18199 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Personnes et institutions:
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Titre:
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Niveau de description archivistique:
Series
Series
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Blake Fitzpatrick et Robert Del Tredici parlent de leurs recherches à Port Hope dans une conversation animée par Louise Désy, Conservateur, Photographies au CCA. Port Hope est la première ville de l’atome au Canada et la porte d’entrée du pays dans l’univers du nucléaire. En 1932, l’Eldorado Nuclear Ltd. y construit une raffinerie de radium à un jet de pierre de la rue(...)
Blake Fitzpatrick et Robert Del Tredici parlent de leurs recherches à Port Hope dans une conversation animée par Louise Désy, Conservateur, Photographies au CCA. Port Hope est la première ville de l’atome au Canada et la porte d’entrée du pays dans l’univers du nucléaire. En 1932, l’Eldorado Nuclear Ltd. y construit une raffinerie de radium à un jet de pierre de la rue(...)
Localisation:
Salles principales
Salles principales
Date:
25 mars 2017, 15h
25 mars 2017, 15h
Titre:
Port Hope à l'epoque des déchets nucléaires
Actions:
Description:
Blake Fitzpatrick et Robert Del Tredici parlent de leurs recherches à Port Hope dans une conversation animée par Louise Désy, Conservateur, Photographies au CCA. Port Hope est la première ville de l’atome au Canada et la porte d’entrée du pays dans l’univers du nucléaire. En 1932, l’Eldorado Nuclear Ltd. y construit une raffinerie de radium à un jet de pierre de la rue(...)
Port Hope à l'epoque des déchets nucléaires
Actions:
Description:
Blake Fitzpatrick et Robert Del Tredici parlent de leurs recherches à Port Hope dans une conversation animée par Louise Désy, Conservateur, Photographies au CCA. Port Hope est la première ville de l’atome au Canada et la porte d’entrée du pays dans l’univers du nucléaire. En 1932, l’Eldorado Nuclear Ltd. y construit une raffinerie de radium à un jet de pierre de la rue(...)
Classification:
événements
événements
Date:
25 mars 2017
15h
25 mars 2017
15h
Localisation:
Salles principales
Salles principales
Classification:
photographies
photographies
Titre:
Our Old Home
Our Old Home
Actions:
Numéro de référence:
PH1979:0602.01
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 279-page book comprises 16 photogravures. Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures. Volume I. Cambridge printed at the Riverside Press MDCCCXCI. Verso of title page: Copyright,1863, by Nathaniel Hawthorne. Copyright, 1870, by Sophia Hawthorne Copyright, 1883, 1890, by Houghton, Mifflin & Co. All rights reserved. Two hundred and fifty copies printed. No. 69 Contents and list of illustations: Nathaniel Hawthorne - Frontispiece CONSULAR EXPERIENCES A Street in Leamington Warwick Castle and the Country around A Devonshire Farmhouse ABOUT WARWICK Arched Bridge over the Avon, showing Warwick Castle Leicester Hospital and West Gate, Warwick RECOLLECTING OF A GIFTED WOMAN A Country Lane The room in which Shakespeare was born Delia Bacon Charlecote Hall LICHFIELD AND UTTOXETER Lichfield Cathedral from the West Statue of Dr. Johnson, St. Mary's Square, Lichfield PILGRIMAGE TO OLD BOSTON Lincoln Cathedral Salisbury Cathedral and Bishop's Palace Roman Arch, Lincoln St. Botolph's Tower, Old Boston
PH1979:0602.01
