56745 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0015:025:031
Description:
Original folder inscribed in graphite: RSC: ACAD ARTS & HUM OF CAN / 2008+
DR2012:0015:025:031
Description:
Original folder inscribed in graphite: RSC: ACAD ARTS & HUM OF CAN / 2008+
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Correspondence, meeting agendas, and annual reports related to Melvin Charney's membership in the RSC Academies of Arts, Humanities and Sciences of Canada
Actions:
DR2012:0015:025:031
Description:
Original folder inscribed in graphite: RSC: ACAD ARTS & HUM OF CAN / 2008+
Correspondence, meeting agendas, and annual reports related to Melvin Charney's membership in the RSC Academies of Arts, Humanities and Sciences of Canada
Actions:
DR2012:0015:025:031
Description:
Original folder inscribed in graphite: RSC: ACAD ARTS & HUM OF CAN / 2008+
Classification:
documents textuels
documents textuels
Date:
2008-2011
2008-2011
Personnes et institutions:
Classification:
dessins
dessins
Titre:
MoMA Drawings
MoMA Drawings
Numéro de référence:
PHCON2002:0016:039
Description:
Series of drawings from a sketchpad document design proposals for an alteration of the façade of the Museum of Modern Art.
PHCON2002:0016:039
Description:
Series of drawings from a sketchpad document design proposals for an alteration of the façade of the Museum of Modern Art.
Personnes et institutions:
Date:
1978
1978
Titre:
MoMA Drawings
Actions:
PHCON2002:0016:039
Description:
Series of drawings from a sketchpad document design proposals for an alteration of the façade of the Museum of Modern Art.
MoMA Drawings
Actions:
PHCON2002:0016:039
Description:
Series of drawings from a sketchpad document design proposals for an alteration of the façade of the Museum of Modern Art.
Classification:
dessins
dessins
Date:
1978
1978
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0015:021:023
Description:
File containing documents in English and French, including correspondence between Melvin Charney and staff at the Montreal Museum of Fine Arts, notes, newspaper clippings, and waybills. Original folder inscribed in graphite: MUSEE DES BEAUX ARTS DE MONTREAL
DR2012:0015:021:023
Description:
File containing documents in English and French, including correspondence between Melvin Charney and staff at the Montreal Museum of Fine Arts, notes, newspaper clippings, and waybills. Original folder inscribed in graphite: MUSEE DES BEAUX ARTS DE MONTREAL
Personnes et institutions:
Date:
1979-1986, 1991-1999, 2005, 2007
1979-1986, 1991-1999, 2005, 2007
Titre:
Correspondence of Melvin Charney with Musée des Beaux arts de Montréal
Actions:
DR2012:0015:021:023
Description:
File containing documents in English and French, including correspondence between Melvin Charney and staff at the Montreal Museum of Fine Arts, notes, newspaper clippings, and waybills. Original folder inscribed in graphite: MUSEE DES BEAUX ARTS DE MONTREAL
Correspondence of Melvin Charney with Musée des Beaux arts de Montréal
Actions:
DR2012:0015:021:023
Description:
File containing documents in English and French, including correspondence between Melvin Charney and staff at the Montreal Museum of Fine Arts, notes, newspaper clippings, and waybills. Original folder inscribed in graphite: MUSEE DES BEAUX ARTS DE MONTREAL
Classification:
documents textuels
documents textuels
Date:
1979-1986, 1991-1999, 2005, 2007
1979-1986, 1991-1999, 2005, 2007
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2011:0004:001-032
Description:
Group consists of 42 black and white photographs on 32 plates, made between 27 May 1888 and 24 November 1888, showing the construction of the Dôme des Palais des Beaux Arts et the Dôme des Arts Libéraux, Société des Ponts et Travaux en Fer, Exposition Universelle de 1889, Paris, France
PH2011:0004:001-032
Description:
Group consists of 42 black and white photographs on 32 plates, made between 27 May 1888 and 24 November 1888, showing the construction of the Dôme des Palais des Beaux Arts et the Dôme des Arts Libéraux, Société des Ponts et Travaux en Fer, Exposition Universelle de 1889, Paris, France
Personnes et institutions:
Date:
May 27- November 24, 1888
May 27- November 24, 1888
Titre:
Various views of construction of the Dômes des Palais des Beaux Arts et des Arts Libéraux, Société des Ponts et Travaux en Fer, Exposition Universelle de 1889, Paris, France
Actions:
PH2011:0004:001-032
Description:
Group consists of 42 black and white photographs on 32 plates, made between 27 May 1888 and 24 November 1888, showing the construction of the Dôme des Palais des Beaux Arts et the Dôme des Arts Libéraux, Société des Ponts et Travaux en Fer, Exposition Universelle de 1889, Paris, France
Various views of construction of the Dômes des Palais des Beaux Arts et des Arts Libéraux, Société des Ponts et Travaux en Fer, Exposition Universelle de 1889, Paris, France
Actions:
PH2011:0004:001-032
Description:
Group consists of 42 black and white photographs on 32 plates, made between 27 May 1888 and 24 November 1888, showing the construction of the Dôme des Palais des Beaux Arts et the Dôme des Arts Libéraux, Société des Ponts et Travaux en Fer, Exposition Universelle de 1889, Paris, France
Classification:
photographies
photographies
Date:
May 27- November 24, 1888
May 27- November 24, 1888
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Richard Henriquez
Fonds Richard Henriquez
Numéro de référence:
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Personnes et institutions:
Date:
1962-2002
1962-2002
Titre:
Fonds Richard Henriquez
Actions:
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Fonds Richard Henriquez
Actions:
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1962-2002
1962-2002
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personnes et institutions:
Date:
1958-1984
1958-1984
Titre:
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Classification:
documents textuels
documents textuels
Date:
1958-1984
1958-1984
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Les jardins de Grande-Bretagne et leurs bâtiments ont joué un rôle important dans l’art et la culture britanniques au cours des quatre derniers siècles, et ils ont influencé les architectes et architectes paysagistes d’Europe et d’Amérique du Nord. L’exposition Une Arcadie anglaise, 1600-1990 rassemble des documents sur l’histoire de ces jardins et bâtiments. Les 125(...)
Les jardins de Grande-Bretagne et leurs bâtiments ont joué un rôle important dans l’art et la culture britanniques au cours des quatre derniers siècles, et ils ont influencé les architectes et architectes paysagistes d’Europe et d’Amérique du Nord. L’exposition Une Arcadie anglaise, 1600-1990 rassemble des documents sur l’histoire de ces jardins et bâtiments. Les 125(...)
Localisation:
Salles principales
Salles principales
Date:
12 février 1992 au 19 avril 1992
12 février 1992 au 19 avril 1992
Titre:
Une arcadie anglaise, 1600-1990 : jardins et bâtiments sous la garde du National Trust avec des œuvres tirées des collections du CCA
Actions:
Description:
Les jardins de Grande-Bretagne et leurs bâtiments ont joué un rôle important dans l’art et la culture britanniques au cours des quatre derniers siècles, et ils ont influencé les architectes et architectes paysagistes d’Europe et d’Amérique du Nord. L’exposition Une Arcadie anglaise, 1600-1990 rassemble des documents sur l’histoire de ces jardins et bâtiments. Les 125(...)
Une arcadie anglaise, 1600-1990 : jardins et bâtiments sous la garde du National Trust avec des œuvres tirées des collections du CCA
Actions:
Description:
Les jardins de Grande-Bretagne et leurs bâtiments ont joué un rôle important dans l’art et la culture britanniques au cours des quatre derniers siècles, et ils ont influencé les architectes et architectes paysagistes d’Europe et d’Amérique du Nord. L’exposition Une Arcadie anglaise, 1600-1990 rassemble des documents sur l’histoire de ces jardins et bâtiments. Les 125(...)
Classification:
expositions
expositions
Date:
12 février 1992 au
19 avril 1992
12 février 1992 au
19 avril 1992
Localisation:
Salles principales
Salles principales
Classification:
dessins
dessins
Numéro de référence:
ARCH268845
Description:
Plan for the University Arts College of the Panjab University in sector 14 in Chandigarh, India.
ARCH268845
Description:
Plan for the University Arts College of the Panjab University in sector 14 in Chandigarh, India.
Personnes et institutions:
Date:
ca. 1950-1960
ca. 1950-1960
Titre:
Plan for the University Arts College in Chandigarh, India
Actions:
ARCH268845
Description:
Plan for the University Arts College of the Panjab University in sector 14 in Chandigarh, India.
Plan for the University Arts College in Chandigarh, India
Actions:
ARCH268845
Description:
Plan for the University Arts College of the Panjab University in sector 14 in Chandigarh, India.
Classification:
dessins
dessins
Date:
ca. 1950-1960
ca. 1950-1960
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH285217
Description:
Plan for the University Arts College of the Panjab University in sector 14 in Chandigarh, India.
ARCH285217
Description:
Plan for the University Arts College of the Panjab University in sector 14 in Chandigarh, India.
Personnes et institutions:
Date:
ca. 1950-1960
ca. 1950-1960
Titre:
Plan for the University Arts College in Chandigarh, India
Actions:
ARCH285217
Description:
Plan for the University Arts College of the Panjab University in sector 14 in Chandigarh, India.
Plan for the University Arts College in Chandigarh, India
Actions:
ARCH285217
Description:
Plan for the University Arts College of the Panjab University in sector 14 in Chandigarh, India.
Classification:
dessins
dessins
Date:
ca. 1950-1960
ca. 1950-1960
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1976.PR01
Description:
This project series documents custom display units for the exhibition hall at the Government Arts College in India in 1976. The exact location of the Government Arts College for this project is not identified in the documentation. Several Government Arts Colleges exist throughout India. The project is recorded through an original drawing showing plans, a section and an axonometric view dating from 1976.
AP206.S1.1976.PR01
Description:
This project series documents custom display units for the exhibition hall at the Government Arts College in India in 1976. The exact location of the Government Arts College for this project is not identified in the documentation. Several Government Arts Colleges exist throughout India. The project is recorded through an original drawing showing plans, a section and an axonometric view dating from 1976.
Personnes et institutions:
Date:
1976
1976
Titre:
Display units, Government Arts College, India (1976)
Actions:
AP206.S1.1976.PR01
Description:
This project series documents custom display units for the exhibition hall at the Government Arts College in India in 1976. The exact location of the Government Arts College for this project is not identified in the documentation. Several Government Arts Colleges exist throughout India. The project is recorded through an original drawing showing plans, a section and an axonometric view dating from 1976.
Display units, Government Arts College, India (1976)
Actions:
AP206.S1.1976.PR01
Description:
This project series documents custom display units for the exhibition hall at the Government Arts College in India in 1976. The exact location of the Government Arts College for this project is not identified in the documentation. Several Government Arts Colleges exist throughout India. The project is recorded through an original drawing showing plans, a section and an axonometric view dating from 1976.
Niveau de description archivistique:
Project
Project
Date:
1976
1976
Personnes et institutions:
