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A contemporary reminder of the importance of the carpenter and wood in Japanese architecture. When Japanese architecture is mentioned today, images of temples or pagodas generally come to mind. Others may think of more contemporary works: massive modular walls of rough concrete poured in place and bearing imprints of their formwork in the manner of Ando Tadao, the(...)
Théorie de l’architecture
avril 2022
The carpenter and the architect
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A contemporary reminder of the importance of the carpenter and wood in Japanese architecture. When Japanese architecture is mentioned today, images of temples or pagodas generally come to mind. Others may think of more contemporary works: massive modular walls of rough concrete poured in place and bearing imprints of their formwork in the manner of Ando Tadao, the lighter structures of Ito Toyo and Sejima Kazuyo, or the finely wrought facades of Kuma Kengo. A generational chasm and, rather surprisingly, even a historical one seems to have opened up between the emblematic images of traditional Japanese architecture, in which wood is the material of choice, and more current and innovative work, in which its use has been reduced. Even though the carpenter has long been the lead builder, contemporary architectural culture appears to have forgotten this reservoir of construction experience accumulated over centuries.
Théorie de l’architecture
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La villa Noailles a souhaité arrêter un instant Iwan Baan, un étonnant voyageur qui ne cesse de parcourir la planète pour repérer et capturer certaines architectures du temps présent, afin de saisir la vie qui se déroule avec elles. Ces 52 regards photographiques sur 52 semaines sont autant d'étapes de son parcours sans fin autour du globe. Ce qui l'intéresse, c'est(...)
Iwan Baan: autour du monde, journal d'une année d'architecture / around the world, diary of a year of architecture
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La villa Noailles a souhaité arrêter un instant Iwan Baan, un étonnant voyageur qui ne cesse de parcourir la planète pour repérer et capturer certaines architectures du temps présent, afin de saisir la vie qui se déroule avec elles. Ces 52 regards photographiques sur 52 semaines sont autant d'étapes de son parcours sans fin autour du globe. Ce qui l'intéresse, c'est cette vie qui se joue dans et autour de ces nouveaux édifices tels que le 1 1 1 1 des architectes Herzog & de Meuron à Miami, ou l'Académie des arts de Wang Shu en Chine, mais aussi le musée Knut Hamsun en Norvège de Steven Holl, l'opéra Za-Koenji de Toyo Ito à Tokyo... Ces architectes, et d'autres, témoignent généreusement ici du rôle singulier tenu par Iwan Baan dans la photographie d'architecture ainsi que des liens en mutation entre les deux disciplines.
Monographies photo
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
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In the era of digital design and manufacturing, architects can experiment with and apply mathematical concepts to built structures as never before This survey of forty-six international projects, compiled and written by leading architects of digital design, offers an overview of exciting manifestations of these new processes through accessible illustrations, lucid(...)
The new mathematics of architecture
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In the era of digital design and manufacturing, architects can experiment with and apply mathematical concepts to built structures as never before This survey of forty-six international projects, compiled and written by leading architects of digital design, offers an overview of exciting manifestations of these new processes through accessible illustrations, lucid texts, hands-on experience and constructed projects. The result is a compendium of the thinking and building behind today’s most exciting architecture. MINIFIE NIXON / FOSTER + PARTNERS / JOHN PICKERING / ANTONI GAUDÍ /INGENHOVEN ARCHITECTS / GEHRY PARTNERS / KOHN PEDERSEN FOX / LAB ARCHITECTURE STUDIO / ATELIERS JEAN NOUVEL / OCEAN NORTH / BIOTHING / ARUP AGU / PTW ARCHITECTS / HENEGHAN PENG / DANIEL LIBESKIND / ASHTON RAGGATT MCDOUGALL / FOREIGN OFFICE ARCHITECTS / ARATA ISOZAKI / COX ARCHITECTS / TOYO ITO / UN STUDIO / DECOI ARCHITECTS / PAUL MORGAN ARCHITECTS / GREG LYNN / MCBRIDE CHARLES RYAN / HAKES ASSOCIATES / CLOUD 9 ARCHITECTURE / KARRES EN BRANDS / NOX ARCHITECTS / SERVO / ASYMPTOTE / HYPERBODY RESEARCH GROUP / CARLO RATTI ASSOCIATI
Structures d’ingénierie
Big shed
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Exhibition halls and sports arenas, factories and warehouses, airports and railway stations, arts centres and concert halls: big sheds are all around us yet the story behind their extraordinary growth has gone untold. Beginning with the roots of the big shed – including 19th-century iron structures, the work of Buckminster Fuller, Archigram, and the Pompidou and(...)
juin 2007, New York
Big shed
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Exhibition halls and sports arenas, factories and warehouses, airports and railway stations, arts centres and concert halls: big sheds are all around us yet the story behind their extraordinary growth has gone untold. Beginning with the roots of the big shed – including 19th-century iron structures, the work of Buckminster Fuller, Archigram, and the Pompidou and Sainsbury Centres – the book is organized by function: exhibitions, industry, transport, sports and arts. Together these areas account for the best examples of big sheds over the past twenty years, and include work by Frank Gehry, Norman Foster, Richard Rogers, Jean Nouvel, Daniel Libeskind, Nicholas Grimshaw and Toyo Ito, among many others. From the vertiginous daring of Tokyo International Forum to Madrid’s award-winning Barajas Airport, these structures have changed the very nature of architecture. Throughout the book Pryce’s dramatic photography captures the buildings’ primal vastness, while technical drawings help explain how they were designed, built and function.
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Kazuo Shinohara’s (1925–2006) book Residential Architecture is considered one of the most significant pieces of writing on Japanese architecture of the late twentieth century. First published in Japan in 1964 as Jutaku kenchiku, the book was mandatory reading for generations of students of architecture in Japan and has deeply influenced many of the best-known Japanese(...)
Théorie de l’architecture
mai 2026
Residential architecture: Kazuo Shinohara
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Kazuo Shinohara’s (1925–2006) book Residential Architecture is considered one of the most significant pieces of writing on Japanese architecture of the late twentieth century. First published in Japan in 1964 as Jutaku kenchiku, the book was mandatory reading for generations of students of architecture in Japan and has deeply influenced many of the best-known Japanese designers, such as Toyo Ito, Kazuyo Sejima, Ryue Nishizawa, and others. Translated by architectural historian David B. Stewart (1942–2025) and architects Shin-ichi Okuyama (born 1961) and Kenichi Nakamura (born 1958), Shinohara’s reflections on housing are available in English for the first time, making multifaceted insights into the fundamentals of his outstanding work accessible to a global audience. In the first of three chapters, Shinohara writes about traditional Japanese architecture, thus explaining the foundation of his theory and practice, followed by a description of his design method, which he further illustrates through the examples of his first seven designs for homes.
Théorie de l’architecture
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In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War(...)
octobre 2008, New York
After the crash: architecture in post-bubble Japan
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In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War II. New Zealand–born architect Thomas Daniell arrived in Japan at the dawn of this turbulent decade. After the Crash is an anthology of essays that draw on first-hand observations of the built environment and architectural culture that emerged from the economically sober post-bubble period of the 1990s. Daniell uses projects and installations by architects such as Atelier Bow Wow, Toyo Ito, and the metabolists to illustrate the new relationships forged, most of necessity, between architecture and society in Japan. Tom Daniell is a practicing architect, critic, and educator who has based himself in Kyoto, Japan since the early 1990s.
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The Far Eastern International Digital Design Award (The Feidad Award) was conferred for the first time in 2000, its aim being to encourage and honour innovative design created with the aid of digital media. In 2006, the jury which comprised Greg Lynn (Greg Lynn FORM), Marcos Novak, Jacob van Rijs (MVRDV), Birger Sevaldson (Ocean North), and other distinguished architects,(...)
Distinguishing Digital Architecture : 6th Far Eastern International Digital Architectural Design Award
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The Far Eastern International Digital Design Award (The Feidad Award) was conferred for the first time in 2000, its aim being to encourage and honour innovative design created with the aid of digital media. In 2006, the jury which comprised Greg Lynn (Greg Lynn FORM), Marcos Novak, Jacob van Rijs (MVRDV), Birger Sevaldson (Ocean North), and other distinguished architects, awarded the prize for the sixth time. This book presents the 52 best projects by architects, students and designers worldwide. It explores digital concepts such as computing, information, electronic media, hyper-, virtual-, and cyberspace in order to help define and discuss future space and architecture in the digital age. Fully documented in text and colour illustrations, these award-winning projects provide an excellent overview of the very latest international developments in digital design and an invaluable source-book for all who make use of new media in their work. As special treat "stars” like Tadao Ando, Zaha Hadid, Toyo Ito, Fernando Menis, Asymptote, Diller+Scofidio, OCEAN-north, MVRDV and UN Studio were invited to submit projects for this edition.
Architecture numérique
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La notion de « paysage » a énormément évolué. Les professionnels du secteur se sont fait reconnaître et jouent un rôle plus important de par le développement cohérent de leur recherche avec l’évolution de l’art, de la planification urbaine et de l’espace public. On peut trouver des références au design paysagiste dans la planification urbaine, dans des projets de(...)
Dictionnaire des paysagistes d'aujourd'hui
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La notion de « paysage » a énormément évolué. Les professionnels du secteur se sont fait reconnaître et jouent un rôle plus important de par le développement cohérent de leur recherche avec l’évolution de l’art, de la planification urbaine et de l’espace public. On peut trouver des références au design paysagiste dans la planification urbaine, dans des projets de réhabilitation de zones abandonnées, dans la conception des espaces publics, des parcs et des jardins privés, dans le "land ar" et en photographie. L’accroissement des projets publics et la capacité à rester en phase avec les nouvelles approches théoriques et les usages du design ont porté cette discipline sur le devant de la scène. Avec près de cent portraits d’architectes, d’ingénieurs, d’architectes paysagistes, d’artistes et de photographes mondialement connus – Tadao Andao, Emilio Ambasz, Daniel Buren, Christo et Jean-Claude, Tony Cragg, Walter De Maria, Michael Heizer, Nancy Holt, Toyo Ito, Anish Kapoor, Rem Koolhaas, Maya Lin, Richard Long et James Turrel, pour n’en citer que quelques-uns –, cet ouvrage constitue un outil de référence.
Jardins
Architecture of Life
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Published in conjunction with Berkeley Art Museum and Pacific Film Archive’s inaugural exhibition in its landmark new building designed by Diller Scofidio + Renfro, Architecture of Life explores the ways that architecture—as concept, metaphor, and practice—illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of(...)
février 2016
Architecture of Life
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Published in conjunction with Berkeley Art Museum and Pacific Film Archive’s inaugural exhibition in its landmark new building designed by Diller Scofidio + Renfro, Architecture of Life explores the ways that architecture—as concept, metaphor, and practice—illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of reality, and the power of the imagination to reshape our world. The sweeping exhibition comprises over 150 works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, all of which are reproduced in full color in the catalog. International in scope, Architecture of Life presents work by artists Yuri Ancarani, George Ault, Lee Bontecou, Louise Bourgeois, Marcel Duchamp, Léon Ferrari, Suzan Frecon, Trenton Doyle Hancock, Johannes Itten, Kimsooja, Fernand Léger, Tomás Saraceno; architects Diller Scofidio + Renfro, Buckminster Fuller, Frederick Kiesler, Toyo Ito, Lebbeus Woods; scientists Wilson Bentley, Santiago Ramón y Cajal, Viktor Schauberger; and composer Iannis Xenakis, among many others. The exhibition also includes Mbuti barkcloth drawings, Pomo baskets, Micronesian navigational charts, Tibetan meditation mandalas, and tantric drawings from Rajasthan.