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This publication reproduces the experimental filmmakers' notebooks from their journey in the Soviet Union at the end of the 1980s. Gianikian & Ricci Lucchi undertook this travel to gather the memories of the cinematographic literary and artistic Russian avant-garde of the '20s and '30s, seeking out survivors and listening to their life stories.
juillet 2017
The arrow of time: notes from a Russian journey, Yervant Gianikian & Angela Ricci Lucchi
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This publication reproduces the experimental filmmakers' notebooks from their journey in the Soviet Union at the end of the 1980s. Gianikian & Ricci Lucchi undertook this travel to gather the memories of the cinematographic literary and artistic Russian avant-garde of the '20s and '30s, seeking out survivors and listening to their life stories.
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This is the first major publication on the remarkable life and career of Boris Iofan (1891–1976), state architect to Joseph Stalin. Iofan's story is an insight into the troubled relationship of all successful architects with power. A gifted designer and a committed Communist, Iofan became the Soviet Union's most celebrated architect after Alexei Rykov, Lenin's successor,(...)
Stalin's architect: power and survival in Moscow
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This is the first major publication on the remarkable life and career of Boris Iofan (1891–1976), state architect to Joseph Stalin. Iofan's story is an insight into the troubled relationship of all successful architects with power. A gifted designer and a committed Communist, Iofan became the Soviet Union's most celebrated architect after Alexei Rykov, Lenin's successor, persuaded him to return to Moscow from Rome with his aristocratic wife, Olga Sasso-Ruffo. Iofan was at the heart of political life in the Soviet Union and his work is key to understanding its official culture. This book is an exploration of architecture as an instrument of statecraft. It is an insight into the key moments of 20th-century politics and culture from a unique perspective, and the personal story of a remarkable individual who witnessed many of the most dramatic turning points of modern history.
Théorie de l’architecture
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"Dwelling: Five Years’ Work" on the Problem of the Habitation was the third of four groundbreaking works written by the Soviet modernist architect Moisei Ginzburg (1892-1946). Originally published in 1934, this facsimile edition is the first translation of the entire book into English, detailing Ginzburg’s work over a five-year period in the late 1920s and early 1930s.(...)
Dwelling: Five years work on the problem of habitation
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"Dwelling: Five Years’ Work" on the Problem of the Habitation was the third of four groundbreaking works written by the Soviet modernist architect Moisei Ginzburg (1892-1946). Originally published in 1934, this facsimile edition is the first translation of the entire book into English, detailing Ginzburg’s work over a five-year period in the late 1920s and early 1930s. Starting with a broad survey of habitation in different cultures and traditions, Ginzburg elucidates the ways in which he and his colleagues tried to adapt and apply architectural solutions to the new demands of Soviet life. This includes a detailed analysis of the Narkomfin building in Moscow, now being restored by his grandson, the architect Alexey Ginzburg; a description of his work on the commune house; and the theories behind two major housing projects: Magnitogorya and Zeleny Gorod. The period covered by "Dwelling" represents the highpoint of Constructivism.
Architecture, monographies
Brutal bloc postcards
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Brutal concrete hotels, futurist TV towers, heroic statues of workers—this collection of Soviet-era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. These are interspersed with quotes from prominent figures of the time, which both support and confound the ideologies presented in the images. In contrast to the(...)
août 2018
Brutal bloc postcards
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Brutal concrete hotels, futurist TV towers, heroic statues of workers—this collection of Soviet-era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. These are interspersed with quotes from prominent figures of the time, which both support and confound the ideologies presented in the images. In contrast to the photographs of a ruined and abandoned Soviet empire we are accustomed to seeing today, the scenes depicted here publicize the bright future of communism: social housing blocks, palaces of culture and monuments to comradeship. Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into social and architectural values of the time, acting as a window through which we can examine cars, people and, of course, buildings. These postcards, sanctioned by the authorities, were intended to show the world what living in communism looked like.
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Quelle était la vie quotidienne des citadins en URSS ? L'histoire de l'appartement communautaire, qui représenta le logement majoritaire dans les grandes villes soviétiques, commence après la Révolution de 1917. Dès décembre 1918, les appartements des immeubles de rapport et les hôtels particuliers sont divisés en parties individuelles et en parties communes. Retraçant(...)
L'appartement communautaire: l'histoire cachée du logement soviétique
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Quelle était la vie quotidienne des citadins en URSS ? L'histoire de l'appartement communautaire, qui représenta le logement majoritaire dans les grandes villes soviétiques, commence après la Révolution de 1917. Dès décembre 1918, les appartements des immeubles de rapport et les hôtels particuliers sont divisés en parties individuelles et en parties communes. Retraçant les utopies qui donnèrent naissance aux différents types de logements collectifs, s'appuyant sur de nombreux textes législatifs mais aussi sur des témoignages d'habitants, Katerina Azarova nous plonge dans l'univers labyrinthique et exacerbé de la vie communautaire. Illustré d'une centaine de photographies, son livre nous donne des clés pour comprendre la société soviétique d'hier et celle des Russes d'aujourd'hui.
livres
octobre 2007, Paris
Théorie de l’architecture
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In wide-angle photographs, Christoph Grill (born 1965) documents the post-Perestroika development of the 15 former Soviet countries: Albania, Slovakia, Poland, Hungary, the Ukraine, Belarus, Russia, Lithuania, Latvia, Estonia, Armenia, Nagorno-Karabakh, Azerbaijan, Kazakhstan, Kyrgyzstan and Tajikistan. Emphasizing the empty space around their subjects, Grill’s color and(...)
Christoph Grill : short stalks at distant shores
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In wide-angle photographs, Christoph Grill (born 1965) documents the post-Perestroika development of the 15 former Soviet countries: Albania, Slovakia, Poland, Hungary, the Ukraine, Belarus, Russia, Lithuania, Latvia, Estonia, Armenia, Nagorno-Karabakh, Azerbaijan, Kazakhstan, Kyrgyzstan and Tajikistan. Emphasizing the empty space around their subjects, Grill’s color and black-and-white images are distinctly unsentimental portraits of everyday life.
Monographies photo
livres
Description:
xxx, 378 pages : illustrations, 1 portrait ; 22 cm
London : Penguin, 1999.
Utopias : Russian modernist texts 1905-1940 / edited by Catriona Kelly.
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Description:
xxx, 378 pages : illustrations, 1 portrait ; 22 cm
livres
London : Penguin, 1999.
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as(...)
février 2019
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku’s planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities.
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The Viipuri Library has international reputation as a seminal early work of Alvar Aalto, and is a key example of modern architecture. Simultaneously, the meanings associated with it stem from its geopolitical location: the library was originally opened to the Finnish city of Viipuri, but at the end of the World War II the city was annexed to the Soviet Union. Since 1991(...)
The building that disappeared: the Viipuri library by Alvar Aalto
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The Viipuri Library has international reputation as a seminal early work of Alvar Aalto, and is a key example of modern architecture. Simultaneously, the meanings associated with it stem from its geopolitical location: the library was originally opened to the Finnish city of Viipuri, but at the end of the World War II the city was annexed to the Soviet Union. Since 1991 the building has been located in modern day Russia. The title of the book reflects the widely spread misunderstanding that the Library has been lost at war, and future generations can learn about it only from drawings and images. This work unfolds its 'life’ in four thematic chapters, each presenting a totally different perspective to what this building is all about: First, the context of the city of Viipuri, second, the Library as a work of Aalto, third, the time period of the Second World War and the Soviet Union, and last, the international restoration project.
Architecture, monographies
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Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde(...)
Avant-garde as method: Vkhutemas and the pedagogy of space 1920-1930
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Throughout the 1920s and ’30s, the Higher Art and Technical Studios in Moscow, more commonly known as Vkhutemas, adopted what it called the ''objective method'' to facilitate instruction on a mass scale. The school was the first to implement mass art and technology education, which was seen as essential to the Soviet Union’s dominant modernist paradigm. With ''Avant-Garde as method,'' architect and historian Anna Bokov explores the nature of art and technology education in the Soviet Union. The pedagogical program at Vkhutemas, she shows, combined longstanding academic ideas and practices with more nascent industrial era ones to initiate a new type of pedagogy that took an explorative approach and drew its strength from continuous feedback and exchange between students and educators. Elaborating on the ways the Vkhutemas curriculum challenged established canons of academic tradition by replacing it with open-ended inquiry, Bokov then shows how this came to be articulated in architectural and urban projects within the school’s advanced studios.
Modernisme