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In order to actively grapple with the challenges of our age, architects have to transform themselves from extremely competent executors of assignments into entrepreneurs and producers. This issue of Volume discusses essential tools to reclaim professional autonomy. In the first part, Volume sits ‘Around the table’ with forward-thinking practitioners who see a different(...)
Volume 14: Unsolicited architecture
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In order to actively grapple with the challenges of our age, architects have to transform themselves from extremely competent executors of assignments into entrepreneurs and producers. This issue of Volume discusses essential tools to reclaim professional autonomy. In the first part, Volume sits ‘Around the table’ with forward-thinking practitioners who see a different role and responsibility for architects. The central part presents the portfolio of the Office for Unsolicited Architecture founded by Ole Bouman and students of MIT. The third part marks the unsolicited world according to young architects and artists from around the globe.
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The second volume in the ‘Chapters’ series from Brussels-based architecture firm 51N4E focuses on how design processes can be shaped through dialogue. First, it investigates their work together with two design-focused consulting firms, endeavour (Antwerp) and Denkstatt (Basel), wherein all three explore the boundaries of architecture, advocating openness and dialogue with(...)
51N4E Design in dialogue/Denkstatt endeavour
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The second volume in the ‘Chapters’ series from Brussels-based architecture firm 51N4E focuses on how design processes can be shaped through dialogue. First, it investigates their work together with two design-focused consulting firms, endeavour (Antwerp) and Denkstatt (Basel), wherein all three explore the boundaries of architecture, advocating openness and dialogue with clients and users as opposed to autonomy and monologue. The book’s second part examines the hidden presence of this 'design in dialogue' approach in a wide range of European architecture firms and their projects, illustrating how this can create productive momentum and foster engagement.
Architecture, monographies
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When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class(...)
The cultural front: power and culture in Revolutionary Russia
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When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom? In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays- two previously unpublished and all revised for inclusion here- which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor.
Expositions en cours
Architecture depends
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Architecture depends — on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. (...)
Architecture depends
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Architecture depends — on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. Jeremy Till offers a proposal for rescuing architects from themselves : a way to bridge the gap between what architecture actually is and what architects want it to be. Mixing anecdote, design, social theory, and personal experience, Till's writing is always accessible, moving freely between high and low registers, much like his suggestions for architecture itself.
Théorie de l’architecture
Against automobility
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Despite its promise of freedom and autonomy, the ubiquity of the automobile has influenced unforeseen ecological, social, and political change. In "Against automobility", a panel of distinguished scholars take a critical look at the contradiction of the automobile : a critical account of the impact of the car on society, which is both liberated by and reliant upon(...)
octobre 2006, Malden / Oxford / Carlton
Against automobility
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Despite its promise of freedom and autonomy, the ubiquity of the automobile has influenced unforeseen ecological, social, and political change. In "Against automobility", a panel of distinguished scholars take a critical look at the contradiction of the automobile : a critical account of the impact of the car on society, which is both liberated by and reliant upon motor vehicles, written by a panel of distinguished scholars from varying disciplines in the humanities and social sciences, examines automobility's effect on environmental, social, and political issues, will be of interest to those whose research focuses on geography, politics, consumption and cultural studies, critical theory, and the sociology of objects and everyday life.
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The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely(...)
Franziska Klose: Detroit, field notes from a wild city
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The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely consumed by industry, its structure a manifestation of social inequality, despite all the conjurations of an imminent economic boom. The story of the “comeback” is set against land speculation and water shut-offs and contrasts with the emergence of a potential post-growth society based on urban agriculture and individual autonomy.
Monographies photo
A+U 570 : make new history
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Participants of the Chicago Architecture Biennial's second edition included 140 artists and architects from 20 countries, under the theme 'Make New History', and this issue is guest edited by its artistic directors, Sharon Johnson and Mark Lee. The first part offers a retrospective look at the biennial together with architectural historian Michael Hays, in which what it(...)
A+U 570 : make new history
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Participants of the Chicago Architecture Biennial's second edition included 140 artists and architects from 20 countries, under the theme 'Make New History', and this issue is guest edited by its artistic directors, Sharon Johnson and Mark Lee. The first part offers a retrospective look at the biennial together with architectural historian Michael Hays, in which what it shows about the qualified autonomy, framing, and partnerships seen in current practice is discussed. The second part introduces built work and projects selected with reference to the exhibition's theme, as well as responses from the architects to questions about what this theme means to their thought and practice.
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''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and(...)
Public, private, secret: on photography and the configuration of self
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''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and consumption patterns are embedded and implicated in a wider matrix of online behavior and social codes, which in turn give images a life of their own. The writings address the various disruptions, resistances, and subversions that artists propose to the limited versions of race, gender, sexuality, and autonomy that populate mainstream popular culture.
Théorie de la photographie
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Six projects by Barozzi Veiga, founded in Barcelona in 2004, are featured in this edition, among them a music school in Brunico, a dance school in Zürich, the Cantonal Museum of Fine Arts in Lausanne, and the House in Cretas, Teruel. The magazine, which names the architects as a Spanish studio with the greatest international potential, also reflects on how they aim to(...)
AV Proyectos 073: Dossier Barozzi Vega
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Six projects by Barozzi Veiga, founded in Barcelona in 2004, are featured in this edition, among them a music school in Brunico, a dance school in Zürich, the Cantonal Museum of Fine Arts in Lausanne, and the House in Cretas, Teruel. The magazine, which names the architects as a Spanish studio with the greatest international potential, also reflects on how they aim to combine a building’s autonomy with the context’s specific conditions. Also in this issue, an overview of the Spanish winners of Europan 13. One third of the awards went to Spanish teams, whether set up abroad or through international partnerships, who tackled “The Adaptable City II” with marked enthusiasm.
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This volume documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building. They are what this book calls an ‘anarchist’ architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of(...)
Architecture and anarchism: building without authority
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This volume documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building. They are what this book calls an ‘anarchist’ architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of socialist politics in the 19th century. These are autonomy, voluntary association, mutual aid, and self-organisation through direct democracy. As the book shows, there are a vast range of architectural projects that can been seen to reflect some or all of these values, whether they are acknowledged as specifically anarchist or otherwise.
Architecture contemporaine