périodiques
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This special issue on architect and urban designer Arata Isozaki has four unique features that are usually absent in conventional overviews of his work. Firstly, only projects by Isozaki from the 1970s are included; secondly, it features working drawings rather than design drawings; thirdly, just four works were selected for inclusion; and finally, particular emphasis was(...)
A+U 599 : Arata Isozaki in the 1970s
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This special issue on architect and urban designer Arata Isozaki has four unique features that are usually absent in conventional overviews of his work. Firstly, only projects by Isozaki from the 1970s are included; secondly, it features working drawings rather than design drawings; thirdly, just four works were selected for inclusion; and finally, particular emphasis was made in the interview with the architect to elicit his own remarks on topics pertaining to the 1970s, theory and practice, and what was experimental about specific buildings. The chosen works are the Oita Medical Hall Extension, Kitakyushu Central Library, West Japan General Exhibition Centre, and Kaijima House.
périodiques
août 2020
Revues
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The magic of photography is its unique power to capture a moment in the past to be viewed in the present, to capture a subject suspended between life and death. This evocative, beautifully written catalog from Japan's Izu Photo Museum documents an inspired exhibition that looks into photography's mystical way of suspending time. Even with the relatively recent(...)
Suspending time: Life - photography - death
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The magic of photography is its unique power to capture a moment in the past to be viewed in the present, to capture a subject suspended between life and death. This evocative, beautifully written catalog from Japan's Izu Photo Museum documents an inspired exhibition that looks into photography's mystical way of suspending time. Even with the relatively recent inclusion of vernacular photos in photography collections, the study of the art form has remained almost entirely Euro-centric. In Suspending Time, curator Geoffrey Batchen opens the door to using Japanese vernacular photos. With over 100 plates of cabinet cards, Daguerreotypes, photography jewelry, tintypes, Japanese ambrotypes, and Mexican sculptures.
Monographies photo
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Dictionnaire de muséologie / sous la direction de François Mairesse ; préface, Alberto Garlandini.
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668 pages ; 24 cm
Paris : Armand Colin ; Paris : Icom France, [2022], ©2022
Dictionnaire de muséologie / sous la direction de François Mairesse ; préface, Alberto Garlandini.
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668 pages ; 24 cm
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Paris : Armand Colin ; Paris : Icom France, [2022], ©2022
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This publication unfolds along the lines of Bridget Riley's (born 1931) 2018 exhibition at David Zwirner, London. Beginning with an exploration of black-and-white equilateral triangles, Riley leads the viewer into an awareness of the ways in which a surface- wall or canvas- can affect a seemingly simple form: the triangle. While demonstrating these subtle changes, she(...)
Bridget Riley: recent paintings 2014–2017
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This publication unfolds along the lines of Bridget Riley's (born 1931) 2018 exhibition at David Zwirner, London. Beginning with an exploration of black-and-white equilateral triangles, Riley leads the viewer into an awareness of the ways in which a surface- wall or canvas- can affect a seemingly simple form: the triangle. While demonstrating these subtle changes, she manipulates this form by bending its sides. Riley is revisiting and developing works which she initiated over 50 years ago, as is shown here by the inclusion of ''Black to White Discs'' (1962/1965). This diamond formation of discs, which graduates in tone from white to black and back again, offers a lead-in to her new body of work.
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A reflection on a series of T-shirt works produced throughout Takashi Homma’s career, documented using the Risograph printing technique and translated into a zine format. Homma’s conversational approach to process is expanded upon through the inclusion of social media screenshots. Throughout the zine, the viewer embarks on a dialogical journey through the act of seeing,(...)
Hato Zines 50 : My Nice T-shirts by Takashi Homma
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A reflection on a series of T-shirt works produced throughout Takashi Homma’s career, documented using the Risograph printing technique and translated into a zine format. Homma’s conversational approach to process is expanded upon through the inclusion of social media screenshots. Throughout the zine, the viewer embarks on a dialogical journey through the act of seeing, encountering the distant gaze of a model, the smile of a baby, or the lens of a camera. Takashi Homma is a Japanese photographer, born and based in Tokyo. His work is recognised for its tender and thoughtful portrayal of identity and culture in suburban Tokyo.The zine is available in blue or pink, with both colours featuring the same images and artworks. Cover colours are supplied randomly.
Monographies photo
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The decades after the Second World War saw ambitious building programs to ensure social welfare. The Scandinavian countries in particular underwent an intense modernisation phase with the aim to distribute welfare to all. Yet, the relationship between welfare values and design in Scandinavia is anything but stable. The spatial and political legacy of post-war construction(...)
Architecture and welfare: Scandinavian perspectives
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The decades after the Second World War saw ambitious building programs to ensure social welfare. The Scandinavian countries in particular underwent an intense modernisation phase with the aim to distribute welfare to all. Yet, the relationship between welfare values and design in Scandinavia is anything but stable. The spatial and political legacy of post-war construction varies amongst Denmark, Sweden, and Norway and their welfare models have been changed, contested, and copied over time. This book explores how architecture, once seen as a medium for universal welfare, inclusion, and political participation, is now often associated with the opposite, such as alienation, exclusion, and segregation. The volume offers new perspectives on the history and redesign of post-war architecture and urbanity.
Architecture contemporaine
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The acclaimed Japanese architect Kengo Kuma (born 1954) and photographer Erieta Attali complement one another perfectly in terms of their artistic statement: both of them focus on the inclusion of the landscape. It is not the architecture as such that plays the primary role but the way in which it communicates with the surrounding world. Details from nature and the(...)
Glass / Wood: Erieta Attali on Kengo Kuma
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The acclaimed Japanese architect Kengo Kuma (born 1954) and photographer Erieta Attali complement one another perfectly in terms of their artistic statement: both of them focus on the inclusion of the landscape. It is not the architecture as such that plays the primary role but the way in which it communicates with the surrounding world. Details from nature and the intricate connection of interior with exterior space characterize the photographs by Attali. In his unique works, Kuma combines Japanese traditions in architecture with those of modernist architecture. His architecture constitutes a bridge where the individual and nature meet. Kuma became famous in the West for his sensitive extension to a mid-century icon in New Canaan, Connecticut, which this exquisite monograph insightfully discusses and portrays.
Monographies photo
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Situated at the intersection of public realm, urban design and site specific art, Martha Schwartz Partners has over 35 years of experience designing and implementing installations, gardens, civic plazas, parks, institutional landscapes, corporate headquarters, master plans, and urban regeneration projects. MSP works with city leaders, planners and builders at a strategic(...)
juin 2018
Martha Schwartz Partners: landscape art and urbanism
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Situated at the intersection of public realm, urban design and site specific art, Martha Schwartz Partners has over 35 years of experience designing and implementing installations, gardens, civic plazas, parks, institutional landscapes, corporate headquarters, master plans, and urban regeneration projects. MSP works with city leaders, planners and builders at a strategic level so as to advocate for the inclusion of the public landscape as a means to achieve environmental, economic and social sustainability. With offices in London, New York and Shanghai, the practice is engaged in projects and consultation around the globe and has to date worked on projects in over 20 countries and five continents. This monograph is the first publication to document 55 built projects and a selection of master plans by this internationally acclaimed practice.
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For too long, questions of care provision and inclusion have been shaped by economic justifications. This has led to the deprivation of care to individuals and communities based on capitalist assumptions about what and who can be cared for. ''Proposals for a Caring Economy'' takes these assumptions to task. Moving between examples focused on immigration and agriculture,(...)
Proposals for a caring economy
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For too long, questions of care provision and inclusion have been shaped by economic justifications. This has led to the deprivation of care to individuals and communities based on capitalist assumptions about what and who can be cared for. ''Proposals for a Caring Economy'' takes these assumptions to task. Moving between examples focused on immigration and agriculture, patients and art audiences, green energy transitions and unhoused people, prison abolitionists and clients of domestic violence services, the contributors here argue that we need new ways to conceptualize care and its applications. ''Proposals for a Caring Economy'' articulates an economy that situates care at the forefront; sees the preservation of individual, community, and environmental wellbeing as the primary good; and focuses attention on building a sustainable economy of caring that will radically transform social connections and possibilities.
Social
Art after liberalism
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This publication is an account of creative practice at a moment of converging social crises. It is also an inquiry into emergent ways of living, acting, and making art in the company of others. The apparent failures of liberal thinking mark its starting point. No longer can the framework of the nation-state, the figure of the enterprising individual, and the premise of(...)
Art after liberalism
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This publication is an account of creative practice at a moment of converging social crises. It is also an inquiry into emergent ways of living, acting, and making art in the company of others. The apparent failures of liberal thinking mark its starting point. No longer can the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development be counted on to produce a world worth living in. No longer can talk of inclusion, representation, or a neutral public sphere pass for something like equality. It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, conscription, colonization, moral debt, and ecological devastation. Now we must decide what comes after.
Théorie de l’art