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In the mid 1960s Aldo Rossi launched what in retrospect appears a heroic endeavour: a redefinition of architecture founded in the knowledge of the rules and forms that constitute "the European city". Understanding this type of city as a collective artefact, Rossi sought to lead architecture out of the impasse created by a technocratic interpretation of functionalism after(...)
OASE 62 : architecture and the project of the city
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In the mid 1960s Aldo Rossi launched what in retrospect appears a heroic endeavour: a redefinition of architecture founded in the knowledge of the rules and forms that constitute "the European city". Understanding this type of city as a collective artefact, Rossi sought to lead architecture out of the impasse created by a technocratic interpretation of functionalism after World War II. Tendenza, with Aldo Rossi and Giorgio Grassi as its main protagonists, proposed the study of existing cities as architectural phenomena, intending to identify enduring formal patterns that could be reworked into elements of a new design. In this issue of "OASE" these ideas and their bearings on architectural practice are traced through the work of Carel Weeber, arguably the most controversial and successful architect to adopt the Italian ideas and transform them in the Dutch context. This issue will examine the relevance of the experience of Tendenza now, against the background of the almost complete erosion of the urban nature of much of suburbanized Europe. Is the reference to "the European city" still tenable? The transformation of these ideas and design solutions in Holland allows us to gauge their effect on the architectural discipline and their contribution to rethinking existing cities.
Revues, anciens numéros
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'Volume 2, visions of utopia, 1900-present' tracks the growth of Italy's avant-garde through the upheavals of the twentieth century. Beginning with the development of Italian art nouveau -"Stile Liberty"- and moving through futurism, fascism, rationalism, and on to the creative experimentation of the present day, this book explores the work of such pivotal figures such(...)
The architecture of modern Italy volume 2: visions of utopia, 1900-present
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'Volume 2, visions of utopia, 1900-present' tracks the growth of Italy's avant-garde through the upheavals of the twentieth century. Beginning with the development of Italian art nouveau -"Stile Liberty"- and moving through futurism, fascism, rationalism, and on to the creative experimentation of the present day, this book explores the work of such pivotal figures such as Raimondo d'Aronco, Antonio Sant'Elia, Adalberto Liberam Carlo Scarpa, Aldo Rossi and Renzo Piano.
San Rocco 14: 66
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1966 was a promising year. Aldo Rossi published "The Architecture of the City" and Robert Venturi came out with "Complexity and Contradiction in Architecture". The stage seemed set for a productive critique of modernism and the development of a more mature approach to the intricacies of architecture. Architecture seemed on the verge of rediscovering its collective nature(...)
San Rocco 14: 66
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1966 was a promising year. Aldo Rossi published "The Architecture of the City" and Robert Venturi came out with "Complexity and Contradiction in Architecture". The stage seemed set for a productive critique of modernism and the development of a more mature approach to the intricacies of architecture. Architecture seemed on the verge of rediscovering its collective nature and about to redefine its knowledge by starting from the city.
Revues
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The list of authors in "Theorizing a New Agenda" reads like a "Who's Who" of contemporary architectural thought: Tadao Ando, Giulio Carlo Argan, Alan Colquhoun, Jacques Derrida, Peter Eisenman, Marco Frascari,(...)
Theorizing a new agenda for architecture : an anthology of architectural theory 1965-1995
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The list of authors in "Theorizing a New Agenda" reads like a "Who's Who" of contemporary architectural thought: Tadao Ando, Giulio Carlo Argan, Alan Colquhoun, Jacques Derrida, Peter Eisenman, Marco Frascari, Kenneth Frampton, Diane Ghirardo, Vittorio Gregotti, Karsten Harries, Rem Koolhaas, Christian Norberg-Schulz, Aldo Rossi, Colin Rowe, Thomas Schumacher, Ignasi de Solá-Morales Rubió, Bernard Tschumi, Robert Venturi and Denise Scott Brown, and Anthony Vidler. A bibliography and notes on all the contributors are also included.
livres
novembre 1995, New York
Théorie de l’architecture
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Les auteurs s'interrogent sur les origines du traité et expliquent les motifs qui incitent, depuis plus de cinq siècles, les architectes et les maîtres d'oeuvre à prendre la plume. Regroupés selon les pays et les époques qui les ont vu naître, les écrits de Leon Battista Alberti, Andrea Palladio, Marc-Antoine Laugier, Eugène Viollet-le-Duc, John Shute, Johann Bernhard(...)
Théorie de l'architecture : de la Renaissance à nos jours
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Les auteurs s'interrogent sur les origines du traité et expliquent les motifs qui incitent, depuis plus de cinq siècles, les architectes et les maîtres d'oeuvre à prendre la plume. Regroupés selon les pays et les époques qui les ont vu naître, les écrits de Leon Battista Alberti, Andrea Palladio, Marc-Antoine Laugier, Eugène Viollet-le-Duc, John Shute, Johann Bernhard Fischer von Erlach, Karl Friedrich Schinkel, Le Corbusier, Frank Lloyd Wright, Aldo Rossi et Rem Koolhaas, pour n'en citer que quelques-uns, sont abondamment illustrés et commentés.
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The book chronicles the thirty-year history of the evolution and development of Seaside, Florida, its global influence on town planning, and the resurgence of place-making in the built environment. Through a rich repository of historical materials and writings, the book chronicles numerous architectural and planning schemes, and outlines a blueprint for moving forward(...)
Visions of Seaside: foundation, evolution, imagination
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The book chronicles the thirty-year history of the evolution and development of Seaside, Florida, its global influence on town planning, and the resurgence of place-making in the built environment. Through a rich repository of historical materials and writings, the book chronicles numerous architectural and planning schemes, and outlines a blueprint for moving forward over the next twenty-five to fifty years. Among the many contributors are Deborah Berke, Andrés Duany, Steven Holl, Léon Krier, Elizabeth Plater-Zyberk, Aldo Rossi, and Robert A. M. Stern.
Théorie de l’urbanisme
Modern Venice map
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''Modern Venice map'' is edited by Marco Mulazzani and Elisa Pegorin with original photography by Alessandra Chemollo. The map's introduction and texts are in English and Italian. Discover remarkable architecture built in Venice from the 1930s to today, including the pavilions of the Venice Biennale, the Vatican chapels, examples of public housing, museums and more.(...)
Modern Venice map
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''Modern Venice map'' is edited by Marco Mulazzani and Elisa Pegorin with original photography by Alessandra Chemollo. The map's introduction and texts are in English and Italian. Discover remarkable architecture built in Venice from the 1930s to today, including the pavilions of the Venice Biennale, the Vatican chapels, examples of public housing, museums and more. This guide map features works by an array of international masters, including Carlo Scarpa, Santiago Calatrava, Aldo Rossi, David Chipperfield, MAP studio, Tadao Ando, Renzo Piano, Rem Koolhas, Norman Foster, Alvar Aalto, James Stirling and others.
Guides des villes
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All the great cities of the world have witnessed the birth of bars and restaurants in the image of a new generation - a free and pleasure-loving generation who frequent them and identify with them. Today leading architects and designers have yielded to the temptation to try their hands at what was yesterday still considered a minor genre. From Philippe(...)
janvier 1998, Paris
Outstanding bar and restaurant designs
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All the great cities of the world have witnessed the birth of bars and restaurants in the image of a new generation - a free and pleasure-loving generation who frequent them and identify with them. Today leading architects and designers have yielded to the temptation to try their hands at what was yesterday still considered a minor genre. From Philippe Starck to Aldo Rossi, from Gaetano Pesce to Ron Arad, all have enthusiastically taken part in this new adventure in design. This book offers nineteen lively places, often colourful and impertinent, always lively and playful, in a host of cities from New York to Mexico City, from London to Barcelona.
livres
janvier 1998, Paris
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This ambitious study uses the concept of the familiar and the avant-garde practice of defamiliarization to reexamine some of the most important buildings of the twentieth century. The Familiar and the Unfamiliar in Twentieth-Century Architecture examines the work--written and built--of four seminal twentieth-century architects and firms: Frank Lloyd Wright, Le Corbusier,(...)
The familiar and the unfamiliar in twentieth-century architecture
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This ambitious study uses the concept of the familiar and the avant-garde practice of defamiliarization to reexamine some of the most important buildings of the twentieth century. The Familiar and the Unfamiliar in Twentieth-Century Architecture examines the work--written and built--of four seminal twentieth-century architects and firms: Frank Lloyd Wright, Le Corbusier, Aldo Rossi, and the partnership of Robert Venturi and Denise Scott Brown. In approaching the history of twentieth-century Western architecture from the perspective of the architectural subject--the person architects imagine experiencing their work--Jean La Marche reveals new insights into the ways humans are imagined in relation to architecture.
Théorie de l’architecture
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Otto Wagner is considered as the "father of the Viennese modernism" and one of the most important international architects. The publication on the MAK exhibition illustrates the resonance of Wagner's oeuvre by protagonists of early modernism as well as his influence on his contemporaries, students and subsequent generations of architects and designers such as Josef(...)
Post-modernisme
juillet 2018
Post Otto Wagner: from the postal savings bank to post-modernism
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Otto Wagner is considered as the "father of the Viennese modernism" and one of the most important international architects. The publication on the MAK exhibition illustrates the resonance of Wagner's oeuvre by protagonists of early modernism as well as his influence on his contemporaries, students and subsequent generations of architects and designers such as Josef Hoffmann, Joze Plecnik, Leopold Bauer, Rudolph M. Schindler, Frank Lloyd Wright, Auguste Perret, Frei Otto, Aldo Rossi and Robert Venturi/Denise Scott Brown. With generous and often unknown image material the book illustrates Wagner's influence on international architecture from the turn of the century to the present, and thus a link between the intricate relationship of modernism and postmodernism.
Post-modernisme