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"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a(...)
Théorie de l’architecture
octobre 1996, Berkeley / Los Angeles
In/different spaces : place and memory in visual culture
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"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a transparent representation of the world but rather a principal player on the stage of history.
Théorie de l’architecture
Greg Lynn : form
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Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. With contributions by : J. G. Ballard, Chris Bangle, Rene Daalder, Sonia Eram, Imaginary Forces, Brian C. Goodwin, Jeffrey Kipnis, Sylvia Lavin, Ross(...)
Architecture, monographies
novembre 2008, New York
Greg Lynn : form
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Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. With contributions by : J. G. Ballard, Chris Bangle, Rene Daalder, Sonia Eram, Imaginary Forces, Brian C. Goodwin, Jeffrey Kipnis, Sylvia Lavin, Ross Lovegrove, Ari Marcopoulos, Peter Schroder, and Bruce Sterling.
Architecture, monographies
livres
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1 online resource (245 pages) : illustrations ;
Brooklyn, New York : punctum books, 2015., ©2015
The Funambulist papers volume 2 : 26 guest writers essays for The Funambolist / curated and edited by Léopold Lambert.
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1 online resource (245 pages) : illustrations ;
livres
Brooklyn, New York : punctum books, 2015., ©2015
$115.00
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This is a conceptual journey through Joep van Lieshout’s radical thought experiments. The art and design produced by the artist’s studio go beyond aesthetic objects, becoming functional tools for an alternative way of life. The book is like an architectural blueprint for an imaginary house. Readers can wander from one room to another, where each space has specific,(...)
Atelier Van Lieshout: Bad ideas for good living
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This is a conceptual journey through Joep van Lieshout’s radical thought experiments. The art and design produced by the artist’s studio go beyond aesthetic objects, becoming functional tools for an alternative way of life. The book is like an architectural blueprint for an imaginary house. Readers can wander from one room to another, where each space has specific, logical, aesthetical, surprising, and also sometimes unsettling elements. In this way the works are a test – an invitation to look past the initial shock the viewer might experience. This imaginary house does not tell us how to live, but teaches that we must consciously think about the way we organise our lives.
Design, monographies
Belgium new architecture 3
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The third volume of this series combines architectural projects from all three regions of Belgium and highlights the continuing importance of a young and diverse generation of architects. In total 65 buildings and public projects are surveyed, ranging from commercial and residential developments to educational facilities and imaginary spaces. Each project is accompanied(...)
Belgium new architecture 3
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The third volume of this series combines architectural projects from all three regions of Belgium and highlights the continuing importance of a young and diverse generation of architects. In total 65 buildings and public projects are surveyed, ranging from commercial and residential developments to educational facilities and imaginary spaces. Each project is accompanied by a plan, elevation, images and text.
livres
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xiv, 476 pages : illustrations ; 26 cm.
New York : Fordham University Press, 2014.
Sabato Rodia's Towers in Watts : art, migrations, development / edited by Luisa Del Giudice.
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xiv, 476 pages : illustrations ; 26 cm.
livres
New York : Fordham University Press, 2014.
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Searching for Utopia surveys the influence of the idea of utopia on history, literature, art, architecture, and religious and political thought. Central to his exploration of ideal worlds are creation myths; archetypes of heaven and the afterlife; new worlds and voyages of discovery; ages of revolution and technological progress; model communities and kibbutzim; political(...)
Searching for utopia: The history of an idea
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Searching for Utopia surveys the influence of the idea of utopia on history, literature, art, architecture, and religious and political thought. Central to his exploration of ideal worlds are creation myths; archetypes of heaven and the afterlife; new worlds and voyages of discovery; ages of revolution and technological progress; model communities and kibbutzim; political and ecological dystopias; space travel and science fiction.
Architecture et l'imaginaire
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in(...)
Red plenty: inside the fifties' soviet dream
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Nikita Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan, every Lada would be better engineered than a Porsche and sputniks would lead the way to the stars. And it's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending.
Architecture et l'imaginaire
Poètemoins, anthologie
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L'anthologie du fondateur de la Poésie Concrète au Brésil, auteur d'une œuvre radicale aussi influente dans le champ littéraire qu'artistique. L'anthologie bilingue Poètemoins d'Augusto de Campos regroupe un choix de poèmes à partir de ses trois recueils Viva Vaia (Viva Vivant), Despoesia (Dépoésie) et Nao Poemas (Non Poèmes), des mythiques Poetamenos de 1953 à ses(...)
Poètemoins, anthologie
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L'anthologie du fondateur de la Poésie Concrète au Brésil, auteur d'une œuvre radicale aussi influente dans le champ littéraire qu'artistique. L'anthologie bilingue Poètemoins d'Augusto de Campos regroupe un choix de poèmes à partir de ses trois recueils Viva Vaia (Viva Vivant), Despoesia (Dépoésie) et Nao Poemas (Non Poèmes), des mythiques Poetamenos de 1953 à ses dernières créations. L'ouvrage commence (couverture) par un hommage à Mallarmé, l'hologramme Poema Bomba, à partir d'une phrase citée par Sartre : «Il n'y a pas d'autre bombe qu'un poème» et se termine par une phrase de Mallarmé mise en page typographiquement à la manière concrétiste : «Des contemporains ne savent pas lire», en réponse à un reproche d'obscurité qu'on lui faisait. Cette traduction des principaux poèmes d'Augusto de Campos, le poète de São Paulo à l'origine en 1953, avec le poète suisse Eugen Gomringer, du mouvement international de la Poésie Concrète, a été réalisée à partir notamment des derniers recueils parus au Brésil, dont Não, Non. Les derniers poèmes (notamment présentés dans le cadre de la 11e Biennale de Lyon) sont en fait des fichiers informatiques conçus comme des œuvres. La question posée est celle de la modernité en écriture. Augusto de Campos nous renvoie à cette modernité initiée en France par le Coup de Dés de Mallarmé ou les Idéogrammes lyriques d'Apollinaire. Un poème pose la question de la post avant-garde : Pós-tudo, Post-tout. Avec le mot «MUDO», à la fois «je change» et «muet». L'usage de l'ordinateur comme médium ouvre de nouvelles possibilités à cette avant-garde. Ce qui n'empêche pas le livre, comme en témoigne cet objet, impossible à réaliser sans l'ordinateur. Préface et traductions : Jacques Donguy.
Architecture et l'imaginaire
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Contemporary short stories enacting giddy, witty revenge on the documents that define and dominate our lives.
Fakes : an anthology of pseudo-interviews, faux-lectures, quasi-letters,
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Contemporary short stories enacting giddy, witty revenge on the documents that define and dominate our lives.
Architecture et l'imaginaire