2493 Résultats
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livres
livres
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Description:
410 pages : color illustrations, maps ; 18 cm.
Description:
410 pages : color illustrations, maps ; 18 cm.
Auteur:
Sujet:
- Chinese Africa.,
- Chinois Afrique.,
- Chinese.,
- International economic relations.,
- Ausländisches Unternehmen,
- Africa Foreign economic relations China.,
- China Foreign economic relations Africa.,
- Afrique Relations économiques extérieures Chine.,
- Africa.,
- China.,
- Afrika,
- China in Africa Economic and political history
Publication:
Paris : Hachette, 2009.
Paris : Hachette, 2009.
Titre:
La Chinafrique : Pékin à la conquête du continent noir / Serge Michel, Michel Beuret ; photographies de Paolo Woods.
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Description:
410 pages : color illustrations, maps ; 18 cm.
La Chinafrique : Pékin à la conquête du continent noir / Serge Michel, Michel Beuret ; photographies de Paolo Woods.
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Description:
410 pages : color illustrations, maps ; 18 cm.
Classification:
livres
livres
Publication:
Paris : Hachette, 2009.
Paris : Hachette, 2009.
Auteur:
Sujet:
- Chinese Africa.,
- Chinois Afrique.,
- Chinese.,
- International economic relations.,
- Ausländisches Unternehmen,
- Africa Foreign economic relations China.,
- China Foreign economic relations Africa.,
- Afrique Relations économiques extérieures Chine.,
- Africa.,
- China.,
- Afrika,
- China in Africa Economic and political history
Classification:
livres
livres
Actions:
Prix:
$67.50
(disponible sur commande)
Résumé:
Today we are so accustomed to seeing photographs wedded to text--whether in the family album or daily newspaper--that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes(...)
$67.50
(disponible sur commande)
Résumé:
Today we are so accustomed to seeing photographs wedded to text--whether in the family album or daily newspaper--that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
novembre 1998, Cambridge, Mass.
novembre 1998, Cambridge, Mass.
Titre:
Scenes in a library : reading the photograph in the book, 1843-1875
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Prix:
$67.50
(disponible sur commande)
Résumé:
Today we are so accustomed to seeing photographs wedded to text--whether in the family album or daily newspaper--that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image, and the forty or so years--roughly from the 1840s to the 1880s--during which the photographic image alternately resisted and became assimilated to the printed page. Armstrong's emphasis is on British books. Not only was it in an English book that the paper photograph was first described and published, but the range of subject matter of nineteenth-century British photographically illustrated books prior to the 1880s was as rich as it was peculiar and sometimes recalcitrant. Armstrong focuses on one book about photography (Talbot's The Pencil of Nature); one "scientific" book (Anna Atkins's Photographs of British Algae); two travel narratives, one factual and one fictional (Francis Frith's Egypt and Palestine Photographed and Observed and his illustrated edition of Longfellow's novel Hyperion: A Romance); and one book of poetry (Julia Margaret Cameron's Illustrations to Alfred Lord Tennyson's Idylls of the King); as well as some miscellaneous books from the 1870s. According to Armstrong, art history has tended to remove the historic photograph from its printed and published context. Moving back and forth between close looking and equally close reading, she reinserts the photograph into the book from which it was taken.
Scenes in a library : reading the photograph in the book, 1843-1875
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Prix:
$67.50
(disponible sur commande)
Résumé:
Today we are so accustomed to seeing photographs wedded to text--whether in the family album or daily newspaper--that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image, and the forty or so years--roughly from the 1840s to the 1880s--during which the photographic image alternately resisted and became assimilated to the printed page. Armstrong's emphasis is on British books. Not only was it in an English book that the paper photograph was first described and published, but the range of subject matter of nineteenth-century British photographically illustrated books prior to the 1880s was as rich as it was peculiar and sometimes recalcitrant. Armstrong focuses on one book about photography (Talbot's The Pencil of Nature); one "scientific" book (Anna Atkins's Photographs of British Algae); two travel narratives, one factual and one fictional (Francis Frith's Egypt and Palestine Photographed and Observed and his illustrated edition of Longfellow's novel Hyperion: A Romance); and one book of poetry (Julia Margaret Cameron's Illustrations to Alfred Lord Tennyson's Idylls of the King); as well as some miscellaneous books from the 1870s. According to Armstrong, art history has tended to remove the historic photograph from its printed and published context. Moving back and forth between close looking and equally close reading, she reinserts the photograph into the book from which it was taken.
Classification:
livres
livres
Publication:
novembre 1998, Cambridge, Mass.
novembre 1998, Cambridge, Mass.
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Actions:
Prix:
$49.50
(disponible sur commande)
Résumé:
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how(...)
$49.50
(disponible sur commande)
Résumé:
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how(...)
Titre:
Empire of ruins: American culture, phptography, and the spectacle of destruction
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Prix:
$49.50
(disponible sur commande)
Résumé:
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. ''Empire of ruins'' explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, ''Empire of ruins'' offers a provocative and lavishly illustrated look at the American past, present, and future.
Empire of ruins: American culture, phptography, and the spectacle of destruction
Actions:
Prix:
$49.50
(disponible sur commande)
Résumé:
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. ''Empire of ruins'' explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, ''Empire of ruins'' offers a provocative and lavishly illustrated look at the American past, present, and future.
Classification:
livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Who owns antiquity?
Who owns antiquity?
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Prix:
$24.95
(disponible sur commande)
Résumé:
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of(...)
$24.95
(disponible sur commande)
Résumé:
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of(...)
Titre:
Who owns antiquity?
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Prix:
$24.95
(disponible sur commande)
Résumé:
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial.
Who owns antiquity?
Actions:
Prix:
$24.95
(disponible sur commande)
Résumé:
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial.
Classification:
livres
livres
Publication:
mai 2008, Princeton, Oxford
mai 2008, Princeton, Oxford
Sujet:
Muséologie
Muséologie
Classification:
vidéo
vidéo
Description:
1 online resource (1 video file (29 minutes)) : sound, color
Auteur:
Sujet:
Publication:
London, England : Pidgeon Digital, 1980.
London, England : Pidgeon Digital, 1980.
Titre:
Thirteen Architectures / [presented by] Amâncio Guedes.
Actions:
Description:
1 online resource (1 video file (29 minutes)) : sound, color
Thirteen Architectures / [presented by] Amâncio Guedes.
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Description:
1 online resource (1 video file (29 minutes)) : sound, color
Classification:
vidéo
vidéo
Publication:
London, England : Pidgeon Digital, 1980.
London, England : Pidgeon Digital, 1980.
Auteur:
Sujet:
Classification:
artéfacts
artéfacts
Titre:
Jeu des monuments de Paris.
Jeu des monuments de Paris.
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Description:
1 game (1 board) : illustrations ; 47 x 63 cm + 2 dice
Description:
1 game (1 board) : illustrations ; 47 x 63 cm + 2 dice
Auteur:
Sujet:
- Architecture France Paris.,
- Church architecture France Paris.,
- Church buildings France Paris.,
- Monuments France Paris.,
- Toys France Specimens.,
- Board games France Specimens.,
- Dice games France Specimens.,
- Architecture chrétienne France Paris.,
- Jouets France Spécimens.,
- Dés (Jeu) France Spécimens.,
- Architecture.,
- Board games.,
- Buildings.,
- Church architecture.,
- Church buildings.,
- Dice games.,
- Monuments.,
- Toys.,
- Paris (France) Buildings, structures, etc.,
- France.,
- France Paris.,
- Architecture (object genre) France Paris.,
- Board games France 1800-1900.,
- Gameboards France 1800-1900.,
- Paper Toys (recreational artifacts) France 1800-1900.,
- Dice games France 1800-1900.,
- Gameboards.,
- Paper Toys (recreational artifacts),
- Specimens.
Publication:
[between 1836 and 1854] (Paris : Basset)
[between 1836 and 1854] (Paris : Basset)
Titre:
Jeu des monuments de Paris.
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Description:
1 game (1 board) : illustrations ; 47 x 63 cm + 2 dice
Jeu des monuments de Paris.
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Description:
1 game (1 board) : illustrations ; 47 x 63 cm + 2 dice
Classification:
artéfacts
artéfacts
Publication:
[between 1836 and 1854] (Paris : Basset)
[between 1836 and 1854] (Paris : Basset)
Auteur:
Sujet:
- Architecture France Paris.,
- Church architecture France Paris.,
- Church buildings France Paris.,
- Monuments France Paris.,
- Toys France Specimens.,
- Board games France Specimens.,
- Dice games France Specimens.,
- Architecture chrétienne France Paris.,
- Jouets France Spécimens.,
- Dés (Jeu) France Spécimens.,
- Architecture.,
- Board games.,
- Buildings.,
- Church architecture.,
- Church buildings.,
- Dice games.,
- Monuments.,
- Toys.,
- Paris (France) Buildings, structures, etc.,
- France.,
- France Paris.,
- Architecture (object genre) France Paris.,
- Board games France 1800-1900.,
- Gameboards France 1800-1900.,
- Paper Toys (recreational artifacts) France 1800-1900.,
- Dice games France 1800-1900.,
- Gameboards.,
- Paper Toys (recreational artifacts),
- Specimens.
Classification:
livres
livres
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Description:
202 pages : illustrations (some color) ; 29 cm
Description:
202 pages : illustrations (some color) ; 29 cm
Auteur:
Sujet:
- Kitsch United States.,
- Popular culture United States.,
- Kitsch États-Unis.,
- Culture populaire États-Unis.,
- Kitsch.,
- Popular culture.,
- United States.
Publication:
New York : Universe Books, 1975.
New York : Universe Books, 1975.
Titre:
Star-spangled kitsch : an astounding and tastelessly illustrated exploration of the bawdy, gaudy, shoddy mass-art culture in this grand land of ours / Curtis F. Brown.
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Description:
202 pages : illustrations (some color) ; 29 cm
Star-spangled kitsch : an astounding and tastelessly illustrated exploration of the bawdy, gaudy, shoddy mass-art culture in this grand land of ours / Curtis F. Brown.
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Description:
202 pages : illustrations (some color) ; 29 cm
Classification:
livres
livres
Publication:
New York : Universe Books, 1975.
New York : Universe Books, 1975.
Auteur:
Sujet:
- Kitsch United States.,
- Popular culture United States.,
- Kitsch États-Unis.,
- Culture populaire États-Unis.,
- Kitsch.,
- Popular culture.,
- United States.
Classification:
audio
audio
Titre:
CAPOGIRI DEGLI DEI.
CAPOGIRI DEGLI DEI.
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Description:
1 online resource.
Auteur:
Sujet:
- Cosmology.,
- Sound art.,
- Sound installations (Art),
- Video games.,
- Cosmologie.,
- Art sonore.,
- Installations sonores (Art),
- cosmology.,
- sound art.,
- sound installations.,
- Sound in art,
- Tracts (Ephemera),
- Pamphlets
Publication:
[Place of publication not identified] : EBM(T), 2015.
[Place of publication not identified] : EBM(T), 2015.
Classification:
audio
audio
Publication:
[Place of publication not identified] : EBM(T), 2015.
[Place of publication not identified] : EBM(T), 2015.
Auteur:
Sujet:
- Cosmology.,
- Sound art.,
- Sound installations (Art),
- Video games.,
- Cosmologie.,
- Art sonore.,
- Installations sonores (Art),
- cosmology.,
- sound art.,
- sound installations.,
- Sound in art,
- Tracts (Ephemera),
- Pamphlets
Classification:
livres
livres
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Description:
323 pages : illustrations (some color) ; 28 cm.
Description:
323 pages : illustrations (some color) ; 28 cm.
Auteur:
- Thierry Bianquis et Jean Claude Garcin -- Thierry Bianquis -- Mondher Sakly -- Franc̨oise Micheau -- Abdallah Cheikh-Moussa -- Manuel Acién Almansa et Antonio Vallejo Triano -- Anne-Marie Eddé -- Doris Behrens-Abouseif, Sylvie Denoix et Jean-Claude Garcin -- Jean-Claude Garcin -- Halima Ferhat -- Mounira Chapoutot-Remadi.,
- Garcin, Jean-Claude.,
- Arnaud, Jean-Luc.,
- Denoix, Sylvie.,
- Maison méditerranéenne des sciences de l'homme.,
- Institut de recherches et d'études sur le monde arabe et musulman.
Sujet:
- Cities and towns, Medieval Mediterranean Region History.,
- Islamic cities and towns Mediterranean Region History.,
- Cities and towns, Medieval Mediterranean Region.,
- Islamic cities and towns Mediterranean Region.,
- Villes médiévales Méditerranée, Région de la.,
- Villes islamiques Méditerranée, Région de la.,
- Cities and towns, Medieval.,
- Islamic cities and towns.,
- Megapolis.,
- Metropolen.,
- Géographie urbaine Empire islamique.,
- Population urbaine Méditerranée (région) Moyen âge.,
- Politique urbaine Empire islamique.,
- Sociologie urbaine Empire islamique.,
- Villes médiévales Proche-Orient.,
- Urbanisme Méditerranée (région) Moyen âge.,
- Pays islamiques Moyen âge.,
- Villes médiévales Empire islamique.,
- Villes islamiques Méditerranée (région) Moyen âge.,
- Méditerranée (région) Civilisation Moyen âge.,
- Baghdad (Iraq) History.,
- Iraq Baghdad.,
- Mediterranean Region.,
- Mediterranean Region History Middle Ages, 500-1500.,
- Damas (Syrie) Moyen âge.,
- Le Caire (Égypte) Moyen âge.,
- Bagdad (Irak) Moyen âge.,
- Tunis (Tunisie) Moyen âge.,
- Cordoue (Espagne) Moyen âge.,
- Fès (Maroc) Moyen âge.,
- Kairouan (Tunisie) Moyen âge.,
- Alep (Syrie) Moyen âge.,
- Mediaeval studies Mediterranean studies.,
- History.
Publication:
Rome : Ecole française de Rome, 2000.
Rome : Ecole française de Rome, 2000.
Titre:
Grandes villes méditerranéennes du monde musulman médiéval / sous la direction de Jean-Claude Garcin ; avec la collaboration de Jean-Luc Arnaud et Sylvie Denoix.
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Description:
323 pages : illustrations (some color) ; 28 cm.
Grandes villes méditerranéennes du monde musulman médiéval / sous la direction de Jean-Claude Garcin ; avec la collaboration de Jean-Luc Arnaud et Sylvie Denoix.
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Description:
323 pages : illustrations (some color) ; 28 cm.
Classification:
livres
livres
Publication:
Rome : Ecole française de Rome, 2000.
Rome : Ecole française de Rome, 2000.
Auteur:
- Thierry Bianquis et Jean Claude Garcin -- Thierry Bianquis -- Mondher Sakly -- Franc̨oise Micheau -- Abdallah Cheikh-Moussa -- Manuel Acién Almansa et Antonio Vallejo Triano -- Anne-Marie Eddé -- Doris Behrens-Abouseif, Sylvie Denoix et Jean-Claude Garcin -- Jean-Claude Garcin -- Halima Ferhat -- Mounira Chapoutot-Remadi.,
- Garcin, Jean-Claude.,
- Arnaud, Jean-Luc.,
- Denoix, Sylvie.,
- Maison méditerranéenne des sciences de l'homme.,
- Institut de recherches et d'études sur le monde arabe et musulman.
Sujet:
- Cities and towns, Medieval Mediterranean Region History.,
- Islamic cities and towns Mediterranean Region History.,
- Cities and towns, Medieval Mediterranean Region.,
- Islamic cities and towns Mediterranean Region.,
- Villes médiévales Méditerranée, Région de la.,
- Villes islamiques Méditerranée, Région de la.,
- Cities and towns, Medieval.,
- Islamic cities and towns.,
- Megapolis.,
- Metropolen.,
- Géographie urbaine Empire islamique.,
- Population urbaine Méditerranée (région) Moyen âge.,
- Politique urbaine Empire islamique.,
- Sociologie urbaine Empire islamique.,
- Villes médiévales Proche-Orient.,
- Urbanisme Méditerranée (région) Moyen âge.,
- Pays islamiques Moyen âge.,
- Villes médiévales Empire islamique.,
- Villes islamiques Méditerranée (région) Moyen âge.,
- Méditerranée (région) Civilisation Moyen âge.,
- Baghdad (Iraq) History.,
- Iraq Baghdad.,
- Mediterranean Region.,
- Mediterranean Region History Middle Ages, 500-1500.,
- Damas (Syrie) Moyen âge.,
- Le Caire (Égypte) Moyen âge.,
- Bagdad (Irak) Moyen âge.,
- Tunis (Tunisie) Moyen âge.,
- Cordoue (Espagne) Moyen âge.,
- Fès (Maroc) Moyen âge.,
- Kairouan (Tunisie) Moyen âge.,
- Alep (Syrie) Moyen âge.,
- Mediaeval studies Mediterranean studies.,
- History.
Classification:
livres
livres
Actions:
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Description:
xxii, 209 pages, 245, 9 pages of plates : illustrations, maps ; 31 cm
Description:
xxii, 209 pages, 245, 9 pages of plates : illustrations, maps ; 31 cm
Auteur:
Sujet:
- Architecture Expertising Jordan Petra (Extinct city),
- Historic buildings Jordan Petra (Extinct city),
- Mural painting and decoration, Greco-Roman Italy Pompeii (Extinct city),
- Tombs Jordan Petra (Extinct city),
- Architecture Jordanie Pétra (Ville ancienne),
- Architecture Égypte Alexandrie.,
- Monuments historiques Jordanie Pétra (Ville ancienne),
- Peinture et décoration murales gréco-romaines Italie Pompéi (Ville ancienne),
- Tombeaux Jordanie Pétra (Ville ancienne),
- Tombs,
- Mural painting and decoration, Greco-Roman,
- Historic buildings,
- Antiquities,
- Architecture Expertising,
- Buildings,
- Excavations (Archaeology) Jordan Petra (Extinct city),
- Tombes Jordanie Pétra (ville ancienne),
- Architecture hellénistique Jordanie Pétra (ville ancienne),
- Architecture Jordanie Pétra (ville ancienne),
- Petra (Extinct city) Buildings, structures, etc.,
- Petra (Extinct city),
- Jordan Antiquities.,
- Pétra (Ville ancienne),
- Jordanie Antiquités.,
- Pétra (Ville ancienne) Constructions.,
- Jordan,
- Italy Pompeii (Extinct city),
- Jordan Petra (Extinct city),
- Petra (Extinct city) Antiquities.,
- Petra (Extinct city) Architecture.,
- Jordanie Antiquités grecques.,
- Petra (Jordanie ; site archéologique),
- Pétra (ville ancienne),
- Architecture History,
- Palestine
Publication:
Oxford ; New York : Published for the British Academy, the British School of Archaeology in Jerusalem and the British Institute at Amman for Archaeology and History by Oxford University Press, ©1990.
Oxford ; New York : Published for the British Academy, the British School of Archaeology in Jerusalem and the British Institute at Amman for Archaeology and History by Oxford University Press, ©1990.
Titre:
The architecture of Petra / Judith McKenzie.
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Description:
xxii, 209 pages, 245, 9 pages of plates : illustrations, maps ; 31 cm
The architecture of Petra / Judith McKenzie.
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Description:
xxii, 209 pages, 245, 9 pages of plates : illustrations, maps ; 31 cm
Classification:
livres
livres
Publication:
Oxford ; New York : Published for the British Academy, the British School of Archaeology in Jerusalem and the British Institute at Amman for Archaeology and History by Oxford University Press, ©1990.
Oxford ; New York : Published for the British Academy, the British School of Archaeology in Jerusalem and the British Institute at Amman for Archaeology and History by Oxford University Press, ©1990.
Auteur:
Sujet:
- Architecture Expertising Jordan Petra (Extinct city),
- Historic buildings Jordan Petra (Extinct city),
- Mural painting and decoration, Greco-Roman Italy Pompeii (Extinct city),
- Tombs Jordan Petra (Extinct city),
- Architecture Jordanie Pétra (Ville ancienne),
- Architecture Égypte Alexandrie.,
- Monuments historiques Jordanie Pétra (Ville ancienne),
- Peinture et décoration murales gréco-romaines Italie Pompéi (Ville ancienne),
- Tombeaux Jordanie Pétra (Ville ancienne),
- Tombs,
- Mural painting and decoration, Greco-Roman,
- Historic buildings,
- Antiquities,
- Architecture Expertising,
- Buildings,
- Excavations (Archaeology) Jordan Petra (Extinct city),
- Tombes Jordanie Pétra (ville ancienne),
- Architecture hellénistique Jordanie Pétra (ville ancienne),
- Architecture Jordanie Pétra (ville ancienne),
- Petra (Extinct city) Buildings, structures, etc.,
- Petra (Extinct city),
- Jordan Antiquities.,
- Pétra (Ville ancienne),
- Jordanie Antiquités.,
- Pétra (Ville ancienne) Constructions.,
- Jordan,
- Italy Pompeii (Extinct city),
- Jordan Petra (Extinct city),
- Petra (Extinct city) Antiquities.,
- Petra (Extinct city) Architecture.,
- Jordanie Antiquités grecques.,
- Petra (Jordanie ; site archéologique),
- Pétra (ville ancienne),
- Architecture History,
- Palestine
