4877 Résultats
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of(...)
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of(...)
Titre:
Light in the dark room : photography and loss
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, "Light in the Dark Room" offers a vision of photography as realization of loss - and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes’s "Camera Lucida", Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss’s last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal - a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society - and the world we have lost in the process.
Light in the dark room : photography and loss
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"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, "Light in the Dark Room" offers a vision of photography as realization of loss - and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes’s "Camera Lucida", Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss’s last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal - a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society - and the world we have lost in the process.
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livres
livres
Publication:
décembre 2005, Minneapolis
décembre 2005, Minneapolis
Sujet:
Théorie de la photographie
Théorie de la photographie
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Description:
313 p. : ill. ; 27 cm.
Description:
313 p. : ill. ; 27 cm.
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New York : Primary Information, c2006.
New York : Primary Information, c2006.
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Real life magazine : selected writings and projects 1979-1994 / edited by Miriam Katzeff, Thomas Lawson, and Susan Morgan.
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Description:
313 p. : ill. ; 27 cm.
Real life magazine : selected writings and projects 1979-1994 / edited by Miriam Katzeff, Thomas Lawson, and Susan Morgan.
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313 p. : ill. ; 27 cm.
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livres
livres
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New York : Primary Information, c2006.
New York : Primary Information, c2006.
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$49.95
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les(...)
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les(...)
Titre:
Miriam Sturzenegger : the fog is a light darkness
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les méandres d’un parcours des installations aux dessins dans les carnets, nous cherchons à trouver des repères dans les zones fragiles entre le vide, les traces et la figuration.
Miriam Sturzenegger : the fog is a light darkness
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les méandres d’un parcours des installations aux dessins dans les carnets, nous cherchons à trouver des repères dans les zones fragiles entre le vide, les traces et la figuration.
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livres
livres
Publication:
novembre 2011
novembre 2011
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livres
livres
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$24.95
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The subject of light and lighting is more relevant than ever, as evidenced by the UNESCO global celebration of 2015 as the International Year of Light. The exhibition Nightscape 2050 by Lighting Planners Associates (LPA) explores the interactions between people, light, and cities in the year 2050. For LPA the word “nightscape” does not only refer to the evening view, but(...)
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The subject of light and lighting is more relevant than ever, as evidenced by the UNESCO global celebration of 2015 as the International Year of Light. The exhibition Nightscape 2050 by Lighting Planners Associates (LPA) explores the interactions between people, light, and cities in the year 2050. For LPA the word “nightscape” does not only refer to the evening view, but(...)
Titre:
Nightscape 2050: a dialogue between cities. light. people in the future
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$24.95
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The subject of light and lighting is more relevant than ever, as evidenced by the UNESCO global celebration of 2015 as the International Year of Light. The exhibition Nightscape 2050 by Lighting Planners Associates (LPA) explores the interactions between people, light, and cities in the year 2050. For LPA the word “nightscape” does not only refer to the evening view, but also includes the individual: “nightscape = humans and cities at night.” The emergence of new light sources such as LEDs, OLEDs, and lasers as well as the evolution of lighting-control technology in the 21st century may dramatically change our living environment. At the same time, numerous natural disasters, manmade disasters, and environmental changes have forced a discussion on how to approach energy consumption including how to power lighting.
Nightscape 2050: a dialogue between cities. light. people in the future
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$24.95
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Résumé:
The subject of light and lighting is more relevant than ever, as evidenced by the UNESCO global celebration of 2015 as the International Year of Light. The exhibition Nightscape 2050 by Lighting Planners Associates (LPA) explores the interactions between people, light, and cities in the year 2050. For LPA the word “nightscape” does not only refer to the evening view, but also includes the individual: “nightscape = humans and cities at night.” The emergence of new light sources such as LEDs, OLEDs, and lasers as well as the evolution of lighting-control technology in the 21st century may dramatically change our living environment. At the same time, numerous natural disasters, manmade disasters, and environmental changes have forced a discussion on how to approach energy consumption including how to power lighting.
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livres
livres
Publication:
août 2015
août 2015
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livres
livres
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$55.00
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The second volume of the source books in architecture series, "The light construction reader" is a collection of 38 essays that explores the themes and issues surrounding this exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete(...)
$55.00
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Résumé:
The second volume of the source books in architecture series, "The light construction reader" is a collection of 38 essays that explores the themes and issues surrounding this exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete(...)
Titre:
The light construction reader / source books in architecture 2
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The second volume of the source books in architecture series, "The light construction reader" is a collection of 38 essays that explores the themes and issues surrounding this exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete transcripts of the Light Construction Symposium, held at Columbia University in conjunction with the exhibition, are also included. Colin Rowe and Robert Slutzky’s essay 'Transparency: Literal and Phenomenal' is presented here for the first time together with its lesser-known sequel of 1971. Also represented are Italo Calvino, Jacques Derrida, Jean Starobinski, and many others.
The light construction reader / source books in architecture 2
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The second volume of the source books in architecture series, "The light construction reader" is a collection of 38 essays that explores the themes and issues surrounding this exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete transcripts of the Light Construction Symposium, held at Columbia University in conjunction with the exhibition, are also included. Colin Rowe and Robert Slutzky’s essay 'Transparency: Literal and Phenomenal' is presented here for the first time together with its lesser-known sequel of 1971. Also represented are Italo Calvino, Jacques Derrida, Jean Starobinski, and many others.
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livres
livres
Publication:
décembre 2001, New York
décembre 2001, New York
Sujet:
Matériaux et éclairage
Matériaux et éclairage
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livres
livres
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$66.00
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An artist and thinker of astounding energy and ability, Laszlo Moholy-Nagy was a true world citizen of the early twentieth century, an ambassador-at-large for Constructivism, Suprematism, Dada and the Bauhaus. He brought the same Constructivist optimism to every medium he tackled, from plexiglass and light sculpture to typography to his photographic experiments in color(...)
$66.00
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An artist and thinker of astounding energy and ability, Laszlo Moholy-Nagy was a true world citizen of the early twentieth century, an ambassador-at-large for Constructivism, Suprematism, Dada and the Bauhaus. He brought the same Constructivist optimism to every medium he tackled, from plexiglass and light sculpture to typography to his photographic experiments in color(...)
Titre:
Laszlo Moholy-Nagy: the art of light
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$66.00
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An artist and thinker of astounding energy and ability, Laszlo Moholy-Nagy was a true world citizen of the early twentieth century, an ambassador-at-large for Constructivism, Suprematism, Dada and the Bauhaus. He brought the same Constructivist optimism to every medium he tackled, from plexiglass and light sculpture to typography to his photographic experiments in color to his Suprematist canvases, his influential pedagogy at the Bauhaus and at the Institute of Design in Chicago. Including more than 200 works, from painting, photography and photograms to collages, films and graphic design, this publication emphasizes his greatest years of productivity, from 1922 to the end of his life.
Laszlo Moholy-Nagy: the art of light
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An artist and thinker of astounding energy and ability, Laszlo Moholy-Nagy was a true world citizen of the early twentieth century, an ambassador-at-large for Constructivism, Suprematism, Dada and the Bauhaus. He brought the same Constructivist optimism to every medium he tackled, from plexiglass and light sculpture to typography to his photographic experiments in color to his Suprematist canvases, his influential pedagogy at the Bauhaus and at the Institute of Design in Chicago. Including more than 200 works, from painting, photography and photograms to collages, films and graphic design, this publication emphasizes his greatest years of productivity, from 1922 to the end of his life.
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livres
livres
Publication:
septembre 2010
septembre 2010
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Description:
xi, 369 pages : illustrations, maps ; 26 cm
Description:
xi, 369 pages : illustrations, maps ; 26 cm
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Cambridge, Mass. : Da Capo, ©2003.
Cambridge, Mass. : Da Capo, ©2003.
Titre:
Fortress Third Reich : German fortifications and defense systems in World War II / J.E. Kaufmann & H.W. Kaufmann ; illustrations by Robert Jurga.
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xi, 369 pages : illustrations, maps ; 26 cm
Fortress Third Reich : German fortifications and defense systems in World War II / J.E. Kaufmann & H.W. Kaufmann ; illustrations by Robert Jurga.
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xi, 369 pages : illustrations, maps ; 26 cm
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livres
livres
Publication:
Cambridge, Mass. : Da Capo, ©2003.
Cambridge, Mass. : Da Capo, ©2003.
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Titre:
The Color of light
The Color of light
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Ce volume constitue la première monographie dédiée à l’œuvre du photographe Joël Denot. Ses photographies échappent au regard comme à la classification : elles ne sont ni figuratives ni abstraites, elles s’inscrivent simultanément dans une pensée picturale. Elles sont avant tout matière, forme et couleur. Elles sont au-delà de l’image. Corps de l’artiste qui se met à(...)
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Ce volume constitue la première monographie dédiée à l’œuvre du photographe Joël Denot. Ses photographies échappent au regard comme à la classification : elles ne sont ni figuratives ni abstraites, elles s’inscrivent simultanément dans une pensée picturale. Elles sont avant tout matière, forme et couleur. Elles sont au-delà de l’image. Corps de l’artiste qui se met à(...)
Titre:
The Color of light
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$65.95
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Ce volume constitue la première monographie dédiée à l’œuvre du photographe Joël Denot. Ses photographies échappent au regard comme à la classification : elles ne sont ni figuratives ni abstraites, elles s’inscrivent simultanément dans une pensée picturale. Elles sont avant tout matière, forme et couleur. Elles sont au-delà de l’image. Corps de l’artiste qui se met à l’œuvre, dans l’œuvre, retrouvant ainsi la trace photographique que le reste de l’image ferait oublier, articulant geste pictural et geste photographique au travers de la figure de ce corps qui transparaît, comme coulé dans la couleur.
The Color of light
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$65.95
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Ce volume constitue la première monographie dédiée à l’œuvre du photographe Joël Denot. Ses photographies échappent au regard comme à la classification : elles ne sont ni figuratives ni abstraites, elles s’inscrivent simultanément dans une pensée picturale. Elles sont avant tout matière, forme et couleur. Elles sont au-delà de l’image. Corps de l’artiste qui se met à l’œuvre, dans l’œuvre, retrouvant ainsi la trace photographique que le reste de l’image ferait oublier, articulant geste pictural et geste photographique au travers de la figure de ce corps qui transparaît, comme coulé dans la couleur.
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livres
livres
Publication:
décembre 2023
décembre 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$17.25
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Published to record the 1996 John Dinkeldoo Memorial Lecture at the College of Architecture and Urban Planning, University of Michigan.
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Published to record the 1996 John Dinkeldoo Memorial Lecture at the College of Architecture and Urban Planning, University of Michigan.
Titre:
Richard Horden : light architecture
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Published to record the 1996 John Dinkeldoo Memorial Lecture at the College of Architecture and Urban Planning, University of Michigan.
Richard Horden : light architecture
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Published to record the 1996 John Dinkeldoo Memorial Lecture at the College of Architecture and Urban Planning, University of Michigan.
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livres
livres
Publication:
janvier 1996, Ann Arbor
janvier 1996, Ann Arbor
Sujet:
petits formats
petits formats
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livres
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$27.95
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This book comprises sixty Polaroid photographs of Andrei Tarkovsky's friends and family, taken between 1979 and 1984 in his native Russia and in Italy, where he spent time in political exile. The size of the Polaroids is exactly as presented in the book, including the frame. The book may therefore be viewed as a facsimile edition. 60 color illustrations.
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Résumé:
This book comprises sixty Polaroid photographs of Andrei Tarkovsky's friends and family, taken between 1979 and 1984 in his native Russia and in Italy, where he spent time in political exile. The size of the Polaroids is exactly as presented in the book, including the frame. The book may therefore be viewed as a facsimile edition. 60 color illustrations.
Titre:
Instant light: Tarkovsky polaroids
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$27.95
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This book comprises sixty Polaroid photographs of Andrei Tarkovsky's friends and family, taken between 1979 and 1984 in his native Russia and in Italy, where he spent time in political exile. The size of the Polaroids is exactly as presented in the book, including the frame. The book may therefore be viewed as a facsimile edition. 60 color illustrations.
Instant light: Tarkovsky polaroids
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$27.95
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Résumé:
This book comprises sixty Polaroid photographs of Andrei Tarkovsky's friends and family, taken between 1979 and 1984 in his native Russia and in Italy, where he spent time in political exile. The size of the Polaroids is exactly as presented in the book, including the frame. The book may therefore be viewed as a facsimile edition. 60 color illustrations.
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livres
livres
Publication:
avril 2006
avril 2006
Sujet:
Monographies photo
Monographies photo
