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Made from prefabricated concrete panels, Plattenbauten rose from the ruins of Berlin, providing a quick and inexpensive solution to the severe housing shortage faced by the city after World War II. Although criticized in their day for their sterility and impersonal scale, they nonetheless became an integral part of the city. Drawn from his extensive investigations into(...)
Plattenbau Berlin: A photographic survey of postwar residential architecture
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Made from prefabricated concrete panels, Plattenbauten rose from the ruins of Berlin, providing a quick and inexpensive solution to the severe housing shortage faced by the city after World War II. Although criticized in their day for their sterility and impersonal scale, they nonetheless became an integral part of the city. Drawn from his extensive investigations into Berlin’s urban landscape, Jesse Simon’s texts and photographs offer a convincing argument for the aesthetic and social value of buildings that were once described as “eyesores.”
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This current issue presents recent large-scale institutional or public buildings. David Adjaye’s building for the Skolkovo - Moscow School of Management has attracted a lot of attention internationally since it is the first major public building by an international architect in Russia in quite some time. Also included in this issue is Fernando Romero’s design for the(...)
Mark, n.32: the modern monument
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This current issue presents recent large-scale institutional or public buildings. David Adjaye’s building for the Skolkovo - Moscow School of Management has attracted a lot of attention internationally since it is the first major public building by an international architect in Russia in quite some time. Also included in this issue is Fernando Romero’s design for the Museo Soumaya, a conversation with Franz Schulze, artist and the biographer of Mies van der Rohe, Philip Johnson and Helmut Jahn, as well as news, reviews and previews from all corners of contemporary architectural practice.
Revues
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This new monograph delves into an exciting selection of esteemed works by Delhi-based firm Morphogenesis, one of the most productive and creative architectural firms in India and a world-leader in zero net energy and sustainable design. This richly illustrated book combines stunning imagery with a comprehensive study outlining the firms strong philosophical design intent(...)
Morphogenesis. The Indian perspective. The global context.
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This new monograph delves into an exciting selection of esteemed works by Delhi-based firm Morphogenesis, one of the most productive and creative architectural firms in India and a world-leader in zero net energy and sustainable design. This richly illustrated book combines stunning imagery with a comprehensive study outlining the firms strong philosophical design intent across a vast range of typologies: residential; institutional; commercial; hospitality; offices; houses; interiors; public and master planning. Morphogenesis reinterprets India's architectural roots and consistently employs passive environmental solutions for a unique, contextual contemporary language. The Morphogenesis journey is a reflection of the contemporary Indian perspective within the global context, incorporating its inspired, forward-thinking vision while respectfully referencing the spirit of traditional Indian subcontinental architecture, and all the while maintaining an intimate focus on the environmental context and culture of the project. This spectacularly beautiful volume is a strong addition to IMAGES' collection of the renowned Master Architect Series and a superb example of an engaged, highly principled and vibrant emerging architectural practice in Asia that is defining a global architectural brand for countries that share similar extraordinary levels of diversity in climate, scale, economy, and typology as is seen across the subcontinent.
Architecture, monographies
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The Japanese architect Takaharu Tezuka caused a stir in 2015 with his TEDtalk “The best kindergarten you’ve ever seen”. As the first text-focused publication, Tezuka Architects: "The yellow book" now provides an insight into the design philosophy of the internationally renowned architecture firm. Based on a lecture by Tezuka at Harvard University Graduate School of Design(...)
Tezuka architects: the yellow book
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The Japanese architect Takaharu Tezuka caused a stir in 2015 with his TEDtalk “The best kindergarten you’ve ever seen”. As the first text-focused publication, Tezuka Architects: "The yellow book" now provides an insight into the design philosophy of the internationally renowned architecture firm. Based on a lecture by Tezuka at Harvard University Graduate School of Design (GSD), this “pocket guide” in scale and feel introduces the architects’ way of thinking, using examples of seminal projects in recent years. Buildings such as the Roof House (2001), the Child Chemo House (2013), or the Fuji Kindergarten (2007) illustrate the powerful impact of Takaharu and Yui Tezuka’s design and show how architecture can contribute actively to building a better society.
Architecture, monographies
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Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. In this book, curator Barbara London traces the history of video art as it transformed into the broader field of media art - from analog to digital, small TV monitors to wall-scale projections, and clunky(...)
Video/Art: the first fifty years
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Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. In this book, curator Barbara London traces the history of video art as it transformed into the broader field of media art - from analog to digital, small TV monitors to wall-scale projections, and clunky hardware to user-friendly software. In doing so, she reveals how video evolved from fringe status to be seen as one of the foremost art forms of today.
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Danish-Norwegian artist Karen Bit Vejle uses scissors as her brush to create intricate and awe-inspiring works of art with cut paper. The art of psaligraphy hit Europe with the wave of Eastern influence in the 17th century, and famed Danish author Hans Christian Anderson was among its practitioners. The tradition of paper-cutting is particularly strong in Scandinavia,(...)
avril 2014
Karen Bit Vejle: master of paper-cut
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Danish-Norwegian artist Karen Bit Vejle uses scissors as her brush to create intricate and awe-inspiring works of art with cut paper. The art of psaligraphy hit Europe with the wave of Eastern influence in the 17th century, and famed Danish author Hans Christian Anderson was among its practitioners. The tradition of paper-cutting is particularly strong in Scandinavia, where gaekkebrev, cards with cut-paper snowflakes, are still exchanged by sweethearts each spring, and Bit Vejle has worked to master the medium since she was a young girl. The past couple of years have seen her work grow in scale and sophistication, creating both abstracted floral patterns and enormous narrative tableaux as delicate as lace.
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Every three years, three hundred square miles of land in northwestern Japan are transformed into the most ambitious and largest-scale art installation in the world: the Echigo-Tsumari Art Field. One hundred sixty of the world's best-known landscape artists, sculptors, and architects create artworks in two hundred villages that dot the mountains and terraced rice fields of(...)
Art place Japan. The Echigo-Tsumari art triennale and the vision to reconnect art and nature
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Every three years, three hundred square miles of land in northwestern Japan are transformed into the most ambitious and largest-scale art installation in the world: the Echigo-Tsumari Art Field. One hundred sixty of the world's best-known landscape artists, sculptors, and architects create artworks in two hundred villages that dot the mountains and terraced rice fields of the Japanese countryside, with the intent of rediscovering relationships between nature, art, and humanity, forging collaborations between global artists and local communities, and connecting people to each other and the land.
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Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however(...)
Groundswell: Women of land art
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Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however fleeting or permanent that might be—foregrounding natural materials and the site itself to create large-scale works located outside of typical urban art-world circuits. Histories of Land art have long been dominated by men, but "Groundswell: Women of Land Art" shifts that focus to shed new light on the vast number of earthworks by women artists. While their careers ran parallel to those of their better-known male counterparts, they have received less recognition and representation in museum presentations—until now. This book includes five scholarly essays, as well as a detailed chronology, exhibition checklist and illustrated biographies of exhibition artists. "Groundswell" is a resource for readers interested in understanding the historical Land art movement and our own relationship to the earth.
Land Art
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In the years 1984–1996, SOM continued to develop the skills for which it had become known—high standards of design, imaginative structural solutions, exceptional detailing, city making on a grand scale, expertise in managing large and complex sites—and also addressed new areas of design and practice. A contextual modernism—one attentive to climate, topography, and the(...)
SOM: Architecture of Skidmore, Owings, and Merrell (1984-1996)
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In the years 1984–1996, SOM continued to develop the skills for which it had become known—high standards of design, imaginative structural solutions, exceptional detailing, city making on a grand scale, expertise in managing large and complex sites—and also addressed new areas of design and practice. A contextual modernism—one attentive to climate, topography, and the regional vernacular—a focus on restoration and reuse, and an expansion of international work came to the fore in a time of great social and economic change. In his introduction, Detlef Mertins traces the firm’s history in parallel with this restructuring, a growth in real estate development and financial markets that fundamentally changed how buildings were commissioned and built.
Architecture, monographies
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This lift-the-flap book charts the rise of an urban skyscraper, covering every stage of its construction – from safely demolishing its predecessor to hanging glass walls forty storeys up. With over 70 flaps to lift, revealing modern construction methods and showing how different tools and vehicles are used. Informative, fun and accessible, this book is a fantastic source(...)
Construction and demolition: Lift-the-flap
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This lift-the-flap book charts the rise of an urban skyscraper, covering every stage of its construction – from safely demolishing its predecessor to hanging glass walls forty storeys up. With over 70 flaps to lift, revealing modern construction methods and showing how different tools and vehicles are used. Informative, fun and accessible, this book is a fantastic source of information for children interested in construction. An extra-large format and double gate-fold help convey the dramatic scale of modern building projects.
Littérature jeunesse