Eco/structure Red Dwellings
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This volume comprises the latest photography of musician and photographer Wang Di, best known for his photo-documentation of punk rock in China in the 1990s. In this series, the approach is the same, raw photographic documents of 'red dwellings' - remnants from a Soviet past. Wang Di's photography focuses on the distinctive Soviet style of architecture in Beijing from the(...)
Eco/structure Red Dwellings
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This volume comprises the latest photography of musician and photographer Wang Di, best known for his photo-documentation of punk rock in China in the 1990s. In this series, the approach is the same, raw photographic documents of 'red dwellings' - remnants from a Soviet past. Wang Di's photography focuses on the distinctive Soviet style of architecture in Beijing from the 50's to the 70's, both interiors and exteriors. The Russian style architecture reflects the particular social condition of the period.
Théorie de la photographie
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The golden calf
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Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big score—a few hundred thousand will do—and heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception." When Bender hears the story of(...)
The golden calf
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Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big score—a few hundred thousand will do—and heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception." When Bender hears the story of Alexandr Koreiko, an "undercover millionaire"—no Soviet citizen was allowed to openly hoard so much capital—the chase is on. Koreiko has made his millions by taking advantage of the wide-spread corruption and utter chaos of the NEP, all while serving quietly as an accountant at a government office and living on 46 rubles a month. He's just waiting for the Soviet regime to collapse so he can make use of his stash, which he keeps hidden away in a suitcase.
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décembre 2009
Expositions en cours
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound(...)
Boris Mikhailov: yesterday's sandwich
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound boards and enclosed within a specially created folder and slip case Yesterday's Sandwich embodies Mikhailov's role as artist, documentary photographer and social observer demonstrating his rich imagination and practical solutions for survival in an unstable society
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1 online resource
[Place of publication not identified] : Sternberg Press ; e-flux, 2017.
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[Place of publication not identified] : Sternberg Press ; e-flux, 2017.
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'Monotown: Urban Dreams Brutal Imperatives' examines the post-industrial transformation and transnational legacy of planned single-industry towns which emerged as a distinctive sociopolitical project of urbanization in the Soviet Union during the 1920s.
octobre 2019
Monotown: Urban dreams, brutal imperatives
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'Monotown: Urban Dreams Brutal Imperatives' examines the post-industrial transformation and transnational legacy of planned single-industry towns which emerged as a distinctive sociopolitical project of urbanization in the Soviet Union during the 1920s.
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Built in 1969, Metsamor, Armenia (then the Armenian Soviet Socialist Republic), was intended as a settlement for employees of a nearby nuclear power plant to be completed between 1976 and 1980. But the power plant would never realize the ambitions of its creators. In 1988, an earthquake caused the facility to be shut down. In 1989, the collapse of the Soviet Union(...)
Théorie de l’architecture
septembre 2018
Utopia and collapse: rethinking Metsamor, the Armenian atomic city
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Built in 1969, Metsamor, Armenia (then the Armenian Soviet Socialist Republic), was intended as a settlement for employees of a nearby nuclear power plant to be completed between 1976 and 1980. But the power plant would never realize the ambitions of its creators. In 1988, an earthquake caused the facility to be shut down. In 1989, the collapse of the Soviet Union prompted a complete construction freeze. The symbol of the dream of a technologically advanced nation, Metsamor remained incomplete and fell into decay undiminished by the recommissioning of the power plant in 1995. "Utopia and Collapse" documents the rise and fall of Metsamor.
Théorie de l’architecture
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work(...)
Ilf and Petrov's American road trip
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work in ''Ogonek,'' the Soviet equivalent of ''Time'' magazine, and later in the book ''Odnoetazhnaia Amerika'' (''Single-Storied America''). This wonderful lost workfilled with wry observations, biting opinions, and telling photographsis now collected in ''Ilf and Petrov's American Road Trip,'' the first English translation.
Trajets
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Despite attempts to promote the aesthetics of ruins in Russia - from Catherine the Great's construction of fake ruins in imperial parks to Josef Brodsky's elegiac meditations - ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive(...)
Architecture of oblivion : ruins and historical consciousness in modern Russia
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Despite attempts to promote the aesthetics of ruins in Russia - from Catherine the Great's construction of fake ruins in imperial parks to Josef Brodsky's elegiac meditations - ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive destruction and reconstruction. "Architecture of Oblivion "examines the role of ruins in the development of Russia's historical consciousness from the 18th century to the present. This original work from a leading authority on the subject will appeal to historians of Russian culture and thought, literature and art scholars, and general readers interested in ruins.
Théorie de l’architecture
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This publication is a new multi-text publication discussing the relationships between architects, artists and educators, specifically through the art which became an integral part of the fabric of educational buildings and their immediate environments in the twentieth century. The book maintains a multi-national focus, with essays on subjects as geographically varied as(...)
Théorie de l’art
novembre 2013
The Decorated School: essays on the visual culture of schooling
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This publication is a new multi-text publication discussing the relationships between architects, artists and educators, specifically through the art which became an integral part of the fabric of educational buildings and their immediate environments in the twentieth century. The book maintains a multi-national focus, with essays on subjects as geographically varied as the Edinburgh Schools Beautiful Scheme of the 1930s; the shaping of Chicago schools through murals in the early 20th century; Asger Jorn’s school decoration in Aarhus Statsgymnasium, Denmark, 1959–61; Soviet and Post-Soviet decorations and impressions in the context of School 6, Bishkek, Kyrgyzstan; and Colorism in 1950s in Hertfordshire schools.
Théorie de l’art
Marco Citron: urbanism 1.01
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Temporal displacement plays a key role in this attractive series of 40 colour photographs by Marco Citron. Through the use of a specific colour palette, reminiscent of postcards from the 1960s, he creates a nostalgic aura around his subject matter, the architectural landscapes of the Soviet Bloc. Housing blocks, wide plazas, highways on which only Trabants drive, and(...)
Marco Citron: urbanism 1.01
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Temporal displacement plays a key role in this attractive series of 40 colour photographs by Marco Citron. Through the use of a specific colour palette, reminiscent of postcards from the 1960s, he creates a nostalgic aura around his subject matter, the architectural landscapes of the Soviet Bloc. Housing blocks, wide plazas, highways on which only Trabants drive, and monumental governmental edifices comprise these sparsely populated landscapes. They challenge the viewer with their retro ambiguity. Mixing reality and fiction, “it is difficult to know whether Citron is recording some of the planning conceits of the Soviet era, or inventing them,” according to the text by Gerry Badger.
Monographies photo