2617 Résultats
Classification:
livres
livres
Actions:
Prix:
$46.00
(disponible sur commande)
Résumé:
A personal take on street typography in various European cities, including former Soviet countries and southern Europe, with photos of letters that epitomize a city's atmosphere. 'Reading the Streets' is the sequel to 'Brussels Type', in which Van Steendam travels abroad with the same mission. Stan Van Steendam (1985) studied graphic design at Sint-Lucas in Ghent. He is(...)
$46.00
(disponible sur commande)
Résumé:
A personal take on street typography in various European cities, including former Soviet countries and southern Europe, with photos of letters that epitomize a city's atmosphere. 'Reading the Streets' is the sequel to 'Brussels Type', in which Van Steendam travels abroad with the same mission. Stan Van Steendam (1985) studied graphic design at Sint-Lucas in Ghent. He is(...)
Titre:
Reading the streets: fading city typography
Actions:
Prix:
$46.00
(disponible sur commande)
Résumé:
A personal take on street typography in various European cities, including former Soviet countries and southern Europe, with photos of letters that epitomize a city's atmosphere. 'Reading the Streets' is the sequel to 'Brussels Type', in which Van Steendam travels abroad with the same mission. Stan Van Steendam (1985) studied graphic design at Sint-Lucas in Ghent. He is passionate about typography, and works for various publishers in Belgium and abroad, as well as being a photographer and visual artist.
Reading the streets: fading city typography
Actions:
Prix:
$46.00
(disponible sur commande)
Résumé:
A personal take on street typography in various European cities, including former Soviet countries and southern Europe, with photos of letters that epitomize a city's atmosphere. 'Reading the Streets' is the sequel to 'Brussels Type', in which Van Steendam travels abroad with the same mission. Stan Van Steendam (1985) studied graphic design at Sint-Lucas in Ghent. He is passionate about typography, and works for various publishers in Belgium and abroad, as well as being a photographer and visual artist.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Classification:
livres
livres
Exemplaires:
Description:
318 pages, 1 unnumbered page : illustrations (chiefly color) ; 33 cm
Description:
318 pages, 1 unnumbered page : illustrations (chiefly color) ; 33 cm
Auteur:
Sujet:
Publication:
Köln ; New York : Taschen, [1995], ©1995
Köln ; New York : Taschen, [1995], ©1995
Titre:
Film posters of the Russian avant-garde / Susan Pack.
Actions:
Exemplaires:
Description:
318 pages, 1 unnumbered page : illustrations (chiefly color) ; 33 cm
Film posters of the Russian avant-garde / Susan Pack.
Actions:
Exemplaires:
Description:
318 pages, 1 unnumbered page : illustrations (chiefly color) ; 33 cm
Classification:
livres
livres
Publication:
Köln ; New York : Taschen, [1995], ©1995
Köln ; New York : Taschen, [1995], ©1995
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Description:
1 online resource
Auteur:
Sujet:
Publication:
[Place of publication not identified] : Minor Compositions, 2026.
[Place of publication not identified] : Minor Compositions, 2026.
Titre:
CERFI: Analysis Everywhere. Militancy, Research, Architecture and Psychiatry.
Actions:
Description:
1 online resource
CERFI: Analysis Everywhere. Militancy, Research, Architecture and Psychiatry.
Actions:
Description:
1 online resource
Classification:
livres
livres
Publication:
[Place of publication not identified] : Minor Compositions, 2026.
[Place of publication not identified] : Minor Compositions, 2026.
Auteur:
Sujet:
Classification:
livres
livres
Titre:
Situating El Lissitzky
Situating El Lissitzky
Actions:
Prix:
$62.50
(disponible sur commande)
Résumé:
Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the(...)
$62.50
(disponible sur commande)
Résumé:
Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the(...)
Titre:
Situating El Lissitzky
Actions:
Prix:
$62.50
(disponible sur commande)
Résumé:
Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade. Taking readers into the thick of current debates about Lissitzky's artistic personae, Situating El Lissitzky reconstructs aspects of his elusive identity across different periods, places, and media. Following an introduction in which Nancy Perloff distills and draws together the volume's eight essays, Christina Lodder, Éva Forgács, and Maria Gough offer revisionist accounts of Lissitzky's years as an international constructivist and exhibition designer in Europe. John E. Bowlt then investigates the role of handicraft and the symbol of the hand in Lissitzky's artistic production, and Leah Dickerman and Margarita Tupitsyn elucidate the interplay between physicality and opticality at different stages in Lissitzky's development as a photographer. Finally, T. J. Clark and Peter Nisbet address the disconcerting balance of aesthetic value and political expediency in Lissitzky's overtly Communist art. The result is a kaleidoscopic portrait of Lissitzky as Bolshevik visionary, craftsman, modernist, internationalist, and Soviet propagandist.
Situating El Lissitzky
Actions:
Prix:
$62.50
(disponible sur commande)
Résumé:
Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade. Taking readers into the thick of current debates about Lissitzky's artistic personae, Situating El Lissitzky reconstructs aspects of his elusive identity across different periods, places, and media. Following an introduction in which Nancy Perloff distills and draws together the volume's eight essays, Christina Lodder, Éva Forgács, and Maria Gough offer revisionist accounts of Lissitzky's years as an international constructivist and exhibition designer in Europe. John E. Bowlt then investigates the role of handicraft and the symbol of the hand in Lissitzky's artistic production, and Leah Dickerman and Margarita Tupitsyn elucidate the interplay between physicality and opticality at different stages in Lissitzky's development as a photographer. Finally, T. J. Clark and Peter Nisbet address the disconcerting balance of aesthetic value and political expediency in Lissitzky's overtly Communist art. The result is a kaleidoscopic portrait of Lissitzky as Bolshevik visionary, craftsman, modernist, internationalist, and Soviet propagandist.
Classification:
livres
livres
Publication:
août 2003, Los Angeles
août 2003, Los Angeles
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$48.00
(disponible en magasin)
Résumé:
Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in(...)
$48.00
(disponible en magasin)
Résumé:
Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in(...)
Titre:
Building a new New World: Amerikanizm in Russian Architecture
Actions:
Prix:
$48.00
(disponible en magasin)
Résumé:
Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the nineteenth century, to department stores, skyscrapers, and factories built in Russia using American methods during the twentieth century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, when the Cold War induced a strategic competition. Tracing the many journeys of Russian writers, politicians, and planners through the American territory, foregrounding the constant streams of cultural and technological transfer from the U.S.A. to Russia, and revealing the parallel fascination among Russian and American intellectuals with the ongoing pursuit of land occupation and development within their respective borders, this study of Amerikanizm in the architecture and urban design of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
Building a new New World: Amerikanizm in Russian Architecture
Actions:
Prix:
$48.00
(disponible en magasin)
Résumé:
Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the nineteenth century, to department stores, skyscrapers, and factories built in Russia using American methods during the twentieth century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, when the Cold War induced a strategic competition. Tracing the many journeys of Russian writers, politicians, and planners through the American territory, foregrounding the constant streams of cultural and technological transfer from the U.S.A. to Russia, and revealing the parallel fascination among Russian and American intellectuals with the ongoing pursuit of land occupation and development within their respective borders, this study of Amerikanizm in the architecture and urban design of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
Classification:
livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Painter, architect, engineer, set designer, father to the Russian Constructivist movement, inventor of the “counter-relief” and author of one of modernism’s greatest icons, the “Monument to the Third International,” Vladimir Tatlin blazed an incredible trail of innovation through the glory years of the Soviet avant-garde. Nevertheless, “Not the old, not the new, but the(...)
$60.00
(disponible sur commande)
Résumé:
Painter, architect, engineer, set designer, father to the Russian Constructivist movement, inventor of the “counter-relief” and author of one of modernism’s greatest icons, the “Monument to the Third International,” Vladimir Tatlin blazed an incredible trail of innovation through the glory years of the Soviet avant-garde. Nevertheless, “Not the old, not the new, but the(...)
Titre:
Vladimir Tatlin: new art for a New World
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Painter, architect, engineer, set designer, father to the Russian Constructivist movement, inventor of the “counter-relief” and author of one of modernism’s greatest icons, the “Monument to the Third International,” Vladimir Tatlin blazed an incredible trail of innovation through the glory years of the Soviet avant-garde. Nevertheless, “Not the old, not the new, but the necessary” was his motto; having spent his early years as an icon painter, Tatlin eschewed the modernist disavowal of heritage in favor of a research-based attitude to materials and genres. His “counter-relief” sculptures, made of wood, cardboard, metal and wire, were foundational works for Rodchenko and the Constructivists, and their influence can be seen today in the works of creators as various as Zaha Hadid and Richard Tuttle. With 120 color illustrations and a wealth of archival photos, this volume offers the first English-language overview of Tatlin’s diverse achievements in more than 25 years. Published for a landmark exhibition at the Museum Tinguely in Basel, it examines every facet of his output, from his early Cubist-influenced paintings to the counter-reliefs, the “Tower,” prints, set and costume designs and aeronautic researches, and constitutes an essential portrait of the ambitions of Soviet modernism.
Vladimir Tatlin: new art for a New World
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Painter, architect, engineer, set designer, father to the Russian Constructivist movement, inventor of the “counter-relief” and author of one of modernism’s greatest icons, the “Monument to the Third International,” Vladimir Tatlin blazed an incredible trail of innovation through the glory years of the Soviet avant-garde. Nevertheless, “Not the old, not the new, but the necessary” was his motto; having spent his early years as an icon painter, Tatlin eschewed the modernist disavowal of heritage in favor of a research-based attitude to materials and genres. His “counter-relief” sculptures, made of wood, cardboard, metal and wire, were foundational works for Rodchenko and the Constructivists, and their influence can be seen today in the works of creators as various as Zaha Hadid and Richard Tuttle. With 120 color illustrations and a wealth of archival photos, this volume offers the first English-language overview of Tatlin’s diverse achievements in more than 25 years. Published for a landmark exhibition at the Museum Tinguely in Basel, it examines every facet of his output, from his early Cubist-influenced paintings to the counter-reliefs, the “Tower,” prints, set and costume designs and aeronautic researches, and constitutes an essential portrait of the ambitions of Soviet modernism.
Classification:
livres
livres
Publication:
août 2012
août 2012
Classification:
livres
livres
Prix:
$42.00
(disponible sur commande)
Résumé:
In essays illustrated by striking period photographs, the contributors to Cold War Kitchen consider such topics as Soviet consumers' ambivalent responses to the American dream kitchen argued over by Nixon and Khrushchev; the Frankfurter Küche, a European modernist kitchen of the interwar period (and its export to Turkey when its designer fled the Nazis); and the British(...)
$42.00
(disponible sur commande)
Résumé:
In essays illustrated by striking period photographs, the contributors to Cold War Kitchen consider such topics as Soviet consumers' ambivalent responses to the American dream kitchen argued over by Nixon and Khrushchev; the Frankfurter Küche, a European modernist kitchen of the interwar period (and its export to Turkey when its designer fled the Nazis); and the British(...)
Publication:
mars 2009, Cambridge
mars 2009, Cambridge
Titre:
Cold war kitchen: americanization, technology and European users
Actions:
Prix:
$42.00
(disponible sur commande)
Résumé:
In essays illustrated by striking period photographs, the contributors to Cold War Kitchen consider such topics as Soviet consumers' ambivalent responses to the American dream kitchen argued over by Nixon and Khrushchev; the Frankfurter Küche, a European modernist kitchen of the interwar period (and its export to Turkey when its designer fled the Nazis); and the British state-subsidized kitchen design so innovative that it was mistaken for a luxury American product. The concluding essays challenge the received wisdom of past interpretations of the kitchen debate.
Cold war kitchen: americanization, technology and European users
Actions:
Prix:
$42.00
(disponible sur commande)
Résumé:
In essays illustrated by striking period photographs, the contributors to Cold War Kitchen consider such topics as Soviet consumers' ambivalent responses to the American dream kitchen argued over by Nixon and Khrushchev; the Frankfurter Küche, a European modernist kitchen of the interwar period (and its export to Turkey when its designer fled the Nazis); and the British state-subsidized kitchen design so innovative that it was mistaken for a luxury American product. The concluding essays challenge the received wisdom of past interpretations of the kitchen debate.
Classification:
livres
livres
Publication:
mars 2009, Cambridge
mars 2009, Cambridge
Classification:
livres
livres
Actions:
Prix:
$60.00
(disponible en magasin)
Résumé:
"Parallel Cities" examines the history of the multilevel city with a focus on elevated pedestrian systems as a recurrent concept in urban planning and design. The book chronicles the evolution and migration of this concept from 19th-century French social utopian thinkers and 20th-century Soviet Constructivist architectural circles to its incubation in postwar London, its(...)
$60.00
(disponible en magasin)
Résumé:
"Parallel Cities" examines the history of the multilevel city with a focus on elevated pedestrian systems as a recurrent concept in urban planning and design. The book chronicles the evolution and migration of this concept from 19th-century French social utopian thinkers and 20th-century Soviet Constructivist architectural circles to its incubation in postwar London, its(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
juillet 2016
juillet 2016
Titre:
Parallel cities: a multilevel metropolis
Actions:
Prix:
$60.00
(disponible en magasin)
Résumé:
"Parallel Cities" examines the history of the multilevel city with a focus on elevated pedestrian systems as a recurrent concept in urban planning and design. The book chronicles the evolution and migration of this concept from 19th-century French social utopian thinkers and 20th-century Soviet Constructivist architectural circles to its incubation in postwar London, its theorization by members of CIAM and Team 10, and its eventual dissemination to North America and Asia, where extensive systems were built in cities such as Minneapolis, Calgary and Hong Kong.
Parallel cities: a multilevel metropolis
Actions:
Prix:
$60.00
(disponible en magasin)
Résumé:
"Parallel Cities" examines the history of the multilevel city with a focus on elevated pedestrian systems as a recurrent concept in urban planning and design. The book chronicles the evolution and migration of this concept from 19th-century French social utopian thinkers and 20th-century Soviet Constructivist architectural circles to its incubation in postwar London, its theorization by members of CIAM and Team 10, and its eventual dissemination to North America and Asia, where extensive systems were built in cities such as Minneapolis, Calgary and Hong Kong.
Classification:
livres
livres
Publication:
juillet 2016
juillet 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Prix:
$29.95
(disponible sur commande)
Résumé:
Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently(...)
$29.95
(disponible sur commande)
Résumé:
Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently(...)
Titre:
Cold war on the home front, the soft power of midcentury design
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently declassified government documents to homemaking journals and popular fiction, this book contributes an engaging new perspective on midcentury modernist style and its political uses at the dawn of the cold war.
Cold war on the home front, the soft power of midcentury design
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently declassified government documents to homemaking journals and popular fiction, this book contributes an engaging new perspective on midcentury modernist style and its political uses at the dawn of the cold war.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie du design
Théorie du design
Classification:
livres
livres
Titre:
The power of pictures
The power of pictures
Actions:
Prix:
$58.00
(disponible sur commande)
Résumé:
Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and(...)
$58.00
(disponible sur commande)
Résumé:
Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
août 2015
août 2015
Titre:
The power of pictures
Actions:
Prix:
$58.00
(disponible sur commande)
Résumé:
Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers.
The power of pictures
Actions:
Prix:
$58.00
(disponible sur commande)
Résumé:
Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers.
Classification:
livres
livres
Publication:
août 2015
août 2015
Sujet:
Théorie de la photographie
Théorie de la photographie