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 279-page book comprises 16 photogravures. Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures. Volume I. Cambridge printed at the Riverside Press MDCCCXCI. Verso of title page: Copyright,1863, by Nathaniel Hawthorne. Copyright, 1870, by Sophia Hawthorne Copyright, 1883, 1890, by Houghton, Mifflin & Co. All rights reserved. Two hundred and fifty copies printed. No. 69 Contents and list of illustations: Nathaniel Hawthorne - Frontispiece CONSULAR EXPERIENCES A Street in Leamington Warwick Castle and the Country around A Devonshire Farmhouse ABOUT WARWICK Arched Bridge over the Avon, showing Warwick Castle Leicester Hospital and West Gate, Warwick RECOLLECTING OF A GIFTED WOMAN A Country Lane The room in which Shakespeare was born Delia Bacon Charlecote Hall LICHFIELD AND UTTOXETER Lichfield Cathedral from the West Statue of Dr. Johnson, St. Mary's Square, Lichfield PILGRIMAGE TO OLD BOSTON Lincoln Cathedral Salisbury Cathedral and Bishop's Palace Roman Arch, Lincoln St. Botolph's Tower, Old Boston
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1891
1891
Titre:
Our Old Home
Actions:
PH1979:0602.01
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 279-page book comprises 16 photogravures. Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures. Volume I. Cambridge printed at the Riverside Press MDCCCXCI. Verso of title page: Copyright,1863, by Nathaniel Hawthorne. Copyright, 1870, by Sophia Hawthorne Copyright, 1883, 1890, by Houghton, Mifflin & Co. All rights reserved. Two hundred and fifty copies printed. No. 69 Contents and list of illustations: Nathaniel Hawthorne - Frontispiece CONSULAR EXPERIENCES A Street in Leamington Warwick Castle and the Country around A Devonshire Farmhouse ABOUT WARWICK Arched Bridge over the Avon, showing Warwick Castle Leicester Hospital and West Gate, Warwick RECOLLECTING OF A GIFTED WOMAN A Country Lane The room in which Shakespeare was born Delia Bacon Charlecote Hall LICHFIELD AND UTTOXETER Lichfield Cathedral from the West Statue of Dr. Johnson, St. Mary's Square, Lichfield PILGRIMAGE TO OLD BOSTON Lincoln Cathedral Salisbury Cathedral and Bishop's Palace Roman Arch, Lincoln St. Botolph's Tower, Old Boston
Our Old Home
Actions:
PH1979:0602.01
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 279-page book comprises 16 photogravures. Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures. Volume I. Cambridge printed at the Riverside Press MDCCCXCI. Verso of title page: Copyright,1863, by Nathaniel Hawthorne. Copyright, 1870, by Sophia Hawthorne Copyright, 1883, 1890, by Houghton, Mifflin & Co. All rights reserved. Two hundred and fifty copies printed. No. 69 Contents and list of illustations: Nathaniel Hawthorne - Frontispiece CONSULAR EXPERIENCES A Street in Leamington Warwick Castle and the Country around A Devonshire Farmhouse ABOUT WARWICK Arched Bridge over the Avon, showing Warwick Castle Leicester Hospital and West Gate, Warwick RECOLLECTING OF A GIFTED WOMAN A Country Lane The room in which Shakespeare was born Delia Bacon Charlecote Hall LICHFIELD AND UTTOXETER Lichfield Cathedral from the West Statue of Dr. Johnson, St. Mary's Square, Lichfield PILGRIMAGE TO OLD BOSTON Lincoln Cathedral Salisbury Cathedral and Bishop's Palace Roman Arch, Lincoln St. Botolph's Tower, Old Boston
Classification:
photographies
photographies
Date:
1891
1891
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins, documents textuels
dessins, documents textuels
Actions:
Numéro de référence:
DR1986:0767:001-473
Description:
- The Fonds Monadnock comprises over 500 drawings, blueprints, hectographs and manuscripts, mostly for the Monadnock Building, Chicago, and a few drawings and reprographic copies for other buildings by Burnham and Root: the Rookery Building, the Herald Building, and the Chemical Bank Building, all in Chicago, and the Fidelity Trust Building, Tacoma, Washington. Drawings and prints for the Monadnock Building include the earliest known conceptual drawings illustrating the initial development of the design, presentation drawings for a twelve-storey Egyptian-inspired design, design development drawings for a sixteen-storey steel frame project, and design, design development and working drawings for the final built work. - The first design phase for the Monadnock Building is known as the Quamquisset Building (1884). Drawings for this phase include