2794 Résultats
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183 pages : illustrations (chiefly color) ; 29 cm
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183 pages : illustrations (chiefly color) ; 29 cm
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Aldeasa, Madrid : Museo Nacional Centro de Arte Reina Sofía, ©2002.
Aldeasa, Madrid : Museo Nacional Centro de Arte Reina Sofía, ©2002.
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Jean Nouvel / [catalogue, Ana Cela, Ana Martín].
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183 pages : illustrations (chiefly color) ; 29 cm
Jean Nouvel / [catalogue, Ana Cela, Ana Martín].
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183 pages : illustrations (chiefly color) ; 29 cm
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Aldeasa, Madrid : Museo Nacional Centro de Arte Reina Sofía, ©2002.
Aldeasa, Madrid : Museo Nacional Centro de Arte Reina Sofía, ©2002.
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Japan-ness in architecture
Japan-ness in architecture
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$35.95
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Résumé:
Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the(...)
$35.95
(disponible sur commande)
Résumé:
Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the(...)
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Histoire jusqu'à 1900, Asie
Histoire jusqu'à 1900, Asie
Publication:
janvier 1900, Cambridge / London
janvier 1900, Cambridge / London
Titre:
Japan-ness in architecture
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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers. Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design. Translated by Sabu Kohso. Foreword by Toshiko Mori.
Japan-ness in architecture
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$35.95
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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers. Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design. Translated by Sabu Kohso. Foreword by Toshiko Mori.
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livres
livres
Publication:
janvier 1900, Cambridge / London
janvier 1900, Cambridge / London
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Histoire jusqu'à 1900, Asie
Histoire jusqu'à 1900, Asie
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[189] pages : chiefly illustrations (some color), plans ; 23 cm.
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[189] pages : chiefly illustrations (some color), plans ; 23 cm.
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Firenze : Centro Di, ©1976.
Firenze : Centro Di, ©1976.
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Frank Lloyd Wright, disegni 1887-1959 / Alberto Izzo, Camillo Gubitosi.
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[189] pages : chiefly illustrations (some color), plans ; 23 cm.
Frank Lloyd Wright, disegni 1887-1959 / Alberto Izzo, Camillo Gubitosi.
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[189] pages : chiefly illustrations (some color), plans ; 23 cm.
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Firenze : Centro Di, ©1976.
Firenze : Centro Di, ©1976.
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127 pages : illustrations (some color), maps, plans ; 24 cm
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127 pages : illustrations (some color), maps, plans ; 24 cm
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Munich ; London : Prestel, ©2006.
Munich ; London : Prestel, ©2006.
Titre:
Kazuyo Sejima + Ryue Nishizawa : SANAA ; The Zollverein School of Management and Design, Essen, Germany / edited by Kristin Feireiss ; with contributions by Floris Alkemade [and others] ; [translations: James Roderick O'Donovan].
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127 pages : illustrations (some color), maps, plans ; 24 cm
Kazuyo Sejima + Ryue Nishizawa : SANAA ; The Zollverein School of Management and Design, Essen, Germany / edited by Kristin Feireiss ; with contributions by Floris Alkemade [and others] ; [translations: James Roderick O'Donovan].
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127 pages : illustrations (some color), maps, plans ; 24 cm
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Munich ; London : Prestel, ©2006.
Munich ; London : Prestel, ©2006.
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Architecture for Benetton
Architecture for Benetton
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$110.00
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Résumé:
Because United Colors of Benetton’s core business is clothing, the contemporary culture of design plays an important role in the group’s activity, including its corporate architecture. Benetton’s international brand style - combining colour, energy, and practicality - can be seen first in its buildings. In 1964, long before it was fashionable for designers to employ(...)
$110.00
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Because United Colors of Benetton’s core business is clothing, the contemporary culture of design plays an important role in the group’s activity, including its corporate architecture. Benetton’s international brand style - combining colour, energy, and practicality - can be seen first in its buildings. In 1964, long before it was fashionable for designers to employ(...)
Publication:
mai 2005, Milan
mai 2005, Milan
Titre:
Architecture for Benetton
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$110.00
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Because United Colors of Benetton’s core business is clothing, the contemporary culture of design plays an important role in the group’s activity, including its corporate architecture. Benetton’s international brand style - combining colour, energy, and practicality - can be seen first in its buildings. In 1964, long before it was fashionable for designers to employ brand-name architects, Lucianno Benetton chose two very young and ambitious architects, Afra and Tobia Scarpa, to design his first textile factory. This project marked the beginning of a vision of architecture aimed at enhancing the workplace: an architecture where image and substance come together. This unique book, brilliantly designed by Massimo Vignelli, brings together all of the Benetton buildings, including plans, 500 colour illustrations, superb photographs by Antonia Mulas, an interview with Luciano Benetton, and a chapter dedicated to Tadao Ando’s Fabrica building. With text in English, French, Spanish, German, and Japanese.
Architecture for Benetton
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$110.00
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Résumé:
Because United Colors of Benetton’s core business is clothing, the contemporary culture of design plays an important role in the group’s activity, including its corporate architecture. Benetton’s international brand style - combining colour, energy, and practicality - can be seen first in its buildings. In 1964, long before it was fashionable for designers to employ brand-name architects, Lucianno Benetton chose two very young and ambitious architects, Afra and Tobia Scarpa, to design his first textile factory. This project marked the beginning of a vision of architecture aimed at enhancing the workplace: an architecture where image and substance come together. This unique book, brilliantly designed by Massimo Vignelli, brings together all of the Benetton buildings, including plans, 500 colour illustrations, superb photographs by Antonia Mulas, an interview with Luciano Benetton, and a chapter dedicated to Tadao Ando’s Fabrica building. With text in English, French, Spanish, German, and Japanese.
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livres
livres
Publication:
mai 2005, Milan
mai 2005, Milan
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livres
livres
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$60.00
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In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches,(...)
$60.00
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In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches,(...)
Titre:
From the things themselves : architecture and phenomenology
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$60.00
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In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches, Chinese and Japanese gardens, to the work of contemporary architects.
From the things themselves : architecture and phenomenology
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$60.00
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In 21 texts, From the Things Themselves presents approaches relating architecture to phenomenology, and vice-versa. The philosophies of Husserl, Heidegger, and Merleau-Ponty are revisited and experienced through numerous architectural realizations: from the virtual world of Second Life, the poetical and spiritual worlds of Greek temples, Cistercian or Baroque churches, Chinese and Japanese gardens, to the work of contemporary architects.
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livres
livres
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mars 2013
mars 2013
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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221 pages : illustrations (chiefly color) ; 30 cm
Description:
221 pages : illustrations (chiefly color) ; 30 cm
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Basel ; Boston : Birkhäuser, 2004.
Basel ; Boston : Birkhäuser, 2004.
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Minimalist design / Franco Bertoni ; [translation into English, Lucinda Byatt].
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221 pages : illustrations (chiefly color) ; 30 cm
Minimalist design / Franco Bertoni ; [translation into English, Lucinda Byatt].
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221 pages : illustrations (chiefly color) ; 30 cm
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Basel ; Boston : Birkhäuser, 2004.
Basel ; Boston : Birkhäuser, 2004.
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Design essentials in earthquake resistant buildings, edited by Architectural Institute of Japan.
Design essentials in earthquake resistant buildings, edited by Architectural Institute of Japan.
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295 pages illustrations, plans 27 cm
Description:
295 pages illustrations, plans 27 cm
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Tokyo, Architectural Institute of Japan; Amsterdam, New York, Elsevier Pub. Co., 1970.
Tokyo, Architectural Institute of Japan; Amsterdam, New York, Elsevier Pub. Co., 1970.
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Design essentials in earthquake resistant buildings, edited by Architectural Institute of Japan.
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295 pages illustrations, plans 27 cm
Design essentials in earthquake resistant buildings, edited by Architectural Institute of Japan.
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295 pages illustrations, plans 27 cm
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livres
livres
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Tokyo, Architectural Institute of Japan; Amsterdam, New York, Elsevier Pub. Co., 1970.
Tokyo, Architectural Institute of Japan; Amsterdam, New York, Elsevier Pub. Co., 1970.
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livres
livres
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$75.00
(disponible sur commande)
Résumé:
As in the eponymous exhibition at Mori Art Museum, this volume examines the characteristics of ancient and classical Japanese architecture in a very ambitious attempt to elucidate the major currents of the nation’s architecture from the perspectives of how its genealogies have spread internationally, the pioneering figures in the process, and the mechanisms behind the(...)
$75.00
(disponible sur commande)
Résumé:
As in the eponymous exhibition at Mori Art Museum, this volume examines the characteristics of ancient and classical Japanese architecture in a very ambitious attempt to elucidate the major currents of the nation’s architecture from the perspectives of how its genealogies have spread internationally, the pioneering figures in the process, and the mechanisms behind the(...)
Titre:
Japan in architecture: genealogies of its transformation
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$75.00
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As in the eponymous exhibition at Mori Art Museum, this volume examines the characteristics of ancient and classical Japanese architecture in a very ambitious attempt to elucidate the major currents of the nation’s architecture from the perspectives of how its genealogies have spread internationally, the pioneering figures in the process, and the mechanisms behind the continued expansion of these genealogies today. It documents 100 projects across nine thematic sections, including materials, models, documents, and interactive installations. Nine stories which are ultimately hypothetical ones, in hopes that they will lead to new discussions and visions for the future of Japan.
Japan in architecture: genealogies of its transformation
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$75.00
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As in the eponymous exhibition at Mori Art Museum, this volume examines the characteristics of ancient and classical Japanese architecture in a very ambitious attempt to elucidate the major currents of the nation’s architecture from the perspectives of how its genealogies have spread internationally, the pioneering figures in the process, and the mechanisms behind the continued expansion of these genealogies today. It documents 100 projects across nine thematic sections, including materials, models, documents, and interactive installations. Nine stories which are ultimately hypothetical ones, in hopes that they will lead to new discussions and visions for the future of Japan.
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livres
livres
Publication:
mars 2019
mars 2019
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232 pages : illustrations ; 24 cm
Description:
232 pages : illustrations ; 24 cm
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©2017, London, UK : Lund Humphries, 2017.
©2017, London, UK : Lund Humphries, 2017.
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Travels with Frank Lloyd Wright / Gwyn Lloyd Jones.
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232 pages : illustrations ; 24 cm
Travels with Frank Lloyd Wright / Gwyn Lloyd Jones.
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232 pages : illustrations ; 24 cm
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livres
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©2017, London, UK : Lund Humphries, 2017.
©2017, London, UK : Lund Humphries, 2017.
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