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Women have been professional photographers since the inception of the medium, yet their work has received far less attention than that of their male colleagues. From the more than 15 million photographs stored in the Dutch National Archives in The Hague, the editors of ''Pioneers: Photography by women'' selected a compilation of more than 200 images by 42 female(...)
Pioneers: Photography by women
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Women have been professional photographers since the inception of the medium, yet their work has received far less attention than that of their male colleagues. From the more than 15 million photographs stored in the Dutch National Archives in The Hague, the editors of ''Pioneers: Photography by women'' selected a compilation of more than 200 images by 42 female photographers created between 1859 and 1999. It highlights well-known photographers in the Netherlands and abroad, such as Margaret Bourke-White and Eve Arnold, while also spotlighting under-recognized artists creating profound work. Whether through composition, technique or subject matter, their innovations paved the way for future generations of photographers.
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Montreal, like other major cities, has inspired an astonishing number of photographers intent on capturing the urban experience. For some, the camera has served as a coping mechanism with which to process the difficult aspects of city life. For others, it has provided a recording device to save vital facets of Montreal from being forgotten. For others still, it has been a(...)
Pounding the pavement: Montreal street photography
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Montreal, like other major cities, has inspired an astonishing number of photographers intent on capturing the urban experience. For some, the camera has served as a coping mechanism with which to process the difficult aspects of city life. For others, it has provided a recording device to save vital facets of Montreal from being forgotten. For others still, it has been a means of self-expression integral to a personal creative process. "Pounding the pavement" brings together thirty groups of work that exemplify the wide variety of approaches photographers have adopted when depicting the metropolis. What emerges from this unconventional assemblage is a history of Montreal, or at least a history of the ways Montrealers have used the street. The images occasionally reveal the city's beauty but more often convey its complexity, contradictions, diversity and comedy. Above all, they conjure the qualities that make some people want to leave Montreal and others want to stay forever.
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Montréal, comme d’autres grandes villes, a inspiré un nombre étonnant de photographes avides de capturer l'expérience urbaine. Dans certains cas, l'appareil photo a servi de mécanisme d'adaptation pour composer avec les difficultés de la vie en ville. Dans d'autres cas, il fut employé comme un outil de documentation, pour sauver de l'oubli des aspects essentiels de(...)
Battre le pavé : La photo de rue à Montréal
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Montréal, comme d’autres grandes villes, a inspiré un nombre étonnant de photographes avides de capturer l'expérience urbaine. Dans certains cas, l'appareil photo a servi de mécanisme d'adaptation pour composer avec les difficultés de la vie en ville. Dans d'autres cas, il fut employé comme un outil de documentation, pour sauver de l'oubli des aspects essentiels de Montréal. Dans d'autres encore, l'appareil a été un moyen d'expression faisant partie intégrante d'un processus de création personnel. "Battre le pavé" réunit trente corpus d’œuvres qui illustrent les multiples approches adoptées par les photographes pour représenter la métropole. Il ressort de cet assemblage non conventionnel une histoire de la ville, ou du moins une histoire des façons dont les Montréalais et les Montréalaises se sont approprié la rue. Les images révèlent parfois la beauté de la ville, mais plus souvent, elles témoignent de sa complexité, de ses contradictions, de sa diversité et de son humour. Avant tout, elles évoquent ce qui pousse certaines personnes à vouloir quitter Montréal, et d'autres à vouloir y rester à jamais.
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Models
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This artist book brings together 44 photographs showing famous architects together with their architecture models. The images are arranged according to the position of the model and the height of the architect’s view : from those looking up to the model to those looking down on it from a god-like perspective. By this, these image start to speak about the model 'as a(...)
Models
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This artist book brings together 44 photographs showing famous architects together with their architecture models. The images are arranged according to the position of the model and the height of the architect’s view : from those looking up to the model to those looking down on it from a god-like perspective. By this, these image start to speak about the model 'as a stage' on which the architect performs his role. As an additional feature, the second edition also includes architects cutting a cake in the shape of one of their buildings.
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Picturing the invisible
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Published in memory of the Great East Japan Earthquake, tsunami, and nuclear disaster, ‘'Picturing the Invisible'’ explores the realities of life in the wake of this seismic event, which shook Japan to its core. Even today, vast swathes of land remain uninhabitable. More than 35,000 people are unable to return to their homes, and many more choose not to, concerned that(...)
Picturing the invisible
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Published in memory of the Great East Japan Earthquake, tsunami, and nuclear disaster, ‘'Picturing the Invisible'’ explores the realities of life in the wake of this seismic event, which shook Japan to its core. Even today, vast swathes of land remain uninhabitable. More than 35,000 people are unable to return to their homes, and many more choose not to, concerned that life in Fukushima may not be as safe as the government claims. Edited by Makoto Takahashi, the book brings together seven photographers working in the affected territories: Takashi Arai, Rebecca Bathory, Thom Davies, Masamichi Kagaya and Satoshi Mori, Yoi Kawakubo, Giles Price, and Lieko Shiga.
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Forty-two artists across four generations chart the history of Italian photography from the 1980s to the present. Pitting Arte Povera and Neorealism against the New Color movement and the German school, No Place Like Home charts the evolution of Italian photography since the 1980s, featuring 340 images by Guido Guidi, Armin Linke, Francesco Neri and Giulia Agostini, among(...)
No place like home: Italian photography since the 1980s
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Forty-two artists across four generations chart the history of Italian photography from the 1980s to the present. Pitting Arte Povera and Neorealism against the New Color movement and the German school, No Place Like Home charts the evolution of Italian photography since the 1980s, featuring 340 images by Guido Guidi, Armin Linke, Francesco Neri and Giulia Agostini, among many others.
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The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to(...)
Photography and the Black Arts movement, 1955-1985
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The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to contribute to the development of a distinctly Black art and culture. The book’s essays by distinguished scholars focus on topics such as women and the movement, community, activism, and Black photojournalism. Taking an expansive approach, the authors consider the complex connections between American artists and the African diaspora and the dynamic interchange of pan-African ideas that propelled the movement. Authoritative and beautifully illustrated, this is the definitive volume on photography and the Black Arts Movement.
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized(...)
The Book of Images: A dictionary of visual experiences
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized in alphabetical order, it boasts 299 contemporary artists and photographers; 310 stories and legends; 957 color and black-and-white pictures; and 1,215 ideas and concepts. As Kessels writes: “Learn how to look differently and see more, and get inspired by this book on how to SHOW photography.”
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Une enquête photographique collective sur le sentiment d’appartenance à un territoire. Que signifie « être d’ici »? Partant du constat d’une société toujours plus fragmentée socialement et territorialement, le collectif de photographes LesAssociés a mené à l’échelle de la région Nouvelle-Aquitaine, une enquête qui vise à élargir cette question identitaire. Et si, à(...)
D'ici, ça ne paraît pas si loin
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Une enquête photographique collective sur le sentiment d’appartenance à un territoire. Que signifie « être d’ici »? Partant du constat d’une société toujours plus fragmentée socialement et territorialement, le collectif de photographes LesAssociés a mené à l’échelle de la région Nouvelle-Aquitaine, une enquête qui vise à élargir cette question identitaire. Et si, à l’heure des nouveaux ensembles – régions, Europe –, nos identités étaient multiples? « D’ici, ça ne paraît pas si loin » invite à trois voyages – géographique, temporel et affectif –, autour de trois questions : quelle ruralité à l’ère des métropoles? quel horizon pour chacun? d’où se raconte l’histoire qu’un territoire inspire? S'incarnant dans une géographie abstraite qui dépasse les frontières du Sud-Ouest, ce livre mêle textes et images en renouvelant les idées de faire culture et de faire société.
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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
En construction : de Molitor à Artem
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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
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