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335 pages : illustrations (chiefly color), color charts, color maps, plans (some color) ; 25 cm
Basel : Birkhäuser, [2021], ©2021
Korean modern : the matter of identity : an exploration into modern architecture in an East Asian country / Peter G. Rowe, Yun Fu and Jihoon Song.
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335 pages : illustrations (chiefly color), color charts, color maps, plans (some color) ; 25 cm
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Basel : Birkhäuser, [2021], ©2021
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284 pages : illustrations (some color) ; 28 cm
Montréal, Québec : Musée d'art contemporain de Montréal, [2018], ©2018
Françoise Sullivan / [contributions by] Mark Lanctôt ; avec la collaboration de Vincent Bonin, Chantal Charbonneau, Ray Ellenwood, Noémie Solomon.
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284 pages : illustrations (some color) ; 28 cm
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Montréal, Québec : Musée d'art contemporain de Montréal, [2018], ©2018
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4 unnumbered leaves, 96 pages, 4 unnumbered pages, 1 unnumbered leaf of plates : illustration (folded plan) ; 22 cm
Parma (Italy) : Della Stamperia Blanchon, 1817.
Descrizione del Gran Teatro Farnesiano di Parma e notizie storiche sul medesimo / di Paolo Donati Parmigiano, architetto teatrale, academico di Bologna e professore della Reale Accademia di Firenze.
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4 unnumbered leaves, 96 pages, 4 unnumbered pages, 1 unnumbered leaf of plates : illustration (folded plan) ; 22 cm
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Parma (Italy) : Della Stamperia Blanchon, 1817.
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198 pages : illustrations (chiefly colour) ; 27 cm
Fredericton, New Brunswick : Goose Lane Editions = Guus nain titiraqtangit ; Kleinburg, Ontario : McMichael Canadian Art Collection = Makmaikul kanatami sanaugarnik katiqsuijiit, [2019], ©2019
Itee Pootoogook : hymns to the silence / [texts assembled by] Nancy Campbell = ᐊᐃᑎ ᐳᑐᒍᖅ : ᓂᐱᖃᓐᖕᒋᑦᑐᒧᑦ ᐱᓰᑦ / ᓈᓐᓯ ᑳᒻᐳᓪ. Itee Pootoogook : hymns to the silence / [texts assembled by] Nancy Campbell = Aiti Putuguq : nipiqanngittumut pisiit / Naansi Kaampul.
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198 pages : illustrations (chiefly colour) ; 27 cm
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Fredericton, New Brunswick : Goose Lane Editions = Guus nain titiraqtangit ; Kleinburg, Ontario : McMichael Canadian Art Collection = Makmaikul kanatami sanaugarnik katiqsuijiit, [2019], ©2019
$30.00
(disponible en magasin)
Résumé:
Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play.(...)
Description of San Marco by Michel Butor
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$30.00
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play. Six decades later, the artist Giovanna Silva stumbled upon an English translation of the French essayist's queer text in an archive at the New York Public Library. Returning to Venice, she cast her eye to the square and its surrounds, an iconic space at once populated by signs of contemporary life, but also astonishingly unchanged.
Monographies photo
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The depiction of architecture through language: few contemporary architects have pursued this issue so pointedly and steadfastly as Wolf D. "Prix of the Vienna studio Coop Himmelb(l)au. Texts play a prominent role in the award-winning architectural office's creative output. Get off of my cloud" gathers together the first representative selection of writings including(...)
Architecture, monographies
janvier 1900, Ostfildern-Ruit
Get off of my cloud : Wolf D. Prix - CoopHimmelb(l)au - texts 1968-2005
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The depiction of architecture through language: few contemporary architects have pursued this issue so pointedly and steadfastly as Wolf D. "Prix of the Vienna studio Coop Himmelb(l)au. Texts play a prominent role in the award-winning architectural office's creative output. Get off of my cloud" gathers together the first representative selection of writings including programmatic contributions, aphorisms, interviews, polemics, speeches, and lectures. The texts, written in the time from 1968 to 2005, open a multitude of insights into the theoretical and artistic content of the expansive work of Coop Himmelb(l)au. They likewise illuminate the work of other architects and pose provocative questions for architecture, art, and politics.
Architecture, monographies
$54.00
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The desert is a huge paradox. Beneath its outward appearance of immensity and silence, are the sounds of various experiments, mysteries, and utopias. The setting of outrageous true histories, entertainment oases founded on consumerism and play, and the secret staging of military power, the desert is far from empty. Instead, it is full of activity: unexpected, uninhibited,(...)
décembre 2005, Barcelona
Desert America: Territory of paradox
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The desert is a huge paradox. Beneath its outward appearance of immensity and silence, are the sounds of various experiments, mysteries, and utopias. The setting of outrageous true histories, entertainment oases founded on consumerism and play, and the secret staging of military power, the desert is far from empty. Instead, it is full of activity: unexpected, uninhibited, and excessive. Not subject to barriers and seemingly free of the formal, ideological or cultural ties of global society, the desert cultivates alternate architectures, urbanisms, and built phenomena. Through photographs, essays, and history, this book emerges as an exploration of some of these phenomena and the protagonists that made them possible.
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What is the future of the art museum? Should artists and critics have greater say in museum programming? What role can new museum technologies play in the future of the art museum? How should art museums address and correct past histories of predjudice and exclusion? Are art museums doomed to extinction? These pertinent questions and others are asked, discussed, and(...)
Museums of tomorrow : a virtual discussion
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What is the future of the art museum? Should artists and critics have greater say in museum programming? What role can new museum technologies play in the future of the art museum? How should art museums address and correct past histories of predjudice and exclusion? Are art museums doomed to extinction? These pertinent questions and others are asked, discussed, and sometimes even answered in "Museums of tomorrow" - documentation of a two-week online conference on the role and future of art museums. Thirty scholars, artists, museum directors, and curators participated in the discussion which was moderated by curator and essayist Maurice Berger for the Georgia O’Keeffe Museum’s Research Center Website.
Females
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Drawing inspiration from a forgotten play by Valerie Solanas—who wrote the SCUM Manifesto and shot Andy Warhol—Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women(...)
Females
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Drawing inspiration from a forgotten play by Valerie Solanas—who wrote the SCUM Manifesto and shot Andy Warhol—Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential condition that afflicts the entire human race—men, women, and everyone else. In a new afterword, Chu reflects on the book’s reception, the growing anti-trans movement in America, and the continuing need for a radical theory of desire.
Social
Branding from A to Z
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". . . a glimpse of the "golden arches" along the highway makes our mouth water- then we begin to understand what it is that distinguishes personalities and brand personalities from mere names or brand names." (from "Branding from A to Z") We live in a world of brands. Brands play a crucial role in business competition but have also become an important social(...)
Branding from A to Z
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". . . a glimpse of the "golden arches" along the highway makes our mouth water- then we begin to understand what it is that distinguishes personalities and brand personalities from mere names or brand names." (from "Branding from A to Z") We live in a world of brands. Brands play a crucial role in business competition but have also become an important social phenomenon. Brands are represented by signs and symbols, gestures and images. They stand for values, hopes, and desires, for experiences and expectations. They evoke emotions and associations. "Branding from A to Z" is a crash course in the essence and impact of brands from A to Z.