351 Résultats
Classification:
livres
livres
Titre:
Ryoji Ikeda: datamatics
Ryoji Ikeda: datamatics
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One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a(...)
$47.50
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Résumé:
One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a(...)
Titre:
Ryoji Ikeda: datamatics
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$47.50
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One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a long-term art project that explores our reception of miniscule audio and visual data. Developed between 2006–2012, it consists of an audiovisual concert, installations, publications, a radio program and a CD. This book documents most of the works from the series, emphasizing three major Datamatics exhibitions presented in Yamaguchi (Japan 2008), Bogota (Columbia 2011) and Gijon (Spain 2012). Alongside graphic material relating to the production processes such as data sources, graphic scores and technical diagrams, the book also includes texts by curators Kazunao Abe, Maria Belen Sez de Ibarra and Benjamin Weil.
Ryoji Ikeda: datamatics
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One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a long-term art project that explores our reception of miniscule audio and visual data. Developed between 2006–2012, it consists of an audiovisual concert, installations, publications, a radio program and a CD. This book documents most of the works from the series, emphasizing three major Datamatics exhibitions presented in Yamaguchi (Japan 2008), Bogota (Columbia 2011) and Gijon (Spain 2012). Alongside graphic material relating to the production processes such as data sources, graphic scores and technical diagrams, the book also includes texts by curators Kazunao Abe, Maria Belen Sez de Ibarra and Benjamin Weil.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Ryoji Ikeda: dataphonics
Ryoji Ikeda: dataphonics
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$40.00
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Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated(...)
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(disponible sur commande)
Résumé:
Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated(...)
Titre:
Ryoji Ikeda: dataphonics
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Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated (notably with Carsten Nicolai) across the world. A homage to Musique Concrète pioneer Pierre Schaeffer's Solfege de l'objet sonore, Dataphonics began as a monthly broadcast on France culture's Atelier de Création Radiophonique, in which Ikeda created a highly physical auditory experience based on the idea of binary-logic data made audible, “to materialize the invisible domain of ‘totally pure digital data.'” This book and CD includes spreads of graphic scores, codes, symbols and the composition itself, recomposed from the ten segments in which it was originally conceived.
Ryoji Ikeda: dataphonics
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Résumé:
Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated (notably with Carsten Nicolai) across the world. A homage to Musique Concrète pioneer Pierre Schaeffer's Solfege de l'objet sonore, Dataphonics began as a monthly broadcast on France culture's Atelier de Création Radiophonique, in which Ikeda created a highly physical auditory experience based on the idea of binary-logic data made audible, “to materialize the invisible domain of ‘totally pure digital data.'” This book and CD includes spreads of graphic scores, codes, symbols and the composition itself, recomposed from the ten segments in which it was originally conceived.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Soundwalk collective: medea
Soundwalk collective: medea
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound(...)
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound(...)
Titre:
Soundwalk collective: medea
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound composition of the CD (included here) and also gathers photographs by Stephan Crasneanscki and texts by Arthur Larrue.
Soundwalk collective: medea
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound composition of the CD (included here) and also gathers photographs by Stephan Crasneanscki and texts by Arthur Larrue.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$25.00
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Résumé:
Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat(...)
$25.00
(disponible sur commande)
Résumé:
Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat(...)
Titre:
Sonic warfare : sound, affect, and the ecology of fear
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$25.00
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Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths
Sonic warfare : sound, affect, and the ecology of fear
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Prix:
$25.00
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Résumé:
Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$32.95
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Résumé:
MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through(...)
$32.95
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MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through(...)
Titre:
Jonathan Sterne : MP3, the meaning of a format
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MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s.
Jonathan Sterne : MP3, the meaning of a format
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Résumé:
MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s.
Classification:
livres
livres
Publication:
août 2012
août 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$32.00
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Résumé:
Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space - new territory, however, for most architects and planners within the routines of functional planning rocedures. Tuned City: Between Sound and Space Speculation searches for a new evaluation of architectural(...)
$32.00
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Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space - new territory, however, for most architects and planners within the routines of functional planning rocedures. Tuned City: Between Sound and Space Speculation searches for a new evaluation of architectural(...)
Titre:
Tuned city: between sound and space speculation
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$32.00
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Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space - new territory, however, for most architects and planners within the routines of functional planning rocedures. Tuned City: Between Sound and Space Speculation searches for a new evaluation of architectural spaces from the perspective of acoustics. This volume presents various positions of architects, artists and theorists to expand the architectural discourse with the dimension of listening.
Tuned city: between sound and space speculation
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Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space - new territory, however, for most architects and planners within the routines of functional planning rocedures. Tuned City: Between Sound and Space Speculation searches for a new evaluation of architectural spaces from the perspective of acoustics. This volume presents various positions of architects, artists and theorists to expand the architectural discourse with the dimension of listening.
Classification:
livres
livres
Publication:
septembre 2008
septembre 2008
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Ways of hearing
Ways of hearing
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$29.95
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Résumé:
In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In ''Ways of Hearing''- modeled on ''Ways of Seeing,'' John Berger's influential 1972 book on visual culture- Krukowski offers readers a set of tools for critical listening in the digital age. Just as ''Ways of Seeing''(...)
$29.95
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Résumé:
In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In ''Ways of Hearing''- modeled on ''Ways of Seeing,'' John Berger's influential 1972 book on visual culture- Krukowski offers readers a set of tools for critical listening in the digital age. Just as ''Ways of Seeing''(...)
Titre:
Ways of hearing
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$29.95
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In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In ''Ways of Hearing''- modeled on ''Ways of Seeing,'' John Berger's influential 1972 book on visual culture- Krukowski offers readers a set of tools for critical listening in the digital age. Just as ''Ways of Seeing'' began as a BBC television series, ''Ways of Hearing'' is based on a six-part podcast produced for the groundbreaking public radio podcast network Radiotopia. Inventive uses of text and design help bring the message beyond the range of earbuds.
Ways of hearing
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In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In ''Ways of Hearing''- modeled on ''Ways of Seeing,'' John Berger's influential 1972 book on visual culture- Krukowski offers readers a set of tools for critical listening in the digital age. Just as ''Ways of Seeing'' began as a BBC television series, ''Ways of Hearing'' is based on a six-part podcast produced for the groundbreaking public radio podcast network Radiotopia. Inventive uses of text and design help bring the message beyond the range of earbuds.
Classification:
livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$36.95
(disponible sur commande)
Résumé:
In the years following the arrival of the Windrush generation, the UK’s soundsystem culture would become the most important influence on contemporary pop music since rock and roll. Pumped through towering, home-built speakers, often directly onto the thronged streets of events like the Notting Hill Carnival, the pulsating bass lines of reggae, dub, rave, jungle, trip hop,(...)
$36.95
(disponible sur commande)
Résumé:
In the years following the arrival of the Windrush generation, the UK’s soundsystem culture would become the most important influence on contemporary pop music since rock and roll. Pumped through towering, home-built speakers, often directly onto the thronged streets of events like the Notting Hill Carnival, the pulsating bass lines of reggae, dub, rave, jungle, trip hop,(...)
Titre:
Bass, Mids, Tops: an oral history of sound system culture
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In the years following the arrival of the Windrush generation, the UK’s soundsystem culture would become the most important influence on contemporary pop music since rock and roll. Pumped through towering, home-built speakers, often directly onto the thronged streets of events like the Notting Hill Carnival, the pulsating bass lines of reggae, dub, rave, jungle, trip hop, dubstep, and grime have shaped the worlds of several generations of British youth culture but have often been overlooked by historians obsessed with swinging London, punk, and Britpop. This oral history, consisting of new interviews conducted by dance music writer Joe Muggs, presents the story of the bassline of Britain, in the words of those who lived and shaped it. Features interviews with Dubmaster Dennis Bovell, Norman Jay MPE, Youth, Adrian Sherwood, Skream, Rinse FM’s Sarah Lockhart and many others.
Bass, Mids, Tops: an oral history of sound system culture
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$36.95
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In the years following the arrival of the Windrush generation, the UK’s soundsystem culture would become the most important influence on contemporary pop music since rock and roll. Pumped through towering, home-built speakers, often directly onto the thronged streets of events like the Notting Hill Carnival, the pulsating bass lines of reggae, dub, rave, jungle, trip hop, dubstep, and grime have shaped the worlds of several generations of British youth culture but have often been overlooked by historians obsessed with swinging London, punk, and Britpop. This oral history, consisting of new interviews conducted by dance music writer Joe Muggs, presents the story of the bassline of Britain, in the words of those who lived and shaped it. Features interviews with Dubmaster Dennis Bovell, Norman Jay MPE, Youth, Adrian Sherwood, Skream, Rinse FM’s Sarah Lockhart and many others.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$24.95
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Résumé:
Although Theodor W. Adorno is best known for his association with the Frankfurt School of Critical Theory, he began his career as a composer and successful music critic. "Night Music" presents the first complete English translations of two collections of texts compiled by German philosopher and musicologist Adorno—Moments musicaux, containing essays written between 1928(...)
$24.95
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Although Theodor W. Adorno is best known for his association with the Frankfurt School of Critical Theory, he began his career as a composer and successful music critic. "Night Music" presents the first complete English translations of two collections of texts compiled by German philosopher and musicologist Adorno—Moments musicaux, containing essays written between 1928(...)
Titre:
Night music: essays on music 1928-1962
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$24.95
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Although Theodor W. Adorno is best known for his association with the Frankfurt School of Critical Theory, he began his career as a composer and successful music critic. "Night Music" presents the first complete English translations of two collections of texts compiled by German philosopher and musicologist Adorno—Moments musicaux, containing essays written between 1928 and 1962, and "Theory of New Music", a group of texts written between 1929 and 1955.
Night music: essays on music 1928-1962
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$24.95
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Résumé:
Although Theodor W. Adorno is best known for his association with the Frankfurt School of Critical Theory, he began his career as a composer and successful music critic. "Night Music" presents the first complete English translations of two collections of texts compiled by German philosopher and musicologist Adorno—Moments musicaux, containing essays written between 1928 and 1962, and "Theory of New Music", a group of texts written between 1929 and 1955.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$43.95
(disponible sur commande)
Résumé:
In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors,(...)
$43.95
(disponible sur commande)
Résumé:
In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors,(...)
Titre:
Inflamed invisible: collected writings on art and sound, 1976-2018
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$43.95
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In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. This publications collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations.
Inflamed invisible: collected writings on art and sound, 1976-2018
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$43.95
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Résumé:
In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. This publications collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Acoustique
Acoustique
