2692 Résultats
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By(...)
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By(...)
Publication:
novembre 2002, London
novembre 2002, London
Titre:
Projected cities: cinema and urban space
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By examining this imagery, especially at moments of turmoil and experimentation, the author reveals how cinema has used images of cities to influence our perception of everything from history to the human body, and how cinematic images of cities have been fundamental to the ways in which the city has been imagined, formulated and remembered. The book goes on to assess the impact of media culture on the status of film and cinema spaces, and concludes by considering digital renderings of the modern city.
Projected cities: cinema and urban space
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By examining this imagery, especially at moments of turmoil and experimentation, the author reveals how cinema has used images of cities to influence our perception of everything from history to the human body, and how cinematic images of cities have been fundamental to the ways in which the city has been imagined, formulated and remembered. The book goes on to assess the impact of media culture on the status of film and cinema spaces, and concludes by considering digital renderings of the modern city.
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livres
livres
Publication:
novembre 2002, London
novembre 2002, London
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livres
livres
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What makes 'cults' so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join — and more importantly, stay in — extreme groups. In 'Cultish', Amanda Montell(...)
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What makes 'cults' so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join — and more importantly, stay in — extreme groups. In 'Cultish', Amanda Montell(...)
Titre:
Cultish: the language of fanaticism
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What makes 'cults' so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join — and more importantly, stay in — extreme groups. In 'Cultish', Amanda Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear —and are influenced by — every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities 'cultish,' revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds.
Cultish: the language of fanaticism
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What makes 'cults' so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join — and more importantly, stay in — extreme groups. In 'Cultish', Amanda Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear —and are influenced by — every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities 'cultish,' revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds.
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livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Social
Social
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livres
livres
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the(...)
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the(...)
Titre:
National performance: representing Quebec from Expo 67 to Céline Dion
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.
National performance: representing Quebec from Expo 67 to Céline Dion
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Architecture du Québec
Architecture du Québec
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livres
livres
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$63.50
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From its invention in Europe at the end of the nineteenth century, the automobile crisscrossed the world, completely took over the cities, and became a feature of daily life. Considered basic to the American lifestyle, the car reflected individualism, pragmatism, comfort, and above all modernity. In Latin America, it served as a symbol of distinction, similar to jewelry(...)
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From its invention in Europe at the end of the nineteenth century, the automobile crisscrossed the world, completely took over the cities, and became a feature of daily life. Considered basic to the American lifestyle, the car reflected individualism, pragmatism, comfort, and above all modernity. In Latin America, it served as a symbol of distinction, similar to jewelry(...)
Titre:
The cultural life of the automobile: roads to modernity
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From its invention in Europe at the end of the nineteenth century, the automobile crisscrossed the world, completely took over the cities, and became a feature of daily life. Considered basic to the American lifestyle, the car reflected individualism, pragmatism, comfort, and above all modernity. In Latin America, it served as a symbol of distinction, similar to jewelry or fine clothing. In The Cultural Life of the Automobile, Guillermo Giucci focuses on the automobile as an instrument of social change through its "kinetic modernity" and as an embodiment of the tremendous social impact of technology on cultural life. Material culture--how certain objects generate a wide array of cultural responses--has been the focus of much scholarly discussion in recent years. The automobile wrought major changes and inspired images in language, literature, and popular culture. Focusing primarily on Latin America but also covering the United States, Europe, Asia, and Africa, Giucci examines how the automobile was variously adapted by different cultures and how its use shaped and changed social and economic relationships within them. At the same time, he shows how the "automobilization" of society became an essential support for the development of modern individualism, and the automobile its clearest material manifestation.
The cultural life of the automobile: roads to modernity
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From its invention in Europe at the end of the nineteenth century, the automobile crisscrossed the world, completely took over the cities, and became a feature of daily life. Considered basic to the American lifestyle, the car reflected individualism, pragmatism, comfort, and above all modernity. In Latin America, it served as a symbol of distinction, similar to jewelry or fine clothing. In The Cultural Life of the Automobile, Guillermo Giucci focuses on the automobile as an instrument of social change through its "kinetic modernity" and as an embodiment of the tremendous social impact of technology on cultural life. Material culture--how certain objects generate a wide array of cultural responses--has been the focus of much scholarly discussion in recent years. The automobile wrought major changes and inspired images in language, literature, and popular culture. Focusing primarily on Latin America but also covering the United States, Europe, Asia, and Africa, Giucci examines how the automobile was variously adapted by different cultures and how its use shaped and changed social and economic relationships within them. At the same time, he shows how the "automobilization" of society became an essential support for the development of modern individualism, and the automobile its clearest material manifestation.
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livres
livres
Publication:
août 2012
août 2012
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livres
livres
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Author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why(...)
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Author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why(...)
Titre:
The architecture of happiness
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Author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks. de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates how buildings — just like friends — can serve as guardians of our identity. Worrying about the shape of our sofa or the colour of our walls might seem self-indulgent, but de Botton considers the hopes and fears we have for our homes at a new level of depth and insight. When shopping for furniture or remodelling the kitchen, we don’t just consider functionality but also the major questions of aesthetics and the philosophy of art: What is beauty? Can beautiful surroundings make us good? Can beauty bring happiness? The buildings we find beautiful, de Botton concludes, are those that represent our ideas of a meaningful life.
The architecture of happiness
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Author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks. de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates how buildings — just like friends — can serve as guardians of our identity. Worrying about the shape of our sofa or the colour of our walls might seem self-indulgent, but de Botton considers the hopes and fears we have for our homes at a new level of depth and insight. When shopping for furniture or remodelling the kitchen, we don’t just consider functionality but also the major questions of aesthetics and the philosophy of art: What is beauty? Can beautiful surroundings make us good? Can beauty bring happiness? The buildings we find beautiful, de Botton concludes, are those that represent our ideas of a meaningful life.
Classification:
livres
livres
Publication:
septembre 2006, Toronto
septembre 2006, Toronto
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$95.00
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The recent works of the acclaimed Swiss architect are presented in this monograph on his world-renowned work and previously unpublished plans. Mario Botta's buildings are characterized by simple, geometric shapes that juxtapose lightness and weight. This richly illustrated monograph examines Botta's most recent examples on this theme, as seen in the Kyobo Tower in Seoul,(...)
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The recent works of the acclaimed Swiss architect are presented in this monograph on his world-renowned work and previously unpublished plans. Mario Botta's buildings are characterized by simple, geometric shapes that juxtapose lightness and weight. This richly illustrated monograph examines Botta's most recent examples on this theme, as seen in the Kyobo Tower in Seoul,(...)
Titre:
Mario Botta : light and gravity, architecture 1993-2003
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The recent works of the acclaimed Swiss architect are presented in this monograph on his world-renowned work and previously unpublished plans. Mario Botta's buildings are characterized by simple, geometric shapes that juxtapose lightness and weight. This richly illustrated monograph examines Botta's most recent examples on this theme, as seen in the Kyobo Tower in Seoul, the San Francisco Museum of Modern Art, the Jean Tinguely Museum in Basel, and the Cymbalista Synagogue in Tel Aviv. Hundreds of photographs, sketches, and plans illustrate the architect's desire to create structures that adhere to and complement their locations, and show how his choice of materials emphasizes craftsmanship and geometric order. Botta's finished buildings are examined alongside plans which never saw completion, demonstrating the extraordinary creative process of this modern visionary.
Mario Botta : light and gravity, architecture 1993-2003
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The recent works of the acclaimed Swiss architect are presented in this monograph on his world-renowned work and previously unpublished plans. Mario Botta's buildings are characterized by simple, geometric shapes that juxtapose lightness and weight. This richly illustrated monograph examines Botta's most recent examples on this theme, as seen in the Kyobo Tower in Seoul, the San Francisco Museum of Modern Art, the Jean Tinguely Museum in Basel, and the Cymbalista Synagogue in Tel Aviv. Hundreds of photographs, sketches, and plans illustrate the architect's desire to create structures that adhere to and complement their locations, and show how his choice of materials emphasizes craftsmanship and geometric order. Botta's finished buildings are examined alongside plans which never saw completion, demonstrating the extraordinary creative process of this modern visionary.
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livres
livres
Publication:
octobre 2004, Munich
octobre 2004, Munich
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
périodiques
périodiques
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$162.00
(disponible en magasin)
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The architects of Studio Macías Peredo, based in Guadalajara and led by Salvador Macías Corona, Magui Peredo Arenas, and Diego Quirarte Contreras, believe that the act of designing is inseparable from the act of remembering. Architecture is a living testimony to the culture of a place. The studio is greatly influenced by pre-Hispanic architecture, archaeology, and Mexican(...)
$162.00
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The architects of Studio Macías Peredo, based in Guadalajara and led by Salvador Macías Corona, Magui Peredo Arenas, and Diego Quirarte Contreras, believe that the act of designing is inseparable from the act of remembering. Architecture is a living testimony to the culture of a place. The studio is greatly influenced by pre-Hispanic architecture, archaeology, and Mexican(...)
Titre:
El Croquis 225: Macias Peredo
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$162.00
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The architects of Studio Macías Peredo, based in Guadalajara and led by Salvador Macías Corona, Magui Peredo Arenas, and Diego Quirarte Contreras, believe that the act of designing is inseparable from the act of remembering. Architecture is a living testimony to the culture of a place. The studio is greatly influenced by pre-Hispanic architecture, archaeology, and Mexican colonial styles, and the partners travel extensively, studying vernacular and modern buildings throughout Mexico in order to grasp how they work. This issue presents their work from 2014 to 2024, including the Punta Caliza Hotel, Izamal Water Garden, and tropical residential complexes.
El Croquis 225: Macias Peredo
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The architects of Studio Macías Peredo, based in Guadalajara and led by Salvador Macías Corona, Magui Peredo Arenas, and Diego Quirarte Contreras, believe that the act of designing is inseparable from the act of remembering. Architecture is a living testimony to the culture of a place. The studio is greatly influenced by pre-Hispanic architecture, archaeology, and Mexican colonial styles, and the partners travel extensively, studying vernacular and modern buildings throughout Mexico in order to grasp how they work. This issue presents their work from 2014 to 2024, including the Punta Caliza Hotel, Izamal Water Garden, and tropical residential complexes.
Classification:
périodiques
périodiques
Publication:
mars 2024
mars 2024
Sujet:
Revues
Revues
Classification:
livres
livres
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"Aesop’s Anthropology" is a guide for thinking through the perplexing predicaments and encounters that arise as the line between human and nonhuman shifts in modern life. Recognizing that culture is not unique to humans, John Hartigan Jr. asks what we can learn about culture from other species. He pursues a variety of philosophical and scientific ideas about what it means(...)
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"Aesop’s Anthropology" is a guide for thinking through the perplexing predicaments and encounters that arise as the line between human and nonhuman shifts in modern life. Recognizing that culture is not unique to humans, John Hartigan Jr. asks what we can learn about culture from other species. He pursues a variety of philosophical and scientific ideas about what it means(...)
Titre:
Aesop's anthropology: A multispecies approach
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"Aesop’s Anthropology" is a guide for thinking through the perplexing predicaments and encounters that arise as the line between human and nonhuman shifts in modern life. Recognizing that culture is not unique to humans, John Hartigan Jr. asks what we can learn about culture from other species. He pursues a variety of philosophical and scientific ideas about what it means to be social using cultural dynamics to rethink what we assume makes humans special and different from other forms of life. Through an interlinked series of brief essays, Hartigan explores how we can think differently about being human.
Aesop's anthropology: A multispecies approach
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"Aesop’s Anthropology" is a guide for thinking through the perplexing predicaments and encounters that arise as the line between human and nonhuman shifts in modern life. Recognizing that culture is not unique to humans, John Hartigan Jr. asks what we can learn about culture from other species. He pursues a variety of philosophical and scientific ideas about what it means to be social using cultural dynamics to rethink what we assume makes humans special and different from other forms of life. Through an interlinked series of brief essays, Hartigan explores how we can think differently about being human.
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livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Social
Social
Classification:
livres
livres
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$89.95
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''Inverse Utopia'' looks at urbanism from the perspective of modernism and postmodernism, as well as at how commercialization has transformed the modern city. In his earlier book ''Ladders'' (1997), the author described the emergence of the cul-de-sac as a typical manifestation of this trend. In this new book, ''Inverse Utopia'', Pope argues for the development of(...)
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''Inverse Utopia'' looks at urbanism from the perspective of modernism and postmodernism, as well as at how commercialization has transformed the modern city. In his earlier book ''Ladders'' (1997), the author described the emergence of the cul-de-sac as a typical manifestation of this trend. In this new book, ''Inverse Utopia'', Pope argues for the development of(...)
Titre:
Inverse utopia: Urbanism and the great acceleration
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''Inverse Utopia'' looks at urbanism from the perspective of modernism and postmodernism, as well as at how commercialization has transformed the modern city. In his earlier book ''Ladders'' (1997), the author described the emergence of the cul-de-sac as a typical manifestation of this trend. In this new book, ''Inverse Utopia'', Pope argues for the development of architectural and urban forms that respond to contemporary ecological and social challenges. The title refers to a statement by the philosopher Günther Anders: whereas utopians are unable to make the things they imagine, others are unable to imagine the things they make.
Inverse utopia: Urbanism and the great acceleration
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''Inverse Utopia'' looks at urbanism from the perspective of modernism and postmodernism, as well as at how commercialization has transformed the modern city. In his earlier book ''Ladders'' (1997), the author described the emergence of the cul-de-sac as a typical manifestation of this trend. In this new book, ''Inverse Utopia'', Pope argues for the development of architectural and urban forms that respond to contemporary ecological and social challenges. The title refers to a statement by the philosopher Günther Anders: whereas utopians are unable to make the things they imagine, others are unable to imagine the things they make.
Classification:
livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
World without words
World without words
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"World Without Words" provides evidence that images and graphic information are doing the work that words used to do. It is a voyage through the 'visual shorthand' of modern life. Michael Evamy investigates the ways in which accepted graphic systems are transformed by different cultures or individuals, and spotlights examples of wordless designs from around the world.(...)
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"World Without Words" provides evidence that images and graphic information are doing the work that words used to do. It is a voyage through the 'visual shorthand' of modern life. Michael Evamy investigates the ways in which accepted graphic systems are transformed by different cultures or individuals, and spotlights examples of wordless designs from around the world.(...)
Titre:
World without words
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$46.95
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"World Without Words" provides evidence that images and graphic information are doing the work that words used to do. It is a voyage through the 'visual shorthand' of modern life. Michael Evamy investigates the ways in which accepted graphic systems are transformed by different cultures or individuals, and spotlights examples of wordless designs from around the world. The book also examines how artists and activists are coming to terms with our visual culture through their work, finding innovative new applications for the text-free graphic image. This book identifies vital currents in the graphic communication of brands, facts, public information and private conversation.
World without words
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$46.95
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"World Without Words" provides evidence that images and graphic information are doing the work that words used to do. It is a voyage through the 'visual shorthand' of modern life. Michael Evamy investigates the ways in which accepted graphic systems are transformed by different cultures or individuals, and spotlights examples of wordless designs from around the world. The book also examines how artists and activists are coming to terms with our visual culture through their work, finding innovative new applications for the text-free graphic image. This book identifies vital currents in the graphic communication of brands, facts, public information and private conversation.
Classification:
livres
livres
Publication:
octobre 2003, New York
octobre 2003, New York
