2967 Résultats
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154 pages : illustrations (chiefly color), portraits (some color) ; 27 cm
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154 pages : illustrations (chiefly color), portraits (some color) ; 27 cm
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Toronto, Ontario, Canada : Art Gallery of Ontario ; Fredericton, New Brunswick, Canada : Goose Lane Editions, 2018., ©2018
Toronto, Ontario, Canada : Art Gallery of Ontario ; Fredericton, New Brunswick, Canada : Goose Lane Editions, 2018., ©2018
Titre:
ᑐᓂᕐᕈᓯᐊᖏᑦ : ᕐᑭᓐᓄᐊᔪᐊᖅ ᐋᓯᕙᒃ ᐊᒻᒪᓗ ᑎᒻ ᐱᑦᓯᐅᓛᖅ / ᑲᒪᒋᔭᖏᑦ ᕐᑯᒻᒧᐊᑦᑐᖅ ᑰᓕ, ᑕᕐᕋᓕᒃ ᐹᑐᔨ, ᔮᓴᓕᓐ ᐲᕋᐃᓂᓐ, ᐊᒻᒪᓗ ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ ᐱᕐᑲᑎᒋᓪ ᓗᒋᑦ ᐋᓇ ᕼᐊᑦᓴᓐ ᐊᒻᒪᓗ ᔪᐊᔩᓇ ᐆᕼᐅᔭᓕᒃ. Tunirrusiangit : Kenojuak Ashevak and Tim Pitsiulak / curated by Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, and Laakkuluk Williamson Bathory with Anna Hudson and Georgiana Uhlyarik.
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154 pages : illustrations (chiefly color), portraits (some color) ; 27 cm
ᑐᓂᕐᕈᓯᐊᖏᑦ : ᕐᑭᓐᓄᐊᔪᐊᖅ ᐋᓯᕙᒃ ᐊᒻᒪᓗ ᑎᒻ ᐱᑦᓯᐅᓛᖅ / ᑲᒪᒋᔭᖏᑦ ᕐᑯᒻᒧᐊᑦᑐᖅ ᑰᓕ, ᑕᕐᕋᓕᒃ ᐹᑐᔨ, ᔮᓴᓕᓐ ᐲᕋᐃᓂᓐ, ᐊᒻᒪᓗ ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ ᐱᕐᑲᑎᒋᓪ ᓗᒋᑦ ᐋᓇ ᕼᐊᑦᓴᓐ ᐊᒻᒪᓗ ᔪᐊᔩᓇ ᐆᕼᐅᔭᓕᒃ. Tunirrusiangit : Kenojuak Ashevak and Tim Pitsiulak / curated by Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, and Laakkuluk Williamson Bathory with Anna Hudson and Georgiana Uhlyarik.
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154 pages : illustrations (chiefly color), portraits (some color) ; 27 cm
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livres
livres
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Toronto, Ontario, Canada : Art Gallery of Ontario ; Fredericton, New Brunswick, Canada : Goose Lane Editions, 2018., ©2018
Toronto, Ontario, Canada : Art Gallery of Ontario ; Fredericton, New Brunswick, Canada : Goose Lane Editions, 2018., ©2018
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livres
livres
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Andrea Palladio : the architect in his time / Bruce Boucher ; principal photography by Paolo Marton.
Andrea Palladio : the architect in his time / Bruce Boucher ; principal photography by Paolo Marton.
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324 pages : illustrations (some color), facsimiles, maps, plans ; 27 cm
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324 pages : illustrations (some color), facsimiles, maps, plans ; 27 cm
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New York : Abbeville Press Publishers, ©2007.
New York : Abbeville Press Publishers, ©2007.
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Andrea Palladio : the architect in his time / Bruce Boucher ; principal photography by Paolo Marton.
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324 pages : illustrations (some color), facsimiles, maps, plans ; 27 cm
Andrea Palladio : the architect in his time / Bruce Boucher ; principal photography by Paolo Marton.
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324 pages : illustrations (some color), facsimiles, maps, plans ; 27 cm
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livres
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New York : Abbeville Press Publishers, ©2007.
New York : Abbeville Press Publishers, ©2007.
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archives
archives
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361 items., Arranged by series and files.
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361 items., Arranged by series and files.
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Fonds Concours Biennale de Venise 1996, 1994-1996.
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361 items., Arranged by series and files.
Fonds Concours Biennale de Venise 1996, 1994-1996.
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361 items., Arranged by series and files.
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archives
archives
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archives
archives
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4,132 items, 0.01 l.m. of textual records., Arranged by series.
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4,132 items, 0.01 l.m. of textual records., Arranged by series.
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John Hejduk fonds, 1947-2000, predominant 1947-1996.
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4,132 items, 0.01 l.m. of textual records., Arranged by series.
John Hejduk fonds, 1947-2000, predominant 1947-1996.
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4,132 items, 0.01 l.m. of textual records., Arranged by series.
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archives
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livres
livres
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Children of the tenements / by Jacob A. Riis ... ; with illustrations by C.M. Relyea and others.
Children of the tenements / by Jacob A. Riis ... ; with illustrations by C.M. Relyea and others.
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ix, 387 pages, 8 unnumbered leaves of plates : illustrations ; 21 cm
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ix, 387 pages, 8 unnumbered leaves of plates : illustrations ; 21 cm
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New York, [NY] : The Macmillan Company ; London : Macmillan & Co., Ltd., 1903.
New York, [NY] : The Macmillan Company ; London : Macmillan & Co., Ltd., 1903.
Titre:
Children of the tenements / by Jacob A. Riis ... ; with illustrations by C.M. Relyea and others.
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ix, 387 pages, 8 unnumbered leaves of plates : illustrations ; 21 cm
Children of the tenements / by Jacob A. Riis ... ; with illustrations by C.M. Relyea and others.
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ix, 387 pages, 8 unnumbered leaves of plates : illustrations ; 21 cm
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livres
livres
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New York, [NY] : The Macmillan Company ; London : Macmillan & Co., Ltd., 1903.
New York, [NY] : The Macmillan Company ; London : Macmillan & Co., Ltd., 1903.
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livres
livres
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New York, N. Why?
New York, N. Why?
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$71.95
(disponible en magasin)
Résumé:
This album is a collaboration between Rudy Burckhardt, one of the great New York photographers of the 1930s and ’40s, and his companion and lifelong friend, the poet and dance critic Edwin Denby. Previously unpublished, and reproduced here in facsimile, New York, N. Why? is a unique, handmade book containing 67 photographs and seven sonnets. Now in the collection of The(...)
$71.95
(disponible en magasin)
Résumé:
This album is a collaboration between Rudy Burckhardt, one of the great New York photographers of the 1930s and ’40s, and his companion and lifelong friend, the poet and dance critic Edwin Denby. Previously unpublished, and reproduced here in facsimile, New York, N. Why? is a unique, handmade book containing 67 photographs and seven sonnets. Now in the collection of The(...)
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New York, N. Why?
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$71.95
(disponible en magasin)
Résumé:
This album is a collaboration between Rudy Burckhardt, one of the great New York photographers of the 1930s and ’40s, and his companion and lifelong friend, the poet and dance critic Edwin Denby. Previously unpublished, and reproduced here in facsimile, New York, N. Why? is a unique, handmade book containing 67 photographs and seven sonnets. Now in the collection of The Metropolitan Museum of Art, New York, it contains many of Burckhardt’s best-known images, dazzlingly sequenced into three urban themes – advertising, pedestrians, and street furniture. The photographer and poet met in Basel, Switzerland in 1934 and moved the following year to New York. There, the Burckhardt instinctively sought out what others overlooked – the abstract modernist tableaux of fire hydrants, standpipes, cornices, and columns; the readymade collage of newsstands and storefronts; and the complex choreography of pedestrians darting and weaving through crowded intersections. An accompanying essay by Doug Eklund, Associate Curator in the Department of Photographs at the Metropolitan, examines the album in relation to Burckhardt’s contemporaneous films, Denby’s pioneering writing on dance from the same moment, and the origins of the New York School in painting, photography, and poetry.
New York, N. Why?
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$71.95
(disponible en magasin)
Résumé:
This album is a collaboration between Rudy Burckhardt, one of the great New York photographers of the 1930s and ’40s, and his companion and lifelong friend, the poet and dance critic Edwin Denby. Previously unpublished, and reproduced here in facsimile, New York, N. Why? is a unique, handmade book containing 67 photographs and seven sonnets. Now in the collection of The Metropolitan Museum of Art, New York, it contains many of Burckhardt’s best-known images, dazzlingly sequenced into three urban themes – advertising, pedestrians, and street furniture. The photographer and poet met in Basel, Switzerland in 1934 and moved the following year to New York. There, the Burckhardt instinctively sought out what others overlooked – the abstract modernist tableaux of fire hydrants, standpipes, cornices, and columns; the readymade collage of newsstands and storefronts; and the complex choreography of pedestrians darting and weaving through crowded intersections. An accompanying essay by Doug Eklund, Associate Curator in the Department of Photographs at the Metropolitan, examines the album in relation to Burckhardt’s contemporaneous films, Denby’s pioneering writing on dance from the same moment, and the origins of the New York School in painting, photography, and poetry.
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livres
livres
Publication:
janvier 2008
janvier 2008
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
Prix:
$41.95
(disponible sur commande)
Résumé:
A l'occasion du bicentenaire de la naissance du duc d'Aumale, le catalogue de l'exposition présente sa collection de photographies et donne notamment à voir le château de Chantilly, dont il a hérité en 1830. Sans héritier direct depuis la mort de son dernier fils en 1872, le duc commande à Claudius Couton une couverture photographique de Chantilly, puis fait reconstruire(...)
$41.95
(disponible sur commande)
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A l'occasion du bicentenaire de la naissance du duc d'Aumale, le catalogue de l'exposition présente sa collection de photographies et donne notamment à voir le château de Chantilly, dont il a hérité en 1830. Sans héritier direct depuis la mort de son dernier fils en 1872, le duc commande à Claudius Couton une couverture photographique de Chantilly, puis fait reconstruire(...)
Titre:
Le Duc d'Aumale et Chantilly : Photographies du XIXe siècle
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$41.95
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A l'occasion du bicentenaire de la naissance du duc d'Aumale, le catalogue de l'exposition présente sa collection de photographies et donne notamment à voir le château de Chantilly, dont il a hérité en 1830. Sans héritier direct depuis la mort de son dernier fils en 1872, le duc commande à Claudius Couton une couverture photographique de Chantilly, puis fait reconstruire à partir de 1875 par l'architecte Honoré Daumet le Grand Château mutilé depuis la Révolution. Après la reconstruction, il confie en 1885 à Alphonse Chalot, un enfant de Chantilly, les prises de vues du château, témoignage irremplaçable sur la genèse de son accrochage. Ayant installé ses collections dans le château, il lègue le musée Condé à l'Institut de France en 1884, avec interdiction de prêter ses collections et de modifier sa présentation.
Le Duc d'Aumale et Chantilly : Photographies du XIXe siècle
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$41.95
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A l'occasion du bicentenaire de la naissance du duc d'Aumale, le catalogue de l'exposition présente sa collection de photographies et donne notamment à voir le château de Chantilly, dont il a hérité en 1830. Sans héritier direct depuis la mort de son dernier fils en 1872, le duc commande à Claudius Couton une couverture photographique de Chantilly, puis fait reconstruire à partir de 1875 par l'architecte Honoré Daumet le Grand Château mutilé depuis la Révolution. Après la reconstruction, il confie en 1885 à Alphonse Chalot, un enfant de Chantilly, les prises de vues du château, témoignage irremplaçable sur la genèse de son accrochage. Ayant installé ses collections dans le château, il lègue le musée Condé à l'Institut de France en 1884, avec interdiction de prêter ses collections et de modifier sa présentation.
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livres
livres
Publication:
janvier 2023
janvier 2023
Sujet:
Photographie par région
Photographie par région
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216 pages : illustrations (some color), portraits (some color) ; 29 cm
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216 pages : illustrations (some color), portraits (some color) ; 29 cm
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New York : Lippincott & Crowell, ©1980.
New York : Lippincott & Crowell, ©1980.
Titre:
The dream come true : great houses of Los Angeles / Brendan Gill ; photographs by Derry Moore and with the assistance of Christopher Phillips.
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216 pages : illustrations (some color), portraits (some color) ; 29 cm
The dream come true : great houses of Los Angeles / Brendan Gill ; photographs by Derry Moore and with the assistance of Christopher Phillips.
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216 pages : illustrations (some color), portraits (some color) ; 29 cm
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New York : Lippincott & Crowell, ©1980.
New York : Lippincott & Crowell, ©1980.
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livres
livres
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$81.95
(disponible sur commande)
Résumé:
Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography’s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the(...)
$81.95
(disponible sur commande)
Résumé:
Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography’s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2006, New Haven / London
septembre 2006, New Haven / London
Titre:
The collectible moment : catalogue of photographs in the Norton Simon Museum
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$81.95
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Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography’s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the collection presented here. This catalogue publishes for the first time the 548 photographs in the Norton Simon Museum of Art collection, more than 90 per cent of which were acquired during that fascinating moment of transition in the history of photography, 1969 to 1974. In "The Collectible Moment" Therese Mulligan outlines the character, quality, and importance of the Norton Simon collection, and Gloria Williams Sander explores the history of the Museum’s photography department in the context of the local art organizations in general and community of photographers specifically. First-person recollections by a number of important figures in the world of photography provide immediate and vivid accounts of the period and the photo artists of this important historical moment.
The collectible moment : catalogue of photographs in the Norton Simon Museum
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$81.95
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Résumé:
Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography’s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the collection presented here. This catalogue publishes for the first time the 548 photographs in the Norton Simon Museum of Art collection, more than 90 per cent of which were acquired during that fascinating moment of transition in the history of photography, 1969 to 1974. In "The Collectible Moment" Therese Mulligan outlines the character, quality, and importance of the Norton Simon collection, and Gloria Williams Sander explores the history of the Museum’s photography department in the context of the local art organizations in general and community of photographers specifically. First-person recollections by a number of important figures in the world of photography provide immediate and vivid accounts of the period and the photo artists of this important historical moment.
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livres
livres
Publication:
septembre 2006, New Haven / London
septembre 2006, New Haven / London
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$49.00
(disponible sur commande)
Résumé:
The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
$49.00
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
Publication:
février 2010
février 2010
Titre:
19th Century French photography
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$49.00
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
19th Century French photography
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$49.00
(disponible sur commande)
Résumé:
The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
Classification:
livres
livres
Publication:
février 2010
février 2010
