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This publication bridges architecture and textile by exploring fiber architectures from the micro scale of biological systems to the macro scale of textile and built structures. Selected case studies, essays, and interviews reflect on cultural practices and materials research through the lens of textile thinking. In the quest for sustainable and resilient approaches that(...)
Architectures of weaving: From fibers and yarns to scaffolds and skins
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This publication bridges architecture and textile by exploring fiber architectures from the micro scale of biological systems to the macro scale of textile and built structures. Selected case studies, essays, and interviews reflect on cultural practices and materials research through the lens of textile thinking. In the quest for sustainable and resilient approaches that meet the challenges of our time, the book presents fascinating approaches heralding a paradigm shift by working with fibrous materiality: structures become flexible and adaptive, they interact with their environment. As a source of inspiration, the book assembles exceptional contributions from the fields of architecture, art, material science, cultural history, design, engineering, mathematics, microbiology, and textile technology.
Matériaux et éclairage
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While he was working to complete the Allmannajuvet Zinc Mine Museum in southern Norway in 2016, Swiss architect Peter Zumthor asked Norwegian architectural historian Mari Lending to engage in a dialogue about the project. In meandering, impressionistic style, and drawing on their favorite writers, such as Johann Peter Hebel, Stendhal, Nabokov, and T. S. Eliot, their(...)
Zumthor: A feeling of history
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While he was working to complete the Allmannajuvet Zinc Mine Museum in southern Norway in 2016, Swiss architect Peter Zumthor asked Norwegian architectural historian Mari Lending to engage in a dialogue about the project. In meandering, impressionistic style, and drawing on their favorite writers, such as Johann Peter Hebel, Stendhal, Nabokov, and T. S. Eliot, their exchanges explore how history, time, and temporalities reverberate across Zumthor’s oeuvre. Looking back, Zumthor ponders on how a feeling of history has informed his attempts at emotional reconstruction by means of building, from architectural interventions in dramatic landscapes to his design for the redevelopment of the Los Angeles County Museum of Art, which conceived the building on a suitably grand urban scale.
Architecture, monographies
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"The public chance" is a visual analysis of 30 urban landscapes of opportunity. The projects selected are grouped according to scene of origin: ·Industrial areas ·Peripheral voids ·Infrastructures ·Waterfronts Each project is located: · within surroundings of 60 km2 at a scale of 1:20,000 · within surroundings of 3.5 km2 at a scale of 1:10,000. Each(...)
Paysages urbains
juin 2008, Vitoria-Gasteiz
The public chance : new urban landscapes
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"The public chance" is a visual analysis of 30 urban landscapes of opportunity. The projects selected are grouped according to scene of origin: ·Industrial areas ·Peripheral voids ·Infrastructures ·Waterfronts Each project is located: · within surroundings of 60 km2 at a scale of 1:20,000 · within surroundings of 3.5 km2 at a scale of 1:10,000. Each intervention undergoes a layer analysis: ·water ·vegetation ·buildings ·routes ·rooms ·activities The 20 most used strategies arise from the comparison of all the projects. This is the first book published by a+t ediciones in the "In common" series, which came about in 2005 in the pages of a+t magazine. "The public chance" offers a renewed vision of some of those projects and a third of new interventions, all of them under thematic analysis.
Paysages urbains
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In The Dutch Urban Block, Susanne Komossa uses typomorphological research to analyse the development of the Dutch urban block as an architectural model for the past four hundred years. The urban block is the link between city dwellers' everyday lives and the urban public realm. This amply documented study calls for the small-scale urban economy and the public realm to be(...)
The Dutch urban block and the public realm: Models rules ideals
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In The Dutch Urban Block, Susanne Komossa uses typomorphological research to analyse the development of the Dutch urban block as an architectural model for the past four hundred years. The urban block is the link between city dwellers' everyday lives and the urban public realm. This amply documented study calls for the small-scale urban economy and the public realm to be treated as essential components of the city when new urban plans and models are developed.
