centuries, and the subsequent impact of new technologies on this culture. Many of the great individual titles of the past two millennia are discussed as well as the range of book types and formats that have emerged in the last few hundred years, from serial and dime novels to paperbacks, children’s books, and Japanese manga. The volume ends with a discussion of the digital revolution in book production and distribution and the ramifications for book lovers, who can’t help but wonder whether the book will thrive—or even survive—in a form they recognize. Martyn Lyons is professor of history at the University of New South Wales in Sydney, Australia, and the author of A History of Reading and Writing in the Western World (Palgrave Macmillan, 2009) and Reading Culture and Writing Practices in Nineteenth-Century France (University of Toronto Press, 2008).
Books: a living history
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$35.95
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From the first scribbling on papyrus to the emergence of the e-book, this wide-ranging overview of the history of the book provides a fascinating look at one of the most efficient, versatile, and enduring technologies ever developed. The author traces the evolution of the book from the rarefied world of the hand-copied and illuminated volume in ancient and medieval times, through the revolutionary impact of Gutenberg’s invention of the printing press, to the rise of a publishing culture in the nineteenth and twentieth centuries, and the subsequent impact of new technologies on this culture. Many of the great individual titles of the past two millennia are discussed as well as the range of book types and formats that have emerged in the last few hundred years, from serial and dime novels to paperbacks, children’s books, and Japanese manga. The volume ends with a discussion of the digital revolution in book production and distribution and the ramifications for book lovers, who can’t help but wonder whether the book will thrive—or even survive—in a form they recognize. Martyn Lyons is professor of history at the University of New South Wales in Sydney, Australia, and the author of A History of Reading and Writing in the Western World (Palgrave Macmillan, 2009) and Reading Culture and Writing Practices in Nineteenth-Century France (University of Toronto Press, 2008).
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livres
livres
Publication:
octobre 2011
octobre 2011
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livres
livres
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$16.95
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Plus la crise écologique s'aggrave, plus l'écologie devient une idéologie dominante. Elle nous promet un monde « décarboné » grâce au tout-électrique, au tout-numérique et au « nucléaire vert ». Mais capitalisme et écologie sont incompatibles. Le capitalisme repose sur l'exploitation de prolétaires dans des entreprises forcées par la concurrence d'accumuler plus de valeur(...)
$16.95
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Résumé:
Plus la crise écologique s'aggrave, plus l'écologie devient une idéologie dominante. Elle nous promet un monde « décarboné » grâce au tout-électrique, au tout-numérique et au « nucléaire vert ». Mais capitalisme et écologie sont incompatibles. Le capitalisme repose sur l'exploitation de prolétaires dans des entreprises forcées par la concurrence d'accumuler plus de valeur(...)
Titre:
Pommes de terre contre gratte-ciel : Critique de l'écologie politique
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Plus la crise écologique s'aggrave, plus l'écologie devient une idéologie dominante. Elle nous promet un monde « décarboné » grâce au tout-électrique, au tout-numérique et au « nucléaire vert ». Mais capitalisme et écologie sont incompatibles. Le capitalisme repose sur l'exploitation de prolétaires dans des entreprises forcées par la concurrence d'accumuler plus de valeur que leurs rivales. La quête incessante de productivité entraîne surproduction, surconsommation... aux effets destructeurs pour les prolétaires, pour l'humanité et pour la planète. Il n'y aura pas de « révolution écologique » sans révolution sociale qui rompt avec les rapports de classe.
Pommes de terre contre gratte-ciel : Critique de l'écologie politique
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Résumé:
Plus la crise écologique s'aggrave, plus l'écologie devient une idéologie dominante. Elle nous promet un monde « décarboné » grâce au tout-électrique, au tout-numérique et au « nucléaire vert ». Mais capitalisme et écologie sont incompatibles. Le capitalisme repose sur l'exploitation de prolétaires dans des entreprises forcées par la concurrence d'accumuler plus de valeur que leurs rivales. La quête incessante de productivité entraîne surproduction, surconsommation... aux effets destructeurs pour les prolétaires, pour l'humanité et pour la planète. Il n'y aura pas de « révolution écologique » sans révolution sociale qui rompt avec les rapports de classe.
Classification:
livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Théorie/ philosophie
Théorie/ philosophie