five conceptual elevations for Richardsonian Romanesque and Gothic proposals (DR1986:0767:003, DR1986:0767:062 - DR1986:0767:064 and DR1986:0767:087) , and a presentation drawing for a façade with Eygptian-inspired ornament (DR1986:0767:085). Drawings for the second design phase, the Monadnock Block (1885), include two preliminary plans, twenty presentation drawings showing two variant designs, two structural drawings for the foundations, one design development drawing, and seven working drawings for the steel frame. Drawings for the third design phase, the sixteen-storey steel frame project (1889), include twenty design development drawings - elevations, sections and plans - four of which are stamped by the commissioner of buildings, and one structural drawing, a plan with load calculations (DR1986:0767:026). The majority of the drawings, reprographic copies and manuscripts are for the fourth and final design phase of the Monadnock Building (1889-1892) which incorporates the Kearsarge Building (1890). Drawings for the fourth design phase include mostly working drawings, many design and design development drawings, some contract drawings and a few preliminary and presentation drawings. The working drawings, design and design development drawings for the fourth design phase include general plans, sections and elevations, structural drawings and building systems drawings (plumbing, heating, electrical, elevators) and detail drawings. Most of the contract drawings for the fourth design phase are working drawings which were apparently used on site during the construction of the building. Contract drawings also include detail, construction, mechanical, and a few shop drawings. There are many plans and elevations for office and commercial space interiors, including construction drawings for built-in furniture. Some of these drawings have been approved (signed) by future tenants. There are two later drawings related to the Monadnock Building: a printed plan for the Monadnock addition by Holabird & Roche (DR1986:0767:131) and a plan dated 1895, showing the settlement of the piers of the "Old Monadnock Building" (DR1986:0767:192). All nineteen manuscripts, with the exception of one lighting fixture schedule, concern the calculation of the structural loads for the Monadnock Building. The fonds Monadnock also contains miscellaneous fragmentary execution drawings, pieces of execution drawings, blueprints, staples and metal ties for drawings, for the Monadnock Building, Chicago, Illinois (DR1986:0767:473:001-023). - The fonds Monadnock contains a few drawings for other buildings designed by Burnham and Root in Chicago: two graphite plans for the Herald Building, 1889-1891 (DR1986:0767:173 and DR1986:0767:174); two pen and ink structural drawings showing the steel frame for the Rookery Building, 1885-1887 (DR1986:0767:037 and DR1986:0767:038); a hectograph showing a riser diagram and drawings for the plumbing fixtures for the Chemical Bank Building 1889 (DR1986:0767:358); and six presentation drawings - elevations, sections and plans - and one preliminary drawing for an unbuilt office building designed by Burnham and Root for the corner of Clark and Van Buren Streets in Chicago (DR1986:0767:002, DR1986:0767:089, DR1986:0767:090 R and DR1986:0767:093 - DR1986:0767:095, and DR1986:0767:111). There is a plan and two sections for the steel frame, and a plan for a commercial space for the Fidelity Trust Building, Tacoma, Washington, 1889-1891,(DR1986:0767:163 - DR1986:0767:165, DR1986:0767:184). The elevation for teller wickets is probably also for this building (DR1986:0767:185). Drawings for unidentified buildings include an elevation for a house, an excavation plan, and several miscellaneous sheets of drawings and calculations (DR1986:0767:141 V, DR1986:0767:130, DR1986:0767:090 V, DR1986:0767:158, DR1986:0767:159, DR1986:0767:183 and DR1986:0767:189).
