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Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought(...)
The filing cabinet: a vertical history of information
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Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an 'automatic memory' machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.
Théorie du design
L'humain augmenté
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Si l’humain augmenté est le dernier avatar de l’utopie technique, il exacerbe la vision purement informationnelle de l’homme et de son rapport à l’autre. Lorsqu’on parle d’humain augmenté, on sous-entend en général un individu plus fort, plus intelligent, à la longévité plus longue, etc. Autrement dit, on pense à une augmentation de ses capacités. Dès lors, l’individu se(...)
octobre 2014
L'humain augmenté
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Si l’humain augmenté est le dernier avatar de l’utopie technique, il exacerbe la vision purement informationnelle de l’homme et de son rapport à l’autre. Lorsqu’on parle d’humain augmenté, on sous-entend en général un individu plus fort, plus intelligent, à la longévité plus longue, etc. Autrement dit, on pense à une augmentation de ses capacités. Dès lors, l’individu se trouve réduit à un ensemble de fonctions motrices, cognitives, etc. L’altérité disparaît. Il n’y a plus de rupture entre l’homme et la machine, la pensée elle-même étant conceptualisée comme une propriété émergente des interactions au sein d’un substrat matériel biologique ou électronique.
Repenser l'habitat: donner un sens au logement / Rethinking habitats: making sense of housing
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La modernité a voulu transformer le logement en machine à habiter : habitants des logements de masse et savants ont vite compris que ça ne marchait pas ainsi. Architectes et urbanistes ont eu besoin des lumières des sciences humaines pour comprendre que le rapport des hommes à leur habitation était complexe, fait de nécessités mais aussi de désirs, d’images, d’affects.(...)
Repenser l'habitat: donner un sens au logement / Rethinking habitats: making sense of housing
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La modernité a voulu transformer le logement en machine à habiter : habitants des logements de masse et savants ont vite compris que ça ne marchait pas ainsi. Architectes et urbanistes ont eu besoin des lumières des sciences humaines pour comprendre que le rapport des hommes à leur habitation était complexe, fait de nécessités mais aussi de désirs, d’images, d’affects. Les dix contributions ici réunies font le point sur l’étude des relations entre la personne et son environnement, dans une perspective interdisciplinaire. Elles montrent pourquoi et comment les approches innovantes sont désormais nécessaires. L’enjeu est la qualité de vie d’une bonne partie de l’humanité.
Logements collectifs
livres
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"Instrumental Form", the first monograph on Jones' practice, investigates seventeen projects in detail through descriptions, photographs, and drawings, interspersed with engaging essays written by Jones(...)
Instrumental form (Boss Architecture) : designs for words, buildings, machines
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"Instrumental Form", the first monograph on Jones' practice, investigates seventeen projects in detail through descriptions, photographs, and drawings, interspersed with engaging essays written by Jones himself. Also included is a chronology of Jones' projects.
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janvier 1998, New York
Architecture, monographies
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Everyday Technology is a pioneering account of how small machines and consumer goods that originated in Europe and North America became objects of everyday use in India in the late nineteenth and early twentieth centuries. Rather than investigate “big” technologies such as railways and irrigation projects, Arnold examines the assimilation and appropriation of bicycles,(...)
Everyday technology: machines and the making of India's modernity
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Everyday Technology is a pioneering account of how small machines and consumer goods that originated in Europe and North America became objects of everyday use in India in the late nineteenth and early twentieth centuries. Rather than investigate “big” technologies such as railways and irrigation projects, Arnold examines the assimilation and appropriation of bicycles, rice mills, sewing machines, and typewriters in India, and follows their impact on the ways in which people worked and traveled, the clothes they wore, and the kind of food they ate.
Arch Moyen-Orient
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"Capital is a semiotic operator": this assertion by Flix Guattari is at the heart of Maurizio Lazzarato's Signs and Machines, which asks us to leave behind the logocentrism that still informs so many critical theories. Lazzarato calls instead for a new theory capable of explaining how signs function in the economy, in power apparatuses, and in the production of(...)
Signs and machines: capitalism and the production of subjectivity
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"Capital is a semiotic operator": this assertion by Flix Guattari is at the heart of Maurizio Lazzarato's Signs and Machines, which asks us to leave behind the logocentrism that still informs so many critical theories. Lazzarato calls instead for a new theory capable of explaining how signs function in the economy, in power apparatuses, and in the production of subjectivity. Moving beyond the dualism of signifier and signified, Signs and Machines shows how signs act as "sign-operators" that enter directly into material flows and into the functioning of machines.
Théorie/ philosophie
Michael Kohlhaas
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Michael Kohlhaas has been wronged. First his finest horses were unfairly confiscated and mistreated. And things keep going worse—his servants have been beaten, his wife killed, and the lawsuits he pursues are stymied—but Kohlhaas, determined to find justice at all costs, tirelessly persists. Standing up against the bureaucratic machine of the empire, Kohlhaas becomes an(...)
Michael Kohlhaas
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Michael Kohlhaas has been wronged. First his finest horses were unfairly confiscated and mistreated. And things keep going worse—his servants have been beaten, his wife killed, and the lawsuits he pursues are stymied—but Kohlhaas, determined to find justice at all costs, tirelessly persists. Standing up against the bureaucratic machine of the empire, Kohlhaas becomes an indomitable figure that you can’t help rooting for from start to finish. Knotty, darkly comical, magnificent in its weirdness, and one of the greatest and most influential tales in German literature, this short novel, first published in German in 1810, is now available in award-winning Michael Hofmann’s sparkling new English translation.
Littérature et poésie
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Près de soixante ans après sa disparition, l'oeuvre de Robert Mallet-Stevens (1886-1945) nous permet de redécouvrir un architecte moderne, un théoricien sans dogme, à des lieues de l'image commune du dandy parisien qu'on lui attribue. Durant sa courte carrière - une vingtaine d'années et autant d'édiffices bâtis entre les deux guerres - Mallet-Stevens s'est opposé à(...)
Robert Mallet Stevens architecte
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Près de soixante ans après sa disparition, l'oeuvre de Robert Mallet-Stevens (1886-1945) nous permet de redécouvrir un architecte moderne, un théoricien sans dogme, à des lieues de l'image commune du dandy parisien qu'on lui attribue. Durant sa courte carrière - une vingtaine d'années et autant d'édiffices bâtis entre les deux guerres - Mallet-Stevens s'est opposé à l'académisme des Beaux-arts tout en gardant, par ailleurs, ses distances avec la «machine à habiter» chère à Le Corbusier. Treize passionnées, venus de tous horizons - architectes, designers, journalistes ou historiens - se sont réunis pour croiser leurs points de vue et témoigner sur celui qu'ils considèrent comme un moderne «à visage humain».
Architecture, monographies
The bench in the garden
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The bench, an apparently small and almost irrelevant object, appears to function as a significant object in both through specific physical placement and in a more general sense- that of the blended domain of aesthetics, garden history, architecture, spatiality and subjectivity. The bench acts as a powerful visual machine, regulating the reception of a landscape in what it(...)
The bench in the garden
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The bench, an apparently small and almost irrelevant object, appears to function as a significant object in both through specific physical placement and in a more general sense- that of the blended domain of aesthetics, garden history, architecture, spatiality and subjectivity. The bench acts as a powerful visual machine, regulating the reception of a landscape in what it has to offer to its visitors. By transmitting verbal messages through inscriptions, citing other benches as part of a complex walk circuit, providing rest and inviting users to discover new aspects of the site, this highly polysemic element orients and disorients the visitor at the same time.
Théorie du paysage
Conflict in my Outlook
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We live in a hyper-mediated world, drowning in an ocean of images and information. ''Conflict in my outlook'' gathers contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponization of social media to invisible power structures, clickwork, and the 'gig' economy,(...)
juin 2022
Conflict in my Outlook
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We live in a hyper-mediated world, drowning in an ocean of images and information. ''Conflict in my outlook'' gathers contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponization of social media to invisible power structures, clickwork, and the 'gig' economy, contributors seek a better future in the context of algorithmic racism, machine learning, and the new colonial frontiers of surveillance capitalism. The anthology, which is published on the occasion of a two-part exhibition series at UQ Art Museum, focuses on art as a means to explore the techno-politics that define our age.