Logements collectifs
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The(...)
Moholy-Nagy: laboratory of vision
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The pursuit of his career as a creative artist and art educator took Moholy-Nagy from his native Hungary to Vienna, then on to Germany, the Netherlands and Great Britain and finally to the United States. Working in painting, photography, sculpture, film, graphic design, stage design and publishing, Moholy-Nagy’s career addressed many of the new issues confronting art in the 20th century, such as the relationship between art and industrial technology and the new media of information and communications. This exhibition marks Japan’s first full-scale retrospective of the art of Moholy-Nagy and spans the artist’s full career from its earliest years to its last in some 300 works and related materials and documents.
Idea 340: Forms of practice
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A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design(...)
Idea 340: Forms of practice
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A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design production from the approach of a more personal practice, inflecting their work with nuanced, idiosyncratic conceptual and formal approaches. While widely varied due to cultural context and social/environmental differences, all have a kinship in unique approaches to developing formal options for clients. The use of the word "option" as applied here is perhaps the most relevant key point for the latest wave of graphic design from abroad- perhaps the "solution" as an end result of graphic design as a process is a dead methodology. What are instead offered are graphic "options" in lieu of "solutions"- inquiries answered with inquiries, questions answered with questions. The work featured offers playful, tentative answers instead of cold, hard end results.
Revues
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Scolari's illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance(...)
Oblique drawing : a history of anti-perspective
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Scolari's illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance images of machines and military hardware, architectural models and drawings, and illustrations of geometrical solids. He challenges Panofsky's theory of Pompeiian perspective and explains the difficulties encountered by the Chinese when they viewed Jesuit missionaries' perspectival religious images. Scolari demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others.
Théorie de l’architecture
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Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability—at the level of literature, history, and politics—to grasp the scale and violence of climate(...)
The great derangement: climate change and the unthinkable
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Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability—at the level of literature, history, and politics—to grasp the scale and violence of climate change. The extreme nature of today’s climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the novel; they are automatically consigned to other genres. In the writing of history, too, the climate crisis has sometimes led to gross simplifications; Ghosh shows that the history of the carbon economy is a tangled global story with many contradictory and counterintuitive elements.
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Michael Sorkin is one of the most forthright and engaging architectural writers in the world. In « What Goes Up » he takes to task the public officials, developers, “civic” organizations, and other heroes of big money, who have made of Sorkin’s beloved New York a city of glittering towers and increasing inequality. He unpacks not simply the forms and practices—from zoning(...)
What goes up: the rights and wrongs to the city
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Michael Sorkin is one of the most forthright and engaging architectural writers in the world. In « What Goes Up » he takes to task the public officials, developers, “civic” organizations, and other heroes of big money, who have made of Sorkin’s beloved New York a city of glittering towers and increasing inequality. He unpacks not simply the forms and practices—from zoning and political deals to the finer points of architectural design—that shape cities today but also offers spirited advocacy for another kind of city, reimagined from the street up on a human scale, a home to sustainable, just, and fulfilling neighborhoods and public spaces.
Théorie de l’urbanisme
SMQ. The quantified home
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The way we live is rapidly changing under pressure from multiple forces financial, environmental, technological, geopolitical. What we used to call home may not even exist anymore, having transmuted into a financial commodity of which the square meter is the basic unit. Yet, domesticity and the domestic space ceased long ago to be present in the architectural agenda. SQM,(...)
SMQ. The quantified home
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The way we live is rapidly changing under pressure from multiple forces financial, environmental, technological, geopolitical. What we used to call home may not even exist anymore, having transmuted into a financial commodity of which the square meter is the basic unit. Yet, domesticity and the domestic space ceased long ago to be present in the architectural agenda. SQM, produced for the 2014 Biennale Interieur in Kortrijk, Belgium, charts the scale of this change using data, fiction, and a critical selection of homes and their interiors from Osama bin Laden s compound to apartment living in the age of Airbnb.
Théorie de l’architecture