DR1986:0767:001-473
Description:
- The Fonds Monadnock comprises over 500 drawings, blueprints, hectographs and manuscripts, mostly for the Monadnock Building, Chicago, and a few drawings and reprographic copies for other buildings by Burnham and Root: the Rookery Building, the Herald Building, and the Chemical Bank Building, all in Chicago, and the Fidelity Trust Building, Tacoma, Washington. Drawings and prints for the Monadnock Building include the earliest known conceptual drawings illustrating the initial development of the design, presentation drawings for a twelve-storey Egyptian-inspired design, design development drawings for a sixteen-storey steel frame project, and design, design development and working drawings for the final built work. - The first design phase for the Monadnock Building is known as the Quamquisset Building (1884). Drawings for this phase include five conceptual elevations for Richardsonian Romanesque and Gothic proposals (DR1986:0767:003, DR1986:0767:062 - DR1986:0767:064 and DR1986:0767:087) , and a presentation drawing for a façade with Eygptian-inspired ornament (DR1986:0767:085). Drawings for the second design phase, the Monadnock Block (1885), include two preliminary plans, twenty presentation drawings showing two variant designs, two structural drawings for the foundations, one design development drawing, and seven working drawings for the steel frame. Drawings for the third design phase, the sixteen-storey steel frame project (1889), include twenty design development drawings - elevations, sections and plans - four of which are stamped by the commissioner of buildings, and one structural drawing, a plan with load calculations (DR1986:0767:026). The majority of the drawings, reprographic copies and manuscripts are for the fourth and final design phase of the Monadnock Building (1889-1892) which incorporates the Kearsarge Building (1890). Drawings for the fourth design phase include mostly working drawings, many design and design development drawings, some contract drawings and a few preliminary and presentation drawings. The working drawings, design and design development drawings for the fourth design phase include general plans, sections and elevations, structural drawings and building systems drawings (plumbing, heating, electrical, elevators) and detail drawings. Most of the contract drawings for the fourth design phase are working drawings which were apparently used on site during the construction of the building. Contract drawings also include detail, construction, mechanical, and a few shop drawings. There are many plans and elevations for office and commercial space interiors, including construction drawings for built-in furniture. Some of these drawings have been approved (signed) by future tenants. There are two later drawings related to the Monadnock Building: a printed plan for the Monadnock addition by Holabird & Roche (DR1986:0767:131) and a plan dated 1895, showing the settlement of the piers of the "Old Monadnock Building" (DR1986:0767:192). All nineteen manuscripts, with the exception of one lighting fixture schedule, concern the calculation of the structural loads for the Monadnock Building. The fonds Monadnock also contains miscellaneous fragmentary execution drawings, pieces of execution drawings, blueprints, staples and metal ties for drawings, for the Monadnock Building, Chicago, Illinois (DR1986:0767:473:001-023). - The fonds Monadnock contains a few drawings for other buildings designed by Burnham and Root in Chicago: two graphite plans for the Herald Building, 1889-1891 (DR1986:0767:173 and DR1986:0767:174); two pen and ink structural drawings showing the steel frame for the Rookery Building, 1885-1887 (DR1986:0767:037 and DR1986:0767:038); a hectograph showing a riser diagram and drawings for the plumbing fixtures for the Chemical Bank Building 1889 (DR1986:0767:358); and six presentation drawings - elevations, sections and plans - and one preliminary drawing for an unbuilt office building designed by Burnham and Root for the corner of Clark and Van Buren Streets in Chicago (DR1986:0767:002, DR1986:0767:089, DR1986:0767:090 R and DR1986:0767:093 - DR1986:0767:095, and DR1986:0767:111). There is a plan and two sections for the steel frame, and a plan for a commercial space for the Fidelity Trust Building, Tacoma, Washington, 1889-1891,(DR1986:0767:163 - DR1986:0767:165, DR1986:0767:184). The elevation for teller wickets is probably also for this building (DR1986:0767:185). Drawings for unidentified buildings include an elevation for a house, an excavation plan, and several miscellaneous sheets of drawings and calculations (DR1986:0767:141 V, DR1986:0767:130, DR1986:0767:090 V, DR1986:0767:158, DR1986:0767:159, DR1986:0767:183 and DR1986:0767:189).
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ingénierie
architecture, design d'intérieur, ingénierie
Date:
most reprographic copies printed between 1889 and 1892
most reprographic copies printed between 1889 and 1892
Titre:
Drawings, prints, reprographic copies and documents for the Monadnock Building, Chicago
Actions:
DR1986:0767:001-473
Description:
- The Fonds Monadnock comprises over 500 drawings, blueprints, hectographs and manuscripts, mostly for the Monadnock Building, Chicago, and a few drawings and reprographic copies for other buildings by Burnham and Root: the Rookery Building, the Herald Building, and the Chemical Bank Building, all in Chicago, and the Fidelity Trust Building, Tacoma, Washington. Drawings and prints for the Monadnock Building include the earliest known conceptual drawings illustrating the initial development of the design, presentation drawings for a twelve-storey Egyptian-inspired design, design development drawings for a sixteen-storey steel frame project, and design, design development and working drawings for the final built work. - The first design phase for the Monadnock Building is known as the Quamquisset Building (1884). Drawings for this phase include five conceptual elevations for Richardsonian Romanesque and Gothic proposals (DR1986:0767:003, DR1986:0767:062 - DR1986:0767:064 and DR1986:0767:087) , and a presentation drawing for a façade with Eygptian-inspired ornament (DR1986:0767:085). Drawings for the second design phase, the Monadnock Block (1885), include two preliminary plans, twenty presentation drawings showing two variant designs, two structural drawings for the foundations, one design development drawing, and seven working drawings for the steel frame. Drawings for the third design phase, the sixteen-storey steel frame project (1889), include twenty design development drawings - elevations, sections and plans - four of which are stamped by the commissioner of buildings, and one structural drawing, a plan with load calculations (DR1986:0767:026). The majority of the drawings, reprographic copies and manuscripts are for the fourth and final design phase of the Monadnock Building (1889-1892) which incorporates the Kearsarge Building (1890). Drawings for the fourth design phase include mostly working drawings, many design and design development drawings, some contract drawings and a few preliminary and presentation drawings. The working drawings, design and design development drawings for the fourth design phase include general plans, sections and elevations, structural drawings and building systems drawings (plumbing, heating, electrical, elevators) and detail drawings. Most of the contract drawings for the fourth design phase are working drawings which were apparently used on site during the construction of the building. Contract drawings also include detail, construction, mechanical, and a few shop drawings. There are many plans and elevations for office and commercial space interiors, including construction drawings for built-in furniture. Some of these drawings have been approved (signed) by future tenants. There are two later drawings related to the Monadnock Building: a printed plan for the Monadnock addition by Holabird & Roche (DR1986:0767:131) and a plan dated 1895, showing the settlement of the piers of the "Old Monadnock Building" (DR1986:0767:192). All nineteen manuscripts, with the exception of one lighting fixture schedule, concern the calculation of the structural loads for the Monadnock Building. The fonds Monadnock also contains miscellaneous fragmentary execution drawings, pieces of execution drawings, blueprints, staples and metal ties for drawings, for the Monadnock Building, Chicago, Illinois (DR1986:0767:473:001-023). - The fonds Monadnock contains a few drawings for other buildings designed by Burnham and Root in Chicago: two graphite plans for the Herald Building, 1889-1891 (DR1986:0767:173 and DR1986:0767:174); two pen and ink structural drawings showing the steel frame for the Rookery Building, 1885-1887 (DR1986:0767:037 and DR1986:0767:038); a hectograph showing a riser diagram and drawings for the plumbing fixtures for the Chemical Bank Building 1889 (DR1986:0767:358); and six presentation drawings - elevations, sections and plans - and one preliminary drawing for an unbuilt office building designed by Burnham and Root for the corner of Clark and Van Buren Streets in Chicago (DR1986:0767:002, DR1986:0767:089, DR1986:0767:090 R and DR1986:0767:093 - DR1986:0767:095, and DR1986:0767:111). There is a plan and two sections for the steel frame, and a plan for a commercial space for the Fidelity Trust Building, Tacoma, Washington, 1889-1891,(DR1986:0767:163 - DR1986:0767:165, DR1986:0767:184). The elevation for teller wickets is probably also for this building (DR1986:0767:185). Drawings for unidentified buildings include an elevation for a house, an excavation plan, and several miscellaneous sheets of drawings and calculations (DR1986:0767:141 V, DR1986:0767:130, DR1986:0767:090 V, DR1986:0767:158, DR1986:0767:159, DR1986:0767:183 and DR1986:0767:189).
Drawings, prints, reprographic copies and documents for the Monadnock Building, Chicago
Actions:
DR1986:0767:001-473
Description:
- The Fonds Monadnock comprises over 500 drawings, blueprints, hectographs and manuscripts, mostly for the Monadnock Building, Chicago, and a few drawings and reprographic copies for other buildings by Burnham and Root: the Rookery Building, the Herald Building, and the Chemical Bank Building, all in Chicago, and the Fidelity Trust Building, Tacoma, Washington. Drawings and prints for the Monadnock Building include the earliest known conceptual drawings illustrating the initial development of the design, presentation drawings for a twelve-storey Egyptian-inspired design, design development drawings for a sixteen-storey steel frame project, and design, design development and working drawings for the final built work. - The first design phase for the Monadnock Building is known as the Quamquisset Building (1884). Drawings for this phase include five conceptual elevations for Richardsonian Romanesque and Gothic proposals (DR1986:0767:003, DR1986:0767:062 - DR1986:0767:064 and DR1986:0767:087) , and a presentation drawing for a façade with Eygptian-inspired ornament (DR1986:0767:085). Drawings for the second design phase, the Monadnock Block (1885), include two preliminary plans, twenty presentation drawings showing two variant designs, two structural drawings for the foundations, one design development drawing, and seven working drawings for the steel frame. Drawings for the third design phase, the sixteen-storey steel frame project (1889), include twenty design development drawings - elevations, sections and plans - four of which are stamped by the commissioner of buildings, and one structural drawing, a plan with load calculations (DR1986:0767:026). The majority of the drawings, reprographic copies and manuscripts are for the fourth and final design phase of the Monadnock Building (1889-1892) which incorporates the Kearsarge Building (1890). Drawings for the fourth design phase include mostly working drawings, many design and design development drawings, some contract drawings and a few preliminary and presentation drawings. The working drawings, design and design development drawings for the fourth design phase include general plans, sections and elevations, structural drawings and building systems drawings (plumbing, heating, electrical, elevators) and detail drawings. Most of the contract drawings for the fourth design phase are working drawings which were apparently used on site during the construction of the building. Contract drawings also include detail, construction, mechanical, and a few shop drawings. There are many plans and elevations for office and commercial space interiors, including construction drawings for built-in furniture. Some of these drawings have been approved (signed) by future tenants. There are two later drawings related to the Monadnock Building: a printed plan for the Monadnock addition by Holabird & Roche (DR1986:0767:131) and a plan dated 1895, showing the settlement of the piers of the "Old Monadnock Building" (DR1986:0767:192). All nineteen manuscripts, with the exception of one lighting fixture schedule, concern the calculation of the structural loads for the Monadnock Building. The fonds Monadnock also contains miscellaneous fragmentary execution drawings, pieces of execution drawings, blueprints, staples and metal ties for drawings, for the Monadnock Building, Chicago, Illinois (DR1986:0767:473:001-023). - The fonds Monadnock contains a few drawings for other buildings designed by Burnham and Root in Chicago: two graphite plans for the Herald Building, 1889-1891 (DR1986:0767:173 and DR1986:0767:174); two pen and ink structural drawings showing the steel frame for the Rookery Building, 1885-1887 (DR1986:0767:037 and DR1986:0767:038); a hectograph showing a riser diagram and drawings for the plumbing fixtures for the Chemical Bank Building 1889 (DR1986:0767:358); and six presentation drawings - elevations, sections and plans - and one preliminary drawing for an unbuilt office building designed by Burnham and Root for the corner of Clark and Van Buren Streets in Chicago (DR1986:0767:002, DR1986:0767:089, DR1986:0767:090 R and DR1986:0767:093 - DR1986:0767:095, and DR1986:0767:111). There is a plan and two sections for the steel frame, and a plan for a commercial space for the Fidelity Trust Building, Tacoma, Washington, 1889-1891,(DR1986:0767:163 - DR1986:0767:165, DR1986:0767:184). The elevation for teller wickets is probably also for this building (DR1986:0767:185). Drawings for unidentified buildings include an elevation for a house, an excavation plan, and several miscellaneous sheets of drawings and calculations (DR1986:0767:141 V, DR1986:0767:130, DR1986:0767:090 V, DR1986:0767:158, DR1986:0767:159, DR1986:0767:183 and DR1986:0767:189).
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
most reprographic copies printed between 1889 and 1892
most reprographic copies printed between 1889 and 1892
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ingénierie
architecture, design d'intérieur, ingénierie
Classification:
photographies
photographies
Titre:
Our Old Home
Our Old Home
Actions:
Numéro de référence:
PH1979:0602.02
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 594-page book comprises 14 photogravures, one engraving, a Title page and a Contents and list of illustrations and Index : Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures Volume II. Cambridge. Printed at the Riverside Press. MDCCCXCI. Verso of title page: Copyright, 1863 by Nathaniel Hawthorne Copyright, 1870 By Sophia Hawthorne Copyright, 1883, 1890 By Houghton, Mifflin & Co. All rights reserved Two Hundred and Fifty Copies Printed No. 69 Contents and list of Illustrations: [Photogravures executed by A.W. Elson & Co. Boston] Lord Nelson Frontispiece NEAR OXFORD Blenheim The Thames at Oxford from Folly Bridge Magdalen College, Oxford, from the Cherwell SOME OF THE HAUNTS OF BURNS Robert Burns Burn's Birthplace, Alloway Parish, near Ayr The Auld Brig o' Doon, Ayr Alloway Kirk A LONDON SUBURB A Country House The Houses of Parliament UP THE THAMES London Bridge Tower of London, showing Traitor's Gate St. Paul's Cathedral Poets' Corner, Westminster Abbey OUTSIDE GLIMPSES OF ENGLISH POVERTY An English Almshouse CIVIC BANQUETS Index
PH1979:0602.02
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 594-page book comprises 14 photogravures, one engraving, a Title page and a Contents and list of illustrations and Index : Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures Volume II. Cambridge. Printed at the Riverside Press. MDCCCXCI. Verso of title page: Copyright, 1863 by Nathaniel Hawthorne Copyright, 1870 By Sophia Hawthorne Copyright, 1883, 1890 By Houghton, Mifflin & Co. All rights reserved Two Hundred and Fifty Copies Printed No. 69 Contents and list of Illustrations: [Photogravures executed by A.W. Elson & Co. Boston] Lord Nelson Frontispiece NEAR OXFORD Blenheim The Thames at Oxford from Folly Bridge Magdalen College, Oxford, from the Cherwell SOME OF THE HAUNTS OF BURNS Robert Burns Burn's Birthplace, Alloway Parish, near Ayr The Auld Brig o' Doon, Ayr Alloway Kirk A LONDON SUBURB A Country House The Houses of Parliament UP THE THAMES London Bridge Tower of London, showing Traitor's Gate St. Paul's Cathedral Poets' Corner, Westminster Abbey OUTSIDE GLIMPSES OF ENGLISH POVERTY An English Almshouse CIVIC BANQUETS Index
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1891
1891
Titre:
Our Old Home
Actions:
PH1979:0602.02
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 594-page book comprises 14 photogravures, one engraving, a Title page and a Contents and list of illustrations and Index : Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures Volume II. Cambridge. Printed at the Riverside Press. MDCCCXCI. Verso of title page: Copyright, 1863 by Nathaniel Hawthorne Copyright, 1870 By Sophia Hawthorne Copyright, 1883, 1890 By Houghton, Mifflin & Co. All rights reserved Two Hundred and Fifty Copies Printed No. 69 Contents and list of Illustrations: [Photogravures executed by A.W. Elson & Co. Boston] Lord Nelson Frontispiece NEAR OXFORD Blenheim The Thames at Oxford from Folly Bridge Magdalen College, Oxford, from the Cherwell SOME OF THE HAUNTS OF BURNS Robert Burns Burn's Birthplace, Alloway Parish, near Ayr The Auld Brig o' Doon, Ayr Alloway Kirk A LONDON SUBURB A Country House The Houses of Parliament UP THE THAMES London Bridge Tower of London, showing Traitor's Gate St. Paul's Cathedral Poets' Corner, Westminster Abbey OUTSIDE GLIMPSES OF ENGLISH POVERTY An English Almshouse CIVIC BANQUETS Index
Our Old Home
Actions:
PH1979:0602.02
Description:
Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts. He started writing seriously in 1846 and spent the years 1853 to 1857 in England as the American Consul in Liverpool. The collection of essays that constitute 'Our Old Home' comes from the journals he kept during his stay in England. After spending two years in Italy he returned to the United States and completed his final novel, 'The Marble Faun' and 'Our Old Home'. This 594-page book comprises 14 photogravures, one engraving, a Title page and a Contents and list of illustrations and Index : Title page: Our Old Home by Nathaniel Hawthorne annotated with passages from the author's note-book, and illustrated with photogravures Volume II. Cambridge. Printed at the Riverside Press. MDCCCXCI. Verso of title page: Copyright, 1863 by Nathaniel Hawthorne Copyright, 1870 By Sophia Hawthorne Copyright, 1883, 1890 By Houghton, Mifflin & Co. All rights reserved Two Hundred and Fifty Copies Printed No. 69 Contents and list of Illustrations: [Photogravures executed by A.W. Elson & Co. Boston] Lord Nelson Frontispiece NEAR OXFORD Blenheim The Thames at Oxford from Folly Bridge Magdalen College, Oxford, from the Cherwell SOME OF THE HAUNTS OF BURNS Robert Burns Burn's Birthplace, Alloway Parish, near Ayr The Auld Brig o' Doon, Ayr Alloway Kirk A LONDON SUBURB A Country House The Houses of Parliament UP THE THAMES London Bridge Tower of London, showing Traitor's Gate St. Paul's Cathedral Poets' Corner, Westminster Abbey OUTSIDE GLIMPSES OF ENGLISH POVERTY An English Almshouse CIVIC BANQUETS Index
Classification:
photographies
photographies
Date:
1891
1891
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Kenneth Frampton
Fonds Kenneth Frampton
Numéro de référence:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Personnes et institutions:
Date:
1958-2016
1958-2016
Titre:
Fonds Kenneth Frampton
Actions:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Fonds Kenneth Frampton
Actions:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2016
1958-2016
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Personnes et institutions:
Date:
1996-2015
1996-2015
Titre:
Documents d’archives de RUR Architecture pour le projet Kansai-kan, National Diet Library
Actions:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Documents d’archives de RUR Architecture pour le projet Kansai-kan, National Diet Library
Actions:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1996-2015
1996-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Personnes et institutions:
Date:
1924-1987
1924-1987
Titre:
Fonds Gardiner & Thornton architects
Actions:
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Fonds Gardiner & Thornton architects
Actions:
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1924-1987
1924-1987
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Personnes et institutions:
Date:
circa 1939-2004
circa 1939-2004
Titre:
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1939-2004
circa 1939-2004
Personnes et institutions:
