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From 1958 to 1964 Structure was a major platform for artists reconsidering the design tenets and underlying principles of the Bauhaus, Constructivism and De Stijl. In this journal familiar and less familiar artists, amongst whom Joost Baljeu, Charles Biederman, Max Bill, Eli Bornstein, Ad Dekkers, John Ernest, Karl Gerstner, Stephen Gilbert, Jean Gorin, Anthony Hill,(...)
De Stijl continued : the journal Structure (1958-1964) : an artist's debate
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From 1958 to 1964 Structure was a major platform for artists reconsidering the design tenets and underlying principles of the Bauhaus, Constructivism and De Stijl. In this journal familiar and less familiar artists, amongst whom Joost Baljeu, Charles Biederman, Max Bill, Eli Bornstein, Ad Dekkers, John Ernest, Karl Gerstner, Stephen Gilbert, Jean Gorin, Anthony Hill, Richard Paul Lohse, Kenneth and Mary Martin, Georges Vantongerloo and Carel Visser, addressed such issues as whether art should once again proceed from nature; how artists should collaborate with architects; how art should relate to science and philosophy today; and what materials and techniques were to be used. De Stijl continued explores their body of ideas in meticulous detail.
Modernisme
Materials for design
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As architecture programs throughout the country break out of the classroom and adopt the holistic methods of design/build programs, the need for a textbook that bridges the gap between construction materials and design sensibility is sorely needed. Students must be taught how a choice of material affects the form and look of a structure; they must also learn how(...)
Matériaux et éclairage
janvier 2006, New York
Materials for design
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As architecture programs throughout the country break out of the classroom and adopt the holistic methods of design/build programs, the need for a textbook that bridges the gap between construction materials and design sensibility is sorely needed. Students must be taught how a choice of material affects the form and look of a structure; they must also learn how inspired design can inject any material with true personality and zeal. Broken into five sections — glass, wood, metals, plastics, and concrete — "Materials for design" makes a thorough study of each material's properties, followed by a series of 10–12 case studies of that material put to imaginative use by today's architects from around the world.
Matériaux et éclairage
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How to deal with transformation and degrowth in a city whose boundaries have been shaped by its medieval history? How to question dominant histories, use underutilised public space and set in motion new cohabitations in the city? This book is published on the occasion of Bruges Triennial 2024: ''Spaces of Possibility'', curated by Shendy Gardin and Sevie Tsampalla.(...)
L'humain et la ville
mars 2025
Futuring spaces of possibility: Contemporary art and architecture in a world heritage city
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How to deal with transformation and degrowth in a city whose boundaries have been shaped by its medieval history? How to question dominant histories, use underutilised public space and set in motion new cohabitations in the city? This book is published on the occasion of Bruges Triennial 2024: ''Spaces of Possibility'', curated by Shendy Gardin and Sevie Tsampalla. Featuring contributions by the twelve artists and architects in the exhibition, it offers insights into the research processes behind the commissions, through texts, archival images, preparatory sketches and interviews. Newly commissioned essays address issues of urban transformation and the role that contemporary art, architecture and exhibition-making can play for futuring cities marked by their heritage.
L'humain et la ville
The New Interior: Viennese Domestic Design and the Beginnings of the Wiener Wohnkultur, 1907-1914
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In ''The New Interior'', architectural historian Christopher Long examines how, over the course of the seven years preceding World War I, three leading Viennese modernists—Josef Hoffmann, Adolf Loos and Oskar Strnad—redefined the idea of the modern interior. While their building designs shaped Vienna’s urban landscape and exemplified the famous Secession movement, these(...)
The New Interior: Viennese Domestic Design and the Beginnings of the Wiener Wohnkultur, 1907-1914
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In ''The New Interior'', architectural historian Christopher Long examines how, over the course of the seven years preceding World War I, three leading Viennese modernists—Josef Hoffmann, Adolf Loos and Oskar Strnad—redefined the idea of the modern interior. While their building designs shaped Vienna’s urban landscape and exemplified the famous Secession movement, these three architects also applied their eclectic principles to domestic interiors, or Wohnkultur (meaning "living" or "dwelling culture"). This book follows the progress of their debates and works, and how each designer sought to frame his own distinctive vision of living. The result was a split between the imperatives of style, function and livability that is still in play today.
Design, époques et styles
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radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new(...)
AD 03:95 Reimagining architectural drawing: Print and process
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radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new works by contemporary architects. Collectively exhibited at A83 under the title ''The Sixth Somewhat Annual Meeting'', these drawings explore ways archival artifacts can be newly activated, how intricate material objects invite non-normative readings, and how shifts in media forms produce complex differential effects. The contributors address these concerns through close engagement with specific works, expanding the conversation between drawing, archive, and publication.
Revues
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Who gets to be where? ''The arsenal of exclusion & inclusion'' examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion(...)
Théorie de l’architecture
juin 2021
The arsenal of exclusion and inclusion (revised)
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Who gets to be where? ''The arsenal of exclusion & inclusion'' examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion and inclusion, describes how they have been used, and speculates about how they might be deployed (or retired) for the sake of more open cities in which more people have access to more places. With contributions from over fifty architects, planners, geographers, historians, and journalists, ''The arsenal'' offers a wide-ranging view of the forces that shape our cities.
Théorie de l’architecture
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How can homes be upgraded to meet today’s demands – from living comfort to energy efficiency and digital requirements? How can the fusion of the historic and the new be used as a design element? The use of existing residential buildings scores not only with the charm of what has been handed down, be it a baroque villa, a 19th-century farmhouse, or a post-war bungalow, but(...)
août 2022
Old becomes new: Housing transformation
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How can homes be upgraded to meet today’s demands – from living comfort to energy efficiency and digital requirements? How can the fusion of the historic and the new be used as a design element? The use of existing residential buildings scores not only with the charm of what has been handed down, be it a baroque villa, a 19th-century farmhouse, or a post-war bungalow, but actually also always with an excellent ecological balance. The extensive reworking, whether modernization, renovation or extension, is a widespread and thoroughly rewarding task for many architects. Since the initial situation is documented for each of the presented projects, the reader can clearly understand the redesign process.
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In 20 years of practice, structural engineering firm Atelier One has gained an international reputation for specialising in challenging projects. This first volume documents the inspiring diversity of Atelier One’s work and charts the fascinating creative pursuits undertaken with artists, architects and designers, including Marc Quinn, Anish Kapoor, Will Alsop, Mark(...)
Atelier One : liquid threshold
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In 20 years of practice, structural engineering firm Atelier One has gained an international reputation for specialising in challenging projects. This first volume documents the inspiring diversity of Atelier One’s work and charts the fascinating creative pursuits undertaken with artists, architects and designers, including Marc Quinn, Anish Kapoor, Will Alsop, Mark Fisher and Softroom. The book includes appreciations of the work from an external perspective, including a previously unpublished photo essay by Magnum photographer Peter Marlow. More detailed project descriptions are provided by Atelier One directors Neil Thomas and Aran Chadwick, giving unparalleled insights into how the projects evolved and how various challenges were addressed. Contributors include Will Alsop,Patrick Bellew, Alan Brookes,Peter Cook,and Peter Marlow.
Architecture, monographies
Grüntuch Ernst: Dialogues
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What is space? How can we experience it with the senses, how understand and rethink its urban and cultural dimensions? These questions stand at the beginning of the work of Grüntuch Ernst architects. They meet the complex requirements of building today by going back to traditional simplicity while producing innovative and ingenious technical solutions--and yet they(...)
Grüntuch Ernst: Dialogues
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What is space? How can we experience it with the senses, how understand and rethink its urban and cultural dimensions? These questions stand at the beginning of the work of Grüntuch Ernst architects. They meet the complex requirements of building today by going back to traditional simplicity while producing innovative and ingenious technical solutions--and yet they return, time and again, to the central question of space. The new monograph offers a review of Grüntuch Ernst's award-winning projects from the past ten years as well as more recent works and successful competition entries such as the German School in Madrid and the conversion of the former Jewish Girls' School in Berlin into a venue for art and culture.
Architecture, monographies
The grammar of architecture
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The "Grammar of Architecture" uses engraved plates from the great works of architectural history to illustrate a show-and-tell journey around the architecture of civilizations east and west, from Ancient Egypt to the Industrial Revolution. Extended captions and annotations supply the reader with a complete naming of parts and an explanation of how architects have planned(...)
The grammar of architecture
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The "Grammar of Architecture" uses engraved plates from the great works of architectural history to illustrate a show-and-tell journey around the architecture of civilizations east and west, from Ancient Egypt to the Industrial Revolution. Extended captions and annotations supply the reader with a complete naming of parts and an explanation of how architects have planned and made the buildings of the past, from Amhotep to the Palladio, and Vitruvius to Wren.
Dictionnaires