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152 pages ; 24 cm
[Paris] : [COPEDITH], [1972?]
Le discours ideologique des architectes et urbanistes / Françoise Lugassy.
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152 pages ; 24 cm
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[Paris] : [COPEDITH], [1972?]
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362 p. : ill. ; 24 cm.
New York : Routledge, 2004.
Surrealism and architecture / edited by Thomas Mical.
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362 p. : ill. ; 24 cm.
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New York : Routledge, 2004.
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63 p. : ill. ; 22 cm.
[Montreal] : McGill University, c2003.
Montréal : a written city in twelve pieces / prologue by Ricardo L. Castro ; [designed, edited and produced by the students of the 2002 Critical Writing Seminar, History and Theory of Architecture, McGill University].
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63 p. : ill. ; 22 cm.
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[Montreal] : McGill University, c2003.
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Strategies in architectural thinking / edited by John Whiteman, Jeffrey Kipnis, Richard Burdett.
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256 pages : illustrations ; 28 cm
[Chicago, Ill.] : Chicago Institute for Architecture and Urbanism ; Cambridge, Mass. : Distributed by the MIT Press, 1991.
Strategies in architectural thinking / edited by John Whiteman, Jeffrey Kipnis, Richard Burdett.
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256 pages : illustrations ; 28 cm
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[Chicago, Ill.] : Chicago Institute for Architecture and Urbanism ; Cambridge, Mass. : Distributed by the MIT Press, 1991.
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135 pages : illustrations ; 23 cm.
Bielefeld : Transcript, [2015]
Architektur und Kommunikation : zur Medialität gebauter Wirklichkeit / Alexander Gutzmer.
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135 pages : illustrations ; 23 cm.
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Bielefeld : Transcript, [2015]
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1 online resource
[Place of publication not identified], re.press, 2013.
The Disjunctive Logic of the World: Thinking Global Civil Society with Hegel.
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1 online resource
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[Place of publication not identified], re.press, 2013.
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Silver Press 2017
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Silver Press 2017
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pages cm
Baden : Lars Müller Publishers, 2013.
Double : storefront for art and architecture manifesto series 2 / edited by Serkan Ozkayan.
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pages cm
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Baden : Lars Müller Publishers, 2013.
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56 pages : illustrations (some color) ; 24 cm
London : Academy Editions ; New York : St. Martin's Press, 1988.
What is Deconstruction? / Christopher Norris & Andrew Benjamin.
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56 pages : illustrations (some color) ; 24 cm
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London : Academy Editions ; New York : St. Martin's Press, 1988.
Theory of seeing
$48.99
(disponible en magasin)
Résumé:
The first English translation of a radical and influential theory of art by a leader of Poland’s avant-garde After World War II, socialist realism became the official state doctrine of art in Poland, with abstract works deemed counterrevolutionary and forbidden from public view. Wladyslaw Strzeminski, a leader of the Polish constructivist avant-garde, developed a treatise(...)
Theory of seeing
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$48.99
(disponible en magasin)
Résumé:
The first English translation of a radical and influential theory of art by a leader of Poland’s avant-garde After World War II, socialist realism became the official state doctrine of art in Poland, with abstract works deemed counterrevolutionary and forbidden from public view. Wladyslaw Strzeminski, a leader of the Polish constructivist avant-garde, developed a treatise of visual consciousness as a foundation for progressive art, emphasizing art’s autonomy. His application of Marxist aesthetics to the physiology of seeing is expressed in Theory of Seeing, which was published posthumously in 1958 by his students from notes collected from his lectures. Preceding the comparable perspectives developed by Jacques Rancière, David Hockney, and John Berger, and even the cinema of Jean-Luc Godard, Strzeminski’s "Theory of seeing" introduces the radical and groundbreaking ideas of one of Poland’s most important artists to English-speaking audiences for the first time.
Théorie de l’art