36938 Résultats
Classification:
dessins
dessins
Numéro de référence:
AP154.S1.1973.PR01.SS2.034
Description:
Twenty-nine drawings numbered 159A-159F, 159K and SK105 through SK225 with significant gaps. Includes drawings for lavatory details, entrance to truck dock, beam above loading dock, alternate toilet partitions, mock-up of building standards, section thru upper floor elevator lobby, profile study of existing and proposed sidewalk elevations, public corridor details--multi-tenant floors, reflected ceiling plan for multi-tenant floors, thermostat enclosure, alternate fire alarm elevations, towel cabinet details, modesso vendor & sanisac disposer, isometric dtails at truck entrance, bronze fresh air inlet cover, illuminated sign fixtures, isometric details of typical spandrel along bldg. line, proposed revision 2nd sub-cellar shelter area, bronze flue cover and cap at 11th floor roof.
AP154.S1.1973.PR01.SS2.034
Description:
Twenty-nine drawings numbered 159A-159F, 159K and SK105 through SK225 with significant gaps. Includes drawings for lavatory details, entrance to truck dock, beam above loading dock, alternate toilet partitions, mock-up of building standards, section thru upper floor elevator lobby, profile study of existing and proposed sidewalk elevations, public corridor details--multi-tenant floors, reflected ceiling plan for multi-tenant floors, thermostat enclosure, alternate fire alarm elevations, towel cabinet details, modesso vendor & sanisac disposer, isometric dtails at truck entrance, bronze fresh air inlet cover, illuminated sign fixtures, isometric details of typical spandrel along bldg. line, proposed revision 2nd sub-cellar shelter area, bronze flue cover and cap at 11th floor roof.
Personnes et institutions:
Date:
1956-1958
1956-1958
Titre:
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS2.034
Description:
Twenty-nine drawings numbered 159A-159F, 159K and SK105 through SK225 with significant gaps. Includes drawings for lavatory details, entrance to truck dock, beam above loading dock, alternate toilet partitions, mock-up of building standards, section thru upper floor elevator lobby, profile study of existing and proposed sidewalk elevations, public corridor details--multi-tenant floors, reflected ceiling plan for multi-tenant floors, thermostat enclosure, alternate fire alarm elevations, towel cabinet details, modesso vendor & sanisac disposer, isometric dtails at truck entrance, bronze fresh air inlet cover, illuminated sign fixtures, isometric details of typical spandrel along bldg. line, proposed revision 2nd sub-cellar shelter area, bronze flue cover and cap at 11th floor roof.
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS2.034
Description:
Twenty-nine drawings numbered 159A-159F, 159K and SK105 through SK225 with significant gaps. Includes drawings for lavatory details, entrance to truck dock, beam above loading dock, alternate toilet partitions, mock-up of building standards, section thru upper floor elevator lobby, profile study of existing and proposed sidewalk elevations, public corridor details--multi-tenant floors, reflected ceiling plan for multi-tenant floors, thermostat enclosure, alternate fire alarm elevations, towel cabinet details, modesso vendor & sanisac disposer, isometric dtails at truck entrance, bronze fresh air inlet cover, illuminated sign fixtures, isometric details of typical spandrel along bldg. line, proposed revision 2nd sub-cellar shelter area, bronze flue cover and cap at 11th floor roof.
Classification:
dessins
dessins
Date:
1956-1958
1956-1958
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Personnes et institutions:
Date:
1918-1945
1918-1945
Titre:
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Niveau de description archivistique:
series
series
Date:
1918-1945
1918-1945
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR03
Description:
This project series documents renovations and expansions to the Dorchester Corporation offices in Chicago from 1987-1988. The office identified the project number as 8736. This project primarily consisted of the expansion and renovation of the offices located on the 23rd and 24th floor of the historic Jeweler's Building located at 35 East Wacker Drive. The client, Marex Properties Limited, requested the interior modernization of the terracotta-faced building, without compromising its historical character. This included the general update of public spaces, the redesign of typical office corridors, washrooms, windows and signage. The 23rd floor was gutted and rebuilt with a new glass façade, exterior deck and interior layout. An additional 4,000 square feet of space was added to the 24th floor by pushing the exterior walls outward. A complete upgrade of life safety, HVAC, mechanical and electrical systems was also implemented. Led by Marianne McKenna and Thomas Payne, this project won the 1990 Modernization Award of Excellence from Buildings Magazine. The project is recorded through drawings and photographic materials dating from 1987-1989. The drawings are mostly originals and include sketches, presentation drawings, plans and elevations.
AP056.S1.1987.PR03
Description:
This project series documents renovations and expansions to the Dorchester Corporation offices in Chicago from 1987-1988. The office identified the project number as 8736. This project primarily consisted of the expansion and renovation of the offices located on the 23rd and 24th floor of the historic Jeweler's Building located at 35 East Wacker Drive. The client, Marex Properties Limited, requested the interior modernization of the terracotta-faced building, without compromising its historical character. This included the general update of public spaces, the redesign of typical office corridors, washrooms, windows and signage. The 23rd floor was gutted and rebuilt with a new glass façade, exterior deck and interior layout. An additional 4,000 square feet of space was added to the 24th floor by pushing the exterior walls outward. A complete upgrade of life safety, HVAC, mechanical and electrical systems was also implemented. Led by Marianne McKenna and Thomas Payne, this project won the 1990 Modernization Award of Excellence from Buildings Magazine. The project is recorded through drawings and photographic materials dating from 1987-1989. The drawings are mostly originals and include sketches, presentation drawings, plans and elevations.
Personnes et institutions:
Date:
1987-1989
1987-1989
Titre:
The Dorchester Corporation, Chicago (1987-1988)
Actions:
AP056.S1.1987.PR03
Description:
This project series documents renovations and expansions to the Dorchester Corporation offices in Chicago from 1987-1988. The office identified the project number as 8736. This project primarily consisted of the expansion and renovation of the offices located on the 23rd and 24th floor of the historic Jeweler's Building located at 35 East Wacker Drive. The client, Marex Properties Limited, requested the interior modernization of the terracotta-faced building, without compromising its historical character. This included the general update of public spaces, the redesign of typical office corridors, washrooms, windows and signage. The 23rd floor was gutted and rebuilt with a new glass façade, exterior deck and interior layout. An additional 4,000 square feet of space was added to the 24th floor by pushing the exterior walls outward. A complete upgrade of life safety, HVAC, mechanical and electrical systems was also implemented. Led by Marianne McKenna and Thomas Payne, this project won the 1990 Modernization Award of Excellence from Buildings Magazine. The project is recorded through drawings and photographic materials dating from 1987-1989. The drawings are mostly originals and include sketches, presentation drawings, plans and elevations.
The Dorchester Corporation, Chicago (1987-1988)
Actions:
AP056.S1.1987.PR03
Description:
This project series documents renovations and expansions to the Dorchester Corporation offices in Chicago from 1987-1988. The office identified the project number as 8736. This project primarily consisted of the expansion and renovation of the offices located on the 23rd and 24th floor of the historic Jeweler's Building located at 35 East Wacker Drive. The client, Marex Properties Limited, requested the interior modernization of the terracotta-faced building, without compromising its historical character. This included the general update of public spaces, the redesign of typical office corridors, washrooms, windows and signage. The 23rd floor was gutted and rebuilt with a new glass façade, exterior deck and interior layout. An additional 4,000 square feet of space was added to the 24th floor by pushing the exterior walls outward. A complete upgrade of life safety, HVAC, mechanical and electrical systems was also implemented. Led by Marianne McKenna and Thomas Payne, this project won the 1990 Modernization Award of Excellence from Buildings Magazine. The project is recorded through drawings and photographic materials dating from 1987-1989. The drawings are mostly originals and include sketches, presentation drawings, plans and elevations.
Niveau de description archivistique:
Project
Project
Date:
1987-1989
1987-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
Personnes et institutions:
Date:
1992-1995
1992-1995
Titre:
Regional Facility for Federally Sentenced Women, Kitchener, Ontario (1992-1994)
Actions:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
Regional Facility for Federally Sentenced Women, Kitchener, Ontario (1992-1994)
Actions:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
Niveau de description archivistique:
Project
Project
Date:
1992-1995
1992-1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1968.PR01
Description:
This project series documents St. John's City Hall and Civic Centre in Newfoundland from 1968-1970. The office identified the project number as 68002. This project consisted of three phases of development, with phase I being city hall, phase II being a commercial redevelopment, and phase III being additional public buildings. The master program included plans for a library, department store, supermarket, retail stores, a movie theatre, a hotel with a restaurant and banquet hall, a bus terminal and 160 residential units. It is not clear from the project materials whether these buildings were realized. The city hall site consisted of a concrete building on New Grower Street, which sat atop a concrete podium with parking below. A system of diagonal terraces with pedestrian areas also made up the podium. City hall, which was approximately four-storeys at its maximum height, included council chambers, offices, a great hall with artifacts and memorials, and municipal departments, among others. This project won an Award of Excellence for The Canadian Architect in 1968. The project is recorded through reprographic copies of mechanical and electrical drawings dating from 1970.
AP018.S1.1968.PR01
Description:
This project series documents St. John's City Hall and Civic Centre in Newfoundland from 1968-1970. The office identified the project number as 68002. This project consisted of three phases of development, with phase I being city hall, phase II being a commercial redevelopment, and phase III being additional public buildings. The master program included plans for a library, department store, supermarket, retail stores, a movie theatre, a hotel with a restaurant and banquet hall, a bus terminal and 160 residential units. It is not clear from the project materials whether these buildings were realized. The city hall site consisted of a concrete building on New Grower Street, which sat atop a concrete podium with parking below. A system of diagonal terraces with pedestrian areas also made up the podium. City hall, which was approximately four-storeys at its maximum height, included council chambers, offices, a great hall with artifacts and memorials, and municipal departments, among others. This project won an Award of Excellence for The Canadian Architect in 1968. The project is recorded through reprographic copies of mechanical and electrical drawings dating from 1970.
Personnes et institutions:
Date:
1970
1970
Titre:
City Hall and Civic Centre, St. John's, Newfoundland (1968-1970)
Actions:
AP018.S1.1968.PR01
Description:
This project series documents St. John's City Hall and Civic Centre in Newfoundland from 1968-1970. The office identified the project number as 68002. This project consisted of three phases of development, with phase I being city hall, phase II being a commercial redevelopment, and phase III being additional public buildings. The master program included plans for a library, department store, supermarket, retail stores, a movie theatre, a hotel with a restaurant and banquet hall, a bus terminal and 160 residential units. It is not clear from the project materials whether these buildings were realized. The city hall site consisted of a concrete building on New Grower Street, which sat atop a concrete podium with parking below. A system of diagonal terraces with pedestrian areas also made up the podium. City hall, which was approximately four-storeys at its maximum height, included council chambers, offices, a great hall with artifacts and memorials, and municipal departments, among others. This project won an Award of Excellence for The Canadian Architect in 1968. The project is recorded through reprographic copies of mechanical and electrical drawings dating from 1970.
City Hall and Civic Centre, St. John's, Newfoundland (1968-1970)
Actions:
AP018.S1.1968.PR01
Description:
This project series documents St. John's City Hall and Civic Centre in Newfoundland from 1968-1970. The office identified the project number as 68002. This project consisted of three phases of development, with phase I being city hall, phase II being a commercial redevelopment, and phase III being additional public buildings. The master program included plans for a library, department store, supermarket, retail stores, a movie theatre, a hotel with a restaurant and banquet hall, a bus terminal and 160 residential units. It is not clear from the project materials whether these buildings were realized. The city hall site consisted of a concrete building on New Grower Street, which sat atop a concrete podium with parking below. A system of diagonal terraces with pedestrian areas also made up the podium. City hall, which was approximately four-storeys at its maximum height, included council chambers, offices, a great hall with artifacts and memorials, and municipal departments, among others. This project won an Award of Excellence for The Canadian Architect in 1968. The project is recorded through reprographic copies of mechanical and electrical drawings dating from 1970.
Niveau de description archivistique:
Project
Project
Date:
1970
1970
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Miscellanea
Miscellanea
Numéro de référence:
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Personnes et institutions:
Date:
[ca. 1825-1884]
[ca. 1825-1884]
Titre:
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Niveau de description archivistique:
File 6
File 6
Date:
[ca. 1825-1884]
[ca. 1825-1884]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Personnes et institutions:
Date:
1983-1992
1983-1992
Titre:
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Niveau de description archivistique:
Project
Project
Date:
1983-1992
1983-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
Personnes et institutions:
Date:
1999-2005
1999-2005
Titre:
Vancouver Convention Centre, Portside expansion, British Columbia (2005)
Actions:
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
Vancouver Convention Centre, Portside expansion, British Columbia (2005)
Actions:
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
Niveau de description archivistique:
Project
Project
Date:
1999-2005
1999-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Personnes et institutions:
Date:
1978-1986
1978-1986
Titre:
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Niveau de description archivistique:
Project
Project
Date:
1978-1986
1978-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Personnes et institutions:
Date:
1992-1993
1992-1993
Titre:
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Niveau de description archivistique:
Project
Project
Date:
1992-1993
1992-1993
Personnes et institutions:
