périodiques
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1 online resource (volumes)
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
périodiques
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
livres
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vii, 288 pages : illustrations ; 26 cm
Toronto, Canada : Ontario Ministry of Citizenship and Culture, 1984.
Publications of the Province of Upper Canada and of Great Britain : relating to Upper Canada, 1791-1840 / Olga Bernice Bishop.
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vii, 288 pages : illustrations ; 26 cm
livres
Toronto, Canada : Ontario Ministry of Citizenship and Culture, 1984.
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Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar's three-year and seven-phase project, ''Studies on happiness'', addressed a furtive and fearful population living under Augusto Pinochet's military dictatorship. It also(...)
Alfredo Jaar: Studies on happiness
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Between 1979 and 1981, Alfredo Jaar asked Chileans a deceptively simple question: "Are you happy?" Through private interviews, sidewalk polls and video-recorded forums, among other interventions, Jaar's three-year and seven-phase project, ''Studies on happiness'', addressed a furtive and fearful population living under Augusto Pinochet's military dictatorship. It also spoke to a country in transition, as a newly adopted constitution remade Chile through privatisation and other neoliberal reforms. In its varied interventions and direct mode of address, ''Studies on happiness'' functioned as a feedback device meant to catalyse a critical awareness with its blunt questioning. Edward A. Vazquez contextualises Studies on Happiness within Jaar's early production and situates his practice within a Chilean art world haunted by the residues of political violence. This study foregrounds the project's historical embeddedness and the deep political stakes of its apparent sociality, recognising the crucial role that context has always played in Jaar's practice. By turning to the Santiago of Studies on Happiness, Vazquez explores the work's political and art historical environment and provides a wedge to realign current interpretations of Chilean art and hemispheric conceptualism with the openness central to Jaar's project.
Théorie de l’art
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Fruit d’une collaboration entre deux grands défenseurs des droits des Premières Nations, ce livre est d’abord le récit de près d’un demi-siècle de militantisme autochtone. Il retrace le parcours personnel et militant d’Arthur Manuel et dresse du même souffle le portrait du renouveau des mouvements de lutte autochtone au pays depuis les années 1970. De la Paix des Braves à(...)
Décoloniser le Canada : Cinquante ans de militantisme autochtone
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Fruit d’une collaboration entre deux grands défenseurs des droits des Premières Nations, ce livre est d’abord le récit de près d’un demi-siècle de militantisme autochtone. Il retrace le parcours personnel et militant d’Arthur Manuel et dresse du même souffle le portrait du renouveau des mouvements de lutte autochtone au pays depuis les années 1970. De la Paix des Braves à la Déclaration des Nations unies sur les droits des peuples autochtones, en passant par le rapatriement de la Constitution et les importants jugements de la Cour suprême, cet ouvrage revisite de grands pans de l’histoire canadienne récente. Pour Manuel, la reconnaissance des droits autochtones est le meilleur gage pour assurer la défense de nos territoires devant l’appétit vorace des intérêts privés qui cherchent à faire main basse sur nos ressources naturelles. Dans l’esprit du mouvement Idle No More, il invite aussi à en finir avec l’apathie et l’inaction qui ont caractérisé les relations entre le gouvernement fédéral et les Autochtones. Ce livre est un vibrant appel à la résistance, mais aussi un message d’ouverture invitant à bâtir des ponts entre les communautés autochtones et allochtones.
Autochtone
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Powerless under the country's constitution, Canadian municipal governments often find themselves in conflict with their provincial masters. In 2002, the Province of Quebec forcibly merged all cities on the Island of Montreal into a single municipality - a decision that was partially reversed in 2006. The first book-length study of the series of mergers imposed by the(...)
Merger delusion : how swallowing its suburbs made an even bigger mess of Montreal
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Powerless under the country's constitution, Canadian municipal governments often find themselves in conflict with their provincial masters. In 2002, the Province of Quebec forcibly merged all cities on the Island of Montreal into a single municipality - a decision that was partially reversed in 2006. The first book-length study of the series of mergers imposed by the Parti Québécois government, The Merger Delusion is a critique by a key player in anti-merger politics. Peter Trent, mayor of the City of Westmount, Quebec, foresaw the numerous financial and institutional problems posed by amalgamating municipalities into megacities. Here, he presents a stirring and detailed account of the battle he led against the provincial government, the City of Montreal, the Board of Trade, and many of his former colleagues. Describing how he took the struggle all the way to the Supreme Court of Canada, Trent demonstrates the ways in which de-mergers resonated with voters and eventually helped the Quebec Liberal Party win the 2003 provincial election. As the cost and pitfalls of forced mergers become clearer in hindsight, The Merger Delusion recounts a compelling case study with broad implications for cities across the globe.
Architecture de Montréal
périodiques
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1 online resource (volumes) : illustrations
Baden-Baden : Nomos
Verfassung und Recht in Übersee.
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1 online resource (volumes) : illustrations
périodiques
Baden-Baden : Nomos
Atelier Van Lieshout
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's(...)
Atelier Van Lieshout
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's contrarian applied art via luxuriously appointed "mobile homes," autonomous communes and surreal art projects, with equal time given to AVL-Ville (2001), a "free state" in Rotterdam's port, complete with its own flag, its own constitution and its own currency, and the revealing minutia of AVL's portfolio, from furniture to the "Bar Rectum," a perverse take on the Oscar-Meyer Weiner Mobile. The idea of art that can be used for a self-sufficient and independent lifestyle hits a uniquely high point in AVL-Ville, a culmination of all the work AVL has done before. And it lives on: After a successful and tumultuous year of work, AVL has recently located its first AVL-Ville export product in Park Middelheim in Antwerp: the AVL Franchise Unit. This richly illustrated survey tracks AVL's serious and often provocative portfolio through a crucial period in its growth and development.
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major(...)
Wolkenbügel: El Lissitzky as architect
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow's Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In "Wolkenbügel", Richard Anderson explores Lissitzky's translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky's singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
Architecture, monographies
Le mode de vie impérial
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Dans le mode de vie impérial qui est le nôtre, à ce stade avancé du capitalisme marqué par l’impératif de la croissance, les moindres détails du quotidien, la construction de notre identité comme société et comme individus, tout repose sur la constitution d’un ailleurs où nos entreprises exploitent la force de travail comme elles ne peuvent le faire ici, et où nous(...)
Le mode de vie impérial
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Dans le mode de vie impérial qui est le nôtre, à ce stade avancé du capitalisme marqué par l’impératif de la croissance, les moindres détails du quotidien, la construction de notre identité comme société et comme individus, tout repose sur la constitution d’un ailleurs où nos entreprises exploitent la force de travail comme elles ne peuvent le faire ici, et où nous faisons disparaître nos déchets et fructifier nos surplus. Cette dynamique impériale est alimentée au quotidien par mille désirs anodins: l’acquisition d’un véhicule neuf grâce au crédit facile, la consommation de fruits et de légumes exotiques ou hors-saison, l’achat d’un ordinateur plus performant. Des habitudes qui ne sont plus l’apanage des pays dits «développés», mais que les pays non occidentaux adoptent aussi, accélérant et exacerbant à leur tour les inégalités et l’externalisation des conséquences écologiques et sociales de cette logique dévastatrice. L’humanité et la biosphère atteignent aujourd’hui leurs limites et ne pourront bientôt plus fournir l’ailleurs qui nous permet de maintenir ce train de vie à l’origine des crises écologique, économique et politique. Les tentatives de remédier à ces crises pour préserver ce mode de vie se multiplient, mais n’est-ce pas ce dernier qui pose justement problème?
Social
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This anthology by members of the Mohawk Warrior Society uncovers a hidden history and paints a bold portrait of the spectacular experience of Kanien'kehá:ka survival and self-defense. Providing extensive documentation, context, and analysis, the book features foundational writings by prolific visual artist and polemicist Louis Karoniaktajeh Hall (1918–1993)—such as his(...)
The Mohawk Warrior Society: auto-history of the Rotisken'rhakéhte
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This anthology by members of the Mohawk Warrior Society uncovers a hidden history and paints a bold portrait of the spectacular experience of Kanien'kehá:ka survival and self-defense. Providing extensive documentation, context, and analysis, the book features foundational writings by prolific visual artist and polemicist Louis Karoniaktajeh Hall (1918–1993)—such as his landmark 1979 pamphlet, The Warrior’s Handbook, as well as selections of his pioneering artwork. This book contains new oral history by key figures of the Rotisken'rhakéhte's revival in the 1970s, and tells the story of the Warriors’ famous flag, their armed occupation of Ganienkeh in 1974, and the role of their constitution, the Great Peace, in guiding their commitment to freedom and independence. We hear directly the story of how the Kanien'kehá:ka Longhouse became one the most militant resistance groups in North America, gaining international attention with the Oka Crisis of 1990. This auto-history of the Rotisken'rhakéhte is complemented by a Mohawk history timeline from colonization to the present, a glossary of Mohawk political philosophy, and a new map of Iroquoia in Mohawk language. At last, the Mohawk Warriors can tell their own story with their own voices, and to serve as an example and inspiration for future generations struggling against the environmental, cultural, and social devastation cast upon the modern world.