13067 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:006:084
Description:
The accompanying text is titled "Circus or the Caribbean Orange", written by Judith Russi Kirshner with additions by Gordon Matta-Clark.
PHCON2002:0016:006:084
Description:
The accompanying text is titled "Circus or the Caribbean Orange", written by Judith Russi Kirshner with additions by Gordon Matta-Clark.
Personnes et institutions:
Date:
11 July 1978
11 July 1978
Titre:
Letter from Judith Russi Kirshner to Gordon Matta-Clark, with an accompanying text
Actions:
PHCON2002:0016:006:084
Description:
The accompanying text is titled "Circus or the Caribbean Orange", written by Judith Russi Kirshner with additions by Gordon Matta-Clark.
Letter from Judith Russi Kirshner to Gordon Matta-Clark, with an accompanying text
Actions:
PHCON2002:0016:006:084
Description:
The accompanying text is titled "Circus or the Caribbean Orange", written by Judith Russi Kirshner with additions by Gordon Matta-Clark.
Classification:
documents textuels
documents textuels
Date:
11 July 1978
11 July 1978
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
Personnes et institutions:
Date:
2006-2014
2006-2014
Titre:
Strand Tower (2006)
Actions:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
Strand Tower (2006)
Actions:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
Niveau de description archivistique:
Project
Project
Date:
2006-2014
2006-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
In Absence of Bodies (2011)
In Absence of Bodies (2011)
Numéro de référence:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1988:0437:034
Description:
- This etching for a fireworks construction or macchina is in the form of a two-storey façade. The windows and balusters of the façade are hung with drapery like a contemporary palace for a festival. The attic storey is topped by escutcheons and fleur-de-lis. The poles on either side of the macchina are hung with game and fish.
DR1988:0437:034
Description:
- This etching for a fireworks construction or macchina is in the form of a two-storey façade. The windows and balusters of the façade are hung with drapery like a contemporary palace for a festival. The attic storey is topped by escutcheons and fleur-de-lis. The poles on either side of the macchina are hung with game and fish.
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Date:
printed 1765
printed 1765
Titre:
Etching of Posi's design for the "seconda macchina" of 1765
Actions:
DR1988:0437:034
Description:
- This etching for a fireworks construction or macchina is in the form of a two-storey façade. The windows and balusters of the façade are hung with drapery like a contemporary palace for a festival. The attic storey is topped by escutcheons and fleur-de-lis. The poles on either side of the macchina are hung with game and fish.
Etching of Posi's design for the "seconda macchina" of 1765
Actions:
DR1988:0437:034
Description:
- This etching for a fireworks construction or macchina is in the form of a two-storey façade. The windows and balusters of the façade are hung with drapery like a contemporary palace for a festival. The attic storey is topped by escutcheons and fleur-de-lis. The poles on either side of the macchina are hung with game and fish.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed 1765
printed 1765
Personnes et institutions:
Sujet:
architecture temporaire
architecture temporaire
Classification:
dessins, livres
dessins, livres
Actions:
Numéro de référence:
PH1990:0325:001-023
Description:
- Contemporary binding consists of a grey paper cover. There are inscriptions on the spine and cover. Endpapers and pages are of light brownish white paper. Secondary supports are of light brownish white cardboard. The book is comprised of a dedication page, a plan of the exposition, a title page, 178 pages of text and 23 photographs.
PH1990:0325:001-023
Description:
- Contemporary binding consists of a grey paper cover. There are inscriptions on the spine and cover. Endpapers and pages are of light brownish white paper. Secondary supports are of light brownish white cardboard. The book is comprised of a dedication page, a plan of the exposition, a title page, 178 pages of text and 23 photographs.
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Date:
published 1883
published 1883
Titre:
Exposition Internationale d'Art Industriel: Palais Rameau, 1882, Documents
Actions:
PH1990:0325:001-023
Description:
- Contemporary binding consists of a grey paper cover. There are inscriptions on the spine and cover. Endpapers and pages are of light brownish white paper. Secondary supports are of light brownish white cardboard. The book is comprised of a dedication page, a plan of the exposition, a title page, 178 pages of text and 23 photographs.
Exposition Internationale d'Art Industriel: Palais Rameau, 1882, Documents
Actions:
PH1990:0325:001-023
Description:
- Contemporary binding consists of a grey paper cover. There are inscriptions on the spine and cover. Endpapers and pages are of light brownish white paper. Secondary supports are of light brownish white cardboard. The book is comprised of a dedication page, a plan of the exposition, a title page, 178 pages of text and 23 photographs.
Classification:
dessins, livres
dessins, livres
Date:
published 1883
published 1883
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
Personnes et institutions:
Date:
1921-1922
1921-1922
Titre:
Project for the Kallenbach House, Berlin, Germany (1921-1922)
Actions:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
Project for the Kallenbach House, Berlin, Germany (1921-1922)
Actions:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
Niveau de description archivistique:
project
project
Date:
1921-1922
1921-1922
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1989:0264:001-008
Description:
- Contemporary binding consists of a grey paper cover, tied with red and grey string. There is a white ink inscription, a red stamp and a photograph on the cover. The secondary supports are of black paper. The album is comprised of 8 photographs, all of which have inscribed titles, except for the photograph attached to the cover.
PH1989:0264:001-008
Description:
- Contemporary binding consists of a grey paper cover, tied with red and grey string. There is a white ink inscription, a red stamp and a photograph on the cover. The secondary supports are of black paper. The album is comprised of 8 photographs, all of which have inscribed titles, except for the photograph attached to the cover.
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Date:
before 1903
before 1903
Titre:
Album of views of Birtle showing topography and architecture, Manitoba
Actions:
PH1989:0264:001-008
Description:
- Contemporary binding consists of a grey paper cover, tied with red and grey string. There is a white ink inscription, a red stamp and a photograph on the cover. The secondary supports are of black paper. The album is comprised of 8 photographs, all of which have inscribed titles, except for the photograph attached to the cover.
Album of views of Birtle showing topography and architecture, Manitoba
Actions:
PH1989:0264:001-008
Description:
- Contemporary binding consists of a grey paper cover, tied with red and grey string. There is a white ink inscription, a red stamp and a photograph on the cover. The secondary supports are of black paper. The album is comprised of 8 photographs, all of which have inscribed titles, except for the photograph attached to the cover.
Classification:
photographies
photographies
Date:
before 1903
before 1903
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1991.003
Description:
This sketchbook includes sketches for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the Santa Maria church and parish centre in Marco de Canavezes, the Museum of Contemporary Art of the Serralves Foundation in Porto, and for the Olympic Village Meteorological Centre and MOPU delegation headquarters in Barcelona, Spain. 21 x 30 cm
AP178.S2.1991.003
Description:
This sketchbook includes sketches for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the Santa Maria church and parish centre in Marco de Canavezes, the Museum of Contemporary Art of the Serralves Foundation in Porto, and for the Olympic Village Meteorological Centre and MOPU delegation headquarters in Barcelona, Spain. 21 x 30 cm
Personnes et institutions:
Date:
April 1991
April 1991
Titre:
Sketchbook 316: Barcelona - Setubal ( Erco ) - Serralves
Actions:
AP178.S2.1991.003
Description:
This sketchbook includes sketches for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the Santa Maria church and parish centre in Marco de Canavezes, the Museum of Contemporary Art of the Serralves Foundation in Porto, and for the Olympic Village Meteorological Centre and MOPU delegation headquarters in Barcelona, Spain. 21 x 30 cm
Sketchbook 316: Barcelona - Setubal ( Erco ) - Serralves
Actions:
AP178.S2.1991.003
Description:
This sketchbook includes sketches for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the Santa Maria church and parish centre in Marco de Canavezes, the Museum of Contemporary Art of the Serralves Foundation in Porto, and for the Olympic Village Meteorological Centre and MOPU delegation headquarters in Barcelona, Spain. 21 x 30 cm
Classification:
dessins
dessins
Date:
April 1991
April 1991
Personnes et institutions:
Classification:
livres, photographies
livres, photographies
Numéro de référence:
PH1986:1431.01:001-024
Description:
- Contemporary binding consists of red leather covered boards and spine. There is a gold gilt inscription on the spine. Endpapers are of marbled paper. Pages are of white paper. Secondary supports are of white cardboard with tissue paper overlay. The book is comprised of two volumes, each with a title page, index, pages of text and 12 photographs.
PH1986:1431.01:001-024
Description:
- Contemporary binding consists of red leather covered boards and spine. There is a gold gilt inscription on the spine. Endpapers are of marbled paper. Pages are of white paper. Secondary supports are of white cardboard with tissue paper overlay. The book is comprised of two volumes, each with a title page, index, pages of text and 12 photographs.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
published 1871 and 1872
published 1871 and 1872
Titre:
Panorama Photographico de Portugal, volumes I and II
Actions:
PH1986:1431.01:001-024
Description:
- Contemporary binding consists of red leather covered boards and spine. There is a gold gilt inscription on the spine. Endpapers are of marbled paper. Pages are of white paper. Secondary supports are of white cardboard with tissue paper overlay. The book is comprised of two volumes, each with a title page, index, pages of text and 12 photographs.
Panorama Photographico de Portugal, volumes I and II
Actions:
PH1986:1431.01:001-024
Description:
- Contemporary binding consists of red leather covered boards and spine. There is a gold gilt inscription on the spine. Endpapers are of marbled paper. Pages are of white paper. Secondary supports are of white cardboard with tissue paper overlay. The book is comprised of two volumes, each with a title page, index, pages of text and 12 photographs.
Classification:
livres, photographies
livres, photographies
Date:
published 1871 and 1872
published 1871 and 1872
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
livres, photographies
livres, photographies
Numéro de référence:
PH1986:1431.02:001-024
Description:
- Contemporary binding consists of red leather covered boards and spine. There is a gold gilt inscription on the spine. Endpapers are of marbled paper. Pages are of white paper. Secondary supports are of white cardboard with tissue paper overlay. The book is comprised of two volumes, each with a title page, index, pages of text and 12 photographs.
PH1986:1431.02:001-024
Description:
- Contemporary binding consists of red leather covered boards and spine. There is a gold gilt inscription on the spine. Endpapers are of marbled paper. Pages are of white paper. Secondary supports are of white cardboard with tissue paper overlay. The book is comprised of two volumes, each with a title page, index, pages of text and 12 photographs.
Personnes et institutions:
Sujet:
architecture, ingénierie, topographique
architecture, ingénierie, topographique
Date:
published 1873 and 1874
published 1873 and 1874
Titre:
Panorama Photographico de Portugal, volumes III and IV
Actions:
PH1986:1431.02:001-024
Description:
- Contemporary binding consists of red leather covered boards and spine. There is a gold gilt inscription on the spine. Endpapers are of marbled paper. Pages are of white paper. Secondary supports are of white cardboard with tissue paper overlay. The book is comprised of two volumes, each with a title page, index, pages of text and 12 photographs.
Panorama Photographico de Portugal, volumes III and IV
Actions:
PH1986:1431.02:001-024
Description:
- Contemporary binding consists of red leather covered boards and spine. There is a gold gilt inscription on the spine. Endpapers are of marbled paper. Pages are of white paper. Secondary supports are of white cardboard with tissue paper overlay. The book is comprised of two volumes, each with a title page, index, pages of text and 12 photographs.
Classification:
livres, photographies
livres, photographies
Date:
published 1873 and 1874
published 1873 and 1874
Personnes et institutions:
Sujet:
architecture, ingénierie, topographique
architecture, ingénierie, topographique
