4917 Résultats
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l, 300 pages : illustrations ; 26 cm
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l, 300 pages : illustrations ; 26 cm
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Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2017.
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2017.
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Architecture and politics in Nigeria : the study of a late twentieth-century Enlightenment-inspired modernism at Abuja, 1900-2016 / Nnamdi Elleh ; with an introduction by David Van Zanten.
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l, 300 pages : illustrations ; 26 cm
Architecture and politics in Nigeria : the study of a late twentieth-century Enlightenment-inspired modernism at Abuja, 1900-2016 / Nnamdi Elleh ; with an introduction by David Van Zanten.
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l, 300 pages : illustrations ; 26 cm
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Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2017.
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2017.
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308 pages ; 24 cm
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308 pages ; 24 cm
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New York : Riverhead Books, 2023., ©2023
New York : Riverhead Books, 2023., ©2023
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How infrastructure works : inside the systems that shape our world / Deb Chachra.
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308 pages ; 24 cm
How infrastructure works : inside the systems that shape our world / Deb Chachra.
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308 pages ; 24 cm
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livres
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New York : Riverhead Books, 2023., ©2023
New York : Riverhead Books, 2023., ©2023
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$33.95
(disponible sur commande)
Résumé:
Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, "Window or wall sign", in 1967. He wanted, he said, to achieve "an art that would kind of disappear - that was supposed to not quite look like art." Light offered Nauman a medium both elusive and effervescent, but one that could also(...)
$33.95
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Résumé:
Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, "Window or wall sign", in 1967. He wanted, he said, to achieve "an art that would kind of disappear - that was supposed to not quite look like art." Light offered Nauman a medium both elusive and effervescent, but one that could also(...)
Publication:
janvier 2006, Milwaukee
janvier 2006, Milwaukee
Titre:
Elusive signs : Bruce Nauman works with light
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Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, "Window or wall sign", in 1967. He wanted, he said, to achieve "an art that would kind of disappear - that was supposed to not quite look like art." Light offered Nauman a medium both elusive and effervescent, but one that could also aggressively convey a message. Over the first three decades of his career, Nauman used the medium of light to explore the twists and turns of perception, logic, and meaning with the earnest playfulness that characterizes all his art. "Elusive signs" focuses on the discrete body of Nauman's work that uses neon and fluorescent light in signs and room installations, and includes images of nearly all Nauman's work with light. After "Window or wall sign", Nauman embarked on a series of neons that grappled with the semiotics of body and identity, and with "My name as though it were written on the surface of the moon" (1968), he forces the viewer to contemplate the role of naming in forming identity. Language - signs and symbols - plays an important role in Nauman's art. His later neon works emphasize the neon as a sign, presenting provocative twists of language and offering harsh and humorous sociopolitical commentary in such pieces as "Run from fear, fun from rear" (1972). This series culminates in the monumental, billboard-size "One hundred live and die" (1984), which employs overwhelming scale to bombard the viewer with sardonic aphorisms. In the essays that accompany the images of Nauman's work, Joseph Ketner II of the Milwaukee Art Museum (which originated the exhibit this book accompanies) and critics Janet Kraynak and Gregory Volk analyze the works in light both as a body of work and as an access point to Nauman's entire career.
Elusive signs : Bruce Nauman works with light
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$33.95
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Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, "Window or wall sign", in 1967. He wanted, he said, to achieve "an art that would kind of disappear - that was supposed to not quite look like art." Light offered Nauman a medium both elusive and effervescent, but one that could also aggressively convey a message. Over the first three decades of his career, Nauman used the medium of light to explore the twists and turns of perception, logic, and meaning with the earnest playfulness that characterizes all his art. "Elusive signs" focuses on the discrete body of Nauman's work that uses neon and fluorescent light in signs and room installations, and includes images of nearly all Nauman's work with light. After "Window or wall sign", Nauman embarked on a series of neons that grappled with the semiotics of body and identity, and with "My name as though it were written on the surface of the moon" (1968), he forces the viewer to contemplate the role of naming in forming identity. Language - signs and symbols - plays an important role in Nauman's art. His later neon works emphasize the neon as a sign, presenting provocative twists of language and offering harsh and humorous sociopolitical commentary in such pieces as "Run from fear, fun from rear" (1972). This series culminates in the monumental, billboard-size "One hundred live and die" (1984), which employs overwhelming scale to bombard the viewer with sardonic aphorisms. In the essays that accompany the images of Nauman's work, Joseph Ketner II of the Milwaukee Art Museum (which originated the exhibit this book accompanies) and critics Janet Kraynak and Gregory Volk analyze the works in light both as a body of work and as an access point to Nauman's entire career.
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janvier 2006, Milwaukee
janvier 2006, Milwaukee
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xi, 306 pages : illustrations ; 23 cm
Description:
xi, 306 pages : illustrations ; 23 cm
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Gabriola Island, BC : New Society Publishers, ©2005.
Gabriola Island, BC : New Society Publishers, ©2005.
Titre:
The party's over : oil, war and the fate of industrial societies / Richard Heinberg.
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xi, 306 pages : illustrations ; 23 cm
The party's over : oil, war and the fate of industrial societies / Richard Heinberg.
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xi, 306 pages : illustrations ; 23 cm
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Gabriola Island, BC : New Society Publishers, ©2005.
Gabriola Island, BC : New Society Publishers, ©2005.
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$99.00
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Speaking of their concept of light and colors, the author describes the essence and beauty of Japanese architecture in the most precise sense.
$99.00
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Speaking of their concept of light and colors, the author describes the essence and beauty of Japanese architecture in the most precise sense.
Titre:
A+U special edition: Light in Japanese Architecture
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$99.00
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Speaking of their concept of light and colors, the author describes the essence and beauty of Japanese architecture in the most precise sense.
A+U special edition: Light in Japanese Architecture
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$99.00
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Speaking of their concept of light and colors, the author describes the essence and beauty of Japanese architecture in the most precise sense.
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livres
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janvier 1900, Tokyo
janvier 1900, Tokyo
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Matériaux et éclairage
Matériaux et éclairage
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192 pages : color illustrations ; 32 cm
Description:
192 pages : color illustrations ; 32 cm
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Gloucester, MA : Rockport Pub. ; Cincinnati, OH : Distributed to the Book trade and art trade in the U.S. by North Light Books, ©1998.
Gloucester, MA : Rockport Pub. ; Cincinnati, OH : Distributed to the Book trade and art trade in the U.S. by North Light Books, ©1998.
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Human spaces : life-enhancing designs for healing, working, and living / Barbara Crisp.
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192 pages : color illustrations ; 32 cm
Human spaces : life-enhancing designs for healing, working, and living / Barbara Crisp.
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192 pages : color illustrations ; 32 cm
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Gloucester, MA : Rockport Pub. ; Cincinnati, OH : Distributed to the Book trade and art trade in the U.S. by North Light Books, ©1998.
Gloucester, MA : Rockport Pub. ; Cincinnati, OH : Distributed to the Book trade and art trade in the U.S. by North Light Books, ©1998.
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Half-Light Alphabet
Half-Light Alphabet
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$50.00
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Contained in separate catalogues held together by magnets are two bodies of work. The first an alphabet of letters constructed by the artist, and the second, an overview of a diverse body of works recently exhibited at three regional French museums.
$50.00
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Contained in separate catalogues held together by magnets are two bodies of work. The first an alphabet of letters constructed by the artist, and the second, an overview of a diverse body of works recently exhibited at three regional French museums.
Titre:
Half-Light Alphabet
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$50.00
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Résumé:
Contained in separate catalogues held together by magnets are two bodies of work. The first an alphabet of letters constructed by the artist, and the second, an overview of a diverse body of works recently exhibited at three regional French museums.
Half-Light Alphabet
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$50.00
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Résumé:
Contained in separate catalogues held together by magnets are two bodies of work. The first an alphabet of letters constructed by the artist, and the second, an overview of a diverse body of works recently exhibited at three regional French museums.
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janvier 2009
janvier 2009
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livres
Titre:
Catching the light
Catching the light
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$32.00
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In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author’s life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh(...)
$32.00
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In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author’s life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh(...)
Titre:
Catching the light
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$32.00
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In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author’s life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory—in both the private, individual journey and as a vehicle for prophetic, public witness. Harjo insists that the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure—to inscribe the story, again and again, of who we have been, who we are, and who we can be.
Catching the light
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$32.00
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In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author’s life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory—in both the private, individual journey and as a vehicle for prophetic, public witness. Harjo insists that the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure—to inscribe the story, again and again, of who we have been, who we are, and who we can be.
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livres
livres
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octobre 2022
octobre 2022
Sujet:
Littérature et poésie
Littérature et poésie
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129 pages (6 folded) : illustrations (chiefly color) ; 26 cm
Description:
129 pages (6 folded) : illustrations (chiefly color) ; 26 cm
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Gloucester, Mass. : Rockport Publishers ; Cincinnati, Ohio : Distributed to the Book and art trade in the U.S. by North Light Books, ©1999.
Gloucester, Mass. : Rockport Publishers ; Cincinnati, Ohio : Distributed to the Book and art trade in the U.S. by North Light Books, ©1999.
Titre:
Ledge House : Bohlin, Cywinski, Jackson / edited by Oscar Riera Ojeda ; introduction by William P. Bruder ; photographs by Karl A. Backus.
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129 pages (6 folded) : illustrations (chiefly color) ; 26 cm
Ledge House : Bohlin, Cywinski, Jackson / edited by Oscar Riera Ojeda ; introduction by William P. Bruder ; photographs by Karl A. Backus.
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129 pages (6 folded) : illustrations (chiefly color) ; 26 cm
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livres
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Gloucester, Mass. : Rockport Publishers ; Cincinnati, Ohio : Distributed to the Book and art trade in the U.S. by North Light Books, ©1999.
Gloucester, Mass. : Rockport Publishers ; Cincinnati, Ohio : Distributed to the Book and art trade in the U.S. by North Light Books, ©1999.
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Description:
xiv, 275 pages : illustrations ; 28 cm.
Description:
xiv, 275 pages : illustrations ; 28 cm.
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Marina del Rey, CA : Getty Conservation Institute, 1994.
Marina del Rey, CA : Getty Conservation Institute, 1994.
Titre:
Accelerated aging : photochemical and thermal aspects / Robert L. Feller.
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xiv, 275 pages : illustrations ; 28 cm.
Accelerated aging : photochemical and thermal aspects / Robert L. Feller.
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xiv, 275 pages : illustrations ; 28 cm.
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livres
livres
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Marina del Rey, CA : Getty Conservation Institute, 1994.
Marina del Rey, CA : Getty Conservation Institute, 1994.
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