36518 Résultats
Classification:
dessins
Quantité:
8 reprographic copy(ies)
dessins
Quantité:
8 reprographic copy(ies)
Numéro de référence:
DR1995:0169:001-008
Description:
This project for a guest house, Gachsaran, Iran, was possibly intended for foreign employees of an Iranian oil, exploration, and producing company. The guest house is divided into three sections: a two-storey wing containing the guest rooms; the entrance area where public facilities such as the dining room, lounge, bar, and terraces are located; and a servant's wing with servants' rooms surrounding a service yard. The guest rooms are approximately 200 sq. ft. each and include a full walk-in closet and private bathroom.
DR1995:0169:001-008
Description:
This project for a guest house, Gachsaran, Iran, was possibly intended for foreign employees of an Iranian oil, exploration, and producing company. The guest house is divided into three sections: a two-storey wing containing the guest rooms; the entrance area where public facilities such as the dining room, lounge, bar, and terraces are located; and a servant's wing with servants' rooms surrounding a service yard. The guest rooms are approximately 200 sq. ft. each and include a full walk-in closet and private bathroom.
Personnes et institutions:
Date:
1957-1958
1957-1958
Titre:
Guest house Gachsaran, Iran: Construction prints and details
Actions:
DR1995:0169:001-008
Description:
This project for a guest house, Gachsaran, Iran, was possibly intended for foreign employees of an Iranian oil, exploration, and producing company. The guest house is divided into three sections: a two-storey wing containing the guest rooms; the entrance area where public facilities such as the dining room, lounge, bar, and terraces are located; and a servant's wing with servants' rooms surrounding a service yard. The guest rooms are approximately 200 sq. ft. each and include a full walk-in closet and private bathroom.
Guest house Gachsaran, Iran: Construction prints and details
Actions:
DR1995:0169:001-008
Description:
This project for a guest house, Gachsaran, Iran, was possibly intended for foreign employees of an Iranian oil, exploration, and producing company. The guest house is divided into three sections: a two-storey wing containing the guest rooms; the entrance area where public facilities such as the dining room, lounge, bar, and terraces are located; and a servant's wing with servants' rooms surrounding a service yard. The guest rooms are approximately 200 sq. ft. each and include a full walk-in closet and private bathroom.
Classification:
dessins
Quantité:
8 reprographic copy(ies)
dessins
Quantité:
8 reprographic copy(ies)
Date:
1957-1958
1957-1958
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Personnes et institutions:
Date:
2000 - 2007
2000 - 2007
Titre:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2007
2000 - 2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Personnes et institutions:
Date:
1991-1997
1991-1997
Titre:
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Niveau de description archivistique:
Project
Project
Date:
1991-1997
1991-1997
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
Personnes et institutions:
Date:
published 1875
published 1875
Titre:
Album titled "Le nouvel Opéra de Paris: Bronzes, candélabres, lustres, torchères, appliques, lampadaires par Charles Garnier"
Actions:
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
Album titled "Le nouvel Opéra de Paris: Bronzes, candélabres, lustres, torchères, appliques, lampadaires par Charles Garnier"
Actions:
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
Classification:
photographies
photographies
Date:
published 1875
published 1875
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257317
Description:
N.Sinclair Job Meeting, N.S Weekly report/Site Work, Swen Wooster Engineering Co. Men's Residence, Superior concrete products, specification/standardization, specifications for combined clock, program and control system, SFU snk bar, Parking infomartion, Site Tendering, SFU Sales Tax information, Thomson D.W & Co. Ltd, SFU Tendering Central Mall, SFU Tendering women's residences, site office Mr.D.Hrmisson, Tendering SFU clearing of the Land, SFU Tendering Water Tower, SFU Tendering outside Lighting, SFU Tendering Grading and Compacting, Traffic and Roads, E. Turner Public Relations Office, SFU Tendering water distribution system and sanitary system, Tower Antennas ect.
ARCH257317
Description:
N.Sinclair Job Meeting, N.S Weekly report/Site Work, Swen Wooster Engineering Co. Men's Residence, Superior concrete products, specification/standardization, specifications for combined clock, program and control system, SFU snk bar, Parking infomartion, Site Tendering, SFU Sales Tax information, Thomson D.W & Co. Ltd, SFU Tendering Central Mall, SFU Tendering women's residences, site office Mr.D.Hrmisson, Tendering SFU clearing of the Land, SFU Tendering Water Tower, SFU Tendering outside Lighting, SFU Tendering Grading and Compacting, Traffic and Roads, E. Turner Public Relations Office, SFU Tendering water distribution system and sanitary system, Tower Antennas ect.
Personnes et institutions:
Date:
1963-1968
1963-1968
Titre:
N.Sinclair Job Meeting, N.S Weekly report/Site Work, Swen Wooster Engineering Co. Men's Residence
Actions:
ARCH257317
Description:
N.Sinclair Job Meeting, N.S Weekly report/Site Work, Swen Wooster Engineering Co. Men's Residence, Superior concrete products, specification/standardization, specifications for combined clock, program and control system, SFU snk bar, Parking infomartion, Site Tendering, SFU Sales Tax information, Thomson D.W & Co. Ltd, SFU Tendering Central Mall, SFU Tendering women's residences, site office Mr.D.Hrmisson, Tendering SFU clearing of the Land, SFU Tendering Water Tower, SFU Tendering outside Lighting, SFU Tendering Grading and Compacting, Traffic and Roads, E. Turner Public Relations Office, SFU Tendering water distribution system and sanitary system, Tower Antennas ect.
N.Sinclair Job Meeting, N.S Weekly report/Site Work, Swen Wooster Engineering Co. Men's Residence
Actions:
ARCH257317
Description:
N.Sinclair Job Meeting, N.S Weekly report/Site Work, Swen Wooster Engineering Co. Men's Residence, Superior concrete products, specification/standardization, specifications for combined clock, program and control system, SFU snk bar, Parking infomartion, Site Tendering, SFU Sales Tax information, Thomson D.W & Co. Ltd, SFU Tendering Central Mall, SFU Tendering women's residences, site office Mr.D.Hrmisson, Tendering SFU clearing of the Land, SFU Tendering Water Tower, SFU Tendering outside Lighting, SFU Tendering Grading and Compacting, Traffic and Roads, E. Turner Public Relations Office, SFU Tendering water distribution system and sanitary system, Tower Antennas ect.
Classification:
documents textuels
documents textuels
Date:
1963-1968
1963-1968
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
Personnes et institutions:
Date:
23 July 1963
23 July 1963
Titre:
Aerial views of the Île Sainte-Hélène and Île Notre-Dame sites prior the enlargement and the creation phases were completed, Expo 67, Montréal, Québec
Actions:
ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
Aerial views of the Île Sainte-Hélène and Île Notre-Dame sites prior the enlargement and the creation phases were completed, Expo 67, Montréal, Québec
Actions:
ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
Classification:
photographies
photographies
Date:
23 July 1963
23 July 1963
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Personnes et institutions:
Date:
1925
1925
Titre:
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Niveau de description archivistique:
project
project
Date:
1925
1925
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
Personnes et institutions:
Date:
1925-1930
1925-1930
Titre:
Kiefhoek Workers' Housing, Rotterdam, Netherlands (1925-1930)
Actions:
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
Kiefhoek Workers' Housing, Rotterdam, Netherlands (1925-1930)
Actions:
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
Niveau de description archivistique:
project
project
Date:
1925-1930
1925-1930
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1995.PR04
Description:
This project series documents the Estudo Urbanístico da Lagoinha in Belo Horizonte, Brazil. While the records were held in the office’s archives this project was assigned the number 63/90. The office assigned the date 1995 to this project. The project consisted of an urban study for the area of Lagoinha in Belo Horizonte. The program was based on the idea of improving living conditions for residents in the area and to adapt the urban plan to residents' everyday activities. It included alterations to the infrastructure and the public spaces in order to stimulate cultural activities and the economy of Bairro Lagoinha. In the building program, a particular emphasis was placed on the dialogue between the people and the architects. Documenting this project are studies and plans. Textual materials include project documentation and correspondence. Photo albums and negatives document the project site.
AP178.S1.1995.PR04
Description:
This project series documents the Estudo Urbanístico da Lagoinha in Belo Horizonte, Brazil. While the records were held in the office’s archives this project was assigned the number 63/90. The office assigned the date 1995 to this project. The project consisted of an urban study for the area of Lagoinha in Belo Horizonte. The program was based on the idea of improving living conditions for residents in the area and to adapt the urban plan to residents' everyday activities. It included alterations to the infrastructure and the public spaces in order to stimulate cultural activities and the economy of Bairro Lagoinha. In the building program, a particular emphasis was placed on the dialogue between the people and the architects. Documenting this project are studies and plans. Textual materials include project documentation and correspondence. Photo albums and negatives document the project site.
Personnes et institutions:
Date:
1994-1998
1994-1998
Titre:
Estudo Urbanístico da Lagoinha [Urban plan for Lagoinha], Belo Horizonte, Brazil (1995)
Actions:
AP178.S1.1995.PR04
Description:
This project series documents the Estudo Urbanístico da Lagoinha in Belo Horizonte, Brazil. While the records were held in the office’s archives this project was assigned the number 63/90. The office assigned the date 1995 to this project. The project consisted of an urban study for the area of Lagoinha in Belo Horizonte. The program was based on the idea of improving living conditions for residents in the area and to adapt the urban plan to residents' everyday activities. It included alterations to the infrastructure and the public spaces in order to stimulate cultural activities and the economy of Bairro Lagoinha. In the building program, a particular emphasis was placed on the dialogue between the people and the architects. Documenting this project are studies and plans. Textual materials include project documentation and correspondence. Photo albums and negatives document the project site.
Estudo Urbanístico da Lagoinha [Urban plan for Lagoinha], Belo Horizonte, Brazil (1995)
Actions:
AP178.S1.1995.PR04
Description:
This project series documents the Estudo Urbanístico da Lagoinha in Belo Horizonte, Brazil. While the records were held in the office’s archives this project was assigned the number 63/90. The office assigned the date 1995 to this project. The project consisted of an urban study for the area of Lagoinha in Belo Horizonte. The program was based on the idea of improving living conditions for residents in the area and to adapt the urban plan to residents' everyday activities. It included alterations to the infrastructure and the public spaces in order to stimulate cultural activities and the economy of Bairro Lagoinha. In the building program, a particular emphasis was placed on the dialogue between the people and the architects. Documenting this project are studies and plans. Textual materials include project documentation and correspondence. Photo albums and negatives document the project site.
Niveau de description archivistique:
Project
Project
Date:
1994-1998
1994-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
Personnes et institutions:
Date:
2003-2011
2003-2011
Titre:
Telus Garden Presentation Centre, Vancouver, British Columbia (2011)
Actions:
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
Telus Garden Presentation Centre, Vancouver, British Columbia (2011)
Actions:
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
Niveau de description archivistique:
Project
Project
Date:
2003-2011
2003-2011
Personnes et institutions